A Breath of Fresh Eyre cance ee etd ese e eT ea CO Sa es A %, 8 BS Me ie Pr Oac oe Tema mo rey Nee Tt LrAlberto Martino (Universit Wen) Redskon Est Grabowski Ame der Rein Trt fr Veihende Litera, Berges 1/5, A080 Win A Breath of Fresh Eyre Intertextual and Intermedial Reworkings of Jane Eyre Edited by Margarete Rubik Hke Mettinger-Schartmann ey “Atria - New Yor NY 2007Per Port epi srlgl epésent vag ot img emit es presto ion et cocamenation - Papier pour doeunenis The paper on which ths book ie pited mes the requienes ‘rpemanen Printed a The Nedeands Table of Contents Margarete Rub ond Eke MattngerSchartmann codon Prologue: A General Survey Berber Shall ‘The Stage Afer Live of one Be Part Novel Adaptations ‘The Fre Thar Hos Happeod: Narative Freedom and Dia be in ean Rhye Wide Sagar Sea Proms Loe andape sn Chaitin Jane Bre sn Wide Sarg Sea olfong 0. Mer ling Un Ser fhe Ee (in Poa Mar Lv Sue Thomas ato of Sexi, Bmpr and Slavery: DM Thoma’ Charo Mogg Tonkin MeCooocte's Colder ma19 “ane Eyre Outer Soc: po 19 ist 1a a ‘Aa Eyres Afi: Jasper led’ Seeing Bison of Jae ro Cro Dole Genin the Jone Eyre Fis 2 Mare Haris ‘Rete, be Mao Wi: Absigig ond Adapting Jone Fyre for Ciren and Young Ads 29 Norbert Bacher Tie Eye fo Young Readers: Thee sete Adaptations Ea Mist Braces Jove yr usted ar I: Stage Adaptations —Opera and Drama Myth Oper: David Malou nd Miia! Bele sJane Bre ‘he Madoran inthe Case: Intermed, Female Sebjetviy, tal Dance Misha! Beles Jane Eyre Ble Menger charmann Join Brougham’ Stage Adept of Jae Ee 1 Marit Reading of Boats Novel! ‘Blan ue: Jane Eyre as an Inert of arth Kee’ lated Epilogue: A Dramatise's Point of View Mehelne Wonder Reser Who Weote You? ‘Av Atocia Exel yon Jone Fyre Notes on Canabtors cr296 Michosa Broce Reyoolis, Kimberley, and Nils Hunt, els. Vdoron Herne: Aline Ferra ‘Reoreeiions of amin In 19 Cetry Litera and Ar. New Paula Rego’s Visual Adaptations of Jane EyreTeel explis er method of work, Hew ides for ber pings er Panla Regs Val Adeptations of fame Bye 29 Porque and way of desing, The padlla hat pos wth the work ‘Wie Rego ses ert at iti ae onthe ther hd i considered ‘rongr Dt stceptible 10 vemos At Rego mains, ne Fyre i00 Aline Perera Peala Regs Vowel Adptations of lane Bye so young een with recourse 10 its om blood, as well a sefsarifiee Tis {eat este an nd slain are Both aso ssid wth Tie peti F = ‘Sey estocned wi Mr Rochester rt wiles Rgo's vse ara {he plea’ backs fia mort ero entrace, The eligou sysboion ‘toned wih paliun Hinks it wh och characteris as muir of ‘riding his Rare, a wel ss subsoqent fl with Jane winesing his3 Aline Ferra Ponta Reg’ VoulAdepatons of ane Be a sess in the background, Rego comments aboot tir Hthogaph are ‘ie ftom the specatar Even teagh herPola Repos Veul Adoption ef ae Eye ow" Hall nis dream, Jane wet hack impitively tthe Red Room of ber Childhod ie Cues, wha a rtd il i he ae to ong ope ter nbjct mater, in hs ate Jane Be abrating one len megs UF tbe ek and expanding them i now drocions. AS Jo FemanesPana Rego’ Va Adeptation of fea 0810 Aline Ferra ‘ing ote novel all of which is brought together in agonsng connection PeulaReg's Ysa Adaptation of ae Bye auPry Aline Ferrera Caote Brat’ Jane Bye i work whose ating bility to spe 1 tn Mary. Fire aod Light in Jone Eyre” Approaches to Teaching ane “Bye Ba Cine Lang Hover snd Beh La. Now Yoo: MLA, 1993 me Bye, 2001-2002. Lithograph. Cope ait, photo of Marbreog Fe At (Londo) Lid. Paula Rag, Come o Me, 2001-2002. Caoured lithograph Copyright the ist, photos coutes) of Matborough Fine Ar (Lonon) Li.