Tenor Saxophone Periwinkle Comp.

& Solo by Seamus Blake

q=165
B7(#11) B¨Œ„Š7 G‹7
        
                    
FŒ„Š7 C‹7 B7(#11)
 
5
 3         
       

B¨Œ„Š7    3   
     
9 G‹7
  
    


3 3

C7(b9) C‹7
13
        
     

D¨Œ„Š7(#11) E¨7
17
            
          

D‹6
   
21
    
         
 3

25 B7(#11)
       
B¨7
    
       
        

29 A7(b13)            A¨Œ„Š7(#11)
    
      
      

33 G7
 
C©7(#9)
   
          
      
3 3 3 3 3

37     
C‹7 F7 
       
        
     
3 3
 Tenor Saxophone

41 B¨Œ„Š7      B‹7

             
        
3

C7(“4)
 D‹7
  
45

             

E‹7   E¨Œ„Š7(#11)  
   
49
      
  
D7(b13)              
D¨7
53
      
   
 
C‹6 D¨7
         
    
57
      
 
 
C‹6 D¨7
             
    
61
       

  
3
    B7(#11)
65 F©7(#11) 3
           
E7(b13) A7(b13)
      
  
  
3 3 3 3 3

69 A¨Œ„Š7(#11) G‹7    C7  


                     
 
73 FŒ„Š7
3
C‹7      FŒ„Š7
3        C‹7   
    
           
3 3 3 3 3 3 3
FŒ„Š7 C‹7 FŒ„Š7 B7(#11)
77 3
    3        
     
3  
        
3 3 3 3
 Tenor Saxophone


 
81 B¨Œ„Š7  G‹7    

   
FŒ„Š7
       
C‹7 B7(#11)
85                 
  

3
89
  
B¨Œ„Š7   G‹7         
 
              

93
C7(b9)      C‹7


   
       

D¨Œ„Š7(#11) E¨7
97           
        
             
 

   
  
D‹6
        
101
      
      

3

B7(#11) B¨7
105
             
             

A7(b13) A¨Œ„Š7(#11)
3
  
         
109 3

      
3 3
     
  3  3
3 3
C©7(#9)
113 G7 3
3 3 3 3
    
3 3
    
     
            
3
3
        
C‹7 
F7  
    
117
    
     
 Tenor Saxophone

4
B¨Œ„Š7     B‹7     
121           

  
C7(“4) 3  D‹7

125               

     
3

E¨Œ„Š7(#11)      
129

E‹7
   
      

    
D7(b13)  
D¨7
 
              
133
      

C‹6
 D¨7
137                               

4 4 4 4

C‹6           D¨7
  
141   
     
F©7(#11) 4 B7(#11) E7(b13) 4 A7(b13)
               
    
       
145
   
 
3 3 3
A¨Œ„Š7(#11) G‹7 C7
            
3  
149

  
       
4 4

    C‹7            
      
FŒ„Š7 C‹7 FŒ„Š7
     
153

     

FŒ„Š7 C‹7 FŒ„Š7 B7(#11)

3

157 3
           
3
    
        
    
3 3 3 3