COLLEGE LONDONContents GROUP A ‘Aguado Lesson no. 8. 3 Mourat Etude no. II. 4 de Murcia Allegro. 6 Sor Allegretto, op. 44 no. 19 7 GROUP B Bravo La Nave de Zvonimir. . 5 Cordero El Caminante. ae 10 Domeniconi Bosse Triste. — n Ferrer Nocturno, op. 17 no. 4 2 Sollory, Mountain Song——— a ‘Stachak Parisian Waltz. 16 Alternative pieces for this grade GROUP A Composer Piece Book Publisher 'S Bach, arr Koonce Sarabande BWV995 The Solo Lute Works of Johann Sebastian Bach Kjos WGIOO Carcassi_ Etude Tor Etude 2 25 Etudes, op. 60 ‘Chanterelle ECH9470 ‘Sor Etude, op. 31no. 5 The Complete Studies for Guitar Chanterelle ECH491 Weiss Prelude ‘The Baroque Book ‘Chanterelle ECH21m GROUP B Composer » Piece Book Publisher Brouwer Etude 9 Etudes Simples vol. 2 Eschig ME7998- Garcia Voiles Rouges, no. 5 25 Etudes Esquisses Mel Bay MB95430 Oser Meu Chorinho ‘Samba Feliz Doblinger DOBL35933 Ponce Prélude VI ‘12 Préludes Schott GA540 Ryan Birds Flew over the Spire City Scenes Camden CM251 ‘Trad. arr. Shibata Make Tomorrow a Sunny Day _ Songs of Oriental Children Lathkill LMPOOT ppieces from group Piece t: Piece alternative ist alternative list CChosen from this book or from those in the | Chosen from this book or fom those in the Piece 3: Chasen from this book or from those inthe alternative lst or candidate's own composition (see current sylabus for deals) Allpieces inthis volume have been edited with regard to current conceats of performance practice. Fingering and dynamics have been svagested to assist candidates and thelr teachers in developing their own interpretations. Markings in square brackets are editorial, Metronome marks are given as aquide but do not need tobe observed exactly, as long as the style and character ofthe plece Is maintained. Repeats of more than a few bars shouldbe omited in the exam unless otherwise instructed in the syllabus or inthis Book, but al da capo ‘and da segno instructions should be observed. Every effort has been made to trace and acknowledge the copyright owners. f any right has been omitted or if any detalis incorrect, ‘Trnty College London will rectify this in any subsequent reprints following notification. Important Candidates and teachers must refer tothe Information & Regulations booklet (wwvetrinitycollege.com/essentilinformation) {or all exam reauirements and reaulations.TRINITY COLLEGE LONDON Pieces for Trinity College London exams 2016-2019 Publishes by Trinity College London ntrinitycolege.com Registered In England Company no. 02683033 Charity no, 14792 Copyright © 2016 Trinity College London First impression, September 2015, Unauthorised photocopying i illegal ‘No part of this publication may be copied or reproduced in any. form or by any means without the prior permission of the publisherSroup A Lesson no. 8 Dionisio Aguado Allegro moderato )'=120 7 (1784-1849) a a 4H . fee Eich A = e = ze ee 7 D.C. al Fine cn Do not play the repeats inthe exam but do play the D.C. al Fine.Group A Etude no. Il (en forme‘d'invention) Jean-Maurice Mourat, (b.1946)Group A Allegro 2 Santiago de Murcia Allegro J=120 . (1673-1738)Sroup A Allegretto op. 44 no. 19 Fernando Sor (1778-1839) St Do not play the repeats in the exam,Group B La nave de Zvonimir os oes ™ iy aa = mak ce lp Fr fas Dynamic markings are editoriala tempo,Group 8 EI Caminante no. 1 from Pequefia Suite : Ernesto Cordero Andante affabile J= 65 (b.1946) iz. fe r r a ™ = imp dim. poco a poco it. molto oeGroup B Bosse Triste Carlo Domeniconi (@.1947)Group 8 Nocturno op. 17 no. 4 José Ferrer (1835-1916) Andante J=92Group B Mountain Song Lee Sollory (b.1959) Calm and sustained J~ 88 Our Fin Vo.k Jock >» icy 2 ie at DS. al Coda a —— oS acd ne slowing down litte by little z PGroup B Parisian Waltz Tatiana Stechak on) =m a >~ is dad, ce a J ‘nf cantabile, con espressione se a> ‘ ad idea a - ao 7 iaf tld ut(continued from inside front cover) [Techical work = Candidates to prepare) Technic Techrical exercise in F minor (music may be used ‘Candidates to prepare in full eithe either) Scales & arpeggios (rom memory mf) Candidates should prepare scales and arpeggios as listed below. When the examiner requests @ key, the candidate should play the scale and then the arpeggio. Poop seaesimenama | 8 a00/ndo or Hando ee twocctaves | srpeggios ppppima | aiidate’s choice) Ania emcee | peat oral aT ae i Cor eat sts en ae Dc F t 7th, io in the key of A. Sem mint hohe lay ofA ar si = Diminished Ttharpeggio starting on & a ee ‘oril) Studies (music may be used) Candidates to prepare Ta or tb; 28 or 2b; and 3a or 3b (thre studies In tata), The candidate will choose one study to play fist; the examiner wil then select one ofthe remaining two prepared studies to be performed. ‘incognito or 1. Over the Moon for tone and phrasing 2a Mistral or 2b, nd So It Ends {or articulation 3a Mare Nectaris or ‘3b, Al Barré One {or idiomatic elements improvisation Please refer tothe current syllabus for detalls on all elements of the éxam.ies Wer eet ees Petiicls pel geese pecs stele lia Sour so ee Re eee Scare tate: Faas ee . aim. 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