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Native American & Ethnographic Art - Skinner Auction 2533B
Native American & Ethnographic Art - Skinner Auction 2533B
specialist in charge
Douglas Deihl
Department Director
508.970.3254
auction 2533B
Saturday, January 15, 2011 at 10 a.m.
63 Park Plaza
Boston, Massachusetts
preview
Thursday, January 13, 2011 12 to 5 p.m.
Friday, January 14, 2011 12 to 7 p.m.
Saturday, January 15, 2011 8 to 9:30 a.m.
absentee bidding
Tel: 617.874.4318
Fax: 617.350.5429
Online: www.skinnerinc.com
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617.350.5400
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cover : 485 ; frontispiece : 379 ( detail ) ; interior back cover : 379 ( detail ) ; back cover : 187
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4 Provenance
5 Lots 1-674
173 Dining
Ernest Mitchell was a merchant seaman who sailed on the four-masted schooner Camano from 1921-1926.
The schooner sailed from Seattle, Washington, to Callao, Peru, on at least two or three of these trips. It is
believed that Ernest Mitchell collected the Pre-Columbian lots in this sale on those trips. They have descended
in the family to great-grandson Michael Mitchell.
Arthur Rothenberg, from South Egremont, was born in New York City in 1918. He attended NYU, the Art
Institute and the School of Design (formerly the Bauhaus) in Chicago, McClane Art Institute in New York; and
Pratt Institute. During World War II he was commissioned as a combat artist with the Army Airforce in England.
His paintings and murals are now in the archives of the Pentagon and in various traveling exhibitions throughout
the U.S.
Paul Hulderman was born in Germany and was a journalist covering China, Japan, and Germany in the 1930s.
After interviewing Adolf Hitler several times he began writing anti-Nazi editorials in the Hamburg newspapers.
In 1939 he learned that the Gestapo was looking for him and he escaped to New York City with only a few
dollars in his pocket.
In the early 1950s he moved to Scottsdale, Arizona, and started an Indian arts store on Fifth Ave., The House
of the Six Directions. Hulderman was very instrumental in establishing Scottsdale as a center for Indian arts,
the Scottsdale Fine Arts commission and the direction of Scottsdale’s development. He became well
recognized as an expert on the Indian arts and developed personal relationships with many of the artists
including Maria Martinez, Gorman, etc. He was also the source of direction for museums and investment
firms considering Indian art in Europe and the U.S., and was called to advise the Brookings Institute and
other concerns in Washington, D.C. He passed away in 1981.
William Schmall traveled from western New York to the Alaskan Gold Rush in the 1890s, and sent many items
home to his daughter, Florence E. Schmall.
Lots 335, 338, and 378 are being sold to benefit the Southwest Wildlife Foundation
4
1
3 4
1. 3.
Pre-Columbian Pottery Musician, Jalisco, c. 100 B.C.-250 A.D., a Pre-Columbian Pottery Figure, Colima, the seated male figure wearing
standing male figure playing a rasp, traces of two-color decoration, a tunic, ht. 12 in.
(repair), 13 in. $500-700
$400-600
4.
2. Pre-Columbian Pottery Female Figure, Mexico, Jalisco, Ameca type,
Pre-Columbian Painted Pottery Figure, West Mexico, Jalisco, c. 100 c. 100 B.C.-250 A.D., the seated figure with one hand on her neck, the
B.C.-250 A.D., a kneeling female form with traces of black decoration, other on her right breast, red-brown with mineral deposits on surface,
ht. 11 1/2 in. ht. 12 in.
$500-700 $600-800
5. 10.
Six Mixtec Pre-Columbian Carved Jade Figures, all stylized and Pre-Columbian Carved Jade Celt, Costa Rica, Nicoya, c. 500-800
pierced for suspension, various colors, five are mounted on Lucite, A.D., dark green form with hands to the chest and perforated at the
(minor loss), ht. to 2 in. neck for suspension, ht. 3 1/2 in.
$350-450
Provenance: Arthur Rothenberg collection.
$600-800
11.
Pre-Columbian Carved Jade Figure, Costa Rica, Nicoya, c. 500-800
6. A.D., the medium green standing form with hands to the chest and
Large Polychrome Effigy Vessel, Panama, Cocle, c. 600-900 A.D., stylized bird head feet, (string saw work), ht. 3 1/8 in.
highly stylized anthropomorphic figure reassembled from pieces, ht. 14 $350-450
1/2, dia. 11 1/2 in.
$300-400
12.
Pre-Columbian Carved Jade Pendant, Costa Rica, Nicoya, c. 500-
7. 800 A.D., the celt form with hands to the abdomen and pierced at the
Pre-Columbian Carved Stone Female Figure, Costa Rica, Atlantic shoulders for suspension, ht. 3 1/8 in.
Watershed, c. 800-1000 A.D., of gray volcanic stone, the standing $300-400
figure with hands to the breasts, with strong facial features and striated
hair down the back, (old repair to leg), ht. 11 in.
13.
Provenance: Arthur Rothenberg collection, purchased on Bond St., Pre-Columbian Carved Jade Pendant, Costa Rica, c. 500-800
London, 1943-44. A.D., a light green anthropomorphic celt form with hands to the waist,
$2,500-3,500 pierced for suspension, ht. 2 1/4 in.
$300-400
8.
Pre-Columbian Carved Stone Female Figure, Costa Rica, Atlantic 14.
Watershed, c. 800-1000 A.D., the stocky figure with one hand to Pre-Columbian Carved Jade Pendant, Costa Rica, Nicoya, c. 500-
the abdomen, the other to a single long twisted braid of hair over the 800 A.D., medium green and in the form of a stylized frog, perforated at
shoulder, the face with feline characteristics, ht. 11 in. the neck for suspension, ht. 2 in.
$350-450
Provenance: Arthur Rothenberg collection.
$2,500-3,500
15.
Pre-Columbian Carved Jade Pendant, Costa Rica, Nicoya, c. 500-
9. 800 A.D., a medium green celt form, the figure with hands to the chest,
Two Pre-Columbian Carved Stone Figures, Costa Rica, c. 800-1000 pierced for suspension, ht. 2 3/8 in.
A.D., both of gray volcanic stone, a stylized female figure with oversized $300-400
arms, and a male figure with axe and trophy head, (repair to male
figure), ht. to 13 1/2 in.
$600-800
10 12
14
15
13
16. 17.
Pre-Columbian Pottery Figure, Ecuador, Quimbaya “Retablo,” c. 500- Pre-Columbian Pottery Chair, Colombia, Tolima, c. 100-900 A.D.,
1000 A.D., the buff-color seated figure with stylized rectangular head the four-footed tub-like form with railing in the form of a two-headed
and incised detail, ht. 8 1/4 in. serpent, (cracks), ht. 7 3/4 in.
$350-450 $450-650
17
16
18
20
19
21
25
18. 20.
Pre-Columbian Pottery Figure, Ecuador, Quimbaya “Retablo,” c. 300- Pre-Columbian Pottery Mask, Colombia, Narino, c. 850-1500 A.D.,
900 A.D., a seated male figure with upward gaze, with one arm held up with pierced eyes, nose, and mouth, large earspools, incised hair, and
palm first, traces of black pigment on torso, (clay loss), ht. 7 1/2 in. coca wad in one cheek, custom stand, ht. 6 3/8 in.
$350-450 $400-600
19. 21.
Pre-Columbian Pottery Mask, Ecuador, Tumaco, a gray color with Pre-Columbian Pottery Mask, Ecuador, Jamacoaque, c. 500-1000
large pierced round eyes, pierced upturned mouth with exposed teeth, A.D., a stylized human face with pierced eyes and mouth, stylized beard
and stylized ears, stand, (clay loss), ht. 6 in. (?), coca wads in both cheeks, perforated at forehead for attachments,
$400-600 burnished surface, stand included, ht. 5 in.
$500-700
28
29
22. 26.
Pre-Columbian Pottery Grater, Colombia, Tairona, c. 1100-1400 A.D., Two Narino Painted Pottery Bowls, Colombia, c. 850-1500 A.D.,
with slightly concave bottom, in the form of a fish (?) with stone chips painted on the inside, one with four figures and crosshatch design, one
embedded for grating, lg. 10 3/4 in. with four warrior figures, ht. to 4 1/2, dia. to 8 in.
$250-350 $400-600
27.
23.
Two Polychrome Narino Bowls, Colombia, c. 850-1500 A.D., painted
Pre-Columbian Carved Stone Celt, Taino, before 1500 A.D., gray-
on the inside with panels containing birds and snakes, ht. to 3 3/4, dia.
green color, with stand, ht. 7 3/4 in.
to 7 in.
$400-600
Provenance: Rolando Reyes, New York.
$200-250
28.
Two Narino Painted Pottery Bowls, Colombia, c. 850-1500 A.D.,
24. painted on the inside, one with a single warrior carrying an atlatl, the
Five Pre-Columbian Carved Stone Bat Wing Pendants, Colombia, other with five abstract parrots and maze design, ht. to 3 3/8, dia. to 7
Tairona, c. 500-1000 A.D., all of greenish stone with saddle-shaped 1/4 in.
suspension hole, (three repaired), lg. to 8 3/4 in. $400-600
$400-600
29.
25. Three Narino Painted Pottery Bowls, Colombia, c. 850-1500 A.D.,
Pre-Columbian Pottery Fish Bowl, Colombia, San Augustine, a rare painted on the inside, one with two frogs and geometric devices, one
brownware pedestal bowl, depicting an open-mouth fish, incised detail, with a single fox, and one with two foxes, (clay loss), ht. to 3 1/2, dia.
(some restoration to fins and base), lg. 15 1/2 in. to 6 1/2 in.
$650-850 $400-600
31
32
33
30. 33.
Two Narino Painted Pottery Figures, Colombia, c. 850-1500 A.D., a Narino Painted Pottery Female Figure, the rotund form with bowl-
seated maternity figure, black detail, and a seated man with coca wad shaped bottom, hands to the knees, and black geometric devices,
in one cheek, ht. to 4 1/2 in. (minor clay loss), ht. 9 1/4 in.
$400-600 $400-600
34.
31.
Pre-Columbian Pottery Dog Deity, Maya, c. 300-600 A.D., a seated
Pre-Columbian Painted Pottery Pedestal Bowl, Colombia, Narino
male dog with toothy grin and lined face, with perforated eyes and
(?), a fierce jaguar below a bowl and standing on a pedestal, red-
chest, traces of red pigment, ht. 7 1/2 in.
brown ground and painted with overall black negative resist geometric
decoration, ht. 7 3/4 in. Provenance: Ex-collection Bob Stoetzer.
$300-400 $400-600
32. 35.
Pre-Columbian Painted Pottery Bowl, Colombia, Narino, “Griton,” Pre-Columbian Painted Pottery Cylinder, Maya, c. 600-900 A.D.,
c. 850-1500 A.D., the compressed form with human head at top with with a geometric band near rim and three framed avian forms on a
open mouth, black on red geometric decoration, custom stand, dia. 5 black background, (restoration), ht. 7 3/8 in.
in. $800-1,200
$300-400
36
35
37
36. 37.
Pre-Columbian Polychrome Stucco Pottery Cylinder, Maya, c. 550- Pre-Columbian Polychrome Pottery Cylinder, Maya, Peten, c. 600-
950 A.D., with flared rim and painted with three kneeling dignitaries 900 A.D., two panels with elaborately dressed seated male figures
wearing feather headdress, (restoration), ht. 8 in. framed by bands of pseudo glyphs, (some restoration), ht. 7, dia. 5 1/2
$2,000-3,000 in.
$1,200-1,600
38. 39.
Pre-Columbian Polychrome Pottery Vessel, Maya, Peten, c. 550-950 Pre-Columbian Polychrome Painted Cylinder, Maya, c. 600-900
A.D., with pedestal foot and flared rim, painted with two elaborately A.D., with slight hour glass form and representing a mythological
decorated standing figures, one a Lord carrying an elaborate staff (?), scene, with two elaborately dressed warrior deities, each with a seated
a mythological figure, and a seated figure with black tears (?) from the captive, they stand before an elaborate stylized ceiba tree with a large
eye, (restoration), ht. 6 1/2 in. fish arching towards the top, a glyph band surrounds the top rim,
$2,000-3,000 (restoration), ht. 8, dia. 5 1/4 in.
42.
Two Framed Catherwood Prints, c. 1970s, depicting Mayan ruins in
Uxmal and Tulum, 13 1/2 x 10 1/2 in.
$250-350
43.
Two Framed Catherwood Prints, c. 1970s, depicting Mayan ruins in
Labna and Chichen Itza, 13 1/2 x 10 in.
$250-350
44.
Pre-Columbian Erotic Pottery Vessel, Peru, Vicus, c. 800 B.C.-300
A.D., with stirrup spout and stylized couple on a platform painted with
circular devices, ht. 6 in.
$350-450
45.
Pre-Columbian Pottery Vessel, Peru, Moche, c. 200-600 A.D.,
depicting a seated hunter with a deer slung on his back, ht. 6 1/2 in.
$300-400
46.
Pre-Columbian Painted Pottery Vessel, Peru, Moche, c. 200-600
A.D., Phase IV strap and spout form with two-color carved overlapped
stripes on the back, the front painted with a decapitator holding a tumi
knife in one hand and an animal-head serpent in the other, ht. 9 in.
$400-600
47.
Pre-Columbian Stirrup Spout Pottery Vessel, Peru, Moche, c. 250-
450 A.D., a two-color seated female form with facial tattoo or paint,
wearing a nose ornament, ht. 7 3/4 in.
$300-400
48.
Pre-Columbian Pottery Vessel, Peru, Moche, a Phase II frog form with
stirrup spout, ht. 7 1/2, lg. 6 in.
$300-400
40
49.
Pre-Columbian Painted Pottery Vessel, Peru, Moche, c. 200-600
A.D., cream on red-brown slip and depicting Ai Apec in spider form, ht.
3 1/2, lg. 5 1/2 in.
$300-400
40.
Two Framed Catherwood Prints, 1970s, depicting Mayan ruins and 50.
scenes in the Yucatan, the originals were done in 1844, color tinted, Pre-Columbian Painted Stirrup Spout Portrait Vessel, Peru, Moche,
print size 13 1/2 x 11 in. c. 200-600 A.D., wearing a white turban and with red face paint, ht. 11
$250-350 1/2 in.
$800-1,200
45
47
46
48
49
15
50
52
51
53
54
51. 53.
Pre-Columbian Painted Stirrup Spout Portrait Vessel, Peru, Moche, Two Pre-Columbian Painted Stirrup Spout Vessels, Peru, Moche, c.
c. 200-600 A.D., the diminutive redware form wearing a head covering 200-600 A.D., both depicting crabs, one with a white slip background,
decorated with white rings, ht. 6 in. (repairs, minor chips), ht. to 7 in.
$600-800 $400-600
52. 54.
Pre-Columbian Stirrup Spout Pottery Vessel, Peru, Moche, c. 200- Pre-Columbian Pottery Vessel, Peru, Moche, c. 200-400 A.D., the
600 A.D., a “deformed” head style with painted facial tattoos (?), ht. 8 human head spout wearing feline headdress, with incised curvilinear
1/2 in. designs on the body, ht. 6 1/4 in.
$300-400 $250-350
57
55. 57.
Pre-Columbian Painted Stirrup Spout Pottery Vessel, Peru, Moche, Pre-Columbian Painted Bowl, Peru, Moche, c. 200-500 A.D., with
c. 200-700 A.D., a two-color seated warrior clutching a mace to his flared sides, the inside band painted with bird and warriors on a red-
chest, ht. 9 in. brown background, the outside with two panels in high relief depicting
$600-800 mythological fighting deities, ht. 4 1/2, dia. 9 3/4 in.
$700-900
56.
Pre-Columbian Stirrup Spout Pottery Vessel, Peru, Moche, c.
200-600 A.D., painted in fine line with elaborately dressed animal and
human-headed warrior figures, ht. 8 in.
$700-900
58. 64.
Pre-Columbian Polychrome Pottery Vessel, Peru, Paracas, c. 400- Pre-Columbian Polychrome Pottery Vessel, Peru, Nazca, c. 200-
100 B.C., a pedestal bowl with geometric decoration on the outer rim 600 A.D., a stylized head below a wide band with floating trophy head
and two stylized fish on the inside, (minor loss), ht. 3, dia. 9 1/2 in. devices, ht. 6 3/8 in.
$800-1,200 $350-450
65.
59.
Pre-Columbian Polychrome Pottery Vessel, Peru, Nazca, c. 200-600
Pre-Columbian Painted Pottery Bird Vessel, Peru, Nazca, c. 200-
A.D., a double spout and strap form with stylized feline deity with trophy
600 A.D., with strap and spout and painted with cream-color detail on
head decoration, ht. 7 3/4, dia. 6 in.
brown, restoration to spout, ht. 6 1/2, lg. 7 3/4 in.
$500-700
$400-600
66.
60. Pre-Columbian Polychrome Pottery Vessel, Peru, Nazca, c. 200-
Pre-Columbian Owl Head Pottery Vessel, Moche, c. 200-600 A.D., 600 A.D., with double spout and bridge handle, portrays a floating
with pedestal base, the concave face with heart-shaped red frame line, mythological figure with one-eyed trophy head trailer terminating in a
ht. 6 in. bird, (minor surface scratches), ht. 7 in.
$400-600 $600-800
61. 67.
Moche Stirrup-spout Pottery Owl Vessel, Peru, Phase II, c. 100-300 Pre-Columbian Polychrome Pottery Vessel, Peru, Nazca, c. 200-
600 A.D., globular form with double spout and strap, with two abstract
A.D., an orangeware vessel depicting a stylized owl, ht. 7, lg. 7 1/4 in.
mythological beings, (minor damage), ht. 7 1/4, dia. 5 in.
$300-400
$500-700
62. 68.
Pre-Columbian Polychrome Pottery Vessel, Peru, Nazca, c. 200- Pre-Columbian Polychrome Pottery Bowl, Peru, Nazca, c. 400-600
600 A.D., a stylized head with peregrine falcon features, (minor surface A.D., the Kero form decorated with two floating mythological beings,
wear), ht. 5 1/2, dia. 5 1/8 in. restoration, ht. 4 1/4, dia. 4 1/2 in.
$400-600 $350-450
63. 69.
Pre-Columbian Polychrome Pottery Vessel, Peru, Nazca, c. 200-600 Pre-Columbian Polychrome Pottery Bowl, Peru, Nazca, c. 200-600
A.D., the cylinder with slightly flared rim, with central lines separating A.D., with flared rim and painted on the outside and rim with abstract
highly stylized trophy heads, ht. 8 in. stylized insects (?), custom stand, ht. 3 3/4, dia. 5 1/4 in.
$300-400 $350-450
59
61
65
66
67
69
68
70
72
71
73
75
74
77
76
78
70. 74.
Pre-Columbian Polychrome Pottery Bowl, Peru, Nazca, c. 400- Pair of Nazca Polychrome Vessels, Peru, c. 200-600 A.D., relief-
600 A.D., Kero form with a band of abstract mythological beings, carved in the form of a seated “Cargadores,” ht. to 7 3/8 in.
restoration, ht. 4, dia. 4 3/4 in. $500-700
$350-450
75.
71. Pre-Columbian Polychrome Pottery Vessel, Peru, Nazca, c. 400-600
Pre-Columbian Polychrome Pottery Vessel, Peru, Nazca, c. 200-400 A.D., tapering at the rim and with three panels depicting a standing
A.D., with strap and spout, depicts a fisherman with his catch in a net, “harvester” and vegetation, ht. 6 in.
ht. 7 in. $300-400
$500-700
76.
72. Pre-Columbian Polychrome Pottery Bowl, Nazca, c. 200-600 A.D.,
Pre-Columbian Pottery Transformational Vessel, Nazca, c. 200-600 with flared sides and single band with stylized multicolored avian forms,
A.D., a strap and spout form with cream on brown glaze and depicting ht. 3, dia. 7 3/4 in.
a monkey (?) with top knot and holding a rattle, (restoration), ht. 8 in. $400-600
$600-800
77.
73. Pre-Columbian Polychrome Pottery Bowl, Peru, Nazca, c. 200-600
Pre-Columbian Pottery Figure of a Woman, Peru, Nazca, c. 200-600 A.D., round bottom and flared rim, with a band of stylized frogs, (some
A.D., the rotund figure with painted hair and tattoo designs, ht. 11 in. cracks), ht. 4, dia. 7 in.
$2,000-2,500 $300-400
81
79
82
81
78. 82.
Pre-Columbian Polychrome Pottery Bowl, Peru, Nazca, c. 200-600 Two Pre-Columbian Polychrome Pottery Bowls, Nazca, c. 200-
A.D., with flared sides and painted on the outside with stylized lizards, 600 A.D., both with a single band of repeating designs, one depicting
ht. 2 7/8, dia. 5 in. different color seashells, the other chili peppers, (restoration), dia. to 8
$350-450 3/4 in.
$400-600
79.
Two Pre-Columbian Polychrome Pottery Vessels, Peru, Nazca, c. 83.
200-600 A.D., both have double spouts, one with deity, the other with Pre-Columbian Ceremonial Battle Axe, Peru, Nazca, c. 200-600
stylized sharks, the second reassembled from pieces, ht. to 7 1/2 in. A.D., the bronze axe head has a stitched hide sleeve, decorated with
$500-700 tufted pile, camelid hair, multicolored feathers and wool fringe on the
bottom, lg. of shaft 17 1/4 in.
84
86
85
87
88
89
90
91
94
92
93
85. 89.
Pre-Columbian Mace, Peru, Nazca, c. 200-600 A.D., a highly Pre-Columbian Mace, Peru, Nazca, 200-600 A.D., has a six-point
decorated wood form with six-point bronze mace head, the handle with bronze head with fringe, seed pod and fiber danglers, the shaft has
multicolored rows of tufted pile, natural wool fringe from the end, and camelid pile wrappings, lg. of shaft 16 1/2 in.
with feather tipped fiber fringe from the head, lg. excluding fringe 18 in.
Provenance: Collection of Michael Mitchell, collected in the 1920s by
Provenance: Collection of Michael Mitchell, collected in the 1920s by his great-grandfather Ernest Mitchell.
his great-grandfather Ernest Mitchell. $1,500-2,000
$1,500-2,000
90.
86. Pre-Columbian Mace, Peru, Nazca, c. 200-600 A.D., has a
Pre-Columbian Wood and Bronze Mace, Peru, Nazca, c. 200-600 compressed, circular-shaped stone mace head with short wool fringe
and shell danglers below, decorated with tufted pile and long wool
A.D., sinew wrapped six-point bronze head, the shaft has a textile
fringe, lg. of shaft 17 1/4 in.
wrapped grip, rows of tufted pile, and a feather tipped fiber fringe from
below the head, lg. (excluding wool fringe) 17 1/4 in.
Provenance: Collection of Michael Mitchell, collected in the 1920s by
his great-grandfather Ernest Mitchell.
Provenance: Collection of Michael Mitchell, collected in the 1920s by
$1,500-2,000
his great-grandfather Ernest Mitchell.
$1,500-2,000
91.
Pre-Columbian Mace, Peru, Nazca, c. 200-600 A.D., wood shaft with
87. camelid pile covering and long fringe, the bronze head with five spikes
Pre-Columbian Mace, Peru, Nazca, c. 200-600 A.D., has a lobed- and a single axe blade, the grip wrapped in striped fiber with feather
stone mace head, decorated with tufted pile and fringe, with fiber and and fiber danglers below the mace head, lg. of shaft 17 1/4 in.
feather danglers below the fringe, lg. of shaft 17 1/4 in.
Provenance: Collection of Michael Mitchell, collected in the 1920s by
Provenance: Collection of Michael Mitchell, collected in the 1920s by his great-grandfather Ernest Mitchell.
his great-grandfather Ernest Mitchell. $1,500-2,000
$1,500-2,000
92.
88. Pre-Columbian Polychrome Pottery Vessel, Peru, Huari, c. 600-900
Pre-Columbian Ceremonial Mace, Peru, Nazca, c. 200-600 A.D., has A.D., a single-spout animal form with two stylized animal heads painted
a six-point bronze mace head, with feathers and seed pods dangling on one side, and with a small jaguar on its back and biting its ear, ht. 5
below, the shaft is elaborately decorated with camelid fiber, animal hair 1/2, lg. 9 in.
and fringe, lg. of shaft 18 1/4 in. $600-800
94. 96.
Pre-Columbian Polychrome Double-spout Pottery Vessel, Peru, Two Pre-Columbian Pottery Items, Peru, Chancay, c. 1000-1200
Huari, c. 600-900 A.D., the spouts projecting from a double-headed A.D., a human figural vessel with hands to the head, and a stylized
serpent, the body with two stylized mythological beings, (some surface animal with stripes at midsection, (the figure with restoration at rim), ht.
wear), ht. 8 in. to 9 1/2 in.
$500-700 $400-600
95.
97.
Pre-Columbian Anthropomorphic Amphora with Parrot, Peru,
Pre-Columbian Painted Plate, Peru, Inca, c. 1350-1450 A.D., with
Chancay, c. 800-1200 A.D., chocolate brown on white with relief nose
stylized bird (?) head on one end, the surface painted with two figures
and hands, lugs at the side and a small parrot on one shoulder, ht. 19
1/2 in. and geometric designs, (a piece of the edge re-glued), dia. 6 1/4 in.
$500-700 $500-700
96
97
98
99
101
100
98. 101.
Pre-Columbian Painted Acrobat Vessel, Peru, Lambayeque, c. Lambayeque Whistling Vessel, Peru, 900-1100 A.D., a double vessel
900-1100 A.D., a double-chambered whistling vessel with an acrobat with strap and spout, depicting a shell (?) and a jaguar clasping a
standing on his head, (restoration to one leg), lg. 8 1/2 in. diminutive human being, red on buff, (restoration to spout), ht. 8, lg. 6
$300-500 3/4 in.
$400-600
99.
102.
Pre-Columbian Pottery Jaguar Vessel, Peru, Vicus, c. 800 B.C.-
Pre-Columbian Strap and Spout Painted Pottery Vessel, Peru,
300 A.D., with strap and spout, the jaguar with ferocious teeth and
Lambayeque, c. 700-1300 A.D., a whistling vessel with a large bird
perforations below the chin, ht. 7 in.
atop a rectangular form, painted with geometric and scroll designs, ht.
$300-500 7 3/4 in.
$500-700
100.
Pre-Columbian Strap and Spout Pottery Vessel, Peru, Lambayeque, 103.
c. 900-1100 A.D., the whistle vessel with a monkey eating while seated Pre-Columbian Painted Pottery Bird Vessel, Peru, Lambayeque,
on a stylized vegetable or fruit, ht. 7 1/2 in. c. 800-1200 A.D., a whistling vessel, the bird is sitting on a large
$300-400 vegetable and eating a snake, ht. 6 1/2 in.
$400-600
104
104. 107.
Pre-Columbian Painted Pottery Bowl, Peru, Chancay, Huacho style, Pair of Pre-Columbian Musician Vessels, Peru, Chimu-Inca, c. 1200-
c. 800-1200 A.D., with erotic couple in the center, the arms of the 1450 A.D., both blackware drummers are wearing labrets and carrying
figures painted with fish, ht. 3, dia. 9 1/4 in. packs on their backs, ht. 6 1/2 in.
$600-800 $400-600
105. 108.
Two Pre-Columbian Pottery Drummers, Peru, a Lambayeque buff- Three Pre-Columbian Blackware Vessels, Peru, Chimu, 1250-1450
colored musician and a Moche blackware drummer with a stirrup spout, A.D., all with strap and spout design, a female-vegetable (?) form, one
both are possibly females and both wear labrets, ht. to 7 1/2 in. with standing male figure, and a mold made form, (repairs), ht. to 8 1/2
$500-700 in.
$500-700
106.
109.
Pre-Columbian Wrinkled Dog Stirrup Spout Vessel, Chimu, c. 1200-
Two Pre-Columbian Vessels, Peru, a Moche lima bean form with
1400 A.D., a grayware pottery form with incised wrinkles, ht. 8 1/2 in.
projecting human face, and a Lambayeque deer vessel with flared
$350-450 spout, (the latter with chipped foot), ht. to 8 in.
$350-450
105
107
108
110. 112.
Pre-Columbian Carved Stone Mask, Argentina, Alamito culture, c. Pre-Columbian Tumbaga Pectoral, Colombia, Narino, c. 850-1500
800-500 B.C., the ovoid form with concave back, straight brow line and A.D., the round form with three repoussé stylized feline faces, dia. 5 1/2
prominent nose, perforated round eyes and mouth, with four holes for in.
attachment, ht. 7 3/8, wd. 4 5/8 in. $250-350
$5,000-7,000
113.
111. Pre-Columbian Gold Zoomorphic Pendant, Colombia, Tairona, c.
Pre-Columbian Gold Ear Ornaments, Peru, Chavin, c. 500 B.C., 800-1500 A.D., an abstract two-headed form on four spiral circles, the
with repoussé stylized birds and double-headed serpents, traces of larger head with four rows of small rings, with ferocious grin and large
cinnabar, ht. 2 1/4 in. eyes, the smaller head with single ringed crest and horse-like profile,
$1,000-1,500 wd. 2 1/4 in.
$400-600
111
112
114.
Two Pre-Columbian Necklaces, Colombia, c. 1000-1500 A.D., the
first with small shell beads, nine carnelian frog beads, and a tumbaga
bird pendant, the second with stone beads and large green-blue frog
pendant, lg. to 18 in.
$250-350
115.
Two Pre-Columbian Necklaces, Colombia, Tairona, c. 800-1500 A.D.,
one of shell and rock crystal beads and with a gold frog pendant; the
113
other of various stone beads and with a gold pendant in the form of a
stylized human, lg. to 24 in.
$500-700
114 115
118
120
119
116. 117.
Two Pre-Columbian Shell and Stone Necklaces, Colombia, c. 1000- Two Pre-Columbian Stone and Shell Necklaces, Colombia, c. 1000-
1500 A.D., both with tumbaga pendants, lg. to 30 in. 1500 A.D., both with tumbaga pendants, lg. to 28 in.
$250-350 $250-350
121
126
128
125
127
118. 119.
Pre-Columbian Rock Crystal Necklace, Peru, Moche, c. 200-600 Pre-Columbian Carved Stone Necklace, Colombia, Tairona, c. 800-
A.D., compressed shaped beads with large teardrop shaped pendant, 1500 A.D., with six carved stone frogs, carved from various stones
modern clasp, approx. lg. 18 in. including carnelian and emerald, modern clasp, lg. 15 in.
$400-600 $400-600
120. 126.
Pre-Columbian Amethyst Necklace, Peru, Moche, c. 200-600 A.D., Pre-Columbian Necklace, Colombia, Sinu, c. 300-1550 A.D., with
with graduated oval and compressed shaped beads, (restrung), lg. 21 long tubular crystal beads (some flared), sodalite beads, and three
in. carved crystal frog pendants, some small modern metal beads and
$350-450 modern clasp, overall lg. 30 in.
$500-700
121.
Moche Silver and Shell Necklace, Peru, c. 200-600 A.D., small 127.
spondylus and chrysocolla beads and with seven silver human face Pre-Columbian Necklace, Peru, Moche, small shell and stone beads,
beads, lg. 19 in. with nine carved shell crab pendants, lg. 17 in.
$450-650 $250-350
122. 128.
Pre-Columbian Quartz and Chrysocolla Necklace, Peru, various Pre-Columbian Stone Necklace, Peru, Moche, c. 200-600 A.D.,
shaped beads and with three large quartz pendants, lg. 22 in. various shaped crystal, amethyst, and turquoise beads and a large
$400-600 crystal pendant, (restrung), lg. of pendant 1 7/8 in.
$350-450
123.
Pre-Columbian Sodalite Necklace, Peru, Moche, c. 200-700 A.D., 129.
with various size large beads and three multiple face beads with shell Two Pre-Columbian Silver Pectorals, Chimu, 1100-1400 A.D., one
inlaid eyes, modern fittings, total lg. 20 in. with repoussé dots, the other with central human figure flanked by
$600-800 felines, (both have loss and are mounted), wd. to 8 1/2 in.
$800-1,200
124.
Two Pre-Columbian Beaded Necklaces, Peru, both strung with 130.
various stone, ceramic, and metal beads, and with a cylindrical pyrite Four Pre-Columbian Silver Implements, Peru, two spoon-shaped,
pendant, pendant lg. to 2 1/8 in. one with a vase-shaped finial, and one with an animal finial, lg. to 7 3/4
$300-400 in.
$300-400
125.
Huari Sodalite Necklace, Peru, c. 500-700 A.D., with graduated barrel 131.
and doughnut-shaped beads and celt-shaped pendant, lg. 28 in. Pre-Columbian Metal Manta Pin and Three Pre-Columbian Metal
$400-600 Optical Instruments, Inca, c. 1400-1530 A.D., the triangular finial with
two coiled projections, and a large silver form and two copper forms, all
pierced for viewing, (loss to the larger copper form), lg. 13, and to 11
3/4 in.
$400-600
134
132. 134.
Bolivian Silver Tupu, c. 19th century, with repoussé stylized sun and Five Pre-Columbian Carved Bone Implements, Peru, c. 1000-1450
moon, glass jewels, and silver braid with miniature utensils, ht. 12 1/2 A.D., the finials in the form of a feline, human figures, and pigment inlaid
in. birds, ht. to 7 3/4 in.
$200-250 $800-1,000
133. 135.
Pre-Columbian Carved Wood Kero, Peru, Huari, c. 600-900 A.D., Four Pre-Columbian Carved Wood Tupus, Peru, Chimu, c. 1200-
carved from soft wood and with three seated human figures holding the 1450 A.D., with finials in the form of a standing human, a stylized
vessel, profusely inlaid with shell, (repairs), ht. 5 1/4 in. seated monkey, and two avian forms, lg. to 9 1/4 in.
$500-700 $300-400
136
137
136. 138.
Two Pre-Columbian Carved Wood Boxes, Peru, Chimu/Huarmey, Pair of Pre-Columbian Inlaid Wood Earspools, Peru, Chimu, c.
c. 1000-1450 A.D., the small lidded forms both with relief-carved 1250-1450 A.D., with a framed simplified standing figure in various
monkeys, one with scrollwork lid, lg. to 3 1/4 in. shades of spondylus and white shell, dia. to 2 3/4 in.
$600-800 $300-400
137. 139.
Two Pre-Columbian Carved Wood Items, Peru, a Huari lime Pair of Moche Copper Earspools, Peru, c. 200-500 A.D., a central
container in the form of a seated monkey holding an incised Kero, and feline face framed with repoussé dots, dia. 2 3/8 in.
a Chimu pyrite inlaid snuff tray in the form of a stylized parrot, (damage $350-450
to parrot), ht. to 2, lg. to 3 1/2 in.
$350-450
142
141
140. 142.
Pair of Moche Carved Wood Earspools, Peru, c. 200-500 A.D., with Pre-Columbian Carved Wood Snuff Tray, Peru, Chimu, c. 1000-1450
cutouts and representing a central warrior figure surrounded by birds, A.D., a scoop-like form with two standing pumas on one end, lg. 6 1/4
with shell inlaid eyes, dia. 2 3/4 in. in.
$400-600 $400-600
141. 143.
Four Pre-Columbian Carved Wood Items, Peru, two stylized standing Three Pre-Columbian Carved Wood Items, Peru, Chancay, c. 1100-
figures, one with shell inlay, a tupu with relief-carved frog, and a Huari 1460 A.D., two palanquin supports with feline finials, as well as a staff
(?) lime container, ht. to 8 1/2 in. with a circular opening and a human figure standing on an animal, ht.
$500-700 to 35 in.
$600-800
144. 147.
Pre-Columbian Carved Wood Balance, Peru, Chancay, c. 800-1200 Two Pre-Columbian Weaving Baskets, Peru, c. 1000-1450 A.D., a
A.D., the beam with carved stylized deer (?), lg. 5 1/2 in. round basket with weaving tools, and an unusual lidded form with cane-
$400-600 decorated lid and cloth covering, includes cloth remnants and “God’s
eye,” lg. to 8 1/4 in.
$400-600
145.
Two Pre-Columbian Carved Wood Balance Scales, Chimu, c. 1250-
1450 A.D., one with facing birds and wood trays, the other geometric 148.
with ceramic cups, lg. to 5 in. Two Chancay Fiber Dolls, Peru, c. 800-1200 A.D., both of scrap
$350-450 weavings and with embroidered facial features, ht. to 5 in.
$200-300
146.
149.
Pre-Columbian Lot, Peru, various cultures, includes three combs,
Rare Pre-Columbian Medical (?) Kit, Peru, woven pouch containing
bone implements, two metal tweezers, and various shells, comb lg. to
an inner wrapper with raw cotton, holds six obsidian pointed knives with
8 3/4 in.
cane handles, three bronze Tumi knives with cane handles, and various
bronze implements, several with cane handles, pouch 20 x 12 in.
Provenance: Collection of Michael Mitchell, collected in the 1920s by
his great-grandfather Ernest Mitchell. Provenance: Collection of Michael Mitchell, collected in the 1920s by
$250-350 his great-grandfather Ernest Mitchell.
$500-700
148
149
151
150
152 155
154
153
158
156
157
150. 152.
Pre-Columbian Weaving Kit, Peru, Chancay, c. 800-1200 A.D., the Pre-Columbian Polychrome Carved Wood Kero, Inca, c. 16th
basketry box with a large grouping of spindles, spindle whorls, wool, century, decorated with two clothed male figures, and abstract, bird,
and textile fragments, (damage), lg. 16 in. foliate, and animal devices including feline faces, (crack with remnant
resin repair), ht. 7 3/4 in.
Provenance: Collection of Michael Mitchell, collected in the 1920s by $1,000-1,500
his great-grandfather Ernest Mitchell.
$500-700
153.
Inca Colonial Period Polychrome Carved Wood Kero, decorated
151. with figures in period costume, geometric and foliate designs, ht. 6 in.
Pre-Columbian Weaving Kit, Peru, Chancay, c. 800-1200 A.D., the $600-800
cane basketry box with various weaving implements, wool, and textile
fragments, lg. 16 in.
154.
Inca Colonial Period Polychrome Carved Wood Kero, c. 18th
Provenance: Collection of Michael Mitchell, collected in the 1920s by
century, painted with human, geometric, and foliate designs, (insect
his great-grandfather Ernest Mitchell.
damage to interior), ht. 8 in.
$500-700
$400-600
161
160
162 163
155. 158.
Peruvian Colonial Period Polychrome Carved Wood Kero, with Inca Wood Kero, c. 1400-1532 A.D., with flared sides, the outside with
gently curved sides and painted on the outside with a central band incised octopus designs on top band and wheat-like pattern below, ht.
of warriors in all their raiment, with bands of geometric designs and 6 5/8 in.
stylized birds, ht. 8 in. $350-450
$1,500-2,000
159.
156. Inca Carved Stone Canopa, c. 1400-1532 A.D., of polished striated
Inca Colonial Period Wood Kero, Peru, c. 18th century, with carved black stone in the form of a llama, with grease receptacle on the back,
and incised geometric designs and small metal dot detail, (old repair), lg. 6 in.
ht. 6 1/2 in. $500-700
$400-600
160.
157. Inca Onyx Canopa, Peru, c. 1400-1500 A.D., with relief-carved human
Pre-Columbian/Colonial Period Carved Wood Kero, Peru, Inca, the figure, the eyes inlaid with turquoise beads, ht. 2 in.
diminutive form with incised geometric decoration, (hairline cracks), ht.
3 1/4 in. Provenance: Collection of Michael Mitchell, collected in the 1920s by
$250-350 his great-grandfather Ernest Mitchell.
$250-350
39
161.
Two Inca Carved Stone Canopas, c. 1400-
1532 A.D., both of polished black stones
representing llamas, lg. to 2 1/2 in.
$400-600
164 162.
Pre-Columbian Polychrome Fiber Cap,
Peru, Huari, c. 600-900 A.D., a four-corner
pile form with four standing figures wearing
elaborate headdresses, on a layered red fiber
background, ht. 5, dia. 6 in.
$800-1,200
163.
Pre-Columbian False Head Mummy Mask,
Peru, Chancay, c. 1000-1400 A.D., fiber
stuffed textile head with woven headband,
twisted hair attachments, metal eyes and
tears, and traces of red pigment, ht. 9 1/2 in.
164.
Pre-Columbian Textile “Chuspa” with
Featherwork, Peru, Nazca, c. 200-600 A.D.,
with braided strap and covered with feathers,
one side with stepped pyramid design, the
reverse with single bird, 6 1/2 x 10 in.
$600-800
165
165.
Pre-Columbian Textile Belt with Feather
Panel, Peru, Nazca, c. 200-600 A.D., the
panel with stylized standing human, (loss),
feather panel lg. 15, wd. 6 in.
166.
Two Pre-Columbian Fiber and Feather
Items, a headdress with braided fiber base,
a panel with similar base, both with remnant
multicolored featherwork, lg. to 23 in.
167.
Pre-Columbian Woven Sash, Peru, Nazca,
c. 200-700 A.D., a long sash with zigzag
design done in multicolored camelid wool, lg.
132, wd. 2 3/4 in.
$300-400
168
169
170
168. 172.
Two Pre-Columbian Wrapped Textile Panels, Nazca, c. 200-600 Seven Pre-Columbian Textile Fragments, Peru, various cultures, four
A.D., hair bundles wrapped with multicolored wool, with abstract spider narrow strips with zoomorphic devices, two with multiple panels, and a
designs on a red background, 10 1/2 x 7 1/2 in. blue panel with elaborate borders on two sides, size to 25 x 18 in.
Provenance: Collection of Michael Mitchell, collected in the 1920s by Provenance: Collection of Michael Mitchell, collected in the 1920s by
his great-grandfather Ernest Mitchell. his great-grandfather Ernest Mitchell.
$500-700 $400-600
169. 173.
Pre-Columbian Quipu, Inca, c. 1400-1532 A.D., on a round, two-color Five Pre-Columbian Textile Items, Peru, various cultures, three woven
strap, composed of various lengths of knotted strands with multicolored pouches, two with fringed bottoms, and two patterned gauze panels,
yarn wrappings, ht. 30 in. (damage), largest pouch 20 x 12 in.
$800-1,200
Provenance: Collection of Michael Mitchell, collected in the 1920s by
his great-grandfather Ernest Mitchell.
170. $500-700
Pre-Columbian Textile Panel, Peru, Nazca, c. 200-600 A.D., with
loosely woven blue panel bordered on two sides with multicolored knit
“munecas” figures, 42 1/2 x 30 in. 174.
Pre-Columbian Textile Panel, Peru, Nazca, c. 200-600 A.D., a fine
Provenance: Collection of Michael Mitchell, collected in the 1920s by red gauze panel with knit “munecas” on one side and trophy heads
his great-grandfather Ernest Mitchell. along the other, 55 x 21 in.
$600-800
Provenance: Collection of Michael Mitchell, collected in the 1920s by
his great-grandfather Ernest Mitchell.
171. $800-1,200
Three Pre-Columbian Textiles, Peru, various cultures, an ochre color
manta with embroidered designs, a patchwork fragment, and a large
textile with abstract stripe pattern, (damage), large panel 59 x 32 in. 175.
Pre-Columbian Textile Fragment, Peru, Inca, Imperial-style striped
Provenance: Collection of Michael Mitchell, collected in the 1920s by woven textile with tocapus, (loss), 24 x 10 1/2 in.
his great-grandfather Ernest Mitchell. $400-600
$600-800
175
176. 178.
Pre-Columbian Textile Fragment, Chancay, c. 800-1200 A.D., loosely Pre-Columbian Textile Fragment, Peru, a tightly woven panel with a
woven brown cloth with embroidered abstract faces, mounted, 16 x 14 separate strip sewn on top, the strip with multicolored geometric and
in. llama devices, under Plexiglas, 14 x 8 in.
$250-350 $250-350
177. 179.
Two Pre-Columbian Textiles, Peru, Nazca, c. 200-600 A.D., possibly Pre-Columbian Textile, Peru, Imperial Inca style, c. 1300-1500 A.D.,
dance fans, with geometric handles and fringed ends, under Plexiglas, decorated with rows of eight-point stars and stylized llamas, (damage,
largest 12 x 9 in. backed), 39 x 31 in.
$400-600 $400-600
183
181.
Pre-Columbian Textile Fragment, Peru, Nazca, c. 200-600 A.D.,
various color stylized birds with multiple tails ending in abstract human
heads, under Plexiglas, 15 x 3 in.
$300-400
182.
Nine Pre-Columbian Woven Slings, Peru, various cultures, a variety of
slings in various sizes and colors, lg. to 100 in.
183.
Pre-Columbian Textile Panel, Peru, Nazca, c. 200-600 A.D., a
loosely woven black panel bordered on two sides with knit polychrome
“munecas” figures, under Plexiglas, 38 x 22 in.
$1,000-1,500
184.
Five Pre-Columbian Textile Fragments, Peru, various cultures, textile
strips with multicolored geometric and zoomorphic designs, lg. to 29 in.
185.
Two Pre-Columbian Textile Fragments, Peru, a narrow strip, Huari
(?), with multicolored abstract parrot heads, and a brown panel with
repeat avian design, (damage), size to 27 1/2 x 13 in.
186.
Pre-Columbian Textile Panel, Peru, Nazca, c. 200-600 A.D., with ties
at the corners, the multicolored panel depicts two “spider”-man-like
figures and various abstract designs, 24 1/4 x 7 1/2 in.
187. 188.
Pre-Columbian Woven Poncho, Peru, Nazca, c. 200-700 A.D., with Two Pre-Columbian Textile Tunics, Peru, one with brow stripes, the
cotton central panel, the neck and partial border with polychrome second with opposing color stripes, (damage), size to 22 1/2 x 17 in.
panels done in tapestry weave using camelid fiber, the panels show
standing mythological figures wearing double serpent head belts and Provenance: Collection of Michael Mitchell, collected in the 1920s by
holding what appear to be arrows, interspersed with smaller abstract his great-grandfather Ernest Mitchell.
sections, done with two differing red background colors, the knit border $300-400
with short wool fringe, (minor damage), 41 1/2 x 27 in.
190.
Pre-Columbian Textile, Peru, Nazca (?), c. 200-600 A.D., a complete multicolored strip with various
abstract figures and geometric designs, (some damage), 60 x 5 1/2 in.
Provenance: Collection of Michael Mitchell, collected in the 1920s by his great-grandfather Ernest
Mitchell.
$1,000-1,500
191.
Pre-Columbian Tie-dyed Poncho, Peru, Proto-Nazca, c. 100-300 A.D., multicolored tie-dyed forms
on a red and blue background, knit neck border, (damage), 27 x 33 in.
Provenance: Collection of Michael Mitchell, collected in the 1920s by his great-grandfather Ernest
Mitchell.
$800-1,200
192.
Pre-Columbian Textile Fragment, Nazca, c. 200-600 A.D., with double-headed serpents and a
mythological creature at one end, mounted, lg. 19, wd. 2 in.
$200-250
193.
Pre-Columbian Wool Sling with Shot, Peru, Chancay, c. 800-1200 A.D., natural and dyed camelid
wool with long tasseled ends, a single round stone shot, approx. lg. 11 ft.
$300-400
190
194.
Pre-Columbian Multicolored Textile Panel, southern
Peru, Siguas culture, c. 500 B.C.-100 A.D., with highly
stylized central figure, the torso with framed double
snakes, with multiple-headed snake devices at both
ends, with braided selvage on two ends, (damage,
possible early repairs), 51 x 62 in.
195.
Pre-Columbian Painted Textile Cushma, Peru,
Chancay, c. 800-1200 A.D., woven in two panels and
painted with geometric bordered panels, each with
a standing figure with crescent-shaped headdress,
surrounded by stylized fish or animals, (damage), 33 x
27 in.
$400-600
195
197
196. 197.
Pre-Columbian Painted Cotton Textile, Peru, Chancay, c. 1000- Peruvian Colonial Painting, a portrait of a Colonial authority, rolls up
1200 A.D., divided into panels and painted with geometric and stylized into a wood case, painted on the inside with foliate design, forged metal
zoomorphic designs, (loss), 38 x 26 in. clasp, painting 20 x 15 1/2 in.
$500-700 $500-700
200.
African Carved Wood Mask, Bete, the hollow form with highly stylized
human and animal features, pierced above the eyes and mouth, dark
brown patina, custom stand, ht. 9 1/2 in.
198
Provenance: Julius Carlebach, 1947, purportedly ex-collection of the
Brooklyn Museum, Arthur Rothenberg collection.
$1,500-2,000
201.
African Carved-Wood Mask, Kuba, the hollow form has pierced
slit eyes, stylized facial features with traces of red, black, and white
geometric designs, fiber head covering, patina of use, with stand, ht.
11 in.
$2,500-3,500
198. 202.
African Carved Wood Mask, Loma, with high domed forehead, African Carved Wood Headdress, Makonde, Mapiko, in the form of
pierced slit eyes, pierced triangular mouth, incised brow and beard (?), a male head with circular hair patch, the pierced mouth with pointed
pierced at the edge for attachments, lg. 15 in. teeth, with labret (?) in the upper lip, dark red-brown color, (wood loss),
$1,200-1,600 ht. 10 in.
$1,000-1,500
200 201
202
205
203
204
203. 206.
African Carved Ivory Masquette, Lega, the stylized form with pierced Ekoi Carved Wood Headdress, carved in two pieces, in the form of
eyes and mouth, ring and dot on the forehead, with fiber off the bottom, a human head with horn projections to the sides and elaborate twisted
traces of red pigment, mask ht. 4 3/4 in. coiffure, black and white pigments, ht. 21 in.
$1,500-2,000
Provenance: Parke-Bernet, New York, October 15, 1977.
$800-1,200
207.
204. Bobo Carved and Painted Wood Antelope Mask, the stylized beak
Dan Carved Wood Bird Masquette, the hollow oval form with metal and circular horns with geometric designs, black, red-brown, and white
rimmed pierced eyes and animal hair off the lower beak, ht. 6 in. pigments, ht. 19 1/2 in.
$400-600 $1,500-2,000
205.
African Carved Wood Mask, Ligbi, a Djimini miniature clan mask, 208.
the human face with slit crescent eyes, coffee bean mouth, and relief- African Carved Wood Mask, Bassa, the hollow form with pointed chin,
carved cross-hatch band at brow, the headdress with two gently raised, round mouth, downturned eyes, and a ridged coiffure, pierced
curved horns (one partially restored), custom stand, ht. 8 1/2 in. at the edge for attachments, ht. 10 1/2 in.
$1,500-2,000 $2,500-3,500
207
209. 210.
Bassa Bundu Carved Wood Helmet Mask, the face with slit African Carved Wood Mask, Bassa, the hollow form with pointed
downturned eyes, the elaborate crested coiffure with metal chin, pierced circular mouth, pierced downturned eyes, and a corn row
attachments, pierced at the base for attachments, ht. 13 in. coiffure, the chin line with cloth edging, dark patina, (insect damage),
$800-1,200 ht. 12 in.
$2,500-3,500
209 210
208
211.
African Carved Wood Helmet Mask, Mende, with fat rolls at the neck,
the compressed face has scarification marks and a single sight hole
below the chin, the elaborate coiffure terminates in a small female head,
black patina, ht. 17 in. 211
212.
Mende Bundu Carved Wood Helmet Mask, Sande Society, with
stylized face, elaborate incised coiffure with relief-carved fish above
the forehead and small inverted pot at the top, pierced at perimeter for
attachments, ht. 17 in.
$2,500-3,500
213.
Mende Bundu Helmet Mask, Sande Society, with fat rolls at the neck,
lozenge-shaped face, and an elaborate ridged and plaited coiffure, with
fiber attachments at the bottom, dark brown patina, ht. 16 in.
$2,500-3,500
214.
Mende Bundu Carved Wood Helmet Mask, with rolls of fat at neck,
pierced slit eyes and elaborate plaited and twisted coiffure, dark patina
of use, ht. 17 in.
$800-1,200
212 214
213
215
216
215.
African Carved Wood Statue, Baga, sitting on a round pedestal, the
stylized head with pointed beak-like chin, elaborate coiffure, and incised
geometric detail, lg. 37 1/2 in.
$2,500-3,500
216.
African Polychrome Carved Wood Mask, Bobo, a plank-style mask
with stylized horns at the back of the head and a small bird on the top,
painted overall with bold geometric designs in black, white, and dark
red pigments, ht. 46 1/2 in.
$1,000-1,500
217
218
217. 218.
African Polychrome Carved Wood Helmet Mask, Yoruba, Epa, African Carved Wood Shrine Figure, Yoruba, attributed to Agbonbioff,
the hollow form with prominent facial features and a pierced mouth, a rare equestrian hermaphrodite figure, holds a spear in one hand
beneath a woman with a single-crested coiffure and holding a baby, and a stylized rooster in the other, the bowl on top of the rider’s head
painted overall with red-brown, white, and black pigment, ht. 41 1/2 in. has relief-carved faces on the sides, traces of polychrome geometric
designs overall, (damage, wood loss), ht. 37 1/2 in.
Literature: Illustrated in African Arts Magazine, January 1977, Vol. X, $3,000-5,000
no. 2, pp. 15-16.
$3,000-5,000
219
221
222
219.
African Polychrome Pottery Figure, Nigeria, Ibo, solid, seated female
figure wears ankle and neck rings, with tripartite coiffure, painted red,
black, and white, (clay loss).
$2,500-3,500
220.
African Carved Wood Female Figure, Mossi, standing and with long
arms and neck, with central chest coiffure and pyro-engraved details,
(wood loss), custom stand, ht. 27 1/2 in.
$1,500-2,000
221.
African Carved Wood Female Figure, Punu or Lumbo, with bent
knees, hands to the lower abdomen, hollowed navel, the head with
glass inset eyes and darkened crested coiffure, reddish-brown patina,
ht. 11 1/2 in.
222.
African Carved Wood Female Figure, Bamana, the stylized form with
bent knees, large breasts under shelf-like shoulders, the hands clasped
together at the front with a small figure attached, the head with metal
eyes, nose, and lip ornaments, and incised detail, brown patina, ht. 22
1/2 in.
223.
African Carved Wood Female Figure, Dogon, on a round base, with
bent knees, cylindrical torso, the conical breasts and shoulders carved
as one unit, with one hand holding a small vessel at the crown, with rich
encrusted brown patina, ht. 23 in.
225 226
224.
Yoruba Carved Wood Shango Staff Fragment, partial female form
with incised detail, traces of blue pigment, ht. 13 1/2 in.
$250-350
225.
African Carved Wood Female Figure, Tanzania, the figure standing
with one hand on the abdomen, the large head with glass bead eyes,
(wood loss), ht. 29 in.
$400-600
226.
Madagascar Carved Wood Ancestor Figure, c. 1900, standing and
leaning forward, with weathered patina, ht. 31 in.
231
232
233
227. 231.
Pair of African Carved Wood Ibeji Dolls, Yoruba, male figures Pair of African Carved Wood Ibeji Dolls, Yoruba, a man and woman,
wearing aprons, (wood loss), ht. to 9 in. the man wearing European shorts, ht. to 10 in.
$400-600 $400-600
228. 232.
Pair of African Carved Wood Ibeji Dolls, Yoruba, both depict large- Two African Carved Wood Ibeji Dolls, Yoruba, stylized women with
headed women, with traces of red pigment, ht. 9 in. large heads and detailed coiffures, ht. 9 in.
$400-600 $300-400
229. 233.
Two Yoruba Carved Wood Ibeji Dolls, a male form wearing shorts
Pair of African Carved Wood Ibeji Dolls, Yoruba, both depict men
and a female with pointed coiffure, ht. to 10 1/2 in.
wearing European shorts, with a single brass ring attachment, ht. 9 in.
$700-900
$400-600
234.
230. African Carved Wood Female Figure, Senufo, the stylized form with
Two African Carved Wood Ibeji Dolls, Yoruba, the man wearing hands to the abdomen, dark patina, old tag at the base reads “Senofo,
shorts, the woman with a dark patina, ht. to 10 1/2 in. Paris, 1930,” ht. 6 1/2 in.
$250-350 $300-400
236.
African Carved Wood Figure, Senufo, the stylized female form seated
on a stool and with scarification marks, dark patina, ht. 12 1/2 in.
$250-350
237.
Ashanti Carved Wood Female Figure, Africa, the standing form with
hands to the abdomen, the ovoid head with high forehead, ht. 9 1/2 in.
238.
Two African Carved Wood Items, Mossi, a very stylized female doll
and a female slingshot (?), ht. to 11 1/4 in.
$300-400
239.
African Carved Wood Heddle Pulley, Baule, the stylized human head
with cornrow coiffure and incised detail, ht. 7 in.
$500-700
236
238
237
240
239
241
245
244
240. 243.
African (?) Carved Wood Comb, with relief-carved female form on East African Carved Wood Fly Whisk, the handle in the form of a
handle, custom stand, lg. 11 in. human figure with hands to the hips and cloth skirt, animal hair whisk,
$300-400 lg. 19 1/2 in.
$300-400
241.
African Carved Wood Heddle Pulley, Baule, the male head with 244.
incised detail on its beard and coiffure, ht. 8 1/4 in. African Carved Wood Door Latch, Bamana, anthropomorphic form
$400-600 with incised detail and dark patina, ht. 23 in.
$500-700
242.
African Carved Wood Granary Door, Dogon, with multiple relief- 245.
carved stylized human figures and remnant latch, custom stand, 21 x Mende Carved Wood Female Figure, the standing form with one
16 1/2 in. hand to the hip, the other hand raised with palm facing out, blackened
$200-300 surface, (wood loss), ht. 22 in.
$1,500-2,000
247.
African Pottery Vessel, Lunda, Angola, with spout
and handle, with incised geometric decoration and
lizard at the top, ht. 10 in.
$400-600
248.
African Earthenware Pot, possibly the Cameroon
highlands, with applied and incised decoration,
(clay loss), ht. 16 in.
$200-250
249.
African Carved Wood, Hide, and Brass Chair,
hardwood frame with a hide-covered seat and
elaborate brass decoration, ht. 30, wd. 17 in.
$200-300
250.
Ashanti Carved Wood Stool, in the form of a
stylized elephant, (cracks), ht. 10 1/2, lg. 17 1/2 in.
$250-350
251.
Rare African Carved Wood Stool, Songe, the
female figure on a circular base, with wide flat
feet, rectangular scarification on the abdomen,
the stylized head pitched forward with elaborately
251
looped arms supporting a square seat, glossy dark
brown patina, ht. 24 1/2 in.
252. 258.
African Carved Wood Royal Stool, Nigeria, Benin, old-style form, the Three South African Carved Wood Staffs, Zulu, two with twist-carved
outside relief-carved with snakes, mudfish, and geometric devices, the handles, lg. to 55 1/2 in.
legs covered with metal strips attributed to the early members of the $250-350
Igbesanmwan Guild of carvers, ht. 15 1/4, wd. 12, lg. 24 in.
$1,000-1,500
259.
African Carved Wood Staff, Senufo, the finial carved in the form of a
253. stylized seated female, (one arm repaired), lg. 46 in.
African Hide-covered Ivory Trumpet, Dan, the side-blown form with
remnant hide covering, lg. 22 1/2 in. Provenance: Sotheby’s London, May 20, 1974.
$400-600 $600-800
254. 260.
African Carved Ivory Tusk, Congo, c. mid-19th century, with relief- African Bronze Finial, Yoruba, in the form of a female caryatid nursing
carved spiral scene depicting men and women in traditional and a child, the open work lidded vessel on her head has a seated human
European attire, includes musicians, animals, and shackled slaves, lg. smoking a pipe, possibly the work of Ali Amoni Kapi, ht. 13 1/2 in.
27 in.
$2,500-3,500 Provenance: Ben Shahn collection, 1947, Arthur Rothenberg collection.
Literature: See lot 203, Sotheby’s Fine African and Oceanic Art,
255. January 20, 1982.
African Metal Spoon, Ashanti, the stylized handle with pierced, $1,000-1,500
punctuate, and incised geometric designs, dark patina, lg. 10 in.
$300-400
261.
Benin Cast Metal Bell, in the form of a head, the face with prominent
256. features including scarification patterns, and with a small bird in relief on
African Carved Wood Spoon, Baule, with human head finial, lg. 8 1/2 the forehead, dark patina with traces of verdigris, ht. 13 in.
in. $2,000-2,500
$250-350
262.
257. Yoruba Carved Wood Staff, Eshu, the kneeling female form with
Two African Metal Currencies, Azande, both of sculpted copper with hands to the abdomen and holding containers, with cowrie shell fringed
pierced and incised decoration, with custom stands, ht. to 17 in. necklace, ht. 17 in.
$250-350 $2,000-2,500
254
261
263
259
264
262
265
266
263. 269.
African Carved Wood Staff, Dan, carved in various-sized, ridged Large South African Hide Covered Carved Wood Drum, Zulu,
sections, with stylized human head finial and a dark patina, ht. 25 in. tapered toward the base and covered with multiple twisted hide ties, ht.
$300-400 28, dia. 22 in.
$300-400
264.
African Carved Wood Zither, Tanzania, Zaramo, the finial in the form 270.
of a stylized standing woman, ht. 20 1/2 in. Eight South African Carved Wood Items, Zulu (?), six spoons
$400-600 including a large form with relief-carved animal, and two pipes, lg. to 22
1/4 in.
$300-400
265.
Baule Carved Wood Fly Whisk, the handle partially wrapped with red
cloth and carved with three human faces and fine geometric designs, 271.
covered with gold leaf, animal hair whisk, lg. of handle 15 in. Twenty South African Beaded Items, Zulu, c. late 19th/early 20th
$600-800 century, includes neck and waist ornaments, arm decorations, etc.,
various size and color glass trade beads.
$600-800
266.
Baule Carved Wood Fly Whisk, the elaborate handle with stylized
bird pecking a turtle’s head, with two human faces at the base, incised 272.
geometric designs and covered in gold leaf, remnant animal hair whisk, Twelve South African Beaded Items, Zulu, c. late 19th/early 20th
lg. 14 in. century, includes chokers, belts, pouches, fly whisk, and a beaded
$600-800 gourd, all done with various size multicolored glass trade beads.
$600-800
267.
African Carved Wood and Metal Drum Beater, Chokwe, the working 273.
end with human figure and geometric work, the screw-like handle with Ten South African Beaded Items, mostly Zulu, c. late 19th/early 20th
copper covering, patina of use, lg. 15 1/2 in. century, includes armbands, waist bands, necklaces, and pouches.
$300-400 $600-800
268. 274.
Large Yoruba Carved Wood Drum, the hollow cylindrical form with Eleven South African Beaded Items, Zulu, c. late 19th/early 20th
pegged animal hide drum skin, depicting a kneeling mother nursing an century, includes necklaces, pouches, armbands, and waist bands,
infant, (encrusted patina, cracks, wood loss), ht. 46 in. beaded in various sized multicolored glass beads.
$1,500-2,000 $600-800
276.
Seven African Carved Wood Items, six clubs, one with metal braiding,
and one adze with brass tack decoration, lg. 33 1/2 in.
$400-600
277.
Three East African Shields, all of conical form, one of turned wood,
one hide, and one hide-covered wood, all with patina of use, dia. to 20 268
in.
$350-450
278.
Three African Knives, various cultures, one has a crocodile-covered
grip and sheath, one has a wooden sheath, ht. to 21 in.
$300-500
279.
Four African Knives, various tribes and forms, includes a wooden knife
and a Mangbetu curved-blade form, ht. to 18 3/4 in.
$400-600
280.
Three African Knives, various styles, two have wooden sheaths, one
has a metal-wrapped grip, ht. to 25 1/2 in.
$400-600
281.
Three African Knives, the wood handles and sheaths with braided
metal work, lg. to 15 in.
$400-600
282.
African Carved Wood Knife Handle, the stylized human form with
incised and pyro-engraved coiffure, dark patina, ht. 5 1/4 in.
283.
Five African Adzes, with various decoration, two with brass tacks and
one encased in copper, ht. to 17 1/2 in.
$500-700
286.
284. Polynesian Wood Bowl, Hawaii, c. late 19th century, ht. 4 3/4, dia. 7
African Carved Wood and Metal Adze, Chokwe, with stylized human in.
finial, pyro-blackened detail, lg. 16 in. $250-350
$300-400
287.
285. Fiji Island Carved Wood Paddle Club, c. 19th century, the blade with
Polynesian Stone Spear Point, Easter Island, c. 18th century, of incised geometric, animal, and avian devices, lg. 44 1/2 in.
obsidian, with custom Lucite stand, ht. 3 1/2 in.
$300-400 Provenance: Arthur Rothenberg collection.
$1,000-1,500
289
288
290
291
288. 292.
Polynesian Carved Wood Club, Tonga, 19th century, with lug on end, Maori Carved Jade Club, c. late 19th century, the diminutive form
the flared four-sided form with elaborate chip-carving, lg. 26 in. carved with speckled green jade, pierced for attachment, with stand, ht.
$1,000-1,500 9 1/2 in.
Provenance: Arthur Rothenberg collection. Provenance: Arthur Rothenberg collection, purchased at a Bond Street
$800-1,200 Gallery in London, 1943-44.
$5,000-7,000
292
293
295, with detail
295.
Classic Maori Cloak, Kaitaka, New Zealand, early 19th century, woven in spaced double-pair twining using flax, has
classic taniko borders on three sides with tightly woven, dark geometric designs, remnant dog hide strip at the central
edge, 61 x 52 in.
297.
Six Sepik River Items, New Guinea, a bone spatula, polychrome
pottery bowl, and four necklaces with various teeth, shells, and
other attachments, bowl dia. 10 3/4 in.
$350-450
298.
New Guinea Carved Wood Club, Massim, the paddle form with
incised geometric designs at the blade tip, lg. 29 in.
$250-350
299.
New Guinea Carved Ebony Lime Spatula, Massim, 20th
century, abstract Janus figure with incised curvilinear detail, ht. 13
in.
$250-350
300.
Melanesian Spear, Admiralty Islands, obsidian point mounted in
wood and with nut paste binding, with shell additions, painted red,
white, and black geometric designs, original wood shaft, custom
stand, lg. 69 in.
$500-700
301.
Melanesian Carved Wood Figure, New Guinea, Milne Bay,
highly stylized seated form with lime inlay, ht. 10 1/2 in.
$300-400
302
302.
New Guinea Carved Wood Mask, Sepik River, the stylized form
pierced at the eyes and mouth, traces of red pigment, ht. 18 1/2
in.
303.
New Guinea Carved Wood Mask, Sepik River, an ancestral 304.
guardian mask with shell inlaid eyes, mounted in a Lucite box, lg. Large Melanesian Carved Wood Food Bowl, elliptic form with
24 in. handles in the form of stylized male (?) figures, dark patina, lg. 33
in.
Provenance: Karl Mann, E. 59th St., New York.
$800-1,200
$500-700
304
305,
front and
reverse
305.
Melanesian Carved Wood Mortar, New Guinea, a stylized
anthropomorphic male-female Janus figure on a round base, dark
patina, ht. 5 1/2 in.
$600-800
306 306.
New Guinea Carved Wood Figure, Sepik River, the stylized seated
figure with dark glossy patina, ht. 6 1/2 in.
$300-400
307.
Six Philippine Carved Wood Spoons, all with handles in the form of
stylized humans, five with custom stands, ht. to 10 1/4 in.
$500-700
308.
Philippine Carved Wood Female Figure, standing with hands to the
abdomen, with shell inlaid eyes, brown patina, ht. 9 in.
$250-350
309.
Philippine Knife, Belt, and Sheath, Ifugao, the belt with graduated
shell decoration, knife lg. 16 1/2 in.
$300-400
310.
Two Philippine Wood Items, a helmet (?) and a bowl with scalloped
rim and dark patina, dia. to 9 1/2 in.
$250-350
311
312
311.
Philippine Carved Wood “Lute,” Ifugao, c. second quarter 20th
century, with stylized horse head finial, dark patina, custom stand,
lg. 23 in.
312.
Rare Philippine Carved Wood Container, c. early 20th century,
carved in the form of a stylized frog, with bone (?) eyes and traces
of red pigment, ht. 9, lg. 10 1/2 in.
$2,500-3,500
317
315
313.
Taiwan Carved Wood Spoon, the handle with relief-carved female
figure and geometric design, lg. 9 in.
$300-400
314.
Seven Indonesian Carved Horn Spoons, Timor, all with elaborately
decorated handles, five with stands, lg. to 9 1/2 in.
$500-700
319
315. 317.
Indonesian Carved Wood Monkey, Timor, c. early 20th century, with Indonesian Carved Wood Architectural Figure, “Aso,” Dayak,
open arms and standing on pedestal, ht. 15 1/2 in. Borneo, 19th century, in the form of a mythological figure, custom
stand, lg. 12 1/2 in.
Provenance: Francois Coppens, Brussels, Belgium.
$800-1,200 Provenance: Francis Coppens, Brussels, Belgium.
$500-700
316.
Two Indonesian Carved Wood Figures, one seated with hands under 318.
the knees, the other standing and with carved face or mask on the Indonesian Woven Cotton and Embroidered Silk Textile, “Tapis,” c.
chest, ht. to 5 in. early 20th century, with embroidered stylized human figures, folded and
$250-350 sewn down the side, 47 x 27 in.
319.
Indonesian Cotton “Tabitan” Weaving, Sumatra, Kauer
tribe, c. early 20th century, multicolored geometric designs
and with stylized humans, 43 1/2 x 16 1/2 in.
320.
Indonesian “Ancestor Ship” Textile, “Tatiban,” Sumatra,
early 20th century, 66 x 13 1/2 in.
321.
Pair of Indonesian Woven Cotton Textiles, “Tampan,”
Sumatra, early 20th century, with geometric and
mythological figures, each 23 x 22 1/2 in.
322.
Indonesian Woven Bamboo Pictorial Mat, Iban Dayak, c.
early 20th century, with stylized “ancestor” figures, collected
in the field by Francois Coppens from a Tikar Long House on
the Skrang River, Borneo, 77 x 50 in.
322
325
323. 326.
Archaic Carved Wood Mask, Nepal, with bark-like surface, pierced Carved and Painted Wood Mask, made from alder wood, with
eyes and mouth, dark brown patina, ht. 8 1/2 in. on stand. pierced eyes and yellow pigment, ht. 6 1/2 in.
$200-250 $300-400
324. 327.
Himalayan Carved Stone Shrine Figure, “dolpa,” Nepal, c. early 20th Two Guatemalan Carved Wood Slingshots, both female forms, ht. to
century, stylized male figure with hands to the abdomen, ht. 13 in. 7 1/2 in.
$250-350
Provenance: Tony Milton collection, Sante Fe, New Mexico.
$800-1,200
328.
Pair of Youth-size Central Plains Beaded Hide Moccasins,
325. Cheyenne, last quarter 19th century, bottle green “buffalo tracks” and
Nepalese Carved Wood Mask, with pierced eyes and mouth, hide multicolored geometric designs on a white ground, lg. 8 in.
with remnant fur attached to forehead, dark patina, ht. 9 in. $400-600
$250-350
328
330
331
329. 332.
Northern Plains Beaded Hide Moccasins, c. 1900, probably Plains Pair of Plains Beaded Buffalo Hide Moccasins, c. last quarter 19th
Cree, beaded on thick buffalo or moose hide, with multicolored century, with blue-green pigment and partially beaded with multicolored
geometric designs on a white ground, edged with red trade cloth, lg. geometric designs, lg. 10 in.
10 in. $800-1,200
$600-800
333.
330. Central Plains Beaded Hide Moccasins, Lakota, c. 1870s, the hard
Pair of Central Plains Beaded Hide Child’s Moccasins, Cheyenne, sole forms of buffalo hide and decorated with multicolored geometric
last quarter 19th century, multicolored geometric designs on a white designs, (the drop on one of the bifurcated tongues has been restored),
ground, lg. 6 1/2 in. lg. 10 in.
$400-600 $1,500-2,000
331. 334.
Central Plains Beaded Hide Moccasins, Cheyenne, c. last quarter Southern Plains Beaded Hide Moccasins, Cheyenne, c. 1870s,
19th century, with buffalo rawhide soles and beaded with multicolored with thick buffalo rawhide soles, partially beaded geometric and cross
geometric and thunderbird designs on a white ground, traces of yellow devices, with a row of tin cones down the vamp, yellow and red
pigment, lg. 10 1/2 in. pigments, lg. 10 in.
$2,000-2,500 $2,000-2,500
333
334
335. 337.
Pair of Southwest Beaded Hide Moccasins, Mescalero Apache, c. Southwest Beaded Hide High-top Moccasins, Apache, c. last
1900, with rawhide soles and heel fringe, the uppers are fully beaded quarter 19th century, with buffalo rawhide soles, yellow ochre pigment,
and have slightly different geometric designs done in multicolored seed partially beaded with multicolored geometric designs, ht. 18 1/2, foot lg.
beads, (minor bead loss), lg. 9 3/4 in. 10 1/2 in.
$2,000-2,500 $1,500-2,000
336. 338.
Southern Plains Beaded Hide High-top Girl’s Moccasins, Cheyenne, Southwest Beaded Hide Pouch, Mescalero Apache, c. 1900, the
c. late 19th century, stained yellow and red, the legging has geometric front and flap with multicolored geometric designs, edged with tin
and arrow devices on a clambroth background and German silver cones, (minor bead loss), ht. 6 1/4 in.
conchas, the moccasins have multicolored designs on a white ground, $800-1,200
(bead loss), foot lg. 9 1/4, ht. 15 1/2 in.
$3,000-4,000
337
336
338
340
339
343
341
342
339. 341.
Central Plains Beaded Hide Knife Sheath, Lakota, c. 1870s, Plains Beaded Hide Pouch, Central Plains, c. third quarter 19th
commercial leather liner, the buffalo hide sheath beaded with classic century, the partially beaded buffalo hide pouch with long triangular flap,
Lakota design, lg. 10 1/2 in. with fringe down the sides, tin cone danglers at the tip and geometric
$2,500-3,500 beadwork in red, white, and blue, (tears to pouch), lg. 12 in.
347
345
346
343. 347.
Central Plains Beaded Paint Bag, Cheyenne, c. third quarter 19th Central Plains Beaded Hide Awl Case, c. last quarter 19th century,
century, in the form of a miniature pipe bag with seed beaded panel with striped design and two edge beaded tabs from the bottom, (minor
and remnant pony beaded edging on the four tabs, traces of vermilion bead loss), lg. 14 1/2 in.
paint, (bead loss), lg. 7 1/2 in. $400-600
$1,000-1,500
348.
344. Central Plains Beaded Hide Pouch, Arapaho, c. 1900, made from a
Three Plains Beaded Hide Pouches and Three Photographs, a tipi ornament with barred design on a yellow background, ornament lg.
Crow flap pouch, a Shoshone spot-stitch pouch, and a floral beaded 10 1/4 in.
belt pouch, includes three photographs of the Crow (?) reservation $200-300
where the pouches were collected in the 1920s, pouch lg. to 5 1/2 in.
$250-350
349.
Central Plains Beaded Hide Possible Bag, c. 1900, buffalo hide,
345. beaded on the flap, sides, and front with multicolored geometric
Plateau Beaded Hide Pouch, Ute, c. 1900, loom-beaded with designs in a bar pattern, remnant tin cone danglers, (bead loss), 18 x
chevron devices on a translucent green background, tin cones at the 13 in.
bottom, 5 x 3 1/4 in. $2,000-2,500
$300-400
350.
346. Central Plains Beaded Hide Pouch, c. late 19th century, beaded on
Plains/Plateau Beaded Hide Miniature Cradle, Shoshone, c. last the front and partially beaded on the back, with multicolored geometric
quarter 19th century, hide covered wood and partially beaded with designs, 11 x 9 in.
polychrome glass seed beads, ht. 7 1/2 in. $500-700
$300-400
350
351. 352.
Plains Beaded Hide and Cloth Mirror Bag, Crow, c. first quarter 20th Plains Beaded Hide Pipebag, c. last quarter 19th century, with
century, with canvas strap, hide pouch and fringe, red cloth inlays, and triangular tabs at the bottom and decorated border lane of multicolored
beaded with classic Crow geometric designs, lg. including fringe 27 in. geometric design, (minor bead loss), lg. 18 1/2 in.
$2,000-2,500 $600-800
351
353
354
353.
Central Plains Pictorial Beaded Hide Pipebag, Lakota, c. first quarter
20th century, tab-bottom form with a woman on horseback (both
sides), done in overlay and lazy stitch, lg. 29 1/2, wd. 8 in.
$1,500-2,000
354.
Plains Beaded Hide Pipebag, Cheyenne, c. last quarter 19th century,
with small bifurcated tabs from the mouth, classic multicolored bar
design, and partially twisted fringe, (hide loss, stiffness to fringe), lg. 29
in.
$3,000-5,000
355.
Central Plains Beaded Hide Pipebag, Cheyenne, c. third quarter 19th
century, supple bag with classic Cheyenne geometric designs and six
edge-beaded tabs from the top, the twisted fringe with bead and tin
cone attachments, (minor bead loss), lg. 24 in.
$8,000-12,000
355
356, with
detail
356.
Central Plains Beaded and Quilled Hide Pipebag, Arapaho, c. third
quarter 19th century, the beaded tabs from the opening decorated with
quill-wrapped rawhide slats, with faceted cobalt blue beads, tin cones
with remnant red trade cloth tufts and fringe, with long quill-wrapped
slat panel and fringe from the bottom, early beaded geometric designs
on a white background, traces of green pigment, lg. 33 in.
358
357. 359.
Eastern Plains Carved Catlinite Pipe Bowl, Dakota (?), c. mid-19th Plains Catlinite Pipe Bowl, c. second half 19th century, an elbow form
century, an elbow form, the bowl carved in the likeness of a French- with decorative grooves, lg. 4 in.
Canadian Metis trapper, (possibly Pierre Bottineau, a renowned $200-300
diplomat and translator nicknamed “The Walking Peace Pipe”), patina of
use, ht. 2 1/4, lg. 3 in.
$2,000-2,500 360.
Northern Plains Pipe, Cree, c. 19th century, with tulip-shape black
steatite, lead inlaid bowl, the round wood stem with single red painted
358. groove, lg. 13 5/8 in.
Eastern Plains Catlinite Pipe, c. last quarter 19th century, with $500-700
commercial mouthpiece, flange with circular cutout, and bowl in the
form of a ferocious creature, incised detail, lg. 8 1/2 in.
$800-1,200
360
361
361. 363.
Southern Plains German Silver and Commercial Leather Woman’s Pair of Ute Man’s Hide Leggings, c. late 19th century, stained yellow
Concha Belt, Kiowa, c. 1900, the conchas on belt and drop with overall, with red painted detail and two rows of fringe, one above the
stamped decoration, belt lg. 43 1/2 in. tab cuffs, lg. 32 in.
$1,500-2,000 $1,500-2,500
362. 364.
Central Plains Beaded Hide Child’s Collar, Lakota, c. early 20th Plains Beaded Hide Blanket Strip, Lakota, c. late 19th century, with
century, has multicolored geometric designs on a white ground, wd. 17 multicolored geometric and cross devices on a white background, wd.
1/2, lg. 2 in. 5, lg. 53 in.
$600-800 $800-1,200
362
363
364
371
365. 368.
Northern Plains Beaded Cloth Horse Collar, Blackfeet, c. 1900, Plains Hide Bow Case, Quiver, and Bow, c. 19th century, sinew
canvas backing, with multicolored geometric and abstract devices on a sewn and with traces of yellow pigment, the bow with hide backing and
red trade cloth background, (bead loss, minor insect damage to trade cord-wrapped grip, sinew string, (damage to hide), lg. of bow 48 in.
cloth), lg. 41 1/2 in. $600-800
373
374
375
372. 374.
Great Lakes Carved Wood Gunstock Club, c. second half 19th Plains Pipe Tomahawk, c. third quarter 19th century, with forged
century, with subtle central ridge, lead inlaid metal spear point, written head, the ash shaft with file branding, brass tack decoration, and
in two spots Chief of Red Lake, (traces of red pigment overall), lg. 23 buffalo hide wrist strap, lg. of shaft 23 1/4, lg. of head 9 1/4 in.
3/4 in. $8,000-12,000
$2,500-3,500
375.
373. Two Apache Wood and Hide Model Cradles, c. first quarter 20th
Plains Pipe Tomahawk, c. mid-19th century, with long tapered ash century, with wicker hoods (one damaged), and traces of yellow
shaft, the forged head with grooved detail, lg. 24 in. pigment, one with a commercial cloth doll, ht. to 18 1/2 in.
$1,000-1,500 $600-800
376, with
detail views
at right
377
377.
Central Plains Beaded Hide Doll, Lakota, c. late 19th century,
partially beaded buffalo hide dress and moccasins, ht. 13 1/2
in.
378.
Large Southern Plains Beaded Hide Male Doll, Comanche
(?), c. late 19th century, very large form wearing a traditional
shirt, leggings, and tin cone decorated moccasins with white
seed bead eyes and trim, the hands formed with the fingers
sewn separately, cloth sewn on top of the head, probably had
hair at one time, ht. 31 in.
$8,000-12,000
379
379.
Fifteen Ledger Drawings by Southern Arapaho Artist Mad Bull (1883-1884), includes the cover with drawings
on the inside, a single drawing with inscription on the opposite side, a single drawing, and six pages with twelve
drawings, includes battle scenes, soldiers, ceremonial scenes, warrior societies, etc. The inside front cover, inscribed:
Indian sketch book painted and sketched by Native Indians, LD. Tilton, U.S.A, Fort Reno I.T., Cheyenne and Arapaho
Agency; presentation inscription (on reverse side of the drawing with an Arapaho attacking a Shoshone warrior):
Original sketches by a Cheyenne Indian, Fort Reno, I.T., for E.F. Riggs, Esq., with compliments of Palmer Tilton, Lieut.
20th U.S. Infantry, March 27, 1884; a compilation of extensive research, including photocopies, weapon comparisons,
military histories, etc., by Plains Indian expert Michel Cowdrey is included; drawings framed in glass.
$60,000-80,000
379
379
379
379
379
379
379
379
379
379
383
380. 382.
Pair of Prairie Beaded Cloth and Hide Moccasins, Delaware, c. Great Lakes Loom-beaded Charm Necklace, c. late 19th century,
1900, the vamps and cuffs with multicolored abstract beaded designs, with multicolored beadwork and four tabs with yarn tassels from the
(bead loss), lg. 9 1/2 in. pendant bottom, pendant lg. 7 in.
$500-700 $250-350
381. 383.
Delaware Beaded Cloth and Hide Moccasins, c. last quarter 19th Western Great Lakes Carved Wood Bowl, c. 19th century, with
century, hide forms, the vamps and cloth cuffs with abstract foliate single perforated lug at rim, patina of use, (crack), ht. 3, lg. 12 3/4 in.
designs, lg. 9 1/2 in. $1,000-1,500
$600-800
384. 386.
Great Lakes Beaded Garters, c. last quarter 19th century, loom Large Great Lakes Beaded Cloth Bandolier Bag, Ojibwa, c. late
woven on commercial yarn, with multicolored foliate and geometric 19th century, an oversize bag, the mouth sewn closed, with two
designs on a white background, lg. excluding fringe 18 1/2 in. horses and a human figure above a multicolored floral panel on a white
$400-600 background, with remnant loom beaded tabs at bottom, (bead loss), lg.
45, wd. 19 in.
$1,500-2,500
385.
Great Lakes Beaded Cloth Bandolier, Ojibwa, c. 1900, the strap and
panel have a contour-beaded, multicolored floral design on a white 387.
ground, with bugle bead and wool tufts on the bottom, lg. 43, wd. 13 Great Lakes Beaded Cloth Bandolier Bag, Winnebago (?), c. last
in. quarter 19th century, loom-beaded with an American flag and eagle
$1,000-1,500 design, with flag tabs and wool tassels from the offset strap and
bottom, (bead loss), lg. 30, wd. 13 in.
$6,000-8,000
394
396
397
388. 393.
Three Northeast Splint Baskets, c. late 19th century, various shapes, Two Northeast Splint Baskets, Mohegan, c. late 19th century, both
all with some painted decoration, one with ash handles, (minor with painted decoration, (minor damage), lg. to 14, wd. to 13 in.
damage), largest ht. 10, lg. 15, wd. 12 1/2 in. $300-400
$300-400
394.
389. Two Northeast Moose Hair Embroidered Birch Bark Items, both
Two Northeast Painted Wood Splint Baskets, c. 1900, both are with floral decoration, a needle case with old tag that reads “Niagara
painted with two colors and with a porcupine twist decoration, (minor Falls 1855,” and a heart-shaped box, (stitch loss), wd. to 3 3/4 in.
damage), ht. to 3 3/4, lg. to 10 1/2 in. $250-300
$200-300
395.
Embroidered Birch Bark Tray, Huron tribe, 19th century, lobed four-
390.
paneled birch bark tray stitched with dyed sweetgrass, with ornate
Four Northeast Splint Baskets, Mohegan (?), c. 1900, all rectangular
flowers and fruit in relief, (small losses on rim), ht. 1/2, dia. 8 in.
forms with some paint decoration, (damage), lg. to 14 in.
$400-600
$300-400
396.
391. Northeast Moosehair Embroidered Birch Bark Card Case, Huron, c.
Three Northeast Splint Baskets, c. late 19th century, all with some third quarter 19th century, foliate designs and two birds on one side, 3
paint decoration, two with ash handles, (minor damage), largest ht. 6, 1/2 x 2 1/2 in.
dia. 14 in. $400-600
$300-400
397.
392. Northeast Carved Root Club, Penobscot, c. late 19th century,
Six Northeast Miniature Items, c. 1900, five various sized baskets and with one of the knobs in the form of a stylized animal head, incised
a small birch bark box, (damage), ht. to 2 1/4 in. decorated handle, lg. 27 1/2 in.
$300-400 $400-600
398
400
401
398. 399.
Northeast Beaded Cloth Glengarry Hat, Iroquois, c. third quarter 19th Northeast Beaded Cloth Panel Hat, Mohawk, c. third quarter 19th
century, multicolored foliate and geometric designs on black cloth, lg. century, multicolored floral designs on a black velveteen background,
11 in. ht. 6 in.
$600-800 $800-1,200
404
400. 404.
Two Northeast Beaded Cloth Items, Iroquois, c. third quarter 19th Multicolored Wool Assumption Sash, c. mid-19th century, worsted
century, a pouch and a Glengarry cap, both with multicolored floral wool with all natural dyes, lg. excluding fringe 76, wd. 8 3/4 in.
designs on a black velveteen, lg. of cap 10 in. $800-1,200
$600-800
405.
401. Northeast Finger-woven Assumption Sash, Huron or Missionaries,
Northeast Beaded Cloth Panel Hat, Grand River, c. mid-19th c. first half 19th century, a wide sash with multicolored zigzag design,
century, with alternating red and black vertical panels, decorated with (wool loss), wd. 9, lg. excluding fringe 80 in.
multicolored abstract foliate designs using small glass beads and $1,000-1,500
sequins, (minor bead loss), ht. 6 in.
$2,500-3,500
406.
Southeast Beaded Cloth Bandolier Strap, Creek (?), c. 1820s, black
402. cloth with fine, light color lining, decorated on one side with multicolored
Two Northeast Beaded Pouches, c. mid-19th century, a cloth pouch abstract designs done in very small glass beads, the tab ends with
beaded on both sides with multicolored abstract geometric designs, lightning devices, (bead loss), lg. 52 in.
and a small hide puzzle pouch with two-color geometric design, wd. to $6,000-8,000
4 1/2 in.
$300-400
407.
Mound Builder Human Headed Pottery Effigy Vessel, the dark gray
403. round body with long neck and wide open-mouthed head, cornrow
Multicolored Wool Assumption Sash, c. second half 19th century, hair, old tag at bottom reads in part: Mound Builders Vessel from
with the traditional arrow pattern, lg. excluding fringe 88 in. Madrid Co. Mo. from a Group of Three Mounds, ht. 6 3/4 in.
$500-700 $1,500-2,000
409.
Large Eskimo Baleen Basket, 20th century, with whale fluke finial,
signed Marilyn Hank Otton, Pt. Hope, Alaska, ht. 5, dia. 6 in. 407
$800-1,200
410.
Eskimo Baleen Lidded Basket, Ekayuke, Pt. Hope, Alaska, with
fossilized ivory finial in the shape of a walrus, ht. 3 1/2, dia. 4 5/8 in.
$500-700
411.
Eskimo Baleen Lidded Basket, 20th century, a square form with
mountain sheep finial, by Seymore Tuzroyluke, Pt. Hope, Alaska, ht. 3
1/2, wd. 4 in.
$600-800
412.
Eskimo Two-color Baleen Basket, 20th century, with fossilized walrus
ivory finial, ht. 4, dia. 4 1/4 in.
$400-600
413.
Large Eskimo Baleen Basket, 20th century, with ivory finial in the form 414.
of a whale fluke, made by Marilyn Hank Otton, Pt. Hope, Alaska, ht. 5 Eskimo Baleen Basket, attributed to Andrew Tooyak, Sr., the ivory
1/2, dia. 5 3/4 in.
finial in the form of a swan, ht. 3 3/4, dia. 3 1/2 in.
$1,500-2,000
$400-600
409 413
411
410 412
420
414
416 418
417 419
415
423
422
421
424
425
415. 420.
Eskimo Baleen Basket, by Lee Harris, the finial in the form of a seal, Eskimo Two-color Baleen Basket, by Marilyn Hank Otton, Pt. Hope,
ht. 3, dia. 3 1/4 in. Alaska, with whale fluke finial, ht. 4 1/4, dia. 3 1/2 in.
$400-600 $500-700
416. 421.
Eskimo Baleen Basket, by R.F., with polar bear ivory finial, ht. 4 1/4, Three Eskimo Baleen Baskets, contemporary, two oval forms with
dia. 3 1/4 in. hinged lid, and a bone form with baleen lid, ht. to 1 3/4, dia. to 2 3/4 in.
$400-600 $600-800
422.
417.
Two Eskimo Two-color Baleen Baskets, one by Hayes Elim, 4, with
Eskimo Baleen Basket, by Lee Harris, the square lidded form with
bird head finial, and one by Lilly Hank, 2005, with whale fluke finial, ht.
ivory finial in the shape of a walrus, ht. 3, wd. 3 1/4 in.
to 3 1/2, dia. to 3 in.
$400-600
$600-800
418. 423.
Eskimo Baleen Basket, by Andrew Oenoa, Barrow, Alaska, the ivory Eskimo Baleen Basket, signed “(?), Barrow, Al.,” the two-color form
finial in the shape of a walrus head, ht. 3 1/4, dia. 4 1/4 in. with whale fluke finial, ht. 3 1/2, dia. 2 7/8 in.
$500-700 $400-600
419. 424.
Eskimo Baleen Basket, by Harry Hank, Point Barrow, Alaska, 1999, Four Small Eskimo Baleen Baskets, one with ivory insets, initialed CA,
the ivory finial in the form of a walrus head, ht. 3 1/4, dia. 3 in. ht. to 2 1/4, dia. to 2 3/4 in.
$500-700 $600-800
433 434
425. 430.
Three Eskimo Horn-covered Baleen Baskets, with various ivory finials Eskimo Carved Ivory Tupilak, Greenland, c. early 20th century, ht. 4
and small gold inlay, one signed J. Hensley, ht. to 3 1/4, dia. to 2 1/2 1/2 in.
in. $250-350
$600-800
431.
426. Inuit Carved Soapstone Owl, c. mid-20th century, the rotund standing
Northwest Coast Carved Wood Bowl, c. 1900, in the form of a seal, form mounted on a wood base, ht. 5 in.
with remnant opercula shell inlay at rim, and inlaid white glass seed
beads, lg. 16 in. Provenance: Arthur Rothenberg collection.
$800-1,200 $250-350
427.
Contemporary Argillite Carving, depicting an Eskimo stabbing a large 432.
fish, has separate wood knife, ht. 4 3/4 in. Three Eskimo Items, c. late 19th century, two wood and bone
$200-250 harpoon ends, one with incised detail, and a fossilized ivory bird, lg. to
11 in.
$300-400
428.
Contemporary Eskimo Soapstone Carving, a hunter grasping a seal,
incised detail, lg. 10 in. 433.
$400-600 Eskimo Carved Wood Box, c. late 19th century, the lidded, round
form stitched with baleen and with a carved bone ornament, ht. 4, dia.
6 in.
429.
$800-1,200
Two Greenland Eskimo Carved Tupilak Figures, the large figure
carved from walrus ivory, the smaller from caribou bone, ht. to 5 1/2 in.
$200-250
434.
Eskimo Carved Wood Box, c. 19th century, the diminutive
lidded form carved with grooves and with hide hinges, deep
brown patina, lg. 4 3/4 in.
$1,000-1,500
435.
Northwest Coast Kerf Bent Carved Wood Box, c. late 19th
century, round-edged lid and base, two small iron lugs at the
sides, ht. 7 1/2, lg. 13, wd. 10 in.
$500-700
436.
Lot of Eskimo Wood Items, Alaska, c. last quarter 19th century,
includes miniature paddles, a scoop, and snow goggles, lg. of
goggles 6 1/2 in.
437.
Eleven Eskimo Items, c. 1890s, ten pouches with various animal
skin appliqué decoration, two with beadwork detail, and a pair of
grass booties, pouch lg. to 7 in.
438.
Rare Carved and Painted Wood One-string Lute, Alaska,
Kuskokwim area, c. last quarter 19th century, the one-string
musical instrument painted on the top with stylized animal
imagery in red and black, carved in two pieces, and with wood
pegs and metal clamps, lg. 18 1/2 in.
439.
Eskimo Wood and Hide Model Umiak, c. last quarter 19th
century, with skin-covered wood frame, the five wood paddlers
with articulated limbs and wearing detailed skin and cloth
clothing, with an array of miniature tools and implements, (some
loss), lg. 33 1/2 in.
$1,000-1,500
440.
Eskimo Wood and Hide Model Kayak, c. late 19th century, the
wood paddler wearing cloth parka, with bone-tipped paddle and
miniature tools, lg. 15 1/2 in.
$400-600
441.
Eskimo Carved and Incised Ivory Cribbage Board, Alaska,
c. late 19th century, the top with incised geometric designs and
black pigment, lg. 16 in.
440
441
1 442
445
450
452
453
454
112
455
456
442. 448.
Eskimo Carved Ivory Cribbage Board, Alaska, c. late 19th century, Seven Eskimo Carved Ivory Toggles, Alaska, c. last quarter 19th
the top with incised map and the collector’s daughter’s name “Florence century, all in the form of a walrus, five with incised decoration, lg. to 1
E. Schmall,” the bottom with various animals colored in red and green 1/4 in.
pigments, (two of the ivory feet missing), lg. 15 in.
Provenance: Collected by William Schmall and descended in the family.
Provenance: Collected by William Schmall and descended in the family. $300-400
$300-500
443. 449.
Eskimo Scrimshaw Ivory Item, c. early 20th century, with stylized bird Eskimo Carved Fossilized Ivory Fish, with shell (?) inlaid eyes, pierced
heads on both ends, lg. 6 1/2 in. at tail and below for suspension, lg. 9 1/2 in.
$300-400
$300-400
444.
Three Eskimo Carved Ivory Chains, Alaska, c. late 19th century, one
450.
incised and with four small animals attached, one with barrel-shaped
links and animal head terminal, (damage), lg. to 20 in. Eskimo Carved Wood and Ivory Hunting Diorama, Alaska, c. late
19th century, the box with brass fittings and strung with two kayaks,
Provenance: Collected by William Schmall and descended in the family. two umiaks, and a walrus, blackened incised detail, box lg. 8 in.
$300-400
Provenance: Collected by William Schmall and descended in the family.
$600-800
445.
Ten Eskimo Carved Ivory Toggles, Alaska, c. late 19th century, five
in the form of fish and five stylized insects, all incised and with red and
black pigments, lg. to 2 1/8 in. 451.
Large Collection of Eskimo Historic and Prehistoric Items, includes
Provenance: Collected by William Schmall and descended in the family. fishing lures, harpoon heads, and metal spear points, most of the
objects made of ivory or bone.
$400-600 $800-1,200
446.
Four Eskimo Ivory Carvings, Alaska, c. late 19th century, a seal, other 452.
two animals, and a wolf (?), (damage), lg. to 1 1/4 in. Eskimo Carved Ivory Form, c. 1900, possibly a seal with scrimshaw
detail, lg. 6 in.
Provenance: Collected by William Schmall and descended in the family. $800-1,200
$200-250
447. 453.
Eight Eskimo Ivory Items, Alaska, c. last quarter 19th century,
Eskimo Carved Ivory Bear Head, c. late 19th century, possibly cut
includes a pipe, a labret, story knife, toggle, etc., lg. to 5 in.
from a larger object, with abalone-inlaid eyes, ht. 2 5/8 in.
$500-700
Provenance: Collected by William Schmall and descended in the family.
$300-400
458
454. 455.
Eskimo Carved Ivory Bear, c. 19th century, stylized form, dark patina, Two Eskimo Ivory Styluses, Alaska, c. late 19th century, one with a
lg. 3 in. human head finial, one with incised geometric designs and attached
$300-400 bird head, lg. to 6 1/2 in.
456. 458.
Eskimo Carved Ivory Figure, Alaska, c. late 19th century, pointed Eskimo Carved Antler Arrow Straightener, in the form of a caribou,
form with human head, incised detail with red and black pigments, lg. the shaft incised with two rows of stylized humans on one side, animals
1 3/8 in. on the reverse, dark patina, includes custom stand, ht. 5 1/2 in.
$4,000-6,000
Provenance: Collected by William Schmall and descended in the family.
$200-250
459.
Eskimo Carved Ivory Pipe, Alaska, c. late 19th century, in the form
457. of a stylized walrus, with a human face and seal on the underside,
Eskimo Carved Ivory Bag Handle, prehistoric (?), in the form of a remnant fish (?) heads from the sides, the bowl with lid in the form of a
stylized seal (?), with circle and dot decoration along the spine, custom walrus, blackened incised detail, lg. 9 in.
stand, lg. 9 5/8 in.
$2,000-3,000 Provenance: Collected by William Schmall and descended in the family.
$1,500-2,000
460. 464.
Eskimo Carved Ivory Pipe, Alaska, c. late 19th century, with Northwest Caribou-Teeth Belt, Inupiak, Alaska, c. last quarter 19th
blackened incised geometric designs and relief-carved walrus below the century, hide belt profusely decorated with caribou front teeth, brass
bowl, lg. 6 1/2 in. buttons, and with large glass bead and brass cartridge shell danglers,
lg. 40 in.
Provenance: Collected by William Schmall and descended in the family.
$1,000-1,500 Provenance: Collected by William Schmall and descended in the family.
$800-1,200
461.
Northwest Coast Engraved Silver Bracelet, Haida, depicting a
stylized animal, (old repair), inner dia. 2 3/4 in. 464A.
$500-700 Northwest Coast Carved and Painted Wood Rattle Fragment, the
upper part of a raven rattle (raven head missing), a small standing frog
in front of a red painted reclining human figure, and behind a stylized
462. animal head, (wood loss), lg. 10 1/2 in.
Northwest Coast Engraved Silver Bracelet, Haida (?), with stylized $1,500-2,000
foliate and cross-hatched design, wd. 1, inner dia. 2 1/4 in.
$400-600
465.
463. Northwest Coast Carved and Painted Wood Mask, c. late 19th
Northwest Coast Beaded Hide Moccasins, Tlingit, c. late 19th century, with pierced eyes and nose, two fangs from the mouth and
century, fur-lined soft hide with red cloth vamps, beaded with crest from forehead, red, black, and dark green pigment, old tag on
multicolored abstract foliate designs, lg. 10 in. back reads, “Bella Coola, E.C. Van. Isl. B.C.,” ht. 8 in.
$500-700 $800-1,200
462
463
464
467
465
466. 468.
Northwest Coast Carved Wood Paddle, c. 1900, one side of the Large Northwest Coast Polychrome Carved Wood Totem Pole, c.
blade is incised with an animal head and fin (?), lg. 20 in. early 20th century, the hollow-back cedar (?) form with various animals,
$300-400 fish, and frogs beneath an eagle holding a plump fish, ht. 92, wd. to 9
1/2 in.
$8,000-12,000
467.
Northwest Coast Carved Wood Speaker’s Staff, c. 1900, carved
with a stylized human, animal, and avian figure, ht. 37 1/2 in.
$2,500-3,500
470
469. 471.
Large Northwest Coast Polychrome Carved Wood Totem Pole, c. Northwest Coast Carved Wood Halibut Club, c. late 19th century,
late 19th/early 20th century, the hollow-backed cedar form with animal, carved with various human and animal designs, lg. 20 in.
avian, and human forms, black, dull red, and green pigments, ht. 76, $600-800
wd. to 8 1/4 in.
$10,000-15,000
472.
Northwest Coast Carved Wood Club, c. 1900, carved with stylized
470. animal head and feline designs, it appears to have been painted and
Northwest Coast Carved Wood Club, c. late 19th century, stylized varnished at one time, lg. 14 1/2 in.
bird head on one end with metal tack eyes and traces of red pigment, $300-400
ht. 17 in.
$600-800
473
474
475, with
detail views
477
478
476
479
473. 477.
Northwest Coast Carved Whalebone Club, c. late 19th century, Northwest Coast Carved Wood Halibut Hook, c. 1900, with two
paddle form with three stylized faces on one side and a panel with upturned arms, the hands grasp a small skull, pyro-blackened detail, ht.
stylized designs on the reverse, lg. 25 1/2 in. 10 1/2 in.
$200-300 $400-600
474. 478.
Northwest Coast Carved Bone Fish Club, c. late 19th century, Northwest Coast Carved Wood Halibut Hook, c. 1900, in the form of
carved in the form of a stylized fish (?) with incised detail, lg. 14 1/2 in. a seal, ht. 12 in.
$400-600 $600-800
475.
479.
Northwest Coast Carved Mountain Sheep Horn Feast Ladle, Tlingit,
Northwest Coast Carved Wood Halibut Hook, c. 1900, in the form of
19th century, with deep pointed oval bowl, the gently curved handle
a stylized bird head, ht. 9 3/4 in.
carved on the outside with abstract avian design, including two profile
$400-600
avian heads, terminating in a stylized bird head finial, rich honey brown
patina, ht. 19 in.
$10,000-15,000
480.
Two Northwest Items, a carved wood halibut hook and an antler
476. fishhook with notched and incised detail, lg. to 12 in.
Northwest Coast Carved Wood Halibut Hook, c. 1900, with a human $300-400
head wearing a traditional hat with potlatch rings, ht. 10 1/2 in.
$600-800
482
481. 483.
Northwest Coast Carved Wood Halibut Hook, c. 1900, in the form of Northwest Coast Carved Wood Halibut Hook, c. 1900, with a
a wolf-headed human, ht. 10 3/4 in. composite animal head and octopus tentacles, ht. 11 1/2 in.
$600-800 $600-800
482. 484.
Northwest Coast Carved Wood Halibut Hook, c. 1900, in the form of Northwest Coast Carved Wood Halibut Hook, c. 1900, with two
a stylized animal with incised detail, ht. 9 3/4 in. stylized animals on top and a relief-carved animal head on one side,
$400-600 fiber bindings, ht. 11 in.
$600-800
485.
Rare Northwest Coast Shaman’s Rattle, c. 1840-60, probably Tlingit, carved in two pieces with central mask-like face on each side, with pierced
circular mouth, framed by two relief-carved seals in profile, red and black pigment, ht. 9 1/4, wd. 3 7/8 in.
Note: Rattles on the northwest coast were used in connection with spirit contact. The sound of the rattle is said to open communication with
ancestral spirits, who were called upon for strength and guidance in challenging endeavors. Most rattles are sculpted with a hollow chamber at the
center, which is smaller in raven and other bird rattles and larger in the ones of globular form. This intriguing example, however, is related to a small
sub-group of globular rattles that have been called pierced or donut rattles. These generally have a flattened-globular form, and the unexpected
feature of a hole that cleanly pierces through the center of the rattle from front to back. The hollowed chamber of the rattle is formed around the hole,
like the negative form of a donut, so that the percussive pieces within the chamber, which could be seeds, tiny stones, beads, or birdshot, would
not spill out. A small but significant number of pierced rattles exists today, distributed through a similar number of museums in the U.S., Canada,
and Europe. Why or how this interesting rattle variant came about is unrecorded and unknown, though it may be related to the concept of a tubular
“soul-catcher.” This was a type of shaman’s amulet, most often carved of hollowed bone, within which a lost or errant spirit could be captured and
retained. Perhaps the hole signified the doorway through which the shaman’s spirit entered into and returned from the spirit world.
This example is unusual, even among the small group of rattles with related form, in that the hole piercing the rattle is smaller in relation to the rattle’s
diameter than most others. Each of the rattles of this type exhibit a wholly unique design and sculptural composition, and this one is no exception in
that regard. On the front and rear of the rattle are mask-like carved faces, their mouths forming each end of the hollow tube that pierces the center of
the flattened globe. Above and below each of these faces, the arched body of a seal is relief-carved in profile, as if two seals or sea lions were circling
around each face. These images may refer to the clan affiliation of the shaman who owned the rattle, or they may represent some of the shaman’s
helper spirits, which are often depicted on shaman’s rattles of the globular and oystercatcher types.
The styles of face sculpture and two-dimensional design seen in this uncommon rattle most strongly suggest Tlingit manufacture, though the rattle
may also have originated among the Kaigani Haida. Examples of this type of rattle can be seen in the American Museum of Natural History, the
Smithsonian, and the National Museum of the American Indian. Many of the dozen or more known examples of pierced rattles have either a Tlingit
provenance or exhibit a Tlingit style of sculpture and design work, though one early and very classic example is clearly Tsimshian in style (NMAI).
Steven Brown
November, 2010
$20,000-30,000
487
491
490
489
488
486.
Southwest Silver and Turquoise Bracelet, Zuni, a cluster
bracelet with rows of stones in a variety of sizes, signed,
“JOL,” ht. 3 3/4 in.
$400-600
487.
Two Southwest Silver and Turquoise Bracelets, Navajo,
one with single stone setting and file end stamping, the other
with five various size oval settings, inner dia. to 2 5/8 in.
$600-800
488.
Southwest Silver Cross Necklace, Pueblo, c. last quarter
19th century, with two-piece beads, twelve crosses, and an
unusual stamp-decorated pendant, lg. 17 in.
$1,500-2,000
489.
Southwest Silver and Turquoise Necklace, Navajo, c.
1900, with compressed two-piece beads, the sand-cast naja
with three oval stone settings, modern clasp, lg. 16 in.
$800-1,200 492
490.
Contemporary Southwest Necklace, the Quandelacy
family, two strands of red coral with various fetishes carved
by various members of the family, list included, lg. 16 in.
$800-1,200
494
493
498
497
491.
Southwest Turquoise and Heishi Necklace, Pueblo, c. 1900, two
strands with various shape and color turquoise beads, lg. 13 1/2 in.
$300-400
492.
Southwest Turquoise and Silver Squash Blossom Necklace, Navajo,
c. mid-20th century, with commercial beads, and large natural shape
stones on the blossoms, the stones on the naja with serrate bezels, lg.
16, naja dia. 3 1/8 in.
$800-1,200
493.
Southwest Silver and Turquoise Squash Blossom Necklace,
Navajo, c. 1920s, each of the ten blossoms set with a teardrop-shape
stone, the naja with three stone settings, lg. 15 in.
$600-800 499
494.
Southwest Silver and Turquoise Squash Blossom Necklace, Navajo,
c. first half 20th century, ten blossoms and six turquoise settings on the
naja, lg. 17 1/2 in.
$800-1,200
495.
Three Southwest Items, two Tesuque rain gods and a polychrome
gourd rattle with wood handle, rattle lg. 10 in.
$200-250
496.
Two Southwest Woven Items, Hopi, a white cotton rain/wedding
sash with cornhusk drops, and a Hopi kilt sash, one end has traditional,
multicolored designs, lg. (of first excluding fringe) 54 in.
$300-400
499.
Southwest Polychrome Carved Wood Kachina Doll, Hopi, 20th
497. century, carved from cottonwood and wearing a manta and case mask
Southwest Polychrome Carved Wood Kachina, Hopi, c. 1900, with with elaborate tablita, ht. 10 1/2 in.
horned head, red striped back, and painted arms, ht. 5 1/4 in. $600-800
$500-700
500.
498. Southwest Carved Stone Mountain Lion Fetish with Hide Pouch,
Southwest Polychrome Carved Wood Kachina, Hopi, c. 1900, carved of white quartz, included are two quartz crystals, fetish lg. 2 1/4,
a maiden with arms carved to the sides and wearing a four part pouch lg. 4 1/2 in.
headdress representing clouds and corn, (minor wood loss), ht. 13 1/2
in. Provenance: Ex-collection Skip Holbrook.
$2,500-3,500 $400-600
500
502
503
501
505
506
504
507
508
510
509
501. 504.
Southwest Carved Stone Horse Fetish with Hide Pouch, Navajo, Southwest Carved Stone Horse Fetish with Hide Pouch, Navajo, c.
c. last quarter 19th century, the stylized horse carved of white quartz, last quarter 19th century, the stylized horse of banded agate and with a
horse lg. 1 1/2, pouch lg. 3 in. patina of use, horse lg. 1 1/2, pouch lg. 4 1/4 in.
$500-700
Provenance: Ex-collection Skip Holbrook.
$300-400
505.
Southwest Carved Stone Horse Fetish and Beaded Hide Pouch,
502. Navajo, c. second half 19th century, the stylized form of quartz and with
Southwest Carved Stone Horse Fetish with Hide Pouch, Navajo, c. a rich patina of use, the beadwork on the pouch dates to the early 20th
last quarter 19th century, of banded agate and with patina of use, horse century, horse lg. 1 1/2, lg. of pouch 7 in.
lg. 1 5/8, pouch lg. 5 in.
Provenance: Ex-collection Skip Holbrook.
Provenance: Ex-collection Skip Holbrook. $500-700
$500-700
506.
503. Southwest Carved Stone Mountain Lion Fetish, Hopi, c. mid-19th
Southwest Carved Stone Bear Fetish with Hide Pouch, Navajo, c. century, wrapped with red ochre sinew and hide to a quartz point,
1900, a robust form of fractured crystal (?), bear lg. 1 3/4, pouch lg. 3 with small turquoise inlay on the hip, the hide pouch with traces of red
in. ochre, fetish lg. 2 1/2, pouch lg. 8 in.
513
514
515 516
507. 510.
Southwest Carved Stone Mole (?) Fetish with Hide Pouch, Navajo, Southwest Wood Rattlesnake Fetish with Hide Pouch, Navajo, c.
c. late 19th century, carved of white quartz and with a fine patina of 1900, a natural wood formation that resembles a coiled snake, snake
use, bear lg. 2, pouch lg. 4 1/2 in. ht. 1 3/4, pouch lg. 6 1/2 in.
508. 511.
Southwest Stone Rattlesnake Fetish with Hide Pouch, Navajo, Southwest Carved Stone Turtle Fetish, Zuni, c. second half 19th
c. late 19th century, a natural concretion in the form of a coiled century, black granite wrapped with shell, coral, and turquoise beads
rattlesnake, fetish dia. 1 3/4, pouch lg. 4 1/2 in. on a leather thong, with small shell attachments, lg. 2 in.
509. 512.
Three Southwest Stone Fetishes, Navajo, c. 1900, all natural Two Southwest Carved Horse Fetishes and Hide Pouch, Navajo, c.
formations that resemble a black duck, a pink quartz female form, and last quarter 19th century, one carved from black granite, the other from
a horse, lg. to 1 1/4 in. abalone shell, fetish lg. to 1 3/8, lg. of pouch 5 1/2 in.
521
513. 515.
Southwest Carved Stone Frog Fetish, Zuni, c. second half 19th Three Southwest Carved Stone Fetishes, Navajo, c. first quarter 20t
century, the stylized form of white quartz and wrapped with leather century, a black horse, a javelina or wild pig, and a sheep (?) of white
thongs, incorporating coral and shell beads and an obsidian arrowhead, stone, lg. to 1 1/2 in.
lg. 2 5/8 in.
Provenance: Ex-collection Skip Holbrook.
Provenance: Ex-collection Skip Holbrook. $400-600
$400-600
516.
514. Southwest Carved Stone Wolf Fetish and Historic Deer Skin
Southwest Carved Shell Bear Fetish, Navajo, c. 1900, included is a Pouch, Navajo, the prehistoric dark green form with delicate incised
“Pahoe” stone and a turquoise nugget, with small hide pouch, bear lg. detail, the pouch dates from the 19th century, fetish lg. 1 1/2, pouch lg.
7/8 in. 4 in.
517. 521.
Southwest Carved Stone “Dreaming Twins,” Navajo, c. late 19th Western Carved Stone Bear Fetish, Chumash (?), possibly c. 1900,
century, the black and white forms with shell and turquoise inlays, carved of black steatite and with shell inlaid eyes, lg. 2 1/2 in.
a horse fetish and two Pahoes are wrapped around the twins with
commercial yarns, with hide and yarn fringe at the feet, the hide pouch Provenance: Ex-collection Skip Holbrook.
could predate the figures, lg. 7, pouch lg. 10 in. $300-400
523. 525.
American Indian Art Catalogs, 1975-1999, volumes 1975-1997 are Two Northeast Carte de Visites, a standing woman in costume (?)
bound. and a Micmac (?) woman wearing traditional headdress and jewelry.
$600-800 $250-350
524. 526.
Four Carte de Visites, Whitney’s Gallery, Saint Paul, depicting “Hole Three Mounted Photographs, depicting Western basketry, weavings,
in the Day,” “Cut Nose,” “Wounded Man,” and four Dakota boys in etc., from exhibitions, labeled “American Indian League, N.Y. City,”
European attire. largest mount 11 x 9 in.
$500-700 $200-250
528.
Pamphlet The Battle of the Little Bighorn, by Wallace David Coburn,
1936, a rare publication with tipt in photographic prints of Sitting Bull,
Rain in the Face, etc., 8 x 11 in.
$400-600
529.
Lot of Photographs and Ephemera, includes seven photographs,
three of Navajo weavers, Christine Paul, a Chitimacha basketmaker,
“Old Clara Darden,” and two Plains photos, photo size to 6 1/2 x 4 1/2
in.
$150-200
530.
Framed Photograph by Frederick Monsen, c. early 20th century,
depicting a Hopi maiden with a water jar at Walpi Pueblo, signed lower
right, old tag on back of period frame, image size 17 1/2 x 13 1/4 in.
$1,000-1,500
531.
532 (partial) Twenty-seven Portfolio Photogravures, Robert J. Flaherty (1884-
1951), photographs by the documentary film director of Nanook of the
North, eight of the prints signed by Flaherty.
$800-1,200
527.
Five Photographs of American Indians, one of Amy Cooper, 532.
Mohegan, taken about 1870, from F. G. Speck; two oval mounted Five Unframed Photogravures by Edward S. Curtis.
photos of Montauk Indians by I.S. VanScoy, Sag Harbor, Long Island;
an unmounted portrait of Chief Joseph by Moorehouse; and a colored Provenance: From the collection of Augustus Waldo Eddy, head
photo of a Pueblo woman with an olla; the last 10 x 7 3/4 in. keeper at Penfield Reef Lighthouse (1876-1880), Fairfield, Connecticut;
$300-400 present collection by family descent.
$1,000-1,500
533. 535.
Twenty Edward S. Curtis Photogravures, c. first half 20th century, Three Framed Colored Lithographs of Native Americans, 1838,
printed on tissue, most of the images about 5 1/2 x 7 1/2 in. published by W.F. Greendough, Philadelphia, Pennsylvania, printed
$600-800 and colored by L.T. Bowens Lithographic Est., a Seneca chief, “Corn
Plant,” “AHYOUWAIGHS,” Chief of the Six Nations, and Naw-Kaw, a
Winnebago chief, size to 17 to 12 1/2 in.
534. $1,000-1,500
Nineteen Contemporary American Indian Artworks, various mediums
and artists, including Woody Crumbo, Kaisa, Yazz, Mars Biggoose,
Archie Blackowl, Tyler Polelonema, Al Momaday, and Philip Young, 536.
various sizes, all framed. George Catlin Colored Lithograph, c. 19th century, published by
$3,000-5,000 Currier and Ives, depicting a wounded buffalo surrounded by a pack of
wolves, matted, 18 1/2 x 12 1/2 in.
$500-700
536
535 (partial)
537. 539.
Southwest Regional Weaving, Navajo, c. first quarter 20th century, Southwest Weaving, Navajo, c. 1930s-40s, a storm pattern done in
storm pattern with whirling log elements done in natural and synthetic natural and synthetic dyed homespun wool, 41 1/2 x 62 in.
dyed homespun wool, (dye run), 80 x 43 1/2 in. $200-300
$300-400
540.
538. Southwest Double Saddle Blanket, Navajo, c. second quarter 20th
Southwest Weaving, Navajo, woven in natural color homespun wool, century, a red Mesa weaving with a variegated stripe pattern on one
with stepped border and geometric and feather devices on a variegated end, the other end has zigzag devices and a box-and-borders design
gray ground, 60 x 40 in. on a red background, 52 x 37 in.
$500-700 $400-600
541. 543.
Southwest Weaving, Navajo, c. 1920s-30s, with concentric stepped Southwest Regional Weaving, Navajo, c. second quarter 20th
cross design and variegated gray border, (minor wool loss), 74 x 54 in. century, Teec Nos Pos, has natural and synthetic dyed homespun wool,
$600-800 with vibrant geometric designs on a variegated gray center, 90 x 51 in.
$800-1,000
542.
Southwest Weaving, Navajo, c. first quarter 20th century, woven with 544.
natural color homespun yarn in an elaborate storm pattern with whirling Two Southwest Weavings, Navajo, c. 1920s-30s, both with stepped
log, eight-point stars, and multiple borders, on a variegated gray cross patterns and bold border designs, largest 63 x 46 in.
background, (stains), 87 1/2 x 57 1/2 in. $600-800
$800-1,200
545. 547.
Southwest Weaving, Navajo, c. first quarter 20th century, a large Southwest Weaving, Navajo, c. first quarter 20th century, woven with
weaving with multicolored serrate diamonds, crosses, and vibrant natural and synthetic dyed homespun wool, with J.B. Moore design
border design on a variegated red ground, 113 x 78 in. elements, bold geometric designs and a variegated gray central panel,
$1,500-2,000 40 x 59 in.
$500-700
546.
Southwest Weaving, Navajo, c. 1920s-30s, with stacked diamond 548.
center and bold double fret border, (minor loss), 68 x 46 in. Southwest Regional Weaving, Navajo, Teec Nos Pos, woven in
$400-600 elaborate geometric patterns using various shades of brown and gray,
64 x 44 in.
$600-800
549. 552.
Southwest Pictorial Weaving, Navajo, c. 1920s-30s, depicts rows of Southwest Weaving, Navajo, c. first quarter 20th century, woven with
feathers on a gray variegated ground, 60 x 36 in. natural and synthetic dyed homespun wool, geometric and feather
$500-700 devices, 48 x 34 in.
$300-400
550.
Southwest Regional Weaving, Navajo, c. first quarter 20th century, a 553.
crystal weaving with multicolored lightning and geometric devices on a Southwest Weaving, Navajo, c. 1930s, a large weaving with serrate
variegated brown-gray background, 70 x 39 in. diamond designs on a variegated gray ground, (dye run), 102 x 69 in.
$1,500-2,000 $800-1,200
551. 554.
Southwest Weaving, Navajo, c. first quarter 20th century, a crystal Southwest Weaving, Navajo, c. late 19th/early 20th century, loosely
“storm” pattern with whirling logs, done in natural color homespun woven with synthetic dyed homespun wool in an eye dazzler pattern,
yarns, 65 x 38 in. with variegated red background, 87 x 62 in.
$1,000-1,500 $500-700
555
557
555.
Southwest Pictorial Weaving, Navajo, c. 1980s, tightly woven with
Navajo and Peyote symbolism on a gray ground, 62 1/2 x 39 in.
$2,000-2,500
556.
Navajo Yeibichai Weaving, c. 1930s, woven with natural and
synthetic dyed homespun wool, depicts eight yeibichai dancers on a
variegated gray ground, 81 1/2 x 40 in.
$2,500-3,000
557.
Southwest Pictorial Weaving, Navajo, c. 1920s, woven with
natural and synthetic dyed homespun wool, with hogans in the four
corners and roadrunners overall, 62 x 40 in.
$4,000-6,000
558.
Southwest Pictorial Weaving, Navajo, c. second quarter 20th
century, with wide geometric border and central panel with
American eagle design, 31 x 24 in.
$1,200-1,600
559.
Southwest Pictorial Weaving, Navajo, c. first quarter 20th century,
depicts a stylized rain cloud and large Kachina case mask on a
variegated gray background, 41 x 29 1/2 in.
559
560. 561.
Southwest Variant Sandpainting Weaving, Navajo, c. first quarter Late Classic Saltillo Serape, Mexico, c. second half 19th century,
20th century, woven with natural and synthetic dyed homespun yarn, woven in two panels with large scalloped medallion center on a cream-
with a central whirling log variant, framed by four floating Yei figures, colored background with multicolored dash marks, (wool loss), 77 1/2
the rainbow guardian on three sides incorporates the name “Mike Kirk,” x 36 1/2 in.
which probably refers to Mike Kirk Trading Post in Manuelito, New $1,000-1,500
Mexico, (repairs, stains), 78 1/2 x 55 in.
$6,000-8,000
561A. 562.
Southwest Weaving, Navajo, c. last quarter 19th century, woven in a Navajo Banded Blanket, c. last quarter 19th century, woven with
variant banded pattern, the reds are a combination of cochineal and variety of raveled reds, with homespun cream and indigo blue,
lac, and syntethic dyes, with deep indigo blue and natural (?) dyed commercial yarns, with an alternating stripe and stepped banded
yellow, (old repair, wool loss), 67 x 44 in. design, (minor dye run, wool loss), 69 x 46 in.
$20,000-30,000 $2,500-3,500
565
563. 564.
Navajo Serape-style Child’s Blanket, c. 1870s, woven in a classic Southwest Weaving, Navajo, c. last quarter 19th century, woven with
banded style with a variety of geometric designs done in natural white, natural and synthetic dyed homespun wool, in a variant chief’s pattern
indigo blue, synthetic dyed red, and a deeper color red dyed with a and five bold concentric crosses on a variegated striped background,
mixture of lac and cochineal dye in a 50/50 mixture, (wool loss, some (some dye run), 72 x 56 in.
dye run), 48 1/2 x 29 1/2 in. $3,000-5,000
$8,000-12,000
565.
Southwest Woven Woman’s Blanket, Navajo, c. last quarter 19th
century, woven in a second phase design using natural and synthetic
dyed homespun wool, with some indigo, (wool loss), 58 x 43 in.
$2,000-3,000
566. 568.
Navajo Third Phase Chief’s Blanket, Navajo, tightly woven with an Southwest Black-on-Black Pottery Vase, San Ildefonso, Marie and
early third phase variant design, with natural white and dark brown, Santana, has decoration at the median and on the neck, ht. 7 1/2 in.
indigo dyed blues, and raveled cochineal (?) dyed reds, (large old repair $2,500-3,500
at center, wool loss), 67 x 55 in.
Provenance: Fred Harvey Co., with original lead seal and price tag of 569.
$65. Southwest Black-on-Black Pottery Bowl, San Ildefonso, Marie and
$5,000-7,000 Julian, has an Olla shape with a geometric and feather design below the
rim, ht. 6 1/2, dia. 8 in.
$2,500-3,000
567.
Southwest Blackware Polished Vessel, San Ildefonso, Maria Poveka,
highly polished with a long neck and a slightly flared rim, ht. 7 1/4, dia. 570.
7 3/4 in. Southwest Polished Black Pottery Vessel, San Ildefonso, Maria and
$4,000-6,000 Julian, has a long neck and a variant feather design at the median,
(surface damage), ht. 8 1/2, dia. 7 3/4 in.
$1,000-1,500
572
570
571
574 576
573
575
578
577
579
571. 577.
Southwest Black-on-Black Pottery Bowl, San Ildefonso, Marie and Southwest Black-on-Black Pottery Bowl, San Ildefonso, Maria and
Julian, has foliate-like devices at the median, ht. 5, dia. 6 1/2 in. Santana, with geometric designs on the neck, (some surface spotting),
$2,000-2,500 ht. 3 1/4, dia. 4 1/4 in.
$400-600
572.
Southwest Black-on-Black Pottery Bowl, San Ildefonso, Marie, has 578.
a large, slightly compressed form with a stylized design below the rim, Southwest Black-on-Black Pottery Bowl, San Ildefonso, Marie and
(some surface damage), ht. 6, dia. 9 3/4 in. Julian, has a decoration at the shoulder, ht. 2 1/2, dia. 5 1/2 in.
$1,200-1,600 $1,200-1,600
573. 579.
Southwest Black-on-Black Pottery Bowl, San Ildefonso, Maria, Southwest Black-on-Black Pottery Bowl, San Ildefonso, Maria and
Popovi, 1168, has a band of geometric design at the shoulder, ht. 5, Santana, has a tendril design at the shoulder, (scratch), ht. 2 1/4, dia.
dia. 6 1/2 in. 4 1/2 in.
$2,000-2,500 $1,000-1,500
574. 580.
Southwest Black-on-Black Pottery Bowl, San Ildefonso, Marie and Southwest Blackware Plate, San Ildefonso, Maria Poveka,
Santana, with feather design above the shoulder, ht. 3 1/2, dia. 5 1/2 undecorated, (small scratch), dia. 6 1/8 in.
in. $1,500-2,000
$1,500-2,000
581.
575. Southwest Black-on-Black Pottery Plate, San Ildefonso, Marie, has a
Southwest Black-on-Black Pottery Bowl, San Ildefonso, Marie, has a stylized four-direction design, dia. 8 1/2 in.
classic Avanyu pattern, ht. 3 1/2, dia. 6 in. $1,500-2,000
$600-800
582.
576. Southwest Black-on-Black Pottery Bowl, San Ildefonso, Marie and
Southwest Black-on-Black Pottery Bowl, San Ildefonso, Marie, has a Julian, shallow bowl with a four-point design, ht. 1 1/2, dia. 5 3/8 in.
bold geometric design at the shoulder, (scratch), ht. 3 1/2, dia. 5 3/4 in. $500-700
$800-1,200
583
580
582
586
584
585
583. 585.
Southwest Black-on-Black Pottery Plate, San Ildefonso, Marie, with Southwest Polished Blackware Pottery Dish, San Ildefonso, Maria
variant feather design, dia. 7 3/8 in. Poveka, dia. 6 3/4 in.
$1,500-2,000 $800-1,200
584. 586.
Southwest Blackware Pottery Bowl, San Ildefonso, Santana and Southwest Black-on-Black Pottery Plate, San Ildefonso, Santana and
Adam, (tape residue on bottom), ht. 3, dia. 8 3/8 in. Adam, with feather design, dia. 5 1/2 in.
$400-600 $200-250
588
587. 589.
Contemporary Southwest Polychrome Pottery Bowl, Hopi, R.S. Southwest Polychrome Pottery Bowl, Hopi, Garnet Pavateo, the high
Nampeyo, a large seed jar with classic Nampeyo family designs, ht. 5 shoulder form with large two-color stylized birds on a red background,
1/2, dia. 11 in. (surface abrasions), ht. 7, dia. 8 1/2 in.
$600-800 $600-800
588. 590.
Large Southwest Polychrome Pottery Bowl, Hopi, c. 1904-1910, Southwest Carved Pottery Bowl, Santa Clara Pueblo, Teresita
attributed to Nampeyo, red-slipped seed jar form with four variant sun Narango, has a bold, buff-colored geometric design carved into a red-
symbols and two continuous lines at the median. Written in pencil at the brown surface, (scratches), ht. 5, dia. 8 1/2 in.
bottom; “Nampeyo’s Work,” ht. 7 3/4, dia. 13 in. $600-800
591 592
590
593
591. 593.
Southwest Polychrome Pottery Bowl, Acoma, c. second quarter 20th Hopi Painted Pottery Jar, Nampeyo of Hano, c. 1910, the seed jar
century, with stylized geometric devices and bird and foliate devices at form with five finely painted stylized moths on a cream-color slip, ht. 5
the shoulder, ht. 5, dia. 8 3/4 in. 3/4, dia. 10 in.
$300-500
Provenance: Ex-collection Jerold Collins.
595
597
596
598
594. 596.
Southwest Polychrome Pottery Vessel with Lid, Zuni, c. late 19th Southwest Painted Pottery Olla, Zia, c. 1900, with black on white
century, the lid has a frog-headed finial, the bowl has two lugs, the top geometric and foliate designs, with red banded underbody, ht. 10, dia.
half has four large mineral-painted butterflies, ht. 19, dia. 7 1/2 in. 10 1/2 in.
$4,000-6,000 $2,000-3,000
595. 597.
Southwest Polychrome Pottery Vessel, Zuni, Pollaca style, c. 1900, Southwest Painted Pottery Olla, Santo Domingo, c. early 20th
the bottom half with painted abstract birds on a white ground, the century, with high shoulder and flared rim, with framed black birds on a
upper half in the form of a bird’s body and has two-color geometric cream ground, (repairs to rim), ht. 10 3/4, dia. 11 in.
designs on a red ground, ht. 6 3/4, dia. 7 in. $1,500-2,000
$2,500-3,000
601
598. 600.
Southwest Polychrome Pottery Olla, Zuni, c. last quarter 19th Southwest Polychrome Pottery Bowl, Casas Grandes, c. 1000-
century, with large rosettes, two-color deer with heartlines and 1400 A.D., the round bottom form painted overall with red and black
geometric designs, (surface loss, crack at the bottom), ht. 9 3/4, dia. 9 geometric designs, ht. 8 in.
1/2 in. $700-900
$1,000-1,500
601.
599. Southeast Polychrome Twined Basketry Bowl, Louisiana,
Southwest Polychrome Pottery Olla, Acoma, c. late 19th century, Chitimacha, c. early 20th century, with two-color chevron design, ht. 2
the four-color form with graceful scroll, diamond, and hatch marked 1/2, wd. 4 1/4 in.
geometric design, with three framed legless birds, (small hole, surface $800-1,200
wear), ht. 10 1/2, dia. 11 1/2 in.
$4,000-6,000
604
607
602. 607.
Three Northwest Twined Baskets, c. 1900, a lidded Makah with Northwest Coast Polychrome Twined Lidded Basket, c. late 19th
birds, a small “sally” bag, and a basket with “Alaska” as a decoration, century, with bands of alternating color, ht. 5 1/2, dia. 5 1/2 in.
ht. to 4 in. $600-800
$250-350
608.
603. Northwest Coast Twined Lidded Basketry Bowl, c. 1900, with foliate
Northwest Polychrome Twined Basket, Makah, c. first quarter 20th design, ht. 4 3/4, dia. 7 3/4 in.
century, the lidded form with multicolored geometric decoration, ht. 4 $250-350
1/2, dia. 7 in.
$300-400
609.
Southwest Coiled Basketry Bowl, Pima, c. early 20th century, ht. 7 in.
604. $150-200
Eight Northwest Twined Baskets, Makah, c. 1900, all with lids and
various decorations, largest ht. 2 3/4, dia. 4 1/2 in.
$600-800 610.
Southwest Coiled Basketry Bowl, Pima, c. 1900, with flared sides,
diagonal design and large medium blue glass trade bead attachments
605. at rim, ht. 3 1/4, dia. 7 1/4 in.
Northwest Coast Polychrome Twined Rattle-top Basket, c. 1900, $250-350
with a banded pattern of multicolored geometric designs, (damage), ht.
7 3/4, dia. 6 in.
$500-700 611.
Southwest Coiled Basketry Jar, Pima, c. early 20th century, with
flared rim and decorated in a maze pattern, ht. 6, dia. 6 1/4 in.
606. $300-400
Three Northwest Polychrome Twined Baskets, two with lids, all with
geometric decoration, ht. to 4 in.
$300-400
610
613
612
614
612. 614.
Southwest Pictorial Coiled Basketry Bowl, Pima, c. early 20th Pima Coiled Basketry Bowl, c. 1900, with white pony beads at rim,
century, with slightly curved sides and decorated with large birds, decorated in three panels, each with a human holding hands with a
humans, and lizards, ht. 4 1/2, dia. 5 3/4 in. bear (?), (stitch loss), ht. 3 3/4, dia. 4 1/2 in.
$800-1,200 $250-350
613. 615.
Pima Coiled Basketry Bowl with Lid, c. early 20th century, the lid Two Pima Coiled Basketry Bowls, c. 1900, both with flared sides and
with a central splayed animal (?), and two dogs, cross devices on the geometric decoration, ht. to 5 1/2, dia. to 9 in.
bottom, ht. 3 1/4, lg. 7 3/4 in. $300-400
$250-350
620 621
622
616. 617.
Two Southwest Coiled Baskets, c. 1900, a Paiute straight-sided form Southwest Coiled Basketry Tray, c. 1900, a Navajo wedding tray with
and an Apache tray with a four-petal design, tray dia. 11 1/2 in. typical design, (stitch loss), dia. 16 1/4 in.
$400-600 $250-350
618. 621.
Southwest Twined Burden Basket, Paiute, c. late 19th century, Southwest Coiled Basketry Bowl, Apache, c. 1900, a pictorial form
the conical form with hide-reinforced bottom and two-color banded with lightning, crosses, deer, horses (?), and three faded red geometric
decoration, ht. 15, dia. 14 in. devices, old “Santa Fe” tag, ht. 4, dia. 14 1/2 in.
$350-450 $1,000-1,500
619. 622.
Paiute Coiled Basketry Bowl, c. 1900, with flared sides and two-band Apache Coiled Basketry Tray, c. early 20th century, deep flared sides
design, ht. 5 3/4, dia. 14 3/4 in. and radiating pattern with cross devices, ht. 4, dia. 16 1/4 in.
$600-800 $800-1,200
620. 623.
Apache Coiled Basketry Bowl, c. 1900, with high curved sides, Southwest Pictorial Basketry Tray, Apache, c. early 20th century,
decorated with a pinwheel design and two human figures, ht. 4 1/2, with flared sides and decorated with geometric, human, animal, and
dia. 13 in. cross devices, ht. 4 1/2, dia. 18 1/2 in.
$800-1,200 $3,000-5,000
625
628
627
629
624. 627.
California Boiled Basketry Bowl, Pomo, c. 1900, an ovoid form with California Coiled Basketry Bowl, Pomo, c. late 19th century, with
black geometric decoration, ht. 3, wd. 5 in. geometric design and feather and shell attachments, ht. 1 5/8, dia. 3
$300-400 1/4 in.
$500-700
625.
California Coiled Basketry Bowl, c. 1900, decorated with three two- 628.
color butterflies, ht. 2, lg. 3 1/2 in. California Coiled Basketry Bowl, Pomo, c. late 19th century, a tightly
$250-350 woven trinket basket with remnant feather and shell attachments, (minor
damage), ht. 2, dia. 4 1/4 in.
$400-600
626.
Three Coiled Baskets, a small two-color Pomo, a Tohono O’odham,
and a craft basket, largest ht. 3, dia. 5 3/4 in. 629.
$200-250 California Coiled Basketry Bowl, Pomo, c. late 19th century, the
compressed form with geometric design and white glass seed bead
attachments, ht. 1, dia. 3 in.
$300-400
631
630. 631.
Yokut Polychrome Bottleneck Basket, c. 1900, with ticked rim and Historic “Tootsie Dick Sam” Coiled Basketry Bowl, Washoe,
stepped diagonal design, ht. 4 1/4, dia. 8 in. degikup, c. 1915-20, the small form with polychrome designs, includes
attribution letter from Marvin Cohodas, dated February 1996, ht. 2 1/4,
Literature: A Window of the Past, The John Painter Collection, vol. II, dia. 4 3/8 in.
p. 121. $4,000-6,000
$1,500-2,000
632.
California Polychrome Pictorial Coiled Basketry Jar, with certificate
from the Emporium Co., Carson City, Nevada, 1908, the bottleneck
form with red and black geometric pattern and two horses with a man
and woman standing on their back, traces of pink quillwork, (minor
stitch loss at rim, ht. 5 1/2, dia. 10 1/2 in.
633.
California Coiled Basketry Bowl, c. 1900, with concentric stepped
design, (some restoration near rim), ht. 5, dia. 8 1/2 in.
$600-800
634
636
634. 637.
Two Coiled California Basketry Bowls, both with flared sides and Northern California Twined Basketry Hat, c. 1900, with quail feather
stacked geometric designs, ht. to 3 1/4, dia. to 7 3/4 in. pattern, dia. 6 1/2 in.
$400-600 $400-600
635. 638.
California Polychrome Coiled Basketry Bowl, Mission, c. 1900, with Northern California Polychrome Twined Basketry Hat, c. 1900, with
two-color stacked diamond design, ht. 4 1/4, dia. 7 1/2 in. typical geometric design, ht. 3, dia. 6 3/4 in.
$400-600 $400-600
636. 639.
Northern California Twined Pictorial Basket, c. 1900, the oval form Northern California Polychrome Twined Basketry Hat, c. 1900, with
tapering to the rim and with a stylized elk on each side, lg. 9 1/2, ht. 4 two-color geometric designs on a dark brown background, ht. 3, dia. 6
3/4 in. 1/2 in.
$800-1,200 $400-600
637
639 641
643
642
644
646
647
645
640. 644.
Northern California Twined Basketry Hat, c. 1900, with typical Two Northern California Twined Basketry Bowls, c. 1900, the larger
polychrome designs, dia. 7 1/4 in. with two-color quail feather design, largest ht. 4 1/4, dia. 6 1/4 in.
$400-600 $500-700
641. 645.
Northern California Twined Basketry Hat, c. 1900, with typical Northern California Twined Lidded Basket, tightly woven and with an
geometric designs, dia. 6 3/4 in. unusual flat lid, (split in side), ht. 2 5/8, dia. 4 in.
$400-600 $400-600
642. 646.
Two Northern California Twined Basketry Bowls, both with variant Northern California Polychrome Twined Basket, c. early 20th
quail feather designs, largest ht. 4, dia. 7 1/2 in. century, with zigzag diagonal design, ht. 4 1/2, dia. 6 in.
$400-600 $400-600
643. 647.
Northern California Basketry Covered Glass Flask, twined, with Northern California Twined Basketry Bowl, c. 1900, with two-color
polychrome diagonal designs, ht. 7 in. geometric design on a dark brown background, ht. 3 1/4, dia. 4 3/4 in.
$250-350 $400-600
END OF SALE
2. All property is sold “as is,” and neither the auctioneer nor any consignor makes any warranties or representation of any kind or nature with
respect to the property, and in no event shall they be responsible for the correctness, nor deemed to have made any representation or warranty, of
description, genuineness, authorship, attribution, provenance, period, culture, source, origin, or condition of the property and no statement made
at the sale, or in the bill of sale, or invoice or elsewhere shall be deemed such a warranty of representation or an assumption of liability.
3. Except as provided in paragraph 1 above, the highest bidder as determined by the auctioneer shall be the purchaser. In the case of a disputed
bid, the auctioneer shall have sole discretion in determining the purchaser and may also, at his or her election, withdraw the lot or reoffer the lot
for sale.
4. All merchandise purchased must be paid for and removed from the premises the day of the auction. Skinner Inc. may impose, and the
purchaser agrees to pay, a monthly interest charge of 1.5% of the purchase price of any lot or item lot not paid for within thirty-five (35) days of
the date of sale.
Skinner, Inc. shall have no liability for any damage or loss to property left on its premises for more than three (3) days from the date of sale. If
any property has not been removed within three (3) days from the date of sale, at the option of Skinner, Inc. (a) Skinner Inc., may impose, and
the purchaser agrees to pay, a monthly storage charge of 1.5% of the purchase price of any lot or portion of a lot not removed within the three
days, and/or (b) Skinner Inc. may place the merchandise in a subsequent auction, without Reserve, to be sold to the highest bidder, and after
deducting the standard commission and any additional charges that may apply, remit the proceeds to the purchaser.
5. Skinner accepts cash or check for payment. Personal checks will be acceptable only if credit has been established with Skinner, Inc. or if a bank
authorization has been received guaranteeing a personal check. Skinner, Inc. reserves the right to hold merchandise purchased by personal check
until the check has cleared the bank. The purchaser agrees to pay Skinner, Inc. a handling charge of $25.00 for any check dishonored by the
drawee. Please contact Accounting for additional payment methods. Skinner does not accept payment by credit card for merchandise purchases.
6. If the purchaser breaches any of its obligations under these Conditions of Sale, including its obligation to pay in full the purchase price of
all items for which it was the highest successful bidder, Skinner Inc. may exercise all of its rights and remedies under the law including, without
limitation, (a) canceling the sale and applying any payments made by the purchaser to the damages caused by the purchaser’s breach, and/or (b)
offering at public auction, without reserve, any lot or item for which the purchaser has breached any of its obligations, including its obligation to
pay in full the purchase price, holding the purchaser liable for any deficiency plus all costs of sale.
7. In no event will the liability of Skinner, Inc. to any purchaser with respect to any item exceed the purchase price actually paid by such
purchaser for such item.
8. Shipping is the responsibility of the purchaser. Upon request, our staff will provide the list of shippers who deliver to destinations within
the United States and overseas. Some property that is sold at auction can be subject to laws governing export from the U.S., such as items that
include material from some endangered species. Import restrictions from foreign countries are subject to these same governing laws. Granting of
licensing for import or export of goods from local authorities is the sole responsibility of the buyer. Denial or delay of licensing will not constitute
cancellation or delay in payment for the total purchase price of these lots.
9. All purchases are subject to the Massachusetts 6.25% sales tax unless the purchaser possesses a Massachusetts sales tax exemption number.
Exemption numbers from other states are accepted in Massachusetts if presented with a business card or letterhead. Dealers, museums, and
other qualifying parties can apply for a Massachusetts exemption number prior to the auction by contacting the Massachusetts Department of
Corporations and Taxation at 100 Cambridge Street in Boston.
10. Except for property purchased via on-line Live Auctions, a premium equal to 18.5% of the final bid price up to and including $200,000, plus
10% of the final bid over $200,000, will be applied to each lot sold, to be paid by the Buyer as part of the purchase price. The buyers premium on
property purchased via on-line Live Auctions will be in the amount equal to 22.5% of the final bid price up to and including $200,000, plus 15%
of the final bid over $200,000.
11. Bidding on any item indicates your acceptance of these terms and all other terms announced at the time of sale whether bidding in person,
through a representative, by phone, by Internet, or other absentee bid.
12. Skinner, Inc. and its consignors make no warranty or representation, express or implied, that the purchaser will acquire any copyright or
reproduction rights to any lot sold. Skinner, Inc. expressly reserves the right to reproduce any image of the lots sold in this catalogue. The
copyright in all images, illustrations and written material produced by or for Skinner, Inc. relating to a lot, including the contents of this
catalogue, is, and shall remain at all times, the property of Skinner, Inc. and shall not be used by the purchaser, nor by anyone else, without our
prior written consent.
13. These conditions of sale shall be governed by the laws of the Commonwealth of Massachusetts (excluding the laws applicable to conflicts or
choice of law). The buyer/bidder agrees that any suit for the enforcement of this agreement may be brought, and any action against Skinner in
connection with the transactions contemplated by this agreement shall be brought, in the courts of the Commonwealth of Massachusetts or any
federal court sitting therein. The bidder/buyer consents to the nonexclusive jurisdiction of such courts and waives objections that it may now or
hereafter have to the venue of any such suit.
166
Absentee Bid Form
I wish to place the following bids in the sale listed above. I understand that Skinner, Inc. will execute bids as a
convenience, and will not be held responsible for any errors or failure to execute bids. I understand that my bids are
executed and accepted as per Conditions of Sale as printed in the catalogue of this sale.
SKINNER
Auctioneers and Appraisers of Antiques and Fine Art
6 3 P a r k P l a z a , B o s t o n , M A 0 2 1 1 6 Te l : 6 1 7 . 3 5 0 . 5 4 0 0 F a x : 6 1 7 . 3 5 0 . 5 4 2 9
2 7 4 C e d a r H i l l S t r e e t , M a r l b o r o u g h , M A 0 1 7 5 2 Te l : 5 0 8 . 9 7 0 . 3 0 0 0 F a x : 5 0 8 . 9 7 0 . 3 1 0 0
w w w. s k i n n e r i n c . c o m
Board of Directors Chairman of the Board - Nancy R. Skinner
Richard Albright
Barnet Fain
Stephen L. Fletcher
Karen M. Keane
Expert American & European Paintings & Prints - Robin S.R. Starr
Assistants: Kathy Wong, Elizabeth C. Haff
Departments American Furniture & Decorative Arts - Stephen L. Fletcher, Martha Hamilton
Assistants: LaGina Austin, Karen Langberg, Chris Barber
American Indian & Ethnographic Art - Douglas Deihl
Asian Works of Art - James F. Callahan
Assistant: Tianyue Jiang
Books & Manuscripts - Stuart P. Whitehurst
Assistant: Sara C. Wishart
Bottles, Flasks & Early Glass - Stephen L. Fletcher
Ceramics - Stuart G. Slavid
Classic Automobiles & Motorcycles - Jane D. Prentiss
Couture - Kerry Shrives
Discovery Sales - Kerry Shrives
Assistants: Garrett J. Sheahan, Harry B. McNabb, Melissa Riebe
European Furniture & Decorative Arts - Stuart G. Slavid
Assistants: Stuart P. Whitehurst, Sara C. Wishart
Fine Wines - Marie Keep
Jewelry - Victoria Bratberg
Assistants: John Colasacco, Julie Khouri
SKINNER, INC.
Auctioneers and Judaica - Kerry Shrives
Appraisers of Antiques Modernism: 1896–Present: Art Glass, Pottery, Metalwork & Furniture -
and Fine Art Jane D. Prentiss
Museum & Collections Services - Martha Hamilton
63 Park Plaza Musical Instruments - David Bonsey
Boston, MA 02116 Oriental Rugs & Carpets - Gary Richards
617.350.5400 Science, Technology & Clocks - Robert C. Cheney
Fax 617.350.5429 Assistant: Chris Barber
Silver - Stuart G. Slavid
274 Cedar Hill Street Assistant: Sara C. Wishart
Marlborough, MA 01752 Toys & Dolls - Kerry Shrives
508.970.3000 Auctioneers - LaGina Austin, David Bonsey, Robert C. Cheney,
Fax 508.970.3100 Stephen L. Fletcher, Karen M. Keane, Marie C. Keep, Gloria Lieberman,
Kerry Shrives, Stuart G. Slavid, Robin S.R. Starr, Laura V. Sweeney,
www.skinnerinc.com Stuart P. Whitehurst
168
Exhibitions & Marlborough: Warehouse Manager - Jonathan Dowling, 508.970.3280
Property Manager - Samuel Combs, 508.970.3262
Property Distribution
Boston: Kerryn Murphy, 617.874.4329
Service Departments Appraisal & Auction Services - Patricia Walker King, Leah Skowron,
Shannon M. Ames, Cory Shea
Advertising Production - Pamela Van de Houten
Boston Gallery Director - Laura V. Sweeney
Assistant Gallery Director: Paige Lewellyn
Gallery Assistant: Katharine E. Hampson
Catalogue Production - Pamela Van de Houten, Kristina Harrison
Consignment Services - Megan J. Blomgren, Carol Zeigler
Customer Relations - Carol McCaffrey
Institutional Relations - L. Emerson Tuttle
Human Resources - Carol McCaffrey
Information Technology & Internet Auctions - Kerry Shrives
Assistants: Timothy Shaughnessey, Melissa Riebe
Managing Director - Marie C. Keep
Marketing & Public Relations - Kate de Bethune, Karen Skinner,
Katherine Gargolinski
Photographers - Stanley P. Bystrowski, Jeffrey R. Antkowiak
Receptionists - Marlborough: Carol Tran
Boston: Hadley Dinardo
Transportation - Eric Jones
Assistant: Mark McCaffrey
169
Directions to Skinner’s Boston Gallery/63 Park Plaza, Boston, MA
Telephone: 617-350-5400
From the West:
Take the Massachusetts Turnpike to the Prudential/Copley exit located in the Prudential tunnel.
Once on the exit ramp, stay in the right hand lane and follow the signs for Copley.
The ramp exits onto Stuart Street. Drive straight through five sets of lights and take a left onto
Charles Street South. Take your first left off of Charles St. South onto Park Plaza.
Skinner is at 63 Park Plaza, one block up on the right.
From the South:
Take 93-N to Exit 20 for I-90 W toward Worcester. Follow signs for Chinatown/South Station.
Bear left at the fork to continue towards Kneeland Street. Turn left onto Kneeland Street. Kneeland
Street becomes Stuart Street. Turn right onto Charles Street South. Turn left onto Park Plaza.
Skinner is at 63 Park Plaza, one block up on the right.
From Logan Airport:
Take the Ted Williams Tunnel. Take Exit 25 toward South Boston and bear left at the fork in the
ramp. Bear right onto B St. Turn left onto Northern Ave which becomes Seaport Blvd. Turn left
onto Surface Rd. Turn right onto Kneeland Street which becomes Stuart Street. Turn right onto
Charles Street South. Turn left onto Park Plaza.
Skinner is at 63 Park Plaza, one block up on the right.
From the North:
Take I-93 South towards Boston. Take exit 26 towards Storrow Drive. Merge onto MA-28 South
via the ramp on the left. Turn left onto Beacon Street. Turn right onto Arlington Street. Turn
left onto Boylston Street. Turn right onto Hadassah Way. Skinner is on the right at 63 Park Plaza.
171
PARKING
INDOOR PARKING GARAGES The Taj Hotel Parking Garage Motor Mart Garage
2 Newbury Street 26 Park Plaza
City Place Parking Garage Located three blocks from Skinner, (Same building as Legal Sea Food)
Transportation Building valet drop-off and pick-up Up to 1 hr/$8, 1 to 2 hrs/$12,
12 Charles Street Up to 24 hrs/$42 2-3 hrs/$16, 3-12 hrs/$20, 12-24
Located at the end of Park Plaza hrs/$31, weekends up to 3 hrs/$8
Underground multi-level garage
All day–closes at 2:30am Back Bay Garage
First hr/$5, after 2 hrs/$14 222 Berkeley Street OUTDOOR PARKING LOTS
(entrance off St. James) (recommended for trucks)
AllRight Parking One block from Skinner
Boston Common Garage All day/$35, evening Pin Stripe Parking
Located on Charles Street, on the (5pm-7am)/$10 Arlington Street
Common, two blocks from Skinner 617-338-7984
1 hr/$6, up to 24 hrs/$25, All day/$14, after 6pm and
Evenings (4pm-10am)/$10 Radisson Hotel Parking Garage weekends/$10, overnight/$15
Stuart Street (near intersection of
The Four Seaons Hotel Charles)
Parking Garage Two blocks from Skinner Billy’s Parking
200 Boylston Street 1-2 hrs/$12, 2-3 hrs/$16, 3-12 222 Stuart Street
Adjacent to Skinner, valet drop-off hrs/$18, 12-24 hrs/$31 617-423-7781
and pick-up, up to 24 hrs/$30 8am-5pm/$18, after 5pm/$20
Boston Harbor Hotel Nine Zero Hotel The Back Bay Hotel Eliot Hotel
70 Rowe’s Wharf 90 Tremont St. (formerly Jurys) 370 Commonwealth Ave.
Boston, MA 02110 Boston, MA 02108 350 Stuart Street Boston, MA 02215
Tel: 800-654-2000 617-772-5800 Boston, MA 02116 Tel: 617-267-1607
Fax: 617-345-6799 Tel: 617-532-3800
Radisson Hotel
Fairmont Copley Plaza 200 Stuart Street Beacon Hill Hotel & Bistro The Park Plaza
138 St. James Avenue Boston, MA 01740 25 Charles Street 64 Arlington Street
Boston, MA 02116 Tel: 617-482-1800 Boston, MA 02114 Boston, MA 02116
Tel: 617-267-5300 Fax: 617-451-2750 Tel: 617-723-1133 Tel: 617-457-7488
Fax: 617-375-9648 Fax: 617-426-2000
The Ritz-Carlton,
Boston Common The Colonnade
Four Seasons 120 Huntington Avenue
200 Boylston Street 10 Avery Street
Boston, MA 02111 Boston, MA 02116
Boston, MA 02116 Tel: 617-424-7000
Tel: 617-351-2036 Tel: 617-912-3315
Fax: 617-912-3375 Fax: 617-424-0968
172
RESTAURANTS
MODERATE Davio’s To Go
Grill 23 & Bar 10 St. James Galleria Atrium
161 Berkley Street (Stuart Street) 617-357-4810
617-542-2255 Aquitaine Casual Italian take-out lunch spot with
Great steak, seafood, wine list, and 569 Tremont Street daily special pastas, soups, and salads.
service. 617-424-8577
Parisian bistro style fare.
Flash’s
310 Stuart St.
L’Espalier The Bristol Lounge at Four Seasons 617-574-8888
774 Boylston St. Hotel American comfort food served with
617-262-3023 200 Boylston St. classic cocktails in a casual setting.
French dining in an elegant townhouse 617-338-4400
with a wonderful prix-fixe menu. Breakfast, lunch, and dinner served in an
elegant yet comfortable lounge setting Parish Café
with views of the Boston Public Garden. 361 Boylston St.
617-247-4777
No. 9 Park American restaurant with seasonal
9 Park St. East Ocean City outdoor seating features sandwiches
617-742-9991 25-29 Beach St. created by renowned local chefs.
Barbara Lynch’s bistro showcases 617-542-2504
inspired French and Italian influenced Outstanding Chinese food restaurant
food and wine on Beacon Hill. highlighting seafood dishes with a full- Piattini
service bar. 226 Newbury Street
617-536-2020
Italian wine bar with an eclectic menu;
Radius
Lala Rokh on Beacon Hill specializes in Italian-style tapas.
85 High St.
97 Mt. Vernon Street
617-426-1234
617-720-5511
Features a modern French menu
Authentic regional Persian cuisine, The Upper Crust
focusing on seasonal ingredients
hand-selected wine list, knowledgeable 20 Charles Street
accompanied by a thoughtful wine list.
waitstaff. 617-723-9600
Gourmet thin crust pizza.
173
SKINNER catalogue subscription form
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please check the appropriate boxes: U.S./Canada Foreign (payable in U.S. dollars only)
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Please enclose payment with subscription form and mail or fax to:
Skinner, Inc., Subscription Department, 274 Cedar Hill Street, Marlborough, MA 01752 508.970.3100