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  • Quads-Partitura e Partes

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    Luanderson Moreira Lourenço
    21 views17 pages
    The document is a musical score that depicts the different instruments playing at various times. It shows the auxiliary percussion, snare drum, tenor drums, bass drums, and cymbals playing short rhythmic patterns individually or together throughout the piece. The score uses symbols to represent the different drum hits and rests to show the rhythm and timing of each instrument.

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    Original Title

    Quads-Partitura_e_Partes

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    The document is a musical score that depicts the different instruments playing at various times. It shows the auxiliary percussion, snare drum, tenor drums, bass drums, and cymbals playing short rhythmic patterns individually or together throughout the piece. The score uses symbols to represent the different drum hits and rests to show the rhythm and timing of each instrument.

    Copyright:

    © All Rights Reserved
    Download as PDF, TXT or read online from Scribd
    Flag for inappropriate content
    Download as pdf or txt
    21 views17 pages

    Quads-Partitura e Partes

    Uploaded by

    Luanderson Moreira Lourenço
    The document is a musical score that depicts the different instruments playing at various times. It shows the auxiliary percussion, snare drum, tenor drums, bass drums, and cymbals playing short rhythmic patterns individually or together throughout the piece. The score uses symbols to represent the different drum hits and rests to show the rhythm and timing of each instrument.

    Copyright:

    © All Rights Reserved
    Download as PDF, TXT or read online from Scribd
    Flag for inappropriate content
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    of 17

    EL

    TIGRE
      
                

         
    Aux. Perc.

                                           
       
    Snare Drum

     
                     
                   

     

                    
          
    Tenor Drums

                      

    Bass Drums


    Cymbals  
           

    

         
          
    9

          
    Aux.

    S.D.                                    


       
             
                       
    T.D.      
                     
    B.D.         

         
    Cym.

         
              
    14

          
    Aux.

                                                    
         
    S.D.


                                          

    T.D.  

    B.D.                   


    
          
      

         
    Cym.

       
            
    19

            
    Aux.

    S.D.                                 


           
    T.D.  
                 

         

        

    B.D.                     

        
    Cym.

           
        
    23

            
    Aux.

                                     
         
                            
    S.D.

    T.D.  
                  
     

    B.D.                
      
         

            
    Cym.

        
    28

            
    Aux.

    S.D.                                 


        
          
                           
    T.D.          

                    
    B.D.    

                    
    Cym.

    2
     
      
            
    32

          
    Aux.

    S.D.                                  


         
    T.D.  
                                 

                         
                 

    B.D.

                 
    Cym.

        
    37

            
    Aux.

                                


           
    S.D.

    T.D.  
          
          

         

        

                        
    B.D.                    

        
    Cym.

        
    41

            
    Aux.

    S.D.                                 


        
         
                                 
    T.D.     

                        
    B.D.            

        
    Cym.

    3

      
    45


    Aux.

    S.D.                                 

                                    
         

    T.D.

         


      
         

    B.D.

       

    

    Cym.

     
    46


    Aux.

    S.D.                                 

                                    
          

    T.D.

         
        
          

    B.D.

     
    Cym.

     
    47


    Aux.

    S.D.                                 

                                    
         

    T.D.

         


      
         

    B.D.

       
    Cym.

    4
     
    48


    Aux.

    S.D.                                 

                                    
          

    T.D.

         


      
          

    B.D.

     
    Cym.

     
    49


    Aux.

                                    
    S.D.
      

                                    

    T.D.

         
        
         

    B.D.

       
    Cym.

     
    50


    Aux.

                                    
    S.D.
      

                                    
    

    T.D.

         


      
          

    B.D.

     
    Cym.

    5
     
    51


    Aux.

                                    
    S.D.
      

                                    
    

    T.D.

         


      
         

    B.D.

       
    Cym.


       
    52


    Aux.

                     
    S.D.
         

                     
    

    T.D.
      

              
             
        

    B.D.

        
    Cym.

      
           
    54

      
    Aux.

    S.D.                                                    
         
     
    
    T.D. 
               

         

                      
          

    B.D.         

              

    

    Cym.

    6
        
           
    58

            
    Aux.

    S.D.                                 


           
    T.D.  
                 

         

        

                        
    B.D.            

        
    Cym.

       
          
    62

        
    Aux.

                          
       
    S.D.

                     
       
    

       
    T.D.

     
        
      
     
         
                
      

    B.D.

        
    Cym.

      
        
    66


    Aux.

    S.D.    

       


     
    T.D.

             
    B.D.  

       
    Cym.

    7
      
          
    69


    Aux.

    S.D.    

       


      
    T.D.


                
    B.D.  

       
    Cym.

         
        
    72

     
    Aux.

                                    


    S.D.

    T.D. 
                              
       
    

      
               
       
     
    

    B.D.

         
    Cym.

    8
    Auxiliary Percussion EL TIGRE
              
               

               
              
    16

     
             
                 
    33

                 
               
    59

        
         
    72
    Snare Drum EL TIGRE
      
     
                                         

       
                                        

    8

           
                                
    13

       
                                    
    17

           
                                
    21

           
                                  
    25

         
                                   
    30

           
                                
    35

           
                                

    39

       
                          
    43

                                    
    45

         
                                    
    46

          

                                    
    47

         

                                    
    48

          

                                    
      
    49

                                    
      
    50

    

                                    
      
    51

    

                
         
    52

    

              
         
    54

           

                                


    57

         
                                  
    61

       


    65

    

    2
       
    68


                  
    71

    

    3
    Tenor Drums EL TIGRE

       
     
           
                           
         
                                                 

    9

         
                            
    14

         
                                             
    18

           

          
          
          
           
    22

         

                             
    26

         
                                
    30

           
                            
    35

           
                            

    39

     
                          
    43

                                    
    45

         
                                    
    46

                                    
          
    47

                                    
         
    48

                                    
          
    49

                                    
         
    50

                                    
          
    51

      
         

      
    52

                                         
        

      
         
    54

           
                            

    57

         
     
                                     
    61

       


    65

    2
       
    68



          
    71

    

    3
    Bass Drums EL TIGRE
      
                 

          
      
                             
    

                                     
     
          
                   
    11


                         
      
                           
    21

                             


      
        
      
        
      
        
      
        
      
        
      
    31

                                                      
                                 
    41

    

                                                    
                            
    51

    

         
                                               
                        
    60

        
           
         
          
    
    
    
     
    
    70
    Cymbals EL TIGRE
     
                 

                              
    45

    
           
    57

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