» ~ sydney symphony orchestra David Robertson (Chet Conductor anc Artiste Director TUTTI PERCUSSION AUDITION, 15 & 16 MAY 2014 Candidates will be expected to play on SSO-owned instruments for the audition (as listed below); with the exception of the tambourine (you may bring your own tambourine) $SO Instrument List ‘+ Marimba - Yamaha 5 Octave Model 51004 ‘+ Vibraphone - Musser 3 Octave Gold Bar Century Model ‘+ Xylophone ~ Malletech 4 Octave Orchestral Model ‘© Glockenspiel - Fall Creek 2.5 Octave (up to high D) ‘+ Snare Drums - Hinger 14” x6 + Brady 14” x6 + Cymbals = 18" dlassic orchestral selection medium heavy = 19" classic orchestral medium heavy ~ 20" classic orchestral medium heavy 16” old heavy ‘k's. For bass drum attachment * Tambourine -Hinger (11”) & Grover (10”) Tambourines will be provided, however you are permitted to use your own if you would like to Wednesday 14 May 2014 Candidates will be given the opportunity to briefly familiarise themselves with the instruments prior to the audition on Wednesday 14th May at the audition venue (ABC Centre}. | will be in touch with all candidates shortly after the closing date to organise a schedule, which will be dependent on the number of applicants. Please find the excerpts enclosed. Sydney Symphony Clocktower Square oa 4298 Boxottiee (02)8215 4600 info@syaneysymphonycom Orche fnrdvgyeandiaringtonSteets Sydney NSW2001 Phone (02) 8215.4548 _sydneysymphony.com Holgings Pty Let The Rocks Fax” (o2]a2isass0 8N70072666057 _Syaney NSW 2000° *e Se ° o* oo” TUTTI PERCUSSION AUDITION, 15 & 16 May 2014 » "sydney symphony orchestra David Robertson set Works Chet Conductor andArtste Decor ‘BACH: Bourrée from Violin Partita no. 1 (to be played on Marimba) ‘CLEWORTH: Three Pieces for Snare Drum (No. 1 ONLY - please note acceptable tempo of piece as indicated on part) EXCERPTS SNARE DRUM BRITTEN: WarRequiem -movement 6 (Fig, 105~ Fig. 107) PROKOFIEV: Lieutenant kije- movement 1 (2 excerpts: Fig.1- Fig.2, Fig. 13 - 4 bar of Fig. 14) RIMSKY-KORSAKOV: Scheherazade ~ movements 3 and 4 (complete) SHOSTAKOVICH: Symphony No. 11- movement 2 (2 excerpts: 2 bars before Fig. 39-Fig, 41, 1 bar before Fig.90- Fig. 93) WILLIAMS: Star Wars ~Suite for Orchestra ~ Main Theme (16 bars before Fig. 20 - 16 bars after Fig. 3) XYLOPHONE: BERNSTEIN: Symphonic Dances from West Side Story (2 excerpts: Bars 195 ~ 217, Bars 788-736) GERSHWIN: An American in Paris (6 excerpts between beginning and Fig. 76) STRAVINKSY: Firebird - from the complete ballet (2 excerpts: Dance of Katsher's Retinue Fig. 127 — Fig 133, The Firebird’s Supplications 1 bar before Fig. 47 —Fig. 48) WESTLAKE: Compassion - movement 2 (3 bars before HL} VIBRAPHONE BERNSTEIN: Symphonic Dances from West Side Story (Meeting Scene, Cool, Fugue ~ Bars $67 ~ 638) BERG: Lulu (2 excerpts: Act 1, Scene 4, Bars 366-387; Act 2, Scene 1 Bars 61 ~71) ADES: Polaris (2 excerpts: Letter D -E, Letter N -2 bars after 0) GLOCKENSPIEL DEBUSSY: La Mer ~ movement 2 ~Jeux de vagues (complete) PROKOFIEV: Alexander Nevsky - movement 7 (Fig, 81 ~Fig. 83) TCHAIKOVSKY: Sleeping Beauty Waltz MARIMBA MESSIAEN: Chronochromie ~Antistrophe il~ Fig. 68 —Fig.76 ADAMS: Harmonielehre - Bars 213 - 234 ‘TAMBOURINE sizer: Carmen Suite No. 1- Aragonaise BRITTEN: Peter Grimes ~ Four Sea Interludes ~Storm Scene DEBUSSY’ Images No. 2 Iberia~ movement 1 ~ Par les rues et par les chernins (2 excerpts: Fig. 24~ Fig. 20, Fig. 32—Fig. 24) RACHMANINOV: Capriccio Bohémien (2 excerpts: Fig. 4 Fig. 5, 4 bars before Fig. 13~ 14 bars after Fig. 15) BASS DRUM. MAHLER ‘Symphony no 3~ movement 2 (opening until Fig. 11) PROKOFIEV: Symphony no 3- movement 4 (Fig. 137 —Fig. 140) cyMBaLs RACHMANINOV: Piano Concerto no 2- movement 3 (Fig. 32, play 13 bars) TCHAIKOVSKY: Romeo and Juliet Fantasy Overture (2 excerpts: 2 bars before letter 0-7 bars before P, 20 bars after § 13 bars before U) BASS DRUM & CYMBALS STRAVINSKY: Petrouska ~ Arap~4 bars before Fig, 65~Fig. 66 DRUMS (4 TOMTOMS) BERNSTEIN: Symphonic Dances from WestSide Story (3 excerpts: Bars 48 ~ 61, Bars 87 — 100, bars 177 — 188) ei) Sydney Symphony lacktowar Square 690 80x 4388 Boxottie [0218215 4600 infoasydnevsymenanscom MEN Orehenea onc Argyle an Marrngton Sweets Sydney NSW 2001 ne (02) 82154548 spenersymphanrcom a HeldingePey its The Rocks Far” (oa}eais.aseo palates: ‘ABN70072884087 Sydney NSW2000,SET WoRK -~- MARIMBA Boorée. freon Veolia factita no 1 Bach Tempo di Bourrée.Bouwée. Coon) Bach pen) 4 t me a = ~ | eee =: Soe = ee eae = = SS Se = 1s I) 7 ae AeSet WoKK forRebecca DNARE DRUM J =B2-40 I Acceptobie fo SSo Audition 2014 J =.10: with precision and fair threepieces forsnaredrum lan Cleworth a ee es as * ps nf = _warushythmseape.comaut YePP Fob depend” Be Se fe ee eS i af 0 =F — 5 ee Sees aa : : : a = = —= > aS So ee > Soe = ee atoms ote te ee idde d a nf u > ee ee el eed sah hie PRP \SNARE DRyum WAR REQUIEM Movement & Britten ‘S.D with snares Stites me — —=_~ — io Vii aWar Reqoten lon) Saare Dee Seiten $2, oee- a CoD wii LD 4 f Ch. Bike de‘Ist Movement side drom LIEUTENANT KIJE PROKOFIEFF 5 /@ PP GH] Andante assei J» 60 a ©Copyright 1936 by Edition Russe de Musique Copyright assigned 1947 to Boosey & Hawkes Inc. forall countries Reprinted by permission of Boosey & Hawkes Music Publishers Ltd. 20 ie7 SCHEHERAZADE. : Suite symphonique, Tambur piccole. I. IL. tacet. OL N.Rimsky - Korsakow, Op.85, Andantino quasi Allegretto. as. 7 | om: _ EP : pocotis. eres. Come prima PS : to. Re Lento. olf, Tempo. 2a 5s N7 WsbeLad. rortt, Pa loiar allarg. a tempo 1 2 a asa” Pt an atempo,schers 0 . Bene ril.malto2 ‘Yampur piccolo. = vnenerazcae — Iv. 2 Allegro molto. Rectt. Lento. £ Allegro molto e frenetico. ae | ome i = 18 - GP. GP. ViolSele. Lento, Recit. Vivo. 9, aT", Bn Viel. Selo. 1 2 8 G ff G oo ————S————_—— Tamburiog. ATambur piccolo. a 4 af | dink fie et 5 U6 V tr Allegro non troppo © macstosoy. Lento. Reclt, Alla brexe. meee Niel Sule.Cad. Scheherarade f‘ Symphony Wl SHOSTAKOVICH oe AP Tamburo 1190€ AHBAPA pacers dsie - 29) 50) “ve oo 1 22 9 , 20s ' rs 82] 33 7 I : i 2 15, 13 i BY 35 36 4 Bak, 3B, 88 45 1 : 7 toa BS] p;eve ee shoukowels ‘ 7 en Tamburo ooo Beer eee reer Score Br area —* tor ot creer coo ry Spree a ae ooo eo t oro ooo Soot oe ooo e I 6 ¢ “Weg o—_+e—_+¢ 4+ + * | 2 ¢ 2 3: i Pp sempre pp i (93- i eeeeeee fee g 2SNARE DRUM EXCERPTS CONTINUED 5) WILLIAMS, Star Wars: Suite for Orchestra: Main Theme Maestoso : Listesso d =) Piatti, Lv. S25 pocorall | atempo f oI TI ‘ i oul ‘atenpo sft foXYLO PHONE Ve WEST SIDE STORY - SY¥mPHON Ic DANCES Berastern ‘pores. Excerpt IXYLOPHONE 2a WEST SIDE ST6RY- SYMPHONIC DANCES Berastetn rim shot, Excerpr 2AN AMERICAN IN PA for Symphony Orchestra “Xylophone S=Bms 13 Allegretto grazioso i .@) 8 ® : @ Viger — rete 'BE eh E oly 26. @.4 4 @sne 5 iO ae 6 @1 ‘a tempo PP m ae f) Con umore t , bl 4 a Gg OG 1 aterp 9 poco ri ‘ af WF Cin. 5@) 8 G__Bells Ome PO) be. bs af @® cine : Motto maw rosso GEE Smee | gs 6 Copyright MOMXXX by New World Music Corporation, New York. ce Harms Inc, Sole Selling AgentXylopron Ain American in Faris 2/3 -2- Xylophane+ Betis _@% 3 fuoco | Calmat Calmato ee Sys a 1 1 OG i 4 2 GB) Fit. wosse ® Con sate @ W pooo pe agitato @Tranguillo Subito con brio se @4 @a Ce yk @ 9 2 Oa pte 4 . GB igeroso ® simili ‘erese, poco- ~~ a poco oe ay) Peciso : ae Subito scherzando pochtssime TE. @ Pit, mosso e rubato Andante ma con titmo deciso 3 z A W. Bleck eco FE, a 7 @ oe : Pie mosse meno @Q) « tempo, Ist Trombone poco WE G9) Betts Beco meno : | | 2 pecs accel. 3t{ fylophone- An Bmettcan ia os a Xylophone + Belts ) : « tenpa cn mo Gy Poco meno Desing @ 3 @ tempo Con moto : [EELS] Poco a poco stringendo Poco #i (Betis ) 1® 2 i A ee 2 ee 7 a @, 1 5 *83, ge 1 @ 5 14 > ay came stringendo 5 At bg batho 12 (Tepe. Soto PEE. molto 78. a tempo @; :@'-, PEE, ® A @ tempo 2 7 @ = ‘poco Tall. a fempo . 1 @® Mandiose er Qire ‘eure Adagio whit ‘poco a poco reall. a) 2 Moderato con gramia egretto giocoso iocne Bel cu 5 @® . “oR! arta 7 @® Meno mosso Grandioso (Gp Presto 1 A 38Excerpt | Firebird Xylophone + gor Stravinsky Dance of Katshei's Retinue, Enchanted by the Firebird @ Altegro (J =152) 4 aExcerpt 2 Firebirei Trent Xilofono L’OISEAU DE FEU Ballet 1910 Igor Stravinsky (1882-1971) Introduction Molto moderato J = 108 tacet bis [44] ‘istesso tempo (Moderato J = 72) oe 45} Meno mossod = 54 ay, gape = 207 46) gl 48] Apparition des treize princesses enchantées von (3) ce is 313 Wento assaid =46}*) imate Carillon f¢érique, apparition des monstres-gardiens 98 | de Kastchei et capture d’Ivan Tsarévitch ‘Allegro 102, ey d= 120 A po}, =(oo) Sg (Ot ad. dae. s_ ded (©1996 She Muse tran Maine 49383Compassion Percussion 3 Nieee 2. Who is Wise XALOPHONE [Ege Hu Chachan} Of [9] hard mallets 108 ml 110 112 14 ON, Westlake and L. Attar / Rimshot Music Aust. PL.VIBRAPHONE WEsT SIDE STORY - SYMPHONIC. Dance: Berastein (amb) 2 Small Maracas 563 ee) 5 2 = High SD! - f » FlelT mt Pf Small Maracas 1c (High SD.) vf 569| Meeting Scene mf’ dim, niolto Meno mosso Sempre rubato ———_ =a fie ee ee a= Sa = = eer a 7 = — I : h v | pa a poco rall. > ~~ [575| RotVORA PHONE Cool Swing a tempo eee ao Alea (Je 160) Cym. p la pp evens == mf | sxc : (585) cc Lu Stringendo un poco (Vibr.) ~ =F con 589] (J=88) oe Cyn. (Wibr.) 2 (595) AtsssnancsmatatcDuce 27g, ea ee=— dim, molto ym, Fugue (brush) i = af es = thes . vine nee iViGRA PHONE Bongos Bongos > 632 ym.) Bongos ft "BaeisTee ae Simprenie Dances GigLulu 6 « tempo (allegramente im 7/8 Tat) fd=126 senza vibr, ‘% senza Ped, P 2 Aoereshen ins Tempo Abergehen ins Tempo 21 excerpei— Polaris ViBRAPHNE Voyage for orchestra THOMAS ADES: 56 saa. fe A eal a . 6 (cenza Ped) = = of = mf p ——— ff — Tf 3 oA ww mndA 102 Ane A x tel Gal el 2 a ee3, 7 IN Percussion fides VieRAP rN, , a . fouaes,_ ff 2 excerpr- : r= T.Bells solo fe 234 os) ‘osm 239 nA ar mA 49 poco a poco allarg, (Vibra) (Betis) | Ge 1s= dy | 28 fn er en LA (Ol tempo ®OTMIPNURY URGHES LA MER Trois esquisses symphonigues pour orchestre CLAUDE DEBUSSY GLOCKENSPIEL N°41._De Vaube 4 midi sur la mer: TACET N° 2._Jeux de vagues Allegro (dans un rythme trés souple) 46 |Animé 1 i rian 4 Cor ang. A9|Assez animé [20 gas yous 24] cuocx, 12 10s co % — un pen 5 aan Oédez tr" yons 2 Sie ien iD 23 tte Penske. io>) ozs Seay nf ————_ > jan Mouvt 25 Poa 24 GLOCK. 410 te PP PP FS EDWIN .F. KALMUS, Publisher of Music, New York I, N. Y. 3 : B42La Mer PL 2 GLOCKENSPIEL 35 [36] - 37}trés anime 38 i 39 A 6 (5 ‘eLOce, PPPCAMPANELLI tae [7ZQ] Moderaye J: Piotti 88) Percussion 7 ALEXANDER'S ENTRY INTO PSKOV + 0} + = = A # te ese ma non troppé yerercussion NEVSKY Cont) Prokefren 19 Cormpanesti Tengloj T—no erese Psubita Sil P ores: > aSLEEPING BEAUTY GLOCKENSPIEL TCHAIKOVSKY AllegroLnronpuorome maARiMs z Unpeuvif'd. geneMessiaein,MARIMBA EXCERPTS 24) ADAMS, Harmonielehre d=116 3 ter, 210 a fe : tf ddim al nienteTambourine Georges Bizet Ua Carmen Suite No. 1 Tamburinoffriangolo, Gr. Cassa e Piatti. Ne 1. Prélude. (Prelude to Act 1) Fag Lece, sally GrCassa. a Andante moderato.(d = 68) 2 aT 18 a 2 19 0 ah OY atlacca atti. Ne 12 Aragonaise. Allegro vivace.(d-: #0.) (Prelude to Act IV) Tamburino. | > ‘Triangolo. ir. Cassa e Piatti. \Tamburino.] : 5 ‘dim. molto . . = : _ - - - P A “UP ‘Tamburine. > Triangold. f . f ,\Tamburine ‘Poco erese.Tamhootne 2 elas Bizet — Carmen Suite No. 1 TamburinoTriangolo, Gr. Cassa e Piatti. maf ‘dim. Op LSole gin, all, molto E\Tamb.\ tal Triang.& Sea lntecludes Temountive Bree Canes C8torn Scam) B. Barren [Baga pee ee tee ee fre eta te freee tee 33TAMBOURINE EXCERPTS Iberia, 1** movement 27) DEBUSSY, Images No. @)_. [i p 2, _ 1 1 [Amps renives Modéré bien. rythmg +S BP 35) 36)5 TaMp dep, 2 PPa 8435 Capriccio bohémien, Tamburino. S. Rachmaninoff, Op.12; Rez Allegro vivace.( 5 5 w, i Lento lugubre- Blia marcia 6 8 IL @ aa" a= 2 aS Se + ? e 79 pose pitt moss. p pantie O49 oe ray = a es 5 , : 4 4 4 ee “=H SS . 2p Ee Listessotempo. 8) 9) nied: Andante molto sostenuto. ritard. GO) ritard. fii mosso. rit. 9 ritard. a a 742 ritarda a tempo % Dg nt ag ritara. 4 = = 1 —— = , 4, Weslo Fi Anyoco pik mosso. ad. aafitand. PTR, Mien epee eae 1 7 ‘Ew F. Karavs & Co., Inc. Music Publiherseapriceio boh@mien Ccont. » Capriccio bohemien ‘ 2 . 7 ) Tamburino. vious. . ee fae ees : fii vivo. “?. = & ae accel. = - = Con moto. =F 7—? =F Allegro. {—> 9 a ai Zin poco 1 moss Eocce oe e Gon moto. =f # i Fillegro tosso- f Allegro heSYMPHONIE N°3. Gr. Trommel. i Erste Abtheilung. Kraftig.Entschieden. N14. Gustav Mahler. Ora a = 579 J Grr. Bass Dem 1 Motto riten. ’Gr.Tr, Zuriickhaltend. [ Pe! 2 shine chigte 1 Tam-t PP PP P Schwer und dum Gr, Tr. Solo 5 _ , 2 ; pe sempre pp pp Pp 7 Nicht schleppen. 2 ont Bee Pag) 2 Bewegt. pRubat ht : PE Ly onm Pemget sh” 6 6 ter) ta at 4 EDWIN F. KALMUS & CO., INC. Publishers of Music ‘Boca Raton, FloridaBass Dem Prokofiev - Symphony No. 3 _Trowoney ~ symphony Nod nt TasPIANO CONCERTS no Q Cymbals Gran Cassa o Piatti. III. tacent. III. S. Rachmaninoff, Op. 18, Allegro scherzando.(d= 416) 4 Bass. fd, Gr. Cassa e Piatti. 45 Ff 28} (29) g Fag. I. Meno mosso. Moderato./-72) z_[30) 15 8 rif. 16 rit BL Past. a Piao, pe oe ea 2 8B 4 5 4 Prd Er [eno mosso.(d=48) [Piatti soli, 2p Bg] mosses ys 7 Ft i 7 =e Se 2 I wCymbals Peter Hyich Tchaikovsky Romeo and Juliet, Fantasy Overture Piatti e Gran Cassa. Andante non tanto quasi Moderato.g/img, Allegro, Molto meno mosso. string. 2 ay A 23 B17 8 C4 6 40 6 Allegro giusto. Piatti 24 10 F oO 12m Moderatoassai, 37PETROOSIKA Stravinsky — Petrushka — Piatti e Gran Cassa. Gass Dum «Cymbals Hapruna Tperas. APAI'b. Sirevinsiey Drittes Bild. | Troisieme Tableau. Arap. Arap. 62! So a_aG Meno mosgo. Pesante. == a eee wall (Poni == o ee of Piatti 65 Cassa, af string. atempo 2Excerpt | SY¥meHonic Danices Fi ‘ sort Wastes STORY benern DROMS Cy tomtems) (Choke Cymyy =” | ; [34] | . ¢ perese, aD) peresc. fee ge la ~ vt : Y Seo te |e tf 7 = ra povese. (ibn) : is SI = 2 a P crese, | (Choke cym) * 7 (40) Soyousy ie eo SS of GD) t t A : 3 = =, ———— ae fee t (cee (Wibr) a = - : —S| BD. i Prtched—Droms . ae ie a Pip 3 [53] (4 Pitched Drs.) 61 (4 Pitched Drs.)‘Temioems Excepr 2 SYMPHONIC DANCES Bemstein ERora_ Westsive STORY PERCUSSION 5 (4 Pitched Drs.) (4 Pitered Drs) [100} ] > > > ff = oP qa : fot 7 a | oa oe eree | ins Om I —~ de oe ww. |F _TomroamsS Excerpt 3 SYMPHONIC DANCES Bemstein FRom _ Westsipe STORY 179} Bongos ef ‘Timbeles G rreneD |r Dawns, >