The bird-making machine was a 1970s progressive rock band from Argentina that was influenced by bands like Genesis, PFM, Yes, and Steely Dan. Their self-titled debut album from 1976 blended 1960s rock with jazz rock, classic rock, and symphonic rock featuring Latin and soul music elements. Their second and final album from 1977, Películas, leaned more towards jazz and experimentation, resulting in a more complex progressive rock sound.
The bird-making machine was a 1970s progressive rock band from Argentina that was influenced by bands like Genesis, PFM, Yes, and Steely Dan. Their self-titled debut album from 1976 blended 1960s rock with jazz rock, classic rock, and symphonic rock featuring Latin and soul music elements. Their second and final album from 1977, Películas, leaned more towards jazz and experimentation, resulting in a more complex progressive rock sound.
Original Description:
An article of ¨La Máquina de Hacer Pajaros¨, an argentine very famous band in 80´s decade.
The bird-making machine was a 1970s progressive rock band from Argentina that was influenced by bands like Genesis, PFM, Yes, and Steely Dan. Their self-titled debut album from 1976 blended 1960s rock with jazz rock, classic rock, and symphonic rock featuring Latin and soul music elements. Their second and final album from 1977, Películas, leaned more towards jazz and experimentation, resulting in a more complex progressive rock sound.
The bird-making machine was a 1970s progressive rock band from Argentina that was influenced by bands like Genesis, PFM, Yes, and Steely Dan. Their self-titled debut album from 1976 blended 1960s rock with jazz rock, classic rock, and symphonic rock featuring Latin and soul music elements. Their second and final album from 1977, Películas, leaned more towards jazz and experimentation, resulting in a more complex progressive rock sound.
The bird-making machine (La Máquina de hacer Pájaros) was a mid-
1970s progressive and symphonic rock band from Argentina, with strong influences by Genesis, Premiata Forneria Marconi, Yes, and Steely Dan. In their brief two-year lifespan, they didn't have much public acceptance. It wasn't until several years later that they achieved a very high reputation nationally as well as internationally. Their self-titled debut in 1976 was a blend of sixties rock, jazz rock, classic rock and symphonic rock. The compositions were drenched in the progressive rock tradition but had a strong typical South-American atmosphere featuring Latin and soul music elements. Some of the songs that stand out are "Como mata el viento norte" and "Bubulina". Their second and final album, 1977's Películas leaned more towards jazz and some experimentation, leading to a more crude progressive rock, which had more complex and elaborated songs. A good example of this are the songs "Hipercandombe" and "Que se puede hacer salvo ver peliculas". The opening track "Obertura 777" is one of the most internationally recognized Argentine instrumental rock songs.