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Nova Religio
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Reviews
as being “the well from which the serious occultist draws” and “the clut-
tered warehouse frequently plundered by producers of popular culture
searching for ideas, images and symbols” (p. 85).
In the second half of the volume Partridge then discusses several sites
within popular culture, examining the impact of Occultural ideas upon
them (further sites will be examined in volume II). Firstly, he examines
literature and film, focusing on vampire fiction, the popularity of
Wiccan beliefs among teenagers and young adults, and the ways in
which films and television shows such as Buffy the Vampire Slayer, The
Matrix, and Star Wars explore spiritual issues; the point being made that
such cultural products “are not merely expressions of contemporary reli-
gious interests and concerns, but they lead, first, to familiarization and
fascination, and secondly, to the development of spiritualities” (p. 141).
Following on from this, he then turns his attention to popular music,
examining the post-Beatles impact of Eastern philosophies on Western
music, and the impact of spiritual ideas generally on festival culture, and
the psychedelic trance and dub/ambient scenes.
This is a really excellent book, written in a clear, accessible style, draw-
ing on a range of material from different fields as well as the author’s own
fieldwork. It deserves to be read by academics across sociology, religious
studies and cultural studies, as well as by all those curious about the
changing nature of religious belief and practice in the West.
John Walliss, Liverpool Hope University
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