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Dennis Rebrand Guidelines
Dennis Rebrand Guidelines
Dennis Rebrand Guidelines
0 | March 2017
BRAND GUIDELINES
MARCH 2017
CONTENTS
THE DENNIS BRAND
Our Brand Philosophy 2
Our History
Our Vision
3
4 BRAND
PHILOSOPHY
Our Why 5
Our How 7
Our People 8
Our Tone 9 These Dennis brand guidelines are designed for you to use when
creating information about Dennis as a company. They showcase
Approved Wording 10 our logos, values, vision and approach. In essence, they are suite
Our Cultural Values 11 of visual and text assets for us all to use to represent Dennis, to
Our Commitment 14 current and future employees, to our clients and to the industry
as a whole.
The Dennis Family 16
The launch of our brand identity is an important part of positioning
THE FINE DETAIL Dennis as the most dynamic media company in the UK. It’s about
Our Logos 21 one brand and one voice, delivering and strengthening our
consistency and professionalism in the market.
What Not To Do 22
What To Stop 23 You will find a folder on the Dennis Handbook that contains all of
Clear Zones 24 the new brand assets for you to use.
Duel Branding 25
Our Strapline & When To Use It 26
Our Font 29
Our Brand Colours 31
OUR
HISTORY
Dennis was started by publishing mogul and entrepreneur Felix Dennis in
London’s Fitzrovia in 1973, with its first magazine: Kung Fu Monthly.
Dennis used the success of its first title to find the next big thing: computers.
Under Felix’s guidance, Dennis launched a series of computer titles including
Hi-fi Choice, PC Pro and Personal Computer World magazines. These titles
quickly cemented Dennis as the leading technology publisher in the UK.
In 1995, Dennis launched Maxim, a title that began on the back of a beer mat and
became the world’s biggest-selling men’s lifestyle magazine and global brand.
In 1996, Dennis acquired what is now the company's flagship brand: The Week.
Over the following years Dennis published some of the biggest titles on the
newsstand from all sectors – from Mac User, Stuff and Metal Hammer, to Viz,
Bizarre and Poker Player.
Today, Dennis is one of the most dynamic media companies in the UK. As the
sixth largest consumer magazine publisher, Dennis has transformed its business
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OUR
VISION
“Our vision is to be the most dynamic media
company in the UK. We are dedicated to
growing Britain’s best-loved media brands,
restlessly innovating across different platforms
to bring our audience new sources of
inspiration, information and entertainment.”
Brilliantly different...
OUR
HOW
We’re proud that Dennis is a Brilliantly different
media business.
IN BRIEF serve both readers and clients – and create professionalism with fun, and collaboration
We just need to capture our core aim social ties that bring all our people together. with individual direction. This is the catalyst
We are dedicated to growing Britain’s We give people the opportunity to blaze their that powers our competitive advantage.
best-loved media brands, restlessly own trail and the freedom to think differently.
innovating across different platforms to At Dennis, growth is rooted in more than the
bring our audience new sources of IN 100 WORDS bottom line. Fulfilling the dreams of the late
inspiration, information and entertainment. When we need to talk about our itch & scratch Felix Dennis, we are proud to work for the
Our people are what make Dennis the most benefit of The Heart of England Forest, an
IN 30 WORDS dynamic media company in the UK. We create exciting and ambitious charity aiming to plant
When we need a little more detail brands that people want to work on and a and preserve the largest native broadleaf
As a business we are ambitious, bold and culture that people want to work in. Practically, forest in England.
creative. We champion individual success this means balancing efficiency with creativity,
while building a collective network of skills to long-term strategy with adaptability,
OUR CULTURAL
VALUES
Seemingly opposite values = Brilliantly different… (when combined)
A lot of companies talk about their values, but at Dennis we simply live by them.
It’s certainly true that in a modern media company you can’t just be strong in one area, but that
to truly thrive as a media company you need to be capable in a wide range of disciplines.
DOS + DON’TS
in fact, we have a 98-year business plan – but the result will transform the lives of millions for
centuries to come.
The planting of tomorrow’s great native woodland has already started. The forest currently
consists of 600 acres of mature woodland and over 3,200 acres of new planting. Our aim is to DO SAY
purchase enough land to plant 300 acres of new woodland each year, and future plans include Dennis is run for the benefit of the
the development of the forest as a visitor destination with woodland walks, nature trails and Heart of England Forest, a charity
recreational pursuits. But for now our energy and focus are centred on getting people to the dedicated to planting tomorrow’s
forest to enjoy and experience it for themselves. great native woodland.
Protecting and investing in our natural environment has never been more important. DON’T SAY
Britain has one of the lowest percentages of native tree cover in Europe, declining wildlife Dennis is owned by the Heart of
and an increasing generation of children who are not connecting with nature. The Heart England Forest Charity.
of England Forest is committed to doing its part in addressing these issues. By replanting
millions of trees, re-establishing a range of natural wildlife habitats and opening up our
woods, footpaths and green spaces for people to enjoy, explore and learn, we are
creating a refuge from the modern world where people and nature can interact.
THE
DENNIS
FAMILY
WHEN
OTHERS
GO RIGHT,
WE GO LEFT.
This section sets out some simple examples of how we are
Brilliantly different, and how our brands are unique. To help
you illustrate our unique way of working at Dennis, we
have chosen six of our brands to bring this to life. These are
not necessarily the biggest nor the most obvious brands,
but they help illustrate why we’re Brilliantly different.
OUR SIX BRILLIANTLY DIFFERENT BRANDS
BRAND
ASSETS
Each of these brands is Brilliantly
different in its own way. We have
developed wording and assets for
you to use.
LOGOS
The Dennis logo was updated in late 2016. We see this as
very much an evolution and not a revolution. While the
red colour, the Dennis D and tail have remained to keep
a link to our heritage, the two shapes have been tweaked
and reshaped. They still hold similar characteristics to
the originals; however, each element has been changed
to improve legibility when it’s used digitally or in small
sizes. The logo text has also been adjusted to sit on a more
positive incline.
NOT TO DO
Because the logo is the brand’s primary visual
representation, its integrity should be respected
at all times and in all places. Please do not stretch,
condense, augment or distort its form at any time.
The illustrations to the right describe some (but CROP. Do not crop the logo in any way. TRANSPARENCY. Do not lay any CONTRAST. The logos should always be
not all) of the more common misunderstandings kind of transparency over the logo. placed in locations that are not too complex
and inappropriate uses of our logo. to allow them to be viewed clearly.
BRAND TEAM
PROPORTIONS. Do not change the ADDITIONS. Do not add additional CONVERTS. Do not convert the logo
proportions of the logo. content to the logo. into something else. It should always
be a circle and only a circle.
WHAT
TO STOP
Due to the directional change to become a
single Dennis, with one voice and one tone,
all internal sub-brand logos will stop being
used immediately. These departments will
still exist inside Dennis; however, they will no
longer have their own unique branding. All
departments inside Dennis will now carry the
main Dennis logo.
ZONES
To ensure the Dennis logo is
presented in the best possible
manner, a minimum buffer zone
of clear space should always be
maintained around the perimeter
of the logo.
As a scale for both logos, the “D” around the edges is 40% of the overall logo size.
DUAL
BRANDING X X
On occasion there will be the need to use both
the Dennis Logo and The Heart of England
forest logo in unison. When doing so, please
use this approved wording to explain the
relationship between the two.
CLEAR ZONE
The logo should always be surrounded by a
generous amount of white space. The white
space is defined by the width of logo, as
represented by “ ” in the diagrams below.
This “ ” is taken from the main logo and
its scale will alter according to its size in
application; thus the clear zone will alter too.
Brilliantly different...
WHEN TO USE
THIS LOGO
Option A Option B
Brilliantly different...
Brilliantly different...
It should also only be used in conjunction with the six Brilliantly different brand
examples or to demonstrate how or why Dennis is Brilliantly different.
NO: Brilliantly Different
YES: Brilliantly different...
When using it in text, it’s important you write it correctly. “Brilliantly" should have a
capital B, different has a lower-case 'd' and different has 3 dots at the end (...) when
used outside of body text. It should also always be italicised when written in text.
Brilliantly
WHAT Brilliantly
different...
NOT TO DO different...
STACK. Do not play with the text elements of the logo. The ‘Brilliantly different’ strapline should always appear on one line, never two.
Because the strapline is part of the brand’s
visual representation, its integrity should
be respected at all times, in all places. These
guidelines are specific to the strapline and are
in addition to the details on page 19.
RE-ORDER. Do not change the order of the logo elements. The strapline should never appear before the Dennis logo.
RE-COLOUR. Do not change the colour of the strapline. The strapline should only be used in black or white; it should never be used in colour.
MAIN FONT FAMILY - LATO
Light
Lato is a sans-serif typeface 10 WEIGHTS
family created in summer 2010 by
Warsaw-based designer Łukasz Hairline
Dziedzic (“Lato” means “Summer” in
Polish). In December 2010 the Lato Hairline Italic
family was published under the
open-source Open Font License by Light
his foundry tyPoland, with support
Regular
from Google. Light Italic
In 2013–2014, the family was Regular
greatly extended to cover more
than 3,000 glyphs per style. In the Italic
process, the metrics and kerning
of the family were revised and four Bold
additional weights were created.
Bold Italic
The semi-rounded details of
Black
Black
the letters give Lato a feeling of
warmth, while the strong structure
provides stability and seriousness. Black Italic
Łukasz himself describes the
typeface as, “Male and female,
serious but friendly. With the
feeling of the Summer.”
ABCDEFGHIJKLMNOPQRSTUVWXYZ
abcdefghijklmnopqrstuvwxyz ‘?’“!”(%)[#]{@}/&<-+÷×=>®©$€£¥¢:;,.*
LATO USAGE
HERO
COLOUR
Our hero colour is Red – bright red, as red as
it gets. It’s attention-grabbing, stands out well
and evokes a strong emotional response. As
such, we encourage you to balance it with
complementary bright, warm and playful colours
to help show our diversity and enthusiasm.
100% 90% 80% 70% 60% 50% 40% 30% 20% 10%
CMYK: 5 | 7 | 90 | 0 RGB: 250 | 223 | 24 WEB: # FADF18 PANTONE: 107C
100% 90% 80% 70% 60% 50% 40% 30% 20% 10%
INFORMAL
MESSAGES
CMYK: 10 | 10 | 15 | 0 RGB: 234 | 227 | 218 WEB: # EAE3DA PANTONE: WARM GRAY 1 C
100% 90% 80% 70% 60% 50% 40% 30% 20% 10%
CMYK: 100 | 65 | 40 | 40 RGB: 0 | 61 | 86 WEB: # 003D56 PANTONE: 303 C
FORMAL
MESSAGES 100% 90% 80% 70% 60% 50% 40% 30% 20% 10%
To help balance these vivid bright and breezy
colours, we have introduced some more formal
colours. These are intended for more formal
messages and should be used in more serious
CMYK: 80 | 100 | 15 | 5 RGB: 89 | 38 | 115 WEB: # 592673 PANTONE: 2623 C
situations or to carry a more serious message.
They aim to stimulate feelings of trust, order
and success.
100% 90% 80% 70% 60% 50% 40% 30% 20% 10%
CIRCLES IN
APPLICATION
Circles are graphic elements, so they must be treated in
that way – sometimes literally and sometimes figuratively.
A design should be enhanced by them instead of being
restricted by them.
Jerina
Hardy
PR &
Communications
Director