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  • Computer Music Project - Docx - Microsoft Word Online PDF

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    Te Wei Huang
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    The document discusses mixing and balancing an audio project in Logic Pro. It describes panning different channels from left to right to amplify volume according to acoustic rules. It also describes assigning different channels to foreground, middle ground, and background layers by manipulating their pan ranges. Finally, it discusses exporting the track from Logic Pro and importing it into Audacity to check for any audio clipping. The author learned how to collect sound materials online and use Logic Pro to modify timbres, and found that balancing brought out the quality of the work tremendously.

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    The document discusses mixing and balancing an audio project in Logic Pro. It describes panning different channels from left to right to amplify volume according to acoustic rules. It also describes assigning different channels to foreground, middle ground, and background layers by manipulating their pan ranges. Finally, it discusses exporting the track from Logic Pro and importing it into Audacity to check for any audio clipping. The author learned how to collect sound materials online and use Logic Pro to modify timbres, and found that balancing brought out the quality of the work tremendously.

    Copyright:

    © All Rights Reserved
    Download as PDF, TXT or read online from Scribd
    Flag for inappropriate content
    Download as pdf or txt
    12 views1 page

    Computer Music Project - Docx - Microsoft Word Online PDF

    Uploaded by

    Te Wei Huang
    The document discusses mixing and balancing an audio project in Logic Pro. It describes panning different channels from left to right to amplify volume according to acoustic rules. It also describes assigning different channels to foreground, middle ground, and background layers by manipulating their pan ranges. Finally, it discusses exporting the track from Logic Pro and importing it into Audacity to check for any audio clipping. The author learned how to collect sound materials online and use Logic Pro to modify timbres, and found that balancing brought out the quality of the work tremendously.

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    © All Rights Reserved
    Download as PDF, TXT or read online from Scribd
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    Times New Ro… 12
    each channel and pan them to right and left, which, according to the acoustic rule, will 

    amplify the volume of the audio files and digital instruments. Then, I designated each 

    channel to different layers by manipulating their pan ranges. For instance, the foreground 

    was arranged from ­3 to +3 so that the sound of this instrument will become more 

    acoustically central. Likewise, the channels in the middle ground was arranged from –34 

    to +34 and –64 to +63 for background.  Finally, after exporting the track from Logic Pro, 

    I imported it into Audacity in order to detect any clippings in the music.     

    In general, I learned how to collect useful sound materials from online resources and

    employ Logic Pro to change its timbres. Most importantly, the methods of balancing

    bring out the quality of the work tremendously. I am really look forward to digging

    deeper and learn more new techniques from the course in the future. 

    第5/6頁 1,172 個字 英文 (美國) 100% 向 Microsoft 提供意見反應


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