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CREATING

NOVICE INTERMEDIATE

Anchor Standard 1: Generate MU:Cr1.1.H.5a Generate melodic, rhythmic, and harmonic ideas MU:Cr1.1.H.8a Generate melodic, rhythmic, and harmonic ideas
and conceptualize artistic for simple melodies (such as two-phrase) and chordal for melodies (created over specified chord progressions or
ideas and work. accompaniments for given melodies. AB/ABA forms) and two-to-three-chord accompaniments for
given melodies.
Generate melodic and rhythmic by improvising simple melodies
(such as two-phrase/8-beat, do pentatonic) with eighth, quarter
and half notes.
Replace or change some of the note values and/or pitches in
composing a variation on a theme.

Generate harmonic ideas by improvising simple melodies (such as Generate harmonic ideas by improvising simple melodies (such as
two-phrase/8-beat). two-phrase/8-beat).
*8-beat melodies (two-phrase), with I & V chords, Keys of C & F *16-beat melodies four-phrase), with I, IV & V chords, Keys of C, F
&G

Anchor Standard 2: Organize MU:Cr2.1.H.5a Select, develop, and use standard notation or MU:Cr2.1.H.8a Select, develop, and use standard notation and
and develop artistic ideas and audio/video recording to document melodic, rhythmic, and audio/video recording to document melodic, rhythmic, and
work. harmonic ideas for drafts of simple melodies (such as two- or harmonic ideas for drafts of melodies (created over specified
four-phrase) and chordal accompaniments for given melodies. chord progressions or AB/ABA forms) and two-to-three-chord
accompaniments for given melodies.

Arrange familiar melodies (such as two-phrase) with standard Arrange familiar melodies (such as two-phrase) with standard
notation and chordal accompaniments notation and chordal accompaniments
*8-beat melodies (two-phrase), with I & V chords, Keys of C & F *16-beat melodies (four-phrase), with I, IV & V chords, key of C
*16-beat melodies (four-phrase), with I, IV & V chords, key of C

Use technology and multimedia to enhance knowledge and Use drum machines, Garage Band, Make Music, other appropriate
application of composing and arranging music. (e.g. composing technologies.
and sequencing software).
Anchor Standard 3: Refine and MU:Cr3.1.H.5a Apply teacher-provided criteria to critique, MU:Cr3.1.H.8a Apply teacher-provided criteria to critique,
complete artistic work. improve, and refine drafts of simple melodies (such as two- improve, and refine drafts of melodies (created over specified
phrase) and chordal accompaniments for given melodies. chord progressions or AB/ABA forms) and two-to-three-chord
accompaniments for given melodies.
Enhance original compositions and/or improvisations using Use various strumming and picking patterns appropriate for the
feedback based on teacher-provided criteria music
MU:Cr3.2.H.5a Share final versions of simple melodies (such as MU:Cr3.2.H.8a Share final versions of melodies (created over
two- or four-phrase) and chordal accompaniments for given specified chord progressions or AB/ABA forms) and two-to-three-
melodies, demonstrating an understanding of how to develop chord accompaniments for given melodies, demonstrating an
and organize personal musical ideas. understanding of how to develop and organize personal musical
ideas.

Share final versions of simple melodies (such as two-phrase) and Describe how the changing elements of music (e.g., dynamics,
chordal accompaniments for given melodies, demonstrating an tone, color, tempo) can affect the style of music.
understanding of how to develop and organize personal musical
ideas.
*8-beat melodies (two-phrase), with I & V chords, Keys of C & F
*16-beat melodies (four-phrase), with I, IV & V chords, key of C
PERFORMING
Anchor Standard 4: Select,
analyze, and interpret artistic
NOVICE INTERMEDIATE
work for presentation.

MU:Pr4.1.H.5a Describe and demonstrate how a varied repertoire of MU:Pr4.1.H.8a Describe and demonstrate how a varied repertoire of music
music that includes melodies, repertoire pieces, and chordal that includes melodies, repertoire pieces, and chordal accompaniments is
accompaniments is selected, based on personal interest, music reading selected, based on personal interest, music reading skills, and technical skill
skills, and technical skill, as well as the context of the performances. (citing technical challenges that need to be addressed), as well as the
context of the performances.

Perform music in contrasting style. Demonstrate how a varied repertoire of


music that includes melodies, repertoire pieces, and chordal
accompaniments is selected, based on personal interest, music reading
skills, and technical skill, as well as the context of the performances.

*Swing style, 12-bar Blues, Hawaiian Kaholo *bluegrass, country, folk, pop, classical
*12-bar Blues: I IV V, Secondary doominant V7/IV in the key of C and G *Secondary Dominant Chords, V/IV, V/V
*Hawaiian Kaholo in the keys of C *Hawaiian Kaholo in the keys of C, F & G

MU:Pr4.2.H.5a Identify prominent melodic and harmonic characteristics in MU:Pr4.2.H.8a Identify prominent melodic, harmonic, and structural
a varied repertoire of music that includes melodies, repertoire pieces, and characteristics and context (social, cultural, or historical) in a varied
chordal accompaniments selected for performance, including at least repertoire of music that includes melodies, repertoire pieces, and chordal
some based on reading standard notation. accompaniments selected for performance, including at least some based on
reading standard notation.

Melodic standard notations: Melodic standard notations:


- C major scale/a minor, G major, F major/d minor - G major/e minor, D major/b minor
Chord construction - with standard notations: Chord construction - with standard notations:
Major and minor chords, Dominant 7th chord Major and minor chords, Dominant 7th chord
Play swing vs straight rhythms
MU:Pr4.3.H.5a Demonstrate and describe in interpretations an MU:Pr4.3.H.8a Demonstrate and describe in interpretations an
understanding of the context and expressive intent in a varied repertoire understanding of the context (social, cultural, or historical) and expressive
of music selected for performance that includes melodies, repertoire intent in a varied repertoire of music selected for performance that includes
pieces, and chordal accompaniments. melodies, repertoire pieces, and chordal accompaniments.
Demonstrate expressive musical ideas at a basic level (need to provide Demonstrate expressive musical ideas at a basic level (need to provide
specific examples): specific examples):
• articulations • articulations
• dynamics • dynamics
• expressive markings • expressive markings
• tempi • tempi Utilize musical symbols (e.g. fermata, repeat signs, double bar lines,
note names.)
Utilize musical symbols (e.g. fermata, repeat signs, double bar lines, note
names.)
Utilize musical symbols (e.g. fermata, repeat signs, double bar lines, note
names.) Performing
• Finger-style sound production to include rest stroke, free stroke, and
rudimentary strumming
• Pick-style sound production to include down and alternate picking and
strumming patterns
• Control of tone color (where on string to play, rest stroke or free stroke)
• Proper seated position, proper guitar support, and proper use of the right
and left hands.
Creating
• Choose and execute various strumming and arpeggio patterns to accompany
a melody.
Anchor Standard 5: Develop MU:Pr5.1.H.5a Apply teacher-provided criteria to critique individual
and refine artistic techniques performances of a varied repertoire of music that includes melodies,
and work for presentation. repertoire pieces, and chordal accompaniments selected for performance,
and apply practice strategies to address performance challenges and refine
the performances.

Identify parts of the instrument and proper instrument maintenance Performing


procedures. • Tuning the guitar (with or without technology)
Identify characteristic tone quality based on proper fundamentals • Ability to replace a string
• hand position • Ability to care for the guitar
• posture • Ability to sing along to a chord progression
• technique
Read standard notation on a basic level when refining music for • Read standard notation up to the 4th fret on all 6 strings
presentation • Read tablature and chord diagrams
• Apply a counting system to written notation, and be able to recognize the
difference aurally between duple and triple meter.
Rhythmic notations: Rhythmic notations:
- eighth, quarter, half/rest, quarter rest, dotted half/rest, whole/rest - dotted quarter & eighth notes

Maintain a steady beat, while playing individually and with others the above Maintain a steady beat, while playing individually and with others the above
note and rest values in simple and compound meters. note and rest values in 2/4, 3/4, 4/4 and compound meters.
Performing
• Listening for ensemble (following a group leader)
• Ability to perform solo and duets, in addition to in ensemble.
• Control of rushing, dragging
• Mastery of basic rhythms to include the note values of whole, half, quarter,
beat groups of eighth notes, and dotted quarter-eighth combinations
• Able to play all open position chords (Major, Minor, and dominant 7th) using
the proper bass note for each.

Performing
• Listening for ensemble (following a group leader)
• Ability to perform solo and duets, in addition to in ensemble.
• Control of rushing, dragging
• Mastery of basic rhythms to include the note values of whole, half, quarter,
beat groups of eighth notes, and dotted quarter-eighth combinations
• Able to play all open position chords (Major, Minor, and dominant 7th) using
the proper bass note for each.

Meters: Simple and Compound Meters: Simple and Compound


Melodic notations: Melodic notations:
- C major scale/a minor, F major/d minor -G major/e minor, D major/b minor
Whole and half step patterns in scales encountered in repertoire.
Whole and half step patterns in Major and minor scales encountered in
repertoire.
Chordal accompaniment: Chordal accompaniment:
F: I V (F C) F: I IV V (F Bb C)
C: I IV V (C F G) C: I IV V (C F G)
Dominant 7th chord: G7, Secondary Dominant: C7 Dominant 7th chord: G7, Secondary Dominant: C7
C: I IV V (C F G7) C: I IV V (C F G7)
Kaholo in F: G7 C7 F C7 Kaholo in F: G7 C7 F C7
d: I V (d A7) d: I V (d A7)
Anchor Standard 6: Convey MU:Pr6.1.H.5a Perform with expression and technical accuracy in individual MU:Pr6.1.H.8a Perform with expression and technical accuracy in individual
meaning through the performances of a varied repertoire of music that includes melodies, performances of a varied repertoire of music that includes melodies,
presentation of artistic work. repertoire pieces, and chordal accompaniments, demonstrating repertoire pieces, and chordal accompaniments, demonstrating sensitivity to
understanding of the audience and the context. the audience and an understanding of the context (social, cultural, or
historical).
Demonstrate, at all dynamic levels, basic characteristics of ensemble sound Demonstrate, at all dynamic levels, basic characteristics of ensemble sound
• balance • balance
• blend • blend
• ensemble intonation • ensemble intonation
• expression • expression
• phrasing • phrasing

Exhibit proper etiquette in rehearsal, performances, and audience settings


Continue to exhibit proper etiquette during subsequent years of Music Lab.

Anchor Standard 7: Perceive MU:Re7.1.H.5a Demonstrate and describe reasons for selecting music, MU:Re7.1.H.8a Explain reasons for selecting music citing characteristics
and analyze artistic work based on characteristics found in the music and connections to interest, found in the music and connections to interest, purpose, and context.
purpose or personal experience.
Describe different styles of a live or recorded musical performance on
`ukulele

MU:Re7.2.H.5a Demonstrate and explain, citing evidence, the use of MU:Re7.2.H.8a Describe how the way that the elements of music are
repetition, similarities and contrasts in musical selections and how these manipulated and knowledge of the context (social and cultural) inform the
and knowledge of the context (social or cultural) inform the response. response.

Identify elements, forms of music , interests, purpose, and context in a Describe the function of science and mathematics in the production of sound
selected work, and how these and knowledge of the context (social or (e.g., frequency, amplitude)
cultural) inform the response. (Blues, Folk, Pop, Hawaiian style)

Identify the effect of musical technique on performance


RESPONDING
NOVICE INTERMEDIATE
Anchor Standard 8: MU:Re8.1.H.5a Identify interpretations of the expressive intent and MU:Re8.1.H.8a Identify and support interpretations of the
Interpret intent and meaning of musical selections, referring to the elements of music, expressive intent and meaning of musical selections, citing as
meaning in artistic work. context (personal or social), and (when appropriate) the setting of evidence the treatment of the elements of music, context, and
the text. (when appropriate) the setting of the text.

Using appropriate terminology to describe and explain music.

How the changing elements of music (e.g., dynamics, tone, color,


tempo) can affect the style of the music.
Preference for specific musical works and styles.
Determine characteristics intended by the composer and/or
performer to evoke a mood in a piece of music.
Anchor Standard 9: Apply MU:Re9.1.H.5a Identify and describe how interest, experiences, MU:Re9.1.H.8a Explain the influence of experiences and contexts
criteria to evaluate and contexts (personal or social) effect the evaluation of music. (personal, social, or cultural) on interest in and the evaluation of
artistic work. a varied repertoire of music.
Develop, with guidance, criteria for evaluating notable performances
on the selected instrument of study
Musical characteristics that make a piece of music appropriate for a
specific event or function.
Showing respect for personal work and the work of others through
appropriate critique.
Evaluating the effect of audience and performers’ behavior on the
performance.
CONNECTING
NOVICE INTERMEDIATE
Anchor Standard 10: MU:Cn10.0.E.5a Demonstrate how interests, knowledge, and skills MU:Cn10.0.H.8a Demonstrate how interests, knowledge, and skills
Synthesize and relate relate to personal choices and intent when creating, performing, and relate to personal choices and intent when creating, performing, and
knowledge and personal responding to music.Embedded within:MU:Cr3.2.E.5a Share personally- responding to music.Embedded within:MU:Cr3.2.H.8a Share final
experiences to make art. developed melodic and rhythmic ideas or motives – individually or as versions of melodies (created over specified chord progressions or
an ensemble – that demonstrate understanding of characteristics of AB/ABA forms) and two-to-three-chord accompaniments for given
music or texts studied in rehearsal.MU:Pr4.1.E.5a Select varied melodies, demonstrating an understanding of how to develop and
repertoire to study based on interest, music reading skills (where organize personal musical ideas.MU:Pr4.1.H.8a Describe and
appropriate), an understanding of the structure of the music, context, demonstrate how a varied repertoire of music that includes melodies,
and the technical skills of the individual or ensemble.MU:Pr4.3.E.5a repertoire pieces, and chordal accompaniments is selected, based on
Identify expressive qualities in a varied repertoire of music that can be personal interest, music reading skills, and technical skills (citing
demonstrated through prepared and improvised technical challenges that need to be addressed), as well as the context
performances.MU:Re7.1E.5a Identify reasons for selecting music based of the performances. MU:Re7.1.H.8a Cite reasons for how the musical
on characteristics found in the music, connection to interest, and selections use the elements of music and make connections to specific
purpose or context. interests, purposes, and experiences.

Identify preference for specific musical works and styles.

Describing personal reactions to musical experiences, and identifying


which musical aspects evoke these reactions.

Identify the roles/careers that musicians play in societies and investigate


ways to be a life-long music maker.
Anchor Standard 11: Relate MU:Cn11.0.E.5a Demonstrate understanding of relationships between MU:Cn11.0.H.8a Demonstrate how interests, knowledge, and skills
artistic ideas and works with music and the other arts, other disciplines, varied contexts, and daily relate to personal choices and intent when creating, performing, and
societal, cultural, and historical life. responding to music.
context to deepen Embedded within: Embedded within:
understanding MU:Cr1.1.E.5a Compose and improvise melodic and rhythmic ideas or MU:Pr4.3.H.8a Demonstrate and describe in
motives that reflect characteristic(s) of music or text(s) interpretations an understanding of the
studied in rehearsal. context (social, cultural, or historical) and
MU:Cr3.2.E.5a Share personally-developed melodic and rhythmic ideas expressive intent in a varied repertoire of music that includes
or motives – individually or as an ensemble – that melodies, repertoire pieces, and chordal accompaniments selected for
demonstrate understanding of characteristics of music or texts studied performance.
in rehearsal. MU:Re7.2.H.8a Describe how the way that the elements of music are
MU:Pr6.1.E.5b Demonstrate an awareness of the context of the music manipulated and
through prepared and improvised performances. knowledge of the context (social and cultural) influence the response.
MU:Re9.1.E.5a Identify and describe the effect of interest, experience, MU:Re9.1.H.8a Explain the influence of
analysis, and context on the evaluation of music. experiences and contexts (personal, social, or cultural) on interest in
and the evaluation of a varied repertoire of music.

Identify the context (e.g., historical, social, cultural) in which the


composer wrote the piece being performed.

Recognizing composers's motivations for creating the music being


performed by the students.

Understanding the relationship between music and various


functions/events, including the musical characteristics that make a piece
of music appropriate for a specific event or function.

Understanding the connections between music and other content areas


as encountered in the repertoire, including text settings.

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