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N T U R He I: Operations That Use The Exclamation Point
N T U R He I: Operations That Use The Exclamation Point
to the divider object have a decimal point as their last character, wh ich declare
that Max should use floa ting point operations. Also note th e rout ing of the two
patch cords that exit the float numbe r box under the mtof object: one cord is
connected d irectly to t he saw~ object below it, but the second heads off to the
right, heads upwa rds, and fina lly winds up connected to th e multi plier object
that has the argument 3 .
W'~
!~m'"m m
mtoij ~~
1 1 1" 1 1
~~'__J
'i39~44
1
reel- saw-
.. ...•
• •.
·~~ dac-
If you compare figur es IA.6 and IA.9, notice that the frequenc ies calculated for
the note a f ifth above are different. By using two d istinct mtof objects in the
first patch, we calculated a tempered fifth (the f ifth normally found in western
music), which is def ined as the inte rval formed by combining 7 tempered semi-
to nes. When we used the ratio 3/2 on the o utp ut of a single mtof, however,
we calculated a natural fifth, which is slightly wider that a tempered fif th. The
difference is around 2 cents (which is a unit def ined to be 1/100 of a tempered
semitone).