and sex (even the word ‘die’ had sexual connotations for them, referring to the act of intercourse) and the modern obsession with sex but less certainty about the implications of death and immortality.
The symbol of the ‘memento mori’ (remember that
you must die) was familiar in Renaissance art and poetry, often as a skull. This fits the reference to Webster’s The White Devil where a ghost enters with a lily pot concealing a skull.
John Donne was a Jacobean poet (and Dean of St.
Paul’s) who wrote erotic poems mixed with ‘metaphysics’- philosophy about life, death, the universe and everything! Eliot admired him and other metaphysical poets because they ‘feel their thought as immediately as the odour of a rose.’
The second half of the poem takes a lighter, more
colloquial tone as it deals with the present in the form of the fascinating and voluptuous Grishkin (a dancer introduced to Eliot by Ezra Pound). She is seen as very sexy, feline and dangerous- is this part of the fascination she holds for her admirers? A number of philosophers circle her rather hopelessly, as trapped as the scampering marmosets of the Brazilian jungle.
Final ironic comment about their lack of certainty
may take us full circle to the Jacobean themes of lust and death.
This free resource is available at www.teachit.co.uk. Copyright 2000 Teachit. Page 1 of 1