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ARTHUR On "Hair of The Dog" and "Quarantine Core"
ARTHUR On "Hair of The Dog" and "Quarantine Core"
ARTHUR On "Hair of The Dog" and "Quarantine Core"
Christopher Parsons
Whether quarantine has you in the qualms of an existential quandary, or you are
simply seeking some thrillingly escapist musings, Philly’s own ARTHUR (Forever Lesbians,
Joy Again), who brought you 2018’s Woof Woof has you covered with his sophomore
release Hair of the Dog due Friday, May 15 on NYC-based 1+ Records imprint,
Honeymoon (Joy Again, Anna of the North, Chynna).
Since January’s release of “I Don’t Want To Talk To You,” ARTHUR has gently been
floating out a new single for each month leading up to the anticipated release including
February’s “William Penn”; “Fatalist” in late March; and, most recently, “No Tengo” which
was officially let out of the bag just last week, each complete with their own respective
artwork and music video.
I was able to catch up with ARTHUR to ask some questions about the collaborative
comradery that went into the multi-faceted production of his masterpiece Hair of the Dog.
The first two music videos (not to mention the bonus sleeper spin-off, supergroup
single) were all produced via Powered By Wind, who also directed some videography
for Joy Again. What can you tell us these cool collaborators?
What can you tell us about the quiet release of “I’ve Got A Tune In My Head”? Is
there more where that came from?
It won’t be on the album but you can DL here. “We want to make more but that was
our ‘pre-quarantine’ one-off. We were joking about classifying it as ‘Quarantine Core.’ We
knew shit was about to hit the fan [with the rise of COVID-19] so we wanted to go crazy for
one last time, and we did!” Burke added that “we were gonna make some more [ARTHUR
music videos]... one [with ARTHUR] boarding up his windows and locking himself inside,
funny enough, but quarantine cancelled all that!”
Your latest video/single, “No Tengo,” is wildly a psychedelic experience, emanating
Animal Collective influences, and much different production styles from Powered By
Wind.
The visuals came from [Jack Wedge] who I found through watching his Adult Swim
shorts on instagram. Later, we realized a connection through mutual friends down in Miami
who also happen to be insane visual artists.
My Catholic school music teacher played the woodwinds (saxophone, clarinet) on “No
Tengo.” Sam Gellerstein (trombone) and Max Swan (saxophone) play the [horn] parts in
“William Penn.” Long time friend and collaborator, Kieran Ferris, also lends some
guitarwork on songs like “No Tengo.”
Tour is cancelled, hopefully just postponed tho. I think I may have some cool
collaborations coming down the line, but they will happen organically and on compulsion. I
imagine we’ll come up with something weird, but I’d rather not plot it out.