Dexter Gordon

Dexter Gordon (February 27, 1923 – April 25, 1990)[1] was an

Dexter Gordon
American jazz tenor saxophonist. He was one of the first players of
the instrument in the bebop idiom of musicians such as Charlie
Parker, Dizzy Gillespie, and Bud Powell. Gordon's height was 6 feet
6 inches (198 cm), so he was also known as "Long Tall Dexter" and
"Sophisticated Giant". His studio and performance career spanned
over 40 years.

Gordon's sound was commonly characterized as being "large" and

spacious and he had a tendency to play behind the beat. He was
known for humorously inserting musical quotes into his solos, with
sources as diverse as popular tunes like "Happy Birthday" to the
operas of Wagner. This is not unusual in common-practice jazz
improvisation, but Gordon did it frequently enough to make it a
hallmark of his style. One of his major influences was Lester Young.
Gordon, in turn, was an early influence on John Coltrane and Sonny
Rollins. Rollins and Coltrane then influenced Gordon's playing as he
explored hard bop and modal playing during the 1960s.

Gordon was known for his genial and humorous stage presence. He
was an advocate of playing to communicate with the audience.[2] In concert in Toronto, August 19,
One of his idiosyncratic rituals was to recite lyrics from each ballad 1978
before playing it. Background information

A photograph by Herman Leonard of Gordon taking a smoke break Also known as Long Tall Dexter,
at the Royal Roost in 1948 is one of the iconic images in jazz Dexter Gordon
photography.[3] Cigarettes were a recurring theme on covers of Born February 27,
Gordon's albums. 1923
Los Angeles,
Gordon was nominated for an Academy Award for Best Actor in a
California, U.S.
Leading Role for his performance in the Bertrand Tavernier film
Round Midnight (Warner Bros, 1986), and he won a Grammy for Died April 25, 1990
Best Jazz Instrumental Performance, Soloist, for the soundtrack (aged 67)
album The Other Side of Round Midnight (Blue Note Records, Philadelphia,
1986). He also had a cameo role in the 1990 film Awakenings. In Pennsylvania,
2019, Gordon's album Go (Blue Note, 1962) was selected by the U.S.
Library of Congress for preservation in the National Recording
Registry for being "culturally, historically, or aesthetically Genres Jazz, swing,
significant".[4] bebop, hard bop
Occupation(s) Musician,
composer,
Contents bandleader, actor
Instruments Tenor
Life and career
saxophone,
Early life
Soprano
Bebop era recordings
saxophone
The 1950s
 New York renaissance Years active 1940–1986
Years in Europe Labels Blue Note,
Homecoming Savoy, Columbia
Musician Emeritus Associated acts Gene Ammons,
Death and postmortem Billy Eckstine,
Family Dizzy Gillespie,
Instruments and mouthpieces Wardell Gray,
Lionel Hampton
Discography
As a Leader Website www
As a Sideman .dextergordon
.com (http://www.
References DexterGordon.co
Further reading m)
External links

Life and career

Early life

Dexter Keith Gordon was born on February 27, 1923 in Los Angeles, California. His father, Dr. Frank
Gordon, was one of the first African American doctors in Los Angeles who arrived in 1918 after graduating
from Howard Medical School in Washington, D.C. Among his patients were Duke Ellington and Lionel
Hampton. Dexter's mother, Gwendolyn Baker, was the daughter of Captain Edward Baker, one of the five
African American Medal of Honor recipients in the Spanish–American War.[5] Gordon played clarinet from
the age of 13, before switching to saxophone (initially alto, then tenor) at 15. While still at school, he played
in bands with such contemporaries as Chico Hamilton and Buddy Collette.[6]

Between December 1940 and 1943, Gordon was a member of Lionel Hampton's band, playing in a
saxophone section alongside Illinois Jacquet and Marshal Royal. During 1944 he was featured in the
Fletcher Henderson band, followed by the Louis Armstrong band, before joining Billy Eckstine. The 1942–
44 musicians' strike curtailed the recording of the Hampton, Henderson, and Armstrong bands; however,
they were recorded on V-Discs produced by the Army for broadcast and distribution among overseas troops.
In 1943 he was featured, alongside Harry "Sweets" Edison, in recordings under Nat Cole for a small label
not affected by the strike.

Bebop era recordings

By late 1944, Gordon was resident in New York, a regular at bebop jam sessions, and a featured soloist in
the Billy Eckstine big band (If That's The Way You Feel, I Want To Talk About You, Blowin' the Blues Away,
Opus X, I'll Wait And Pray, The Real Thing Happened To Me, Lonesome Lover Blues, I Love the Rhythm in
a Riff). During early 1945 he was featured on recordings by Dizzy Gillespie (Blue 'n' Boogie, Groovin'
High) and Sir Charles Thompson (Takin' Off, If I Had You, 20th Century Blues, The Street Beat). In late
1945 he was recording under his own name for the Savoy label. His Savoy recordings during 1945-46
included Blow Mr. Dexter, Dexter's Deck, Dexter's Minor Mad, Long Tall Dexter, Dexter Rides Again, I
Can't Escape From You, and Dexter Digs In. He returned to Los Angeles in late 1946 and in 1947 was
leading sessions for Ross Russell's Dial label (Mischievous Lady, Lullaby in Rhythm, The Chase,
Iridescence, It's the Talk of the Town, Bikini, A Ghost of a Chance, Sweet and Lovely). After his return to
Los Angeles, he became known for his saxophone duels with fellow tenorman Wardell Gray, which were a
popular concert attraction documented in recordings made between 1947 and 1952 (The Hunt, Move, The
Chase, The Steeplechase). The Hunt gained literary fame from its mention in Jack Kerouac's On The Road,
which also contains descriptions of wild tenormen jamming in Los Angeles. Cherokee, Byas a Drink, and
Disorder at the Border are other live recordings of the Gray/Gordon duo from the same concert as The Hunt.
In December 1947, Gordon recorded again with the Savoy label (Settin' the Pace, So Easy, Dexter's Riff,
Dextrose, Dexter's Mood, Index, Dextivity, Wee Dot, Lion Roars). Through the mid-to-late 1940s he
continued to work as a sideman on sessions led by Russell Jacquet, Benny Carter, Ben Webster, Ralph
Burns, Jimmy Rushing, Helen Humes, Gerry Mulligan, Wynonie Harris, Leo Parker, and Tadd Dameron.

The 1950s

During the 1950s, Gordon's recorded output and live appearances declined as heroin addiction and legal
troubles took their toll. Gordon made a concert appearance with Wardell Gray in February 1952 (The Chase,
The Steeplechase, Take the A Train, Robbins Nest, Stardust) and appeared as a sideman in a session led by
Gray in June 1952 (The Rubiyat, Jungle Jungle Jump, Citizen's Bop, My Kinda Love). After an incarceration
at Chino Prison during 1953-55, he recorded the albums Daddy Plays the Horn and Dexter Blows Hot and
Cool in 1955 and played as a sideman on the Stan Levey album, This Time the Drum's on Me. The latter part
of the decade saw him in and out of prison until his final release from Folsom Prison in 1959. He was one of
the initial sax players for the Onzy Matthews big band in 1959, along with Curtis Amy. Gordon continued to
champion Matthews' band after he left Los Angeles for New York, but left for Europe before getting a
chance to record with that band. He recorded The Resurgence of Dexter Gordon in 1960. His recordings
from the mid-1950s onward document a meander into a smooth West Coast style that lacked the impact of
his bebop era recordings or his subsequent Blue Note recordings.

The decade saw Gordon's first entry into the world of drama. He appeared as a member (uncredited) of Art
Hazzard's band in the 1950 film Young Man with a Horn. He appeared in an uncredited and overdubbed role
as a member of a prison band in the movie Unchained, filmed inside Chino. Gordon was a saxophonist
performing Freddie Redd's music for the Los Angeles production of Jack Gelber's play The Connection in
1960, replacing Jackie McLean. He contributed two compositions, Ernie's Tune and I Want More to the
score and later recorded them for his album Dexter Calling.

New York renaissance

Gordon signed to Blue Note Records in 1961. He initially commuted from Los Angeles to New York to
record, but took up residence when he regained the cabaret card that allowed him to perform where alcohol
was served. The Jazz Gallery hosted his first New York performance in twelve years. The Blue Note
association was to produce a steady flow of albums for several years, some of which gained iconic status.
His New York renaissance was marked by Doin' Allright, Dexter Calling..., Go!, and A Swingin' Affair. The
first two were recorded over three days in May 1961 with Freddie Hubbard, Horace Parlan, Kenny Drew,
Paul Chambers, George Tucker, Al Harewood, and Philly Joe Jones. The last two were recorded in August
1962, with a rhythm section that featured Blue Note regulars Sonny Clark, Butch Warren and Billy Higgins.
Of the two Go! was an expressed favorite.[5] The albums showed his assimilation of the hard bop and modal
styles that had developed during his years on the west coast, and the influence of John Coltrane and Sonny
Rollins, whom he had influenced before. The stay in New York turned out to be short lived, as Gordon got
offers for engagements in England, then Europe, that resulted in a fourteen-year stay. Soon after recording A
Swingin' Affair, he was gone.

Years in Europe
Over the next 14 years in Europe, living mainly in Paris and Copenhagen, Gordon played regularly with
fellow expatriates or visiting players, such as Bud Powell, Ben Webster, Freddie Hubbard, Bobby
Hutcherson, Kenny Drew, Horace Parlan and Billy Higgins. Blue Note's German-born Francis Wolff
supervised Gordon's later sessions for the label on his visits to Europe. The pairing of Gordon with Drew
turned out to be one of the classic matchups between a horn player and a pianist, much like Miles Davis
with Red Garland or John Coltrane with McCoy Tyner.

From this period come Our Man in Paris, One Flight Up, Gettin' Around, and Clubhouse. Our Man in Paris
was a Blue Note session recorded in Paris in 1963 with backup consisting of pianist Powell, drummer
Kenny Clarke, and French bassist Pierre Michelot. One Flight Up, recorded in Paris in 1964 with trumpeter
Donald Byrd, pianist Kenny Drew, drummer Art Taylor, and Danish bassist Niels-Henning Ørsted Pedersen,
features an extended solo by Gordon on the track "Tanya".

Gordon also visited the US occasionally for further recording dates. Gettin' Around was recorded for Blue
Note during a visit in May 1965, as was the album Clubhouse which remained unreleased until 1979.

Gordon found Europe in the 1960s a much easier place to live, saying that he experienced less racism and
greater respect for jazz musicians. He also stated that on his visits to the US in the late 1960s and early
1970s, he found the political and social strife disturbing.[7] While in Copenhagen, Gordon and Drew's trio
appeared onscreen[8] in Ole Ege's theatrically released hardcore pornographic film Pornografi (1971), for
which they composed and performed the score.[9]

He switched from Blue Note to Prestige Records (1965–73) but stayed very much in the hard-bop idiom,
making classic bop albums like The Tower of Power! and More Power! (1969) with James Moody, Barry
Harris, Buster Williams, and Albert "Tootie" Heath; The Panther! (1970) with Tommy Flanagan, Larry
Ridley, and Alan Dawson; The Jumpin' Blues (1970) with Wynton Kelly, Sam Jones, and Roy Brooks; The
Chase! (1970) with Gene Ammons, Jodie Christian, John Young, Cleveland Eaton, Rufus Reid, Wilbur
Campbell, Steve McCall, and Vi Redd; and Tangerine (1972) with Thad Jones, Freddie Hubbard, and Hank
Jones. Some of the Prestige albums were recorded during visits back to North America while he was still
living in Europe; others were made in Europe, including live sets from the Montreux Jazz Festival.

In addition to the recordings Gordon did under his major label contracts, live recordings by European labels
and live video from his European period are available. The Danish label SteepleChase released live dates
from his mid-1960s tenure at the Montmartre Jazzhus. The video was released under the Jazz Icons series.

Less well known than the Blue Note albums, but of similar quality, are the albums he recorded during the
1970s for SteepleChase (Something Different, Bouncin' With Dex, Biting the Apple, The Apartment, Stable
Mable, The Shadow of Your Smile and others). They again feature American sidemen, but also such
Europeans as Spanish pianist Tete Montoliu and Niels-Henning Ørsted Pedersen.

Homecoming

Gordon finally returned to the United States for good in 1976. He appeared with Woody Shaw, Ronnie
Mathews, Stafford James, and Louis Hayes, for a gig at the Village Vanguard in New York that was dubbed
his "homecoming." It was recorded and released by Columbia Records under that title. He noted: "There
was so much love and elation; sometimes it was a little eerie at the Vanguard. After the last set they'd turn
on the lights and nobody would move."[10] In addition to the Homecoming album, a series of live albums
was released by Blue Note from his stands at Keystone Corner in San Francisco during 1978 and 1979.
They featured Gordon, George Cables, Rufus Reid, and Eddie Gladden. He recorded the studio albums
Sophisticated Giant with an eleven piece big band in 1977 and Manhattan Symphonie with the Live at
Keystone Corner crew in 1978. The sensation of Gordon's return, renewed promotion of the classic jazz
catalogs of the Savoy and Blue Note record labels, and the continued efforts of Art Blakey through 1970s
and early 1980s, have been credited with reviving interest in
swinging, melodic, acoustically-based classic jazz sounds after the
Fusion jazz era that saw an emphasis on electronic sounds and
contemporary pop influences.

Musician Emeritus

In 1978 and 1980, Gordon was the DownBeat Musician of the Year
and in 1980 he was inducted into the Jazz Hall of Fame. The US
Government honored him with a Congressional Commendation, a
Dexter Gordon Day in Washington DC, and a National Endowment
for the Arts award for Lifetime Achievement. In 1986, he was
named a member and officer of the French Order of Arts and Letters
by the Ministry of Culture in France.
At the 1980 Edison Award,
During the 1980s, Gordon was weakened by emphysema. He Amsterdam
remained a popular attraction at concerts and festivals, although his
live appearances and recording dates would soon become infrequent.

Gordon's most memorable works from the decade were not in music but in film. He starred in the 1986
movie Round Midnight as "Dale Turner", an expatriate jazz musician in Paris during the late 1950s based
loosely on Lester Young and Bud Powell. That portrayal earned him a nomination for an Academy Award
for Best Actor. In addition, he had a non-speaking role in the 1990 film Awakenings, which was
posthumously released. Before that last film was released he made a guest appearance on the Michael Mann
series Crime Story.

Soundtrack performances from Round Midnight were released as the albums Round Midnight and The Other
Side of Round Midnight, featuring original music by Herbie Hancock as well as playing by Gordon. The
latter was the last recording released under Gordon's name. He was a sideman on Tony Bennett's 1987
album, Berlin.

Death and postmortem

Gordon died of kidney failure and cancer of the larynx in Philadelphia, on April 25, 1990, at the age of
67.[11]

On June 25, 2019, The New York Times Magazine listed Dexter Gordon among hundreds of artists whose
material was reportedly destroyed in the 2008 Universal fire.[12]

Family
Gordon's maternal grandfather was Captain Edward L. Baker, who received the Medal of Honor during the
Spanish–American War, while serving with the 10th Cavalry Regiment (also known as the Buffalo
Soldiers).

Gordon's father, Dr. Frank Gordon, M.D., was one of the first prominent African-American physicians and a
graduate of Howard University.

Dexter Gordon had a total of six children, from the oldest to the youngest: Robin Gordon (Los Angeles),
California, James Canales (Los Angeles), Deidre (Dee Dee) Gordon (Los Angeles), Mikael Gordon-Solfors
(Stockholm), Morten Gordon (Copenhagen) and Benjamin Dexter Gordon (Copenhagen), and seven
grandchildren, Raina Moore Trider (Brooklyn), Jared Johnson (Los Angeles), and Matthew Johnson (Los
Angeles), Maya Canales (San Francisco) and Jared Canales (San Francisco), Dexter Gordon Bogs
(Copenhagen), Dexter Minou Flipper Gordon-Marberger (Stockholm).

When he lived in Denmark, Gordon became friends with the family of the future Metallica drummer Lars
Ulrich, and subsequently became Lars's godfather.[13]

Gordon was also survived by his widow Maxine Gordon and her son Woody Louis Armstrong Shaw III.

Instruments and mouthpieces

The earliest photographs of Gordon as a player show him with a Conn 30M "Connqueror" and an Otto Link
mouthpiece. In a 1962 interview with the British journalist Les Tomkins, he did not refer to the specific
model of mouthpiece but stated that it was made for him personally. He stated that it was stolen around
1952.[2] The famous smoke break photo from 1948 shows him with a Conn 10M and a Dukoff mouthpiece,
which he played until 1965. In the Tomkins interview he referred to his mouthpiece as a medium-chambered
piece with a #5* (.080" under the Dukoff system) tip opening. He bought a Selmer Mark VI from Ben
Webster after his 10M went missing in transit. In a Down Beat magazine interview from 1977, he referred to
his current mouthpiece as an Otto Link with a #8 (.110" under the Otto Link system) tip opening.[7]

Discography

As a Leader
Dexter Rides Again (1947 78 album; Savoy MG 12130, 1992; SV-120, 2010)
The Hunt with Wardell Gray (1947 78 album; Savoy SJL 2222, 1976)
Dexter Gordon – The Chase with Wardell Gray (Dial Records, 1947, re-released as Spotlite
(E) SPJ 130)
Dexter Gordon – Move! (Dial Records, 1947, re-released as Spotlite (E) SPJ 133)
The Duel with Teddy Edwards (Dial, Spotlite, 1947)
Dexter Gordon On Dial, The Complete Sessions – The Chase (compilation, Spotlite (E) SPJ
130 CD)
Dexter Gordon – Long Tall Dexter (Savoy SJL 2211, 1976, compilation of 1940s Savoy tracks,
previously released and unreleased)
Dexter Gordon: Settin' the Pace (Savoy SVY 17027, compilation of 1940s Savoy studio tracks,
including alternate takes)
Dexter's Mood (Cool & Blue [Switzerland] C&B CD-114, 1994, compilation of Dial and Savoy
studio tracks)
The Wardell Gray Memorial, Volume 2 (live jam, Move) (Prestige, PRLP 7009, 1983; CD, OJC
051, 1992)
The Chase and The Steeplechase, with Wardell Gray, Paul Quinichette (1952, Decca;
Universal Distribution CD 9061, 2003)
Daddy Plays the Horn (Bethlehem 1955)
Dexter Blows Hot and Cool (Dootone 1955)
The Resurgence of Dexter Gordon (Jazzland, 1960)
Doin' Allright (Blue Note, 1961)
Dexter Calling... (Blue Note, 1961)
Landslide (Blue Note, 1961-62 [1980])
Go! (Blue Note 1962)
A Swingin' Affair (Blue Note, 1962)
Our Man in Paris (Blue Note, 1963, with Bud Powell, Pierre Michelot, Kenny Clarke)
One Flight Up (Blue Note, 1964) – Blue Note
Cheese Cake (SteepleChase, 1979 [1964])
King Neptune (SteepleChase, 1979 [1964])
I Want More (SteepleChase, 1980 [1964])
Love for Sale (SteepleChase, 1982 [1964])
It's You or No One (SteepleChase, 1983 [1964])
Billie's Bounce (SteepleChase, 1983 [1964])
Gettin' Around (Blue Note 1965)
Clubhouse (Blue Note, 1979 [1965])
Wee Dot (SteepleChase, 2003 [1965])
Loose Walk (SteepleChase, 2004 [1965])
Misty (SteepleChase, 2004 [1965])
Heartaches (SteepleChase, 2004 [1965])
Ladybird (SteepleChase, 2005 [1965])
Stella by Starlight (SteepleChase, 2005 [1966])
The Squirrel (Blue Note, 2001 [1967])
Satin Doll (SteepleChase, 2012 [1967])
Both Sides of Midnight (Black Lion, 1988 [1967])
Body and Soul (Black Lion, 1988 [1967])
Take The "A" Train (Black Lion, 1989 [1967])
After Hours (SteepleChase, 1986, [1969])
After Midnight (SteepleChase, 1986, [1969])
Live at the Amsterdam Paradiso (Catfish, 1971 [1969])
A Day in Copenhagen (MPS, 1969) – with Slide Hampton
The Tower of Power! (Prestige, 1969) – with James Moody
More Power! (Prestige, 1969)
L.T.D. Live At The Left Bank (Prestige, 2001 [1969])
XXL Live At The Left Bank (Prestige, 2002 [1969])
Some Other Spring (Sonet, 1970) – with Karin Krog
Dexter Gordon with Junior Mance at Montreux (Prestige, 1970, with Junior Mance)
The Panther! (Prestige, 1970, with Tommy Flanagan and Alan Dawson. Prestige Records)
The Chase! (Prestige, 1970, with Gene Ammons)
The Jumpin' Blues (Prestige, 1970, with Wynton Kelly)
Those Were The Days (Moon, 1995 [1967–71])
Tangerine (Prestige, 1975 [1972])
Ca'Purange (Prestige, 1972, with Thad Jones, Hank Jones, Stanley Clarke and Louis Hayes)
Generation (Prestige, 1972, with Freddie Hubbard, Cedar Walton and others)
Afterhours/The Great Pescara Jam Sessions Vol 1&2 (Ports Song, 1973, with Eric Ineke)
Blues à la Suisse (Prestige, 1973)
Candlelight Lady (SteepleChase, 2014 [1974])
The Apartment (SteepleChase, 1974)
The Rainbow People (Steeplechase, 2002 [1974], with Benny Bailey
 Round Midnight (SteepleChase, 1991 [1974], with Benny Bailey)
Revelation (SteepleChase, 1995 [1974], with Benny Bailey)
More Than You Know (SteepleChase, 1975) with Orchestra arranged and conducted by Palle
Mikkelborg
Stable Mable (SteepleChase, 1975)
Something Different (SteepleChase, 1975)
Bouncin' with Dex (SteepleChase, 1975)
Swiss Nights Vol. 1 (SteepleChase, 1976 [1975])
Swiss Nights Vol. 2 (SteepleChase, 1978 [1975])
Swiss Nights Vol. 3 (SteepleChase, 1979 [1975])
Lullaby for a Monster (SteepleChase, 1981 [1976])
True Blue (Xanadu, 1976, with Al Cohn)
Silver Blue (Xanadu, 1976, with Al Cohn)
Biting the Apple (SteepleChase, 1976)
Homecoming: Live at the Village Vanguard (Columbia, 1976, with Woody Shaw, Ronnie
Mathews, Stafford James, Louis Hayes)
Sophisticated Giant (Columbia, 1977, with 11-piece big-band including Woody Shaw, Slide
Hampton, Bobby Hutcherson, and Benny Bailey)
Manhattan Symphonie (Columbia, 1978, with Rufus Reid – bass, Eddie Gladden – percussion,
and George Cables – keyboard)
Live at Carnegie Hall (Columbia, 1998 [1978], 2 tracks with Johnny Griffin)
North Sea Jazz Legendary Concerts (North Sea Jazz, 1979)
Nights at the Keystone, Volumes 1-4 (1979, Blue Note; CD release 1990)
Gotham City (Columbia, 1981, with Woody Shaw, Cedar Walton, George Benson, Percy
Heath, Art Blakey)
American Classic (Elektra, 1982, featuring Grover Washington Jr. and Shirley Scott)
The Other Side of Round Midnight (Blue Note, 1986)

As a Sideman

With Rob Agerbeek

All Souls (Dexterity, 1972, with Eric Ineke and others)

With Gene Ammons

The Chase! (Prestige, 1970)

Gene Ammons and Friends at Montreux (Prestige, 1973)

With Louis Armstrong

Dexter Gordon, Vol. 1 Young Dex 1941-1944 (Masters Of Jazz MJCD 112)
Louis Armstrong And His Orchestra 1944-1945 (Blue Ace BA 3603)
Louis Armstrong And His Orchestra (AFRS One Night Stand 240) (V-Disc, 1944)
Louis Armstrong And His Orchestra (AFRS One Night Stand 253) (V-Disc, 1944)
Louis Armstrong And His Orchestra (AFRS One Night Stand 267) (V-Disc, 1944)
Louis Armstrong New Orleans Masters, Vol. 2 (Swing House (E) SWH 44)
Louis Armstrong And His Orchestra (AFRS Spotlight Bands 382) (V-Disc, 1944)
 Louis Armstrong – Chronological Study (MCA Decca 3063 72)
Louis Armstrong And His Orchestra (AFRS Spotlight Bands 444) (V-Disc, 1944)
Louis Armstrong And His Orchestra (AFRS Spotlight Bands 465) (V-Disc, 1944)
Various Artists, Louis, Pops And Tram (IAJRC 21) (off V-Disc, 1944)
Louis Armstrong Armed Forces Radio Service 1943/44 (Duke (It) D 1021)

With Tony Bennett

Berlin (Columbia, 1987)

With Ralph Burns

Various Artists – OKeh Jazz (Epic EG 37315)

With Benny Carter

The Fabulous Benny Carter (1946, Audio Lab AL 1505)

Benny Carter And His Orchestra (AFRS Jubilee 246 (https://archive.org/details/AfrsJubilee))
(V-Disc, 1947)
Various Artists – Jazz Off The Air, Vol. 3 (Spotlite (E) SPJ 147) (off V-Disc 1947)

With Nat King Cole

Nat King Cole Meets The Master Saxes 1943 (Phoenix Jazz LP 5)

With Tadd Dameron

Tadd Dameron/Babs Gonzales/Dizzy Gillespie – Capitol Jazz Classics, Vol. 13: Strictly Bebop
(Capitol M 11059)

With Billy Eckstine

The Chronological Billy Eckstine and His Orchestra, 1944-1945 (CD, Classic Records
[France], 1997)
Billy Eckstine, The Legendary Big Band (SVY 17125)

With Booker Ervin

Setting the Pace (Prestige, 1965)

With Lowell Fulson

Lowell Fulson (Swing Time 320)

With Dizzy Gillespie

Dexter Gordon, Vol. 2 Young Dex 1944-1946 (Masters Of Jazz MJCD 128)
Dizzy Gillespie – Groovin' High (Savoy MG 12020, 1992; SV 152, 2010)

With Lionel Hampton

Dexter Gordon, Vol. 1 Young Dex 1941-1944 (Masters Of Jazz MJCD 112)
 Lionel Hampton, Vol. 1: 1941-1942 (Coral (G) COPS 7185)
Decca Jazz Heritage Series DL-79244

With Herbie Hancock

Takin' Off (Blue Note, 1962)

Round Midnight (1986), Columbia Records

With Wynonie Harris

Wynonie Harris – Love Is Like Rain / Your Money Don't Mean A Thing (Come Live With Me
Baby) (King 4217)

With Fletcher Henderson

Fletcher Henderson And His Orchestra (AFRS Jubilee 76 (https://archive.org/details/AfrsJubile

e)), (V-Disc, 1944)
Fletcher Henderson And His Orchestra (AFRS Jubilee 77 (https://archive.org/details/AfrsJubile
e)), (V-Disc, 1944)

With Helen Humes

Various Artists – Black California (Savoy SJL 2215)

Helen Humes – Be-Baba-Leba 1942-52 (Whiskey, Women And... Gene Norman "Just Jazz"
concert, February 2, 1952, KM 701)
Helen Humes – New Million Dollar Secret (Whiskey, Women And... Gene Norman "Just Jazz"
concert, February 2, 1952, KM 707)

With Philly Joe Jones

Philly Mignon (Galaxy, 1977)

with Stan Levey

Stan Levey – This Time The Drum's On Me (Bethlehem BCP 37)

With Jackie McLean

The Meeting (SteepleChase, 1974)

The Source (SteepleChase, 1974)

With Gerry Mulligan

Gerry Mulligan – Capitol Jazz Classics, Vol. 4: Walking Shoes (Capitol M 11029)
Classic Capitol Jazz Sessions (Mosaic MQ19-170)

With Charlie Parker

Charlie Parker – Every Bit Of It 1945 (Spotlite (E) SPJ 150D)

With Leo Parker

The Be Bop Boys (Savoy SJL 2225)

 Leo Parker – Birth Of Bop, Vol. 1 (Savoy XP 8060)

With Pony Poindexter

Pony's Express (Epic, 1962)

Stella By Starlight (co leader) (SteepleChase 1966)

With Jimmy Rushing

Jimmy Rushing/Don Redman/Russell Jacquet/Joe Thomas – Big Little Bands (1946, Onyx ORI
220)
Black California, Vol. 2: Anthology (1946, Savoy SJL 2242)

With Les Thompson

Les Thompson – Gene Norman Presents Just Jazz (RCA Victor LPM 3102)

With Ben Webster

Ben Webster Nonet (1945, Jazz Archives JA 35)

References
1. Dexter Gordon: The Tenor of Power (http://alexvhenderson.com/arts__entertainment/new_york
_city_jazz_record_21_dexter_gordon) by Alex Henderson (http://alexvhenderson.com), THE
NEW YORK CITY JAZZ RECORD (http://www.nycjazzrecord.com/issues/tnycjr201602.pdf)
February 2016 - retrieved August 7, 2017
2. "Dexter Gordon interview with Les Tomkins, 1962" (https://web.archive.org/web/201807302347
18/https://www.nationaljazzarchive.co.uk/stories?id=334). Archived from the original (http://ww
w.nationaljazzarchive.co.uk/stories?id=334) on 2018-07-30. Retrieved 2015-05-28.
3. "From the Harvard Art Museums' collections Dexter Gordon, Royal Roost, New York City" (http
s://www.harvardartmuseums.org/collections/object/342926). Harvardartmuseums.org.
4. Andrews, Travis M. (March 20, 2019). "Jay-Z, a speech by Sen. Robert F. Kennedy and
'Schoolhouse Rock!' among recordings deemed classics by Library of Congress" (https://www.
washingtonpost.com/lifestyle/style/jay-z-a-speech-by-sen-robert-f-kennedy-and-schoolhouse-r
ock-among-recordings-deemed-classics-by-library-of-congress/2019/03/19/f7eb08ea-4a58-11
e9-9663-00ac73f49662_story.html?). The Washington Post. Retrieved March 25, 2019.
5. "Biography" (https://web.archive.org/web/20150414070039/http://www.dextergordon.com/bio/).
DEXTERGORDON.COM. Archived from the original (http://www.dextergordon.com/bio/) on
2015-04-14. Retrieved 2015-08-28.
6. Joop Visser, essay booklet with Settin' the Pace, Proper box set.
7. "Dexter Gordon interview with Chuck Berg, Downbeat Magazine, 1977" (http://jazzprofiles.blog
spot.com/2013/01/dexter-gordon-chuck-berg-interview.html). Jazzprofiles.blogspot.com.
Retrieved October 11, 2019.
8. "Dexter Gordon & (https://www.youtube.com/watch?v=nLoU9SSYMWs)Kenny Drew –
Pornography A Musical (1971) OST", YouTube video.
9. David Meeker,"Jazz on the Screen – A jazz and blues filmography" (http://lcweb2.loc.gov/digli
b/ihas/loc.natlib.jots.200021706/default.html), Library of Congress, Performing Arts
Encyclopedia.
10. Chapman, Dale. The Jazz Bubble: Neoclassical Jazz in Neoliberal Culture (https://books.googl
e.com/books?id=RTRMDwAAQBAJ&pg=PA78&dq=%22There+was+so+much+love+and+elati
on%22&hl=en&sa=X&ved=0ahUKEwilto36kfXeAhWLo4MKHXvECKoQ6AEIKDAA#v=onepag
e&q=%22There%20was%20so%20much%20love%20and%20elation%22&f=false). p. 78.
11. - Obituary in The New York Times (https://www.nytimes.com/1990/04/26/obituaries/dexter-gord
on-dies-at-67-a-charismatic-jazz-figure.html)
12. Rosen, Jody (25 June 2019). "Here Are Hundreds More Artists Whose Tapes Were Destroyed
in the UMG Fire" (https://www.nytimes.com/2019/06/25/magazine/universal-music-fire-bands-li
st-umg.html). The New York Times. Retrieved 28 June 2019.
13. Joel McIver, Justice for All: The Truth about Metallica (https://archive.org/details/justiceforalltru
0000mciv_h8q4/page/3), Omnibus Press, 2004.

Further reading
Gordon, Maxine (2018) Sophisticated Giant: The Life and Legacy of Dexter Gordon (University
of California Press)

External links
Official website (http://www.DexterGordon.com)
Sophisticated Giant: The Dexter Gordon Discography (https://web.archive.org/web/200710131
23631/http://home.ica.net/~blooms/dexterhome.html)
Dexter Gordon (https://www.allmusic.com/artist/p6601) at AllMusic
Dexter Gordon (https://www.imdb.com/name/nm0330143/) on IMDb
Dexter Gordon Multimedia Directory (http://www.kerouacalley.com/gordon.html)
Dexter Gordon: 12 Essential Tracks (https://web.archive.org/web/20090708060613/http://www.
jazz.com/dozens/the-dozens-dexter-gordon) by Eric Novod (www.jazz.com)
"Dexter Gordon" (https://www.findagrave.com/memorial/6946855). Find a Grave. Retrieved
August 30, 2010.
C. Michael Bailey (August 1, 2001). "Dexter Gordon: LTD: Live At the Left Bank" (http://www.all
aboutjazz.com/php/article.php?id=8368). All about jazz.
UNEARTHED GEM: Dexter Gordon Quartet (http://www.nycjazzrecord.com/issues/tnycjr20190
4.pdf). Article by Scott Yanow. NYCJR, April 2019 - Issue 204, page 15. Retrieved 4 April
2019.

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