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Applied Acoustics: Younes Ramdane, Hamzaoui Nacer, Ouelaa Nouredine, Djebala Abderrazek
Applied Acoustics: Younes Ramdane, Hamzaoui Nacer, Ouelaa Nouredine, Djebala Abderrazek
Applied Acoustics
journal homepage: www.elsevier.com/locate/apacoust
a r t i c l e i n f o a b s t r a c t
Article history: The objective of this work is to apply the sound perception approach to study and diagnose gear defects.
Received 19 May 2014 Simple and multiple defects of different levels of severity are artificially simulated on the gear teeth. The
Received in revised form 5 May 2015 corresponding sounds are then acquired to perform a sound base representative of the diversity of gear
Accepted 26 May 2015
defects. Acoustic sounds are generated using the processing software DynamX V.7. These sounds are ana-
lyzed with the paired comparison method to find a correlation between the sound perception and the
scalar indicators. The results show that perception tests allow classifying gear defect sounds by order
Keywords:
of degradation. The relation between the vibratory indicators and sound perception enabled us to obtain
Gear defect
Sound perception
applicable mathematical models for the other sounds not included in the listening tests. These models
Paired comparison method can be used to monitor the evolution of gear degradation without repeating perceptions tests.
Fault detection Ó 2015 Elsevier Ltd. All rights reserved.
http://dx.doi.org/10.1016/j.apacoust.2015.05.010
0003-682X/Ó 2015 Elsevier Ltd. All rights reserved.
R. Younes et al. / Applied Acoustics 99 (2015) 60–67 61
emergent properties of the objects that will later be useful for per-
ception. On the other hand, taking the weighting into account
allows the rapid determination of what the properties were of
the different objects used by each subject in the comparison step.
3. Experimental setup
Fig. 3. Training phase interface. Simple and multiple defects of different severities were simu-
lated on the gear teeth using a mini grinder. The corresponding
sounds were then acquired to obtain a sound base representative
MDSCAL [20], and INDSCAL. In this article the INDSCAL algorithm is of gear defect diversity.
considered for the results processing. Regarding the sound measurements resulting from our test
The INDSCAL Algorithm (INdividual Differences SCALing) was device, the recording base was built using the vibration signals
developed by Caroll and Chang [21] and, unlike MDSCAL, it allots from the accelerometer which was saved in ‘‘⁄.wav’’ format with
a different scale for each subject. But like MDSCAL, it assumes that the acquisition and vibratory analysis software DynamX V.7. This
all the listeners use the same dimensions but not with the same is possible, since when transmissions are enclosed in a casing, as
weighting. These weightings appear in Eq. (1) in the form of a in the case of a gearbox, the noise radiated is mainly due to the
Wkr factor representing the weight that listener k allots to percep- vibrations of the latter [22].
tive dimension R of perceptive space.
" #12 4. Sound perception tests
X
R
dijk ¼ W kr ðX ir X jr Þ2 ð1Þ
4.1. Stimuli
r¼1
where dijk is the distance between the objects i and j according to In this part, the objective is to study the ability of listeners to
subject k. X ir and X jr are the coordinates of these objects on dimen- identify different types of defect, ranging from a small single defect
sion R of the perceptual space. to a combination of defects. To do this, we simulated several faults
The INDSCAL measure generates varying axes between subjects. with different degrees of degradation as follow:
On the one hand it simplifies the identification step of the
Healthy Gears HG.
Small Defect on Pinion1 SDP1.
Average Defect on Pinion 1 ADP1.
0.6
0.5
0.4
0.3
0.2
0.1
0
1 2 3 4 5 6 7 8
Dimensions number of the MDS
0.2
0.8
similaritées reconstruites
Dimension 2
0.1 S6
S7
0.6
S8
0 S4
0.4
0.2 -0.1 S5
S3
0 -0.2
S2
-0.2 -0.3
-0.5 -0.4 -0.3 -0.2 -0.1 0 0.1 0.2 0.3
Dimension 1
-0.4
0 0.1 0.2 0.3 0.4 0.5 0.6 0.7 0.8 0.9 1 Fig. 7. Perceptual space.
similaritées mesurées
Fig. 6. Diagram of dispersion between measured and reconstructed similarities. 4.3. Tests interface and subjects
Fig. 2 presents the photos of the various defects created on the 4.4. Dissimilarities evaluation
gears.
After each combination of simulated defects, the corresponding The paired comparison test is often used to evaluate the dissim-
signal is generated. Finally, a database is obtained that can be used ilarities between the sound samples [23–27]. This subjective test
to possible to perform several analyses. The recording database consists in playing all the pairs of possible sound samples to the
comprises 22 sounds for a given rotational speed. A preliminary lis- listeners. In general, to limit the number of pairs to be presented
tening was used to select the most different sounds between them,
after which a second selection was carried out to obtain 8 sounds
Measures
on which the paired comparison method was performed. 0.3 2
Dim1 = 0.088565 x PP+ -0.64616 with R = 0.93669
0.2
4.2. Sounds restitution
DIM1 obtained by listening test
-0.2
Table 1
Sounds coordinates in two dimensional perceptual space.
-0.3
Sounds Dim1 Dim2 Type of defect
Sound1 0.4714 0.3165 Without defect
-0.4
Sound 2 0.3281 0.2775 Simple defect
Sound 3 0.1394 0.1631
Sound 4 0.1073 0.0068 -0.5
Sound 5 0.1323 0.1010 Double defect -0.5 -0.4 -0.3 -0.2 -0.1 0 0.1 0.2 0.3
Sound 6 0.2158 0.1105
DIM1 calculated by Mathematecal model
Sound 7 0.1887 0.0956
Sound 8 0.2949 0.0259 Triple defect
Fig. 8. Diagram of dispersion between the first dimension and the scalar indicators.
64 R. Younes et al. / Applied Acoustics 99 (2015) 60–67
to the listeners, a random selection of the stimuli presentation With dij,k being the Euclidean distances and dij,k the dissimilarity
order is performed within each pair to cancel the effect of the stim- measures between conditions i and j for subject k. The multidimen-
uli presentation order according to the Ross series [28]. Moreover, sional scaling methods presented in this section are used when the
only a few pairs of identical stimuli are included to ensure the con- experimenter has no idea of the number of dimensions to be
sistency of listeners’ responses. The total number of pairs of stimuli considered in order to represent the perceptual space. In this case
is n (n 1)/2 pairs of sounds, where n is the number of conditions the number of dimensions is chosen by analyzing the error caused
to be tested. In practice, each auditor listens to two sounds of each by the given stress value. In practice, the optimum number of
pair as many times as desired. Then, he (she) is asked to move a dimensions is determined when the adding a dimension gives little
cursor between ‘‘identical’’ to the left and ‘‘very different’’ to the additional information for the reconstruction of the distance
right, depending on the degree of dissimilarity between the sounds matrix. The stress curve in Fig. 5 obtained during our tests
perceived. The cursor position for a pair of sounds is translated into shows the emergence of a two-dimensional elbow. Thus the
a dissimilarity value from 0 to 1. This step takes about 10–15 min. two-dimensional solution was chosen.
Fig. 4 shows the comparison test interface as it appears to the
listener.
5.3. Calculation of dissimilarities between subjects: correlation
5. Results and discussion coefficient
5.1. Multidimensional analysis The differences between subjects are calculated from their
responses for different pairs of stimuli. The dissimilarity measure-
Multidimensional scaling analysis is a technique used to repre- ment adopted depends on the type of response.
sent an ensemble of similarities between items as points in a The dissimilarity between the two subjects’ k and l is defined as
Euclidean space. In our case the items are sounds, and the proxim- follows [30]:
ity between the sounds is evaluated using dissimilarity judgments.
The principle of this analysis is to match the measured dissimilar- d1 ðk; lÞ ¼ 1 rðk; lÞ ð3Þ
ities between the distances of stimuli with points representing
these stimuli in a Euclidean space. The dimensions of this space where r(k, l) is the Bravais–Pearson linear correlation coefficient
are continuous, i.e. all stimuli may be classified according to these [31] between the dissimilarity scores given by subject k and those
dimensions. pronounced by subject l.
The similarity score given by the Bravais–Pearson coefficient is
5.2. Determination of the number of dimensions R = 0.91 (Fig. 6) confirms good dissimilarity restitution.
In Table 1 we present the coordinates of the simulated sounds
The optimal number of dimensions for representing the percep- in two dimensional space (DIM1 and DIM2), where DIM1 repre-
tual space is determined from the error value in the reconstruction sents the evolution of the degradation, and DIM2 represents the
of the dissimilarities in Euclidean distances. This error is deter- difference in severity of each sound compared to other sounds
mined by the stress value which is generally represented by the according to the perceptive approach test (see Fig. 7). It is notewor-
number of dimensions, as shown in Eq. (2) [29]. thy that the coordinate results are in good agreement with the
qffiffiffiffiffiffiffiffiffiffiffiffiffiffiffiffiffiffiffiffiffiffiffiffiffiffiffiffiffiffiffiffiffiffiffiffiffiffiffiffiffi
P degrees of gear deterioration, namely without defect S1, single
2
ði;jÞ2X ðdij;k dij;k Þ (S2, S3), double (S5, S6, S7) and triple defects (S8). Nevertheless,
Stress ¼ qffiffiffiffiffiffiffiffiffiffiffiffiffiffiffiffiffiffiffiffiffiffi
P ð2Þ it should be noted that the critical defect (S4) was perceived as
2
ði;jÞ2X dij;k being closer the double defects than the simple defects.
0.4 0.3
Measures Measures
Dim1 = 1.5981 x OL +0.013647 x K -0.7405 with R2 = 0.97767 Dim2 = 1.4118 x OL + 0.0026603 x SCG -1.8297 with R 2 = 0.82752
0.3
0.2
DIM2 obtained by listening test
0.2
DIM1 obtained by listening test
0.1 0.1
0
0
-0.1
-0.1
-0.2
-0.3
-0.2
-0.4
-0.3
-0.5 -0.2 -0.1 0 0.1 0.2 0.3
-0.5 -0.4 -0.3 -0.2 -0.1 0 0.1 0.2 0.3 0.4 DIM2 calculated by Mathematecal model
DIM1 calculated by Mathematecal model
Fig. 10. Diagram of dispersion between the second dimension and the scalar
Fig. 9. Diagram of dispersion between the first dimension and the scalar indicators. indicators.
R. Younes et al. / Applied Acoustics 99 (2015) 60–67 65
Table 2
The coefficients R2 and their mathematical model.
DIM1 DIM2
2
R 0.98 Dim1 = 1.5981 ⁄ OL + 0.0136 ⁄ K-0.7405 R2 0.83 Dim2 = 1.4118 ⁄ OL + 0.0026 ⁄ SCG-1.82
0.96 Dim1 = 0.05988 ⁄ PP + 0.70222 ⁄ OL-0.64 0.73 Dim2 = 0.18536 ⁄ KF + 0.0023 ⁄ SCG-1.49
0.95 Dim1 = 2.0511 ⁄ OL-6.7359 ⁄ 105 ⁄ RMS-0.10 0.59 Dim2 = 0.0501 ⁄ PP + 0.0022 ⁄ SCG-1.57
0.95 Dim1 = 2.0038 ⁄ OL + 0.0326 ⁄ CF-1.0297 0.42 Dim2 = 0.0010 ⁄ SCG + 5.61 105 ⁄ RMS-0.97
0.4 which presents the best similarity score, thus a better alignment of
cloud points on the regression line.
S1
The scalar indicators are calculated from the vibratory acceler-
0.3 M1 ation signals, thus their unit is m/s2, except the kurtosis and the
crest factor which are dimensionless, and the CGS in Hz. The
K-factor is defined as the product between the peak value and
0.2
the RMS. The overall level of vibration of a machine is a measure
of the total vibration amplitude over a wide range of frequencies.
Dimension 2
0.1 S7
S6 M8 In Fig. 8 this correlation is shown for Dimension1 (DIM1), with
M7 one physical parameter. In this case Dimension1 is best character-
M6
S8 ized by the Peak-to-Peak, with a coefficient of determination
0 S4 R2 = 0.93 (P < 0.001). The linear combination obtained is given by:
M5
DIM1 ¼ 0:088565 PP 0:64616 ð4Þ
-0.1 M4 S5 Fig. 9 shows the correlation obtained for DIM1 with two phys-
S3
ical parameters. The presence of OL and K in the mathematical
M2
-0.2
model (5) confirms the previous DIM1 analysis, since these two
M3
indicators are directly related to the defect degradation level. The
coefficient of determination is R2 = 0.97 (P < 0.001).
S2
-0.3
-0.5 -0.4 -0.3 -0.2 -0.1 0 0.1 0.2 0.3 0.4 DIM1 ¼ 1:5981 OL þ 0:013647 K 0:7405 ð5Þ
Dimension 1 Finally, Fig. 10 presents the correlation obtained for DIM2 with
two physical parameters. The model of this dimension given by
Fig. 11. Sounds classed by listeners (Si), and those calculated by mathematical
models (Mi).
expression (6) is characterized by the OL and the SCG which is
related to the spectral balance. The coefficient of determination
is R2 = 0.82 (P < 0.002).
5.4. Correlations between scalar indicators and dimensions
DIM2 ¼ 1:4118 OL þ 0:0026603 SCG 1:8297 ð6Þ
2
Since these dimensions perfectly describe the sound dispersion We present in Table 2 the value of the coefficients R and their
in the proximity space, and in order to link the vibration indicators mathematical model; we chose the model that has the largest coef-
to acoustic perception, it is necessary to find a correlation between ficient value.
this dispersion and the scalar indicators calculated: Kurtosis (K),
Crest Factor (CF), Spectral Center of Gravity (SCG), Root mean 5.5. Application of the mathematical correlation models
square (RMS), Peak-to-Peak (PP), overall level (OL), the peak value
and the K-factor. Thus the dimensions of this space will be a linear Fig. 11 presents, in the sound proximity space, the classification
function of different indicators. coordinate values of the 8 sounds obtained by the perception tests
To this end, an ascending linear regression was performed using (Si) and the two models (Mi) obtained previously from Eqs. (5) and
vibratory indicators as inputs. The dimension selected will be that (6). This figure shows good agreement, therefore the models
0.7
Mo5
Zone1 Zone2 Zone3 Zone4
0.6
Mo4
0.5
Mo2
0.4
S1 Mo9
Mo1
Dimension 2 0.3 Mo3
0.2 S8
S7Mo15 Mo22
0.1
Mo21
Mo13 Mo17
Mo18
0 Mo8 Mo19 S6
S5
Mo14 Mo16
Mo20
-0.1 Mo12Mo11
S2 S4
Mo6 S3
-0.2 Mo7
Mo10
-0.3
-0.6 -0.5 -0.4 -0.3 -0.2 -0.1 0 0.1 0.2 0.3 0.4
Dimension 1
Zone I: The sounds Mo1 and Mo2 represent the state without
defect, measured in two different time intervals.
Zone II: The sounds Mo3–Mo10 represent the simple defects,
with increasing degrees of severity: Mo3–Mo5 small defect,
Mo6–Mo9 average defect, and Mo10 critical defect.
Zone III: Includes the very critical simple defects Mo11–Mo13
(tooth removal) and the double defects Mo14–Mo21 with vari-
able severity levels. It is noteworthy that the sounds Mo11–
Mo13 were classed by the mathematical model in the double
defect zone, such as sound S4 which was classed by the listen-
ers in the same zone (see Fig. 6).
Zone IV: Sound Mo22 represents the triple defect.
5.6. Application of correlation models for all sounds The aim of this work was to study the evolution of gear defects
using the sound perception approach. To do this, several defects
To check the reliability of these models for the measured were simulated on gears assembled on a laboratory test rig. A per-
sounds not subjected to the perception tests, we present in ceptual study based on the paired comparison and the MDS meth-
Fig. 13 the coordinate values of all the 22 sounds calculated by ods was carried out to study gear sounds for different degradation
the expressions of DIM1 and DIM2 based on the most revealing levels. This study allowed identifying the vibration parameters for
scalar indicators of the gear degradation state. In the calculation, establishing a vibro-acoustic relationship in rotating machinery,
the scalar indicators values which best explain the dissimilarity namely gear transmission systems.
judgments (OL, K, and SCG) are used. This work studied the capacity of the listeners to identify differ-
It should be noted that according to the proximity space, the 22 ent types of defect, ranging from a small simple defect to the com-
sounds are well classified into four zones in ascending order of bination of several defects. To do this, several defects with various
defect severity. levels of degradation were simulated.
R. Younes et al. / Applied Acoustics 99 (2015) 60–67 67
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