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Applied Acoustics 134 (2018) 1–7

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Applied Acoustics
journal homepage: www.elsevier.com/locate/apacoust

Characteristics and prediction of sound level in extra-large spaces T


a a b b,c,⁎
Chao Wang , Hui Ma , Yue Wu , Jian Kang
a
School of Architecture, Tianjin University, Tianjin 300072 China
b
School of Architecture, Harbin Institute of Technology, Harbin 150001 China
c
School of Architecture, University of Sheffield, Sheffield S10 2TN UK

A R T I C L E I N F O A B S T R A C T

Keywords: This paper aims to examine sound fields in extra-large spaces, which are defined in this paper as spaces used by
Extra-large space people, with a volume approximately larger than 125,000 m3 and absorption coefficient less than 0.7. In such
Sound field spaces inhomogeneous reverberant energy caused by uneven early reflections with increasing volume has a
Sound pressure level significant effect on sound fields. Measurements were conducted in four spaces to examine the attenuation of the
Prediction
total and reverberant energy with increasing source-receiver distance, which was then validated by the simu-
lations with image-source method. Results show that the reasons for the total energy’s exponential decrease are
not only the direct sound, but also the reverberant energy. The prediction difference of total sound pressure level
(SPL) between classical formula and the image-source method increases with the volume and decreases with the
surface absorption, based on which a critical line separating extra-large spaces from large ones is proposed.
Moreover, a newly modified model based on the importance of first reflection from floor is proposed, showing
more advantages of sound level prediction in extra-large spaces.

1. Introduction Numerous factors have been used to account for inhomogeneous


spatial distribution of the reverberant energy. At each reflection of
Many large buildings are being built worldwide to accommodate sound wave, different acoustic characteristics of surfaces, such as ab-
more and more complicated functions. In those buildings, the sound sorption and scattering [8,9], affect sound field to varying degrees.
field plays an important role in the design of acoustic performance and Room shapes, which can be categorised by the ratio of three dimensions
electronic evacuation systems [1]. With the increase of volume, the [10], such as flat space [11,12] and long space [13–15], also has a
spatial distribution difference of reverberant energy, which is very significant influence on the sound field. In some spaces with small
important for the characteristics and prediction of sound level in a subspaces, coupled-space effect was also considered [16]. Other factors
space, should become more significant but further details about the which also need to be considered include air absorption and specular
phenomenon and theory are also needed. early reflections [16–18].
Evidence of this spatial distribution difference was found in various While large in acoustics mainly means that low-frequency resonance
cases. After a series of measurements in performance spaces, with vo- could be paid less attention for the sound field in a room [19], with the
lumes varied from 2900 to 86,650 m3 , reverberant energy decreasing continuously increasing volume, early reflections in extra-large space
with the source-receiver distance was proposed by Barron based on the show more significance as a factor and its influence on the sound field
image-source method in rectangular rooms [2]. And many other in- has not been studied systematically. The aim of this current paper is
vestigations in concert halls were also validated this difference[3,4]. therefore to explore the sound energy distribution and its prediction
The same phenomenon was also found in four Japanese churches, with method in extra-large spaces. Measurements in four cases and computer
volumes varied from 1000 to 12,600 m3 [5] and twelve Mudejar-Gothic simulation have been used to explore the characteristics of reverberant
churches in the south of Spain, with volumes varied from 3947 to energy in extra-large spaces and a new modified model has also been
10,708 m3 [6]. In St Pauls Cathedral in London, with a volume of proposed.
152,000 m3 , variations in sound pressure level (SPL) with distance and
the contours of equal SPL for 1000 Hz octave band also suggest some
interesting spatial variations although further analysis has not been
conducted [7].


Corresponding author at: School of Architecture, University of Sheffield, Sheffield S10 2TN UK.
E-mail addresses: j.kang@sheffield.ac.uk, j.kang@hit.edu.cn (J. Kang).

https://doi.org/10.1016/j.apacoust.2017.12.023
Received 24 June 2017; Received in revised form 10 December 2017; Accepted 20 December 2017
0003-682X/ © 2017 Elsevier Ltd. All rights reserved.
C. Wang et al. Applied Acoustics 134 (2018) 1–7

point of the floor at a height of 1.5 m . The receiver height was 1.2 m .
Each point was measured three times to obtain the average value. ISO-
3382 standard was followed in the equipment selection and measure-
ment process. For the sake of brevity, only the average of three octave
bands (500 Hz,1 kHz and 2 kHz) is presented in this paper. The SPL at all
points were more than 15 dB above the background noise in the four
cases.

2.2. Computer simulation

Because of the difference in typology, shape, volume, acoustic sur-


face performance, etc., it is difficult to obtain an accurate rule of energy
distribution from measurements in different spaces. To control other
variables and explore the influence of volume as single factor on sound
field, sound energy variation in large spaces have been studied by using
computer simulation in a series of hypothetical cubic spaces at different
volumes and surface absorptions. An image-source method [20] for
cubic spaces has been developed because of its easy-implement algo-
rithm and accuracy of reflection sequence [11,21]. A great advantage of
the image-source model in the current paper is that the calculation
accuracy and computational difficulty have no relation to the volume.
The above method has been achieved by using python language to
avoid modification algorithms for optimization in some commercial
software packages developed for ordinary spaces. By using multi-pro-
cessing method and customizable pre-processing, the new program
shows more flexibility and total efficiency than commercial software
packages. In addition, low-frequency resonance, diffraction and edge
effect which are less of a concern in extra-large spaces, are not con-
sidered. The diffusion effect is also ignored for the sake of convenience.
A total of 20 cubic models were selected, with side length varied
from 10 to 500 m (namely, 10, 20, 30, 40, 50, 60, 70, 80, 90, 100, 125,
150, 175, 200, 250, 300, 350, 400, 450 and 500, so the volume varies
from 1000 to 125,000,000 m3 , which represents the different volume of
ordinary and large spaces) and 9 uniform absorption coefficients, from
0.1 to 0.9, were applied to all the surfaces in each space. The source
points were arranged at the central point of the floor at a height of
1.5 m . Receiver height was 1.2 m . Fifteen points were arranged evenly in
the quarter of floor in the smallest space because of the symmetry. And
Fig. 1. Plans of the four measured spaces with the same scale: (a) Dangxiao auditorium, in the next larger space, 15 more points were arranged as the previous
(b) HIT indoor stadium, (c) TJU indoor stadium, and (d) Guian Circus Show. The source one. Receiver points in the previous space were also included in the
points are labelled S1, receiver positions are shown as black dots. next larger space for comparison.

2. Method 3. Characteristics of sound field

2.1. On-site measurements Basic characteristics of sound energy distribution were explored in
the measurements of four cases, as shown in Fig. 3. A near-exponential
On-site measurements were carried out in four cases, with volumes trend both appears in the distribution of total and reverberant energy in
varied from 7000 to 190,000 m3, representing ordinary to large space all four cases and this phenomenon is more obvious near the source. In
respectively, as shown in Fig. 1 and Table 1. The shape and acoustic the area far from the source, the attenuation gradually becomes linear.
performance of surfaces in four cases are different but all of them are For each case, a polynomial regression is performed of the total sound
centralized. Other information is shown in Fig. 2, and the RT in this level data as a function of source-receiver distance. The R2 of regression
Table 1 is the average reverberation time of three octave bands in four cases varies from 0.87 to 0.92, which indicates that spatial
(500 Hz,1 kHz and 2 kHz). difference between the points at the same source-receiver distance ex-
The SPL values were measured using an omni-directional source ists in a small range.
with a pink noise signal and calibrated sound level meters. The source In order to further determine the spatial distribution of the re-
points were arranged at the usual performance point or near the central verberation energy in the space of larger volume and greater absorption

Table 1
Geometry and information of four cases.

Case Name Volume (m3 ) Seats RT (s) Receiver points Background noise (dBA) Temperature (°C ) Humidity (%)

1 Dangxiao auditorium 7200 688 1.1 21 31 30 59


2 HIT indoor stadium 11,400 3000 3.9 22 20 20 50
3 TJU indoor stadium 59,000 4000 2.2 17 25 19 28
4 Guian Circus Show 190,000 \ 3.0 10 30 23 70

2
C. Wang et al. Applied Acoustics 134 (2018) 1–7

Fig. 2. Photograph of three cases: (a) photo of


HIT indoor stadium, (b) photo of TJU indoor
stadium, and (c) photo of Guian Circus Show.
(Only photographs of three larger cases were
presented because Dangxiao auditorium’s type is
so common that general understanding can be
obtained from the plan.)

Fig. 3. SPL distribution in four cases: (a) Dangxiao


auditorium, (b) HIT indoor stadium, (c) TJU indoor
stadium, and (d) Guian Circus Show. The curves of
total SPL are obtained from the regression of mea-
sured points in different directions (represented by
thick solid lines) and the regression coefficient is
shown in each figure. The attenuation curves of the
direct SPL (represented by dashed lines) could be
derived from the source-receiver distance and the
reverberant SPL (represented by dash-dotted lines)
could be deduced from the energy relations in each
case. The error bars represent the standard deviation
of the three measured values of total SPL in the same
receiver point.

coefficient, a series of cubes were simulated by an image-source relationship between the dash straight line and other curves in Fig. 4,
method, the results of which are presented in Fig. 4. In the cubic space the direct energy in the space with larger surface absorption occupies a
with a volume of 1000 m3 , the reverberant energy attenuates slightly greater proportion in total energy and shows more exponential trends.
with the increase of source-receiver distance. The difference range of Moreover, the curves in Fig. 4(a) are steeper than those in Fig. 4(b)
reverberant energy in the space is 1.1 dB and 2.5 dB while the absorp- which means that the reverberant energy also appears to be a more
tion coefficient is 0.3 and 0.7, respectively. This phenomenon is exponential trend with the growth of surface absorption. In each figure,
common in ordinary large spaces, such as auditoriums and small indoor this exponential trend is also more evident with the growth of volume.
stadiums. However, with the increase in volume and absorption coef- In this way, there is a larger distance range with exponential behaviour
ficient, reverberant SPL shows a significant exponential decreasing for larger room volumes and greater absorption coefficients.
trend. From Fig. 4, it is obvious that the curves become closer to the
straight direct-energy line, since logarithmic abscissa axis is used. 4. Prediction model
For large cubic spaces with side lengths of 100 m or more, the SPL
profiles in Fig. 4 can be divided into three sections. The first part is the The applicability of the classical model is first studied in this sec-
linear attenuate curve near the source and in different spaces those tion. Then a new prediction model is proposed theoretically and vali-
curves are always within about 6 m from the source. Then the second dated with the measurements.
part shows an exponential trend in the remaining near-source area.
More exponential trends appear with the increase of volume and the
4.1. Applicability of classical model
reverberant SPL curves of different spaces in the two figures move down
and gradually approaches the first reflection from floor (FRFF) curve.
The classical model [19] assumes that the reverberation sound en-
The last part backs to the linear attenuate trend again in the area far
ergy is evenly distributed in a space, hence, the total SPL is
from the source. This linear pattern is due to the domination of other
reflections, which still have a slight attenuation with distance because W 4W
L = 10log10 ⎛ + ⎞ + 120
the energy of FRFF decreases with the source-receiver distance. This ⎝ 4πr 2 R ⎠ (1)
three-part phenomenon in a large space is different from the hypothesis
of classical model or other models [2,22]. where W is the sound source power, r is the source-receiver distance,
In terms of the effect of surface absorption, according to the relative and R is the room constant.
As the volume becomes larger and the sound absorption coefficient

3
C. Wang et al. Applied Acoustics 134 (2018) 1–7

to highlight the effects of non-uniform early reflection energy and avoid


differences of various considerations of air absorption. As can be seen in
Fig. 4, the max difference between the reverberant energy derived from
the classical model and the image-source method always appears at the
near-source area. Although the different range becomes larger with the
increase of surface absorption, the reverberant-to-direct energy ratio is
smaller simultaneously, which leads to the result that the total SPL
difference is proportional to the size and inversely proportional to the
surface absorption.
When the volume of a room is less than 8000 m3 (of which the cube
root is equal to 20 m ), the difference between the classical model and
image-source method is generally within 0.5 dB . The difference between
the classical model and the image-source method is less than 1 dB when
the absorption coefficient is less than 0.7 and the volume is less than
125,000 m3 (i.e. a 50 m cube). The difference is stationary below 1 dB
when the absorption coefficient is larger than 0.7. Because this differ-
ence is due to the inhomogeneous spatial distribution of the reverberant
energy, a curve in Fig. 5, say the 1 dB curve, might be used to distin-
guish ordinary large space and extra-large spaces.

4.2. A new prediction model

Different models to predict SPL distribution were proposed based on


different considerations and approximations of reverberant energy. If
the uniform decrease of reverberant energy with the increase of source-
receiver distance was considered, a fixed rate factor was added by
Barron [2] to predict the total SPL

W 4W −13.82r
LB = 10log10 ⎛ + ·e cTE ⎞ + 120
⎝ 4πr 2 R ⎠ (2)

where c is the velocity of sound, and TE is the Eyring reverberation time.


Fig. 4. Theoretical reverberant SPL in cubic spaces of different volumes but with uniform
absorption coefficients of (a) 0.3 and (b) 0.7. Parameter is side length in m, FRFF = first
This model has good predictions in many concert halls.
reflection from floor. Horizontal dashed lines represent the reverberant SPL according to Fig. 6 is helpful in explaining these models: tc is the time at which
classical theory. the number of reflections is large enough to reach statistical average,
which is also called averaging time [16]. Different statistical assump-
increases, the spatial difference of reverberant energy increases corre- tions were made to predict the reflection energy before tc . For example,
spondingly. Because it is difficult to determine the exact acoustic the initial time t0 and the time direct sound reaches tD are used as the
parameters in a real room, prediction results of the classical model are critical time in classical and Barron model respectively.
compared with those of computer simulation in the space of different Several other modified models were also proposed based on dif-
volume and surface absorption. ferent approximations of early reflections [22,23] and the rate of en-
The differences between prediction results of the total energy ob- ergy decay [24] but in some cases they did not show better accuracy
tained by the classical model and the image-source method generally [2].
increase with the increase of volume and the decrease of surface ab- However, the FRFF, which is significantly larger than the other re-
sorption coefficient, as shown in Fig. 5. Air absorption here is neglected flections in general, has not been used to improve prediction accuracy.
The path difference between the direct sound and the FRFF decrease
with the source-receiver distance, as shown in Fig. 7, which results in a
small difference in the energy in most areas. This is also consistent with
the phenomenon in Fig. 4.
In the current paper a newly modified model for extra-large spaces
is therefore proposed based on the FRFF. The height of the source Hs
LEVEL

0 tD tf tc
Fig. 5. The prediction difference of the total energy (dB) obtained by the classical model TIME
and the image-source method (classical minus image-source method). Only the max ab-
solute value of the difference was recorded in one space. Fig. 6. Different stages of the energy decay.

4
C. Wang et al. Applied Acoustics 134 (2018) 1–7

statistical methods as in the Barron model which accuracy was con-


2.5 firmed by using the billiard theory [25] and measurements. Therefore,
based on the geometry of sound source and receiver points, as shown in
Path Difference (m)

2.0 Fig. 8, the following three formulas can be obtained.


1.5 ΔH = Hs−Hr (3)

1.0 where ΔH is the height difference between the source and receiver
points.
0.5
r 2 = (ΔH )2 + Lh2 (4)
0
2 4 6 8 10 12 14 16 18 where Lh is the horizontal distance between the source and receiver
Source-receiver Distance (m) points.
Fig. 7. Path difference between the direct sound and the first reflected sound from the
L2 = (2Hs−ΔH )2 + Lh2 (5)
floor.
where L is the path length of FRFF.
Source Receiver According to Eqs. (3)–(5), the path length of FRFF can be obtained
by
r
ΔH

L= 4Hs Hr + r 2 (6)
Hs

Hr

As the FRFF is considered, the total energy can be divided into three
parts, which are the energy of direct sound, the FRFF and other sub-
L sequent reverberant sounds. So the total SPL can be obtained by
Hs

W W (1−αf ) 4W −13.82L ⎞
L′ = 10log10 ⎛⎜ + + ·e cT ⎟ + 120
Lh ⎝ 4πr 2 4πL2 R ⎠ (7)

Image source where αf is the absorption coefficient of the floor; T is the reverberation
time measured or calculated. Adding Eqs. (6) and (7), L′ will be gen-
Fig. 8. The geometry of sound source and receiver points based on the image method. erated as:

W (1−αf ) 4W −13.82 4Hs Hr + r 2


and receiver Hr is 1.5 m and 1.2 m respectively, except where indicated. ⎛ W ⎞
L′ = 10log10 ⎜ 2
+ 2
+ ·e cT
⎟ + 120
As both the source and receiver are closer to the floor than to the other ⎝
4πr 4π (4Hs Hr + r ) R

surfaces in general, the reflection energy from the floor almost always (8)
reaches first in large spaces, which could be calculated as an individual
term in a newly modified model. The time when the FRFF reaches t f is Theoretically, this model could not be used in the situation where
considered a critical time for the statistical assumption in the new the sound source, or the floor on which the first-order sound reflects,
model. The reflection after t f is still estimated by using the same cannot be seen at the receiver point. The applicability in the situation
where the source or receiver are far from the floor is also uncertain.

Fig. 9. Total SPL attenuation with the increase of


source-receiver distance in measurement and predic-
tion in four cases: (a) Dangxiao auditorium, (b) HIT
indoor stadium, (c) TJU indoor stadium, and (d)
Guian Circus Show.

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C. Wang et al. Applied Acoustics 134 (2018) 1–7

Table 2
Differences of measured and predicted values by three models in four cases.

Cases Classical Barron Revised

Min Max SD Min Max SD Min Max SD

Dangxiao auditorium −1.7 3.49 1.46 −2.09 0.58 0.72 −0.94 1.55 0.66
HIT indoor stadium −2.02 2.52 1.36 −2.36 0.98 0.9 −1.2 1.32 0.73
TJU indoor stadium −3.38 2.72 1.95 −3.5 0.5 1 −1.38 1.33 0.66
Guian Circus Show −2.4 0.52 1.03 −2.71 −0.34 0.77 −0.7 1.49 0.71

Fig. 10. Difference in the results of models and computer simulation (models minus computer simulation). The dotted lines represent the Barron model, and the solid lines represent the
classical model. The dashed and grey solid lines represented the modified model using Sabine and Eyring reverberation time respectively. (a), (b), and (c) were in the space with volumes
1000 m3,125,000 m3 and 125,000,000 m3 respectively when the surface coefficient was 0.1. (d), (e), and (f) were in the space with volumes 1000 m3,125,000 m3 and 125,000,000 m3 re-
spectively when the surface coefficient was 0.5.

4.3. Validation of the new model source-receiver distance, as shown in Fig. 10. When the volume is
1000 m3 , all the three models have little differences, which are not
The modified model is applied to the four measured cases to obtain larger than 1 dB. When the volume is 125,000 m3 and 125,000,000 m3 ,
further validation, and the classical and Barron models are also used for both curves of the classical and Barron models show a deep trough at
comparison, as shown in Fig. 9. In the four cases, the absorption coef- about 4–20 m , which means a different degree of underestimation in the
ficient is calculated by the Eyring formula based on the reverberation near-source area. This trough is mainly due to the FRFF and its re-
time measured, and the sound power level of the source is deduced lationship with other energy as in Fig. 4, it is proportional to the volume
from the SPL measured at 1 m from the source, since the direct energy and inversely proportional to the absorption coefficient. When the
here is about 9.5 dB larger than the first reflect energy from the floor surface coefficient is 0.1 and the volume is 125,000,000 m3 , the max
using the spherical formula. difference between two existing models and computer simulation is
As can be seen in Fig. 9, the results show that the classical model 2.7 dB.
underestimated the energy in the near field, within about 10–20 m , and In Fig. 10, as the volume increases, the prediction difference of all
overestimated it in the far field. By adding a distance-dependent at- the four models becomes greater generally and the difference curves
tenuation factor to reverberation energy, Barrons model yields very show more spatial fluctuation with increasing source-receiver distance.
accurate predictions in the far field but still underestimated the energy This may suggest more theoretical limitations of statistical models in
in the near field. However, as the volume becomes larger and the first the extra-large spaces as the sound rays become more difficult to reach
reflection energy from the floor has more advantages than other re- the statistical average with the increasing volume. Different from the
flections, the accuracy is better using the modified model. The differ- two existing models, the prediction difference of the two modified
ences between the measurements and the modified model are sig- models decreases with the increasing source-receiver distance. This is
nificantly reduced. The maximum difference in the four cases is mainly due to the fact that the starting point of the calculation for the
between 1.38 and 1.55 dB and the standard deviation is 0.66–0.71 dB , as reverberant energy in the modified models is the latest among those
shown in Table 2. models which results in less reverberant energy at the far-source point.
Further information is obtained from the simulation. The difference With regard to the use of Sabine or Eyring reverberation time, it is
among the three models (classical, Barron, and the modified) and difficult to have the exact evidence to determine by computer simula-
computer simulation shows different trends with the increase of the tion or measurements because most of the difference between the two

6
C. Wang et al. Applied Acoustics 134 (2018) 1–7

0.9 not be used in the situation where the sound source, or the floor on
-0.1 which the first-order sound reflects, cannot be seen at the receiver
0.8 -0.7
Coefficient of absorption
point. The applicability in the situation where the source or receiver is
0.7 -0.9 -0.3 far from the floor is also uncertain.
-1
0.6 Acknowledgements
-1.1 -0.5
0.5
We acknowledge Python Software Foundation and Continuum
-0.7
0.4 Analytics for their open-source software python and anaconda.
Funding: This work was supported by the National Natural Science
0.3 -0.9 -0.9 Foundation of China [grant numbers 51378139 and 51178300].
0.2 -0.7 -1.1 References
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