Professional Documents
Culture Documents
Maggie Franke Brock Turner
Maggie Franke Brock Turner
Maggie Franke Brock Turner
Maggie Franke
Wheaton College
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DEPICTING A SCENE OF RESPONSIBILITY AND BLAME
Abstract
On January 18, 2015, two graduate students at Stanford University witnessed an unconscious
woman being sexually assaulted behind a dumpster. Little did they know that when they sprang
into action, they set forth a series of events that would impact cases of sexual assault in the
United States and public perception of perpetrators and victims. For the next year and a half, two
stories were told before the jury. Relying on Kenneth Burke’s pentad, I analyze the court case of
Emily Doe v. Turner. I argue that the prosecution emphasized the control of the agent over the
act the while the defense emphasized the control of the scene over the agent. This article reveals
how two different ways of describing the same event can produce can create drastically different
storylines of responsibility. On top of this, I assert that the defense attempted to tell agent-
dominant account of the victim’s actions, which reflects the wider cultural trend of victim
blaming.
Disclaimer: Graphic and disturbing language is used in this paper in reference to the sexual
The Emily Doe v. Turner court case was front page news throughout the entire year and a
half trial. During this time, the victim was identified as Emily Doe to protect her true identity and
provide anonymity. By the end of the trial, Brock Turner was a household name at the center of
serious conversations surrounding sexual assault, college campus culture, partying and feminism.
These sexual crimes and the court cases that follow involve many narratives and require
the close attention of the public to see just how the justice system works in the United States and
around the world to hold people accountable under the law. The Duke Rape Case, the Nassar
Case, the Harvey Weinstein case and many others have changed the way that citizens of this
country view justice for crimes of sexual harassment, assault and abuse. Understanding the
narratives at the foundation of the arguments within the court can provide the possibility for
better understanding of this case specifically and what makes finding justice in sex crimes so
When looking at controversial court cases, it requires the public to stay as informed as
possible to develop an enlightened opinion and to always remember that the ultimate decision of
conviction and sentencing is up to the jury and the judge. However, in some of these cases
injustice is revealed within the justice system and requires action from the public to hold the
system itself accountable. Emily Doe v. Turner predates the #MeToo movement but is often seen
In the summer of 2016, California released nine documents from the case. From the
Sheriff’s initial report to the victim’s statement made in court herself, these documents are
available to the pubic to read online (Kadvany, 2016). In these documents, multiple stories
emerge that attempt to depict various perspectives of the night’s events as well as what was said
in court. These are the documents that were examined and analyzed in this essay.
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The linguistics of the documents have been analyzed before (Potter, 2017) but looking
through the lens of Kenneth Burke’s pentad reveals more hidden truths about how the
prosecution and defense argued the particulars of this case. Brock Turner’s letter to the judge and
the victim’s statement have the clearest contrast in the storyline they depicted and provide a
A base-level understanding of Burke’s pentad is first laid out in this paper as well as a
brief summary of the events of the Emily Doe v. Turner case. The victim’s statement and other
documents accounting the perspective of the prosecution are then analyzed. Turner’s letter is
then analyzed based on the narrative surrounding his decisions on the night of the assault before
a deeper analysis of the defense’s statements is illuminated. Finally, Burke’s pentad is applied to
Kenneth Burke was one of the most well-renowned philosophers and theorists of the 20th
Century, and his famous pentad looked into motives and human reasoning within situations. The
five aspects that make up the pentad are: act, agency, agent, purpose and scene (Burke, 1969).
Burke asserted that these five pieces lay out how to create a perspective surrounding stories. The
act represents the event that took place. The scene clarifies where the act happened, which can
mean a physical location or time period or state of affairs. The agent is the person or group of
people that performed the act. The agency is how the act was performed, and the purpose is why
All five of these are constantly in relationship with one another in every scenario, and
understanding which ones dominate certain situations can allow critiques to find fault, discover
how to communicate the story clearest, and reach a general understanding of what happened and
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why (Burke, 1969). With this in mind, there is so much involved in every scenario that impacts
the act itself. This is precisely how Burke believed that a perspective on a story can be developed
(Burke, 1969). When various aspects of his pentad—act, agency, agent, purpose and scene—are
said to have more of an influence in a story, different perspectives and motives of the story are
revealed.
Scene-dominated scenarios emphasis a “fate” philosophy. The agent has very little
control over their actions (Burke, 1969). Peers, environment, culture and various other pressures
almost force the agent to commit acts in this perspective. Agent-dominated arguments focus on
free will. The agent has the ultimate control over their own actions no matter the environment or
purpose.
Burke’s theory at its base level lays out the pieces involved in every situation. The next
level of Burke’s pentad reveals how certain pieces influence the situation more than others. Little
did the members of the prosecution and defense know, but their arguments were centered around
which piece dominated the decisions made on the night of the crime.
In the middle of January, 2015, a fraternity at Stanford University hosted a party. 19-
year-old Turner attended with his friends on the varsity swimming team and recent college
graduate Chanel Miller went with her younger sister. Little did either of them know that, at the
end of the night, Miller would be rushed to the hospital and Turner was brought in for police
According to the case files and news articles covering the case, two Swedish graduate
students were biking late that night and noticed a man lying on top of what seemed to be a limp
figure nearby a dumpster (Court documents). Thinking that someone was in danger, the graduate
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students jumped into action. Turner fled the scene as they chased him, but they tackled him while
a third party called the police. Miller was found unconscious, partly clothed but breathing and
was rushed to the hospital. Three hours later, she would wake up in the hospital with a blood-
alcohol level more than triple the legal driving limit and no recollection of what had happened
(Knowles, 2016).
Miller would later describe in her statement how she read what had happened that night
in a news article. Doctors removed pine needles from her hair and performed a rape kit, later
telling Miller that she had been penetrated vaginally with a foreign object. After further tests,
Turner was arrested on three felony counts: assault with intent to commit rape of an intoxicated
woman, sexually penetrating an intoxicated person with a foreign object and sexually penetrating
an unconscious person with a foreign object, all committed against Miller (Hamilton, 2016).
The case went to court, and Turner plead not guilty on all counts and hired a defense
attorney (Hamilton, 2016). Almost immediately, the media covered the case partly because
Turner was an All-American, Olympic-level swimmer (Hamilton, 2016). His best times and
athletic titles were even listed at the end of many of the articles covering the initial accusation. In
June of 2016, the jurors determined that the evidence brought before the court was sufficient to
convict Brock Turner of all the three felony counts (Hamilton, 2016).
Based on the crimes themselves, Turner was facing up to 14 years in county jail, but the
prosecution asked for a six-year sentence. On June 2nd, 2016, Santa Clara County Superior Court
Judge Aaron Perksy sentenced Turner to six months in county jail and three years’ probation
(CNN, 2016). Turner also lost his swimming scholarship at Stanford, was banned by USA
Swimming for life and had to register as a sex offender in Ohio, his home state. The sentencing
was viewed as too lenient by many members of the public, the prosecution and the victim herself
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(Stack, 2016). The aftermath that followed resulted in the county voting to recall Persky in June
of 2018. The push to recall the judge was lead by Michele Dauber, a professor at Stanford Law
School who knew the victim personally (Arkin, 2018). Less than two months later, Brock Turner
appealed his 2016 conviction in a California appeals court (Hauser, 2018). His lawyer, Eric
Multhaup, argued that Turner did not receive a fair trial, that there was insufficient evidence and
Turner pursued only “outercourse” with the victim (Hauser, 2018). The appeals court upheld his
original conviction.
Throughout this entire process, the victim was known to the public as “Emily Doe” or
“Jane Doe” or simply as “the victim.” In September of 2019, Chanel Miller published her
memoir entitled Know My Name which summarizes her perspective of the events that occurred
on the night of the assault and the many difficulties that followed during the trial. Miller later
told CNN that, “"Only when the book was completed was I at peace with the idea that I could
emerge, that I could be seen as a writer -- not only his victim” (Medina, 2019).
The single aspect of Burke’s pentad in this case that is generally agreed upon is that the
act was the assault on the victim. The parts of this case that are argued involve the scene and the
agent and which one had more power over the purpose of the act itself. Here, the prosecution and
defense emphasis major differences in what controlled the act that night.
The entire story of the events that followed laid out two narratives of that night. In this
paper, I will illuminate how the prosecution emphasized an agent-act dominant perspective and
how it contrasted with the scene-agent dominant perspective that the defense attempted to
portray. On top of this, I assert that Burke’s theory should be applied further into this
conversation to the all-too-common trend of victim blaming that the defense used in this case.
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The defense tried to convince the jury that, with Chanel Miller as the agent, her story was
There are three main documents that express the rhetoric that the prosecution used during
the trial: a petition signed by 255 Stanford students, a letter from Stanford professor Michele
Dauber, and the victim’s statement (Court documents). Each of these express explicitly how
Turner, the agent, had control over the assault, the act, and should be held accountable by the
law. These documents focused on the sentencing of Brock Turner and called the judge to give a
just sentence.
Phrases like “sexual assault” and “violence” and “Turner’s actions” are used throughout
the petition signed by the students. Labels like these are a telling sign of their perspective on
Turner’s control over his actions that night. “Sexual assault” elicits that there was a victim and
and a perpetrator, and labeling the crime as sexual assault and vocalizing that is significant in a
society where the labels are hesitantly placed on these crimes (People v. Brock Allen Turner
(8/9)). The below statement from the petition makes it very clear that the 255 people who signed
…, Mr. Turner, along with the rest of the freshman class, was
was surely aware of the gravity of his wrongdoing, and yet he still
It is clear in this paragraph that the students are alleging that Turner was not ignorant of the
gravity of the offenses he committed when he sexually assaulted Miller that night.
The second document is a letter to the judge from Michele Dauber. She described his
actions in a paragraph with “him” or “he” as the subject throughout and “she” or the “victim” as
the object of his actions (p. 43). The party was not mentioned. Turner’s drinking was not
mentioned. The one responsible for the events that night is described as Turner. There is no
mention of the scene or its influence over him, just Turner and what he did to the victim. She
wrote, “He degraded and humiliated her by assaulting her in public,” (p. 43).
Finally, the main document is the victim’s statement. In the victim’s statement she
described what she remembered from that night: very little. It is made very clear in her statement
that she believed that Turner was the sole person responsible for his actions against her that
night. She also described the traumatizing ordeal of the entire trial. Here is a portion of her
You are guilty. Twelve jurors convicted you guilty on three felony
Sara Potter of Michigan Technological University asserted that the use of specific linguistics in
the court revealed cultural truths about the reasons behind each narrative (Potter). In her essay,
Potter argues that, “she (the victim) carefully constructs all of her arguments to center on his
There are multiple documents that outline the defense’s argument and their perception of
responsibility: character witness letters on account of the defendant and a letter written to the
judge by the defendant. There were almost 40 letters and emails written to the judge to account
for Turner’s character. From family and friends to coworkers and teachers, Persky read page
after page citing the overall goodness of Turner’s character. Within these letters, the writers take
A letter from his older sister reads, “On that fateful night, Brock failed to recognize a
series of signifiers that he surely would have if he hadn’t consumed alcohol that evening”
(People vs. Turner (9/9)). The second half of this sentence reveals that his sister believed that the
scene, not the agent, had control over the decisions made that evening. Alcohol was a major part
of the scene of the party, and it did have a major influence over many of the decisions made that
night. There is logic to this argument. In her book, Donna Freitas (2018) notes that consuming
A friend and former girlfriend of Brock wrote a letter to the judge as well. She went as
far to say that the very person that the District Attorney described in court as Brock Turner was
not the “real” Brock Turner (People vs. Turner (9/9)). Another one of his friends wrote, “Brock
Turner is not a rapist or predator of any kind,” and that he “is not capable of the crimes he is
convicted of” (p. 16). These statements are speaking in defense of Turner’s character, but they
also speak to the believed perspective of the events of that night. Without a shadow of doubt, it is
clear that based on these character witnesses’ statements that the blame is removed from the
agent, Turner, and placed on the circumstances of the party, the scene.
Finally, Brock Turner’s statement to the judge lists his account of the events from that
night. His statement begins with a narrative of Turner’s experience with alcohol on campus
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before it moves into his perceived idea of cultural norms in college. Turner writes, “The swim
team set no limits on partying or drinking and I saw guys take full advantage of these
circumstances, while I was shown to do the same” (p. 34). Here, the scene is clear: party culture
Germain is affirming Turner’s argument here that places blame on the overall cultural
norms of the society and people in his immediate vicinity. Other factors of Turner’s scene that
influenced his behavior were the cultural norms of his age, his race, his socio-economic class, his
peers and the potential vulnerability to the influence of all these scenic factors. At least this is
It is important to note that this story is drastically different from the witness accounts and
the perceived recollection of the victim. The victim noted in her statement to the judge that
Turner’s story in court was different from the story he told police on the night of the assault.
There is also a major contrast between the evidence from the case and Turner’s story.
The victim expressed that she did not believe that Turner displayed full remorse for his
actions (People vs. Turner (8/9)). The judge later noted that he believed Turner did show remorse
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in his statement. The public opinion of Turner’s statement reflected that of the victim, and this is
Of the documents released by Santa Clara County, there are few transcripts written of the
statements made in court (Court documents). There are snapshots of exact quotes that have been
released since the case was officially closed, and several news agencies and newspapers
published their accounts of statements they witnessed while in the courtroom. Michael
Armstrong was Turner’s defense attorney throughout the case, but oftentimes he refused to
comment directly to the press about the case before and after it closed. Hannah Knowles, the
then editor in chief of the Stanford Daily and a current reporter for the Washington Post,
published a daily account of the events of the trial for the Stanford Daily as well as the initial
Knowles noted that “Armstrong then asked Doe if she partied often while in college, as
she had told police in a previous interview,” (Knowles, 2016). Buzzfeed.com, the first news
website to publish the victim’s entire statement, also published this portion of the defense’s cross
examination.
Q: You also talked about, fairly shortly after you got to the Kappa
Q: To be silly.
A: Yes.
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Q: Okay. And it would be the same thing when you drank the
quantity of vodka in the red cup. You drank it all down at once;
right?
A: Yes.
A: Yes.
Here, the defense is placing Miller as an entirely separate agent in this scenario. Armstrong is
attempting to argue that Miller had control over her actions that night even though she was also
influenced by aspects of the scene. This is an entirely second scenario that the defense has
brought up with the victim as the agent in control of her decisions that night. The victim had free
will to drink alcohol that night. The victim chose to be at the party. The victim chose to get
belligerently drunk and pass out, which, inadvertently resulted in what happened to her.
The reason why this was not successful was simply because the physical evidence and
witness accounts outweighed this argument. Miller did not have control over the specific act that
was committed against her that night because when the act was committed she did not have free
will. Armstrong’s defense strategy to try and undermine the character and credibility of the
victim is not new or uncommon, and it reveals how Burke’s pentad is at work in a wider cultural
norm.
This narrative, unfortunately, is all too common in the arguments of defense attorneys in
court during sex crimes. Germain (2016) has an entire chapter in her book entitled “The Paradox
of Embodied Agency.” In this portion of the book, Germain clarifies that the responsibility for
preventing rape and sexual assault is not placed on the potential perpetrators, the control is
placed on the victim as the agent. The victim needs to not walk alone at night, not wear
provocative clothing, not drink too much at parties, otherwise they themselves are choosing to be
“at risk” of sexual assault or rape. Germain argues that “although these behaviors may be
effective anti-crime strategies in general, they perpetuate a system of victim blaming because
This paradox of agency defines and shapes victim blaming in many court cases of sex
crimes, and it is at the very heart of what makes justice in the cases themselves so difficult. In
many of these situations, there are two agents involved in the act itself, but rape and sexual
assault implies that the victim’s power as an agent was taken advantage of or removed entirely
Similar feelings of guilt and shame are associated between female victims of sexual
assault and women who struggle with obesity (French and Brown 1). The societal norms of
responsibility are placed on women to be in control of their bodies no matter the scene that might
prevent them from doing so. Genetics and body types make facing obesity more difficult for
some women but being overweight is still viewed as “their fault.” They should exercise more, eat
less, eat better, etc. However, French and Brown said that “acquaintance rape is now widely
regarded in Western culture as not under the control (or responsibility) of victims, who still often
The statements made during the Emily Doe v. Turner case contradict this argument.
Armstrong argues that Miller did have control as the agent that night. Victim blaming does place
the control on the victim as an agent in the scenario, but French and Brown would agree that
even when there is no possibility of control on account of the victim, the victim still feels guilt
and shame after the incident. Miller spoke about this guilt in her statement in court (People vs.
Turner (8/9)).
The sense that there is an “ideal victim” in cases of sexual assault greatly affects whether
or not victim blaming will be used as a strategy in court (Randall, 2011). This myth of an ideal
victim means that certain victims of sexual assault are more deserving of justice than others
because of decisions they have made in their lives or how they are viewed based on racial
stereotypes (Randall, 2011). Here, the victim is again placed as the agent in this scenario, but
Randall argues that, on top of this, certain victims are portrayed in the light of an agent-dominant
Victim blaming places the victim as the agent who should be in control of the situation.
The victim’s decisions are thought to have a direct impact on what happened to them or what
lead to their assault. In the case of Emily Doe v. Turner, there is a clear rebuttal of this truth
based on the conviction of the case. Chanel Miller did not have the free will to consent when she
was unconscious, and she also did not have the free will to defend herself because she was
unconscious.
Conclusion
Agent-dominant and scene-dominant depictions within the Emily Doe v. Turner case
revealed greater trends of victim blaming within the justice system. Victim blaming, at its root, is
an unjust portrayal of the victim as the agent in control of the events of the night of their assault.
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At the same time, not placing enough responsibility on the perpetrators is equally problematic.
The problems within both of these storylines is revealed through the analysis made in this paper
using Kenneth Burke’s pentad (1969). When separated into the five aspects of his pentad, a
greater perspective can be found that illuminates the issues that perpetuated themselves
Chanel Miller read her 7000-word statement before the judge and before Turner in court
(People vs. Turner (8/9)). She did not realize it at the time, but her expressed frustration was
starting to reveal the disconnect at the very heart of the defense’s argument. This disconnect is
rooted in an unjust representation of a scene-dominant situation that removes too much guilt
from the defendant and an unfair portrayal of the victim as her own agent even though she had
complete absence of free will when she was assaulted. Expressing this frustration in court, Miller
said:
I fully respected his right to a trial, but even after twelve jurors
perturbs me deeply that he can’t even see that distinction (p. 57).
It is the responsibility of the public to see this double standard, in the clarity that was
revealed at the conclusion of this case, and to think critically about how blame is assigned to
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victims of sex crimes and the corresponding perpetrators. Using Kenneth Burke’s pentad as a
tool allowed this case to be seen for what it really was: a product of a system still struggling to
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