Professional Documents
Culture Documents
Electronic Assignment Coversheet: Student Number
Electronic Assignment Coversheet: Student Number
ASSIGNMENT
COVERSHEET
Email myatthu278@gmail.com
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“Australian culture is a racist culture. You can find evidence for this in the arts and
media.” Do Australian cultural institutions and media reflect the multicultural nature of
contemporary society? Discuss.
Done by:
Myat Thu(32813747)
Class: C
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Table of Contents
1. Introduction-------------- pg 5
2. Areas---------------------- pg 6
3. The theme of tensions/ contradictions--------------- pg 7
4. Reflection/ Concluding Statement------------------ pg 8
5. References List------------------ pg 9
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Introduction
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Areas
The areas that will be discussing and looking in this topic would be mainly funding under the
topic of Singapore National Arts Council. According to the funding (Tan, 2014) of Singapore
National Arts Council, it is racially proportionate to the racial composition of the diverse
communities. It has been analyzed and found out that it is a fair assessment and the method of
funding (Xuan, 2016) using in this organization is mainly charity as it donates money to other
organization.
On 9 April 1988, the Advisory Council on Culture and the Arts (Ho, 2014) was
established to analyse the cultural situation in Singapore, and introduce the procedures
to help change Singapore into a culturally vibrant society. Singapore history predates to
the third century. The island was occupied by various sultanates until 1819, when the
British arrived to the island and established a harbor and territory. During the rule of the
British, the harbor of Singapore developed and drew the attentions of many immigrants.
After the independence in 1965, Singapore continued on its own journey. It has a
diversified population of over 5.47 million people which is made up of Chinese, Malays,
Indians, and Eurasians (plus other mixed groups) and Asians of different origins. The Descriptive
information
management of this organization, Singapore National Arts Council, as mentioned above that does not
answer the
is seen that the National Arts Council management is both culturally and racially
question.
diverse. According to this management of the organization of the background, it has
been analyzed that both the cultural and racial diversity is reflected in the composition of
the management. According to what has been analyzed from the management of the
organization of the background, it is observed that there are enough community voices
in these representations. In addition to the observation is that, the voices are raised up Over quoting
without
timely (Yusof, 2016) and let to known outside the whole world to make sure that it providing your
own
reaches the information on time and that the information being sent is communicated perspectives
(Lai, 2015) efficiently and appropriately. This is essential because without reaching the
information on time, updated information (Gerard, 2015) also as well as the place what
is happening in which circumstances cannot be reaching out on time and would be
disconnected in society. Moreover, it also helps to raise awareness (Martin, 2016)
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between the societies and this organization of National Arts Council. Based on the
management of the organization of the background, it could be seen that the Singapore
National Arts Council place culture as its priority (Jagdish, 2016). Furthermore, it
requires an art (Jagdish, 2016) for both the organization and for the society as well. This
is because without art, there will not be creativity and the society will be disconnected
with the arts (Neo, 2016). Arts require creativity which will then engaged the audiences
(How, 2015). For the culture of Singapore, different ethnicity could be seen celebrating
different kinds of culture throughout the whole year due to the different races of people
living in the country.
“In practice, of course, the area of image constructed into being by the public
museum was hijacked by various sorts of particular social ideologies: it was sexist in
the gendered patterns of its exclusions, racist in its assignation of the aboriginal
populations of conquered territories to the lowest rungs of human evolution, and
bourgeois in the respect that it clearly articulated to bourgeois rhetorics of progress.”
(Bennett, T.2003. Pp 185-86). According to the above statement as mentioned here,
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it is a bit arguable that, Singapore National Arts Council restricts the effects of genders
on arts. Museum is one such example of a cultural institution on the evolution of
museum from being a private domain to what it is now as of today, that is, a public
museum. A public museum plays an important role not only to the communities but also
to the organizations as well. It is also accessible to the public; that the public has a
sense of ownership to what is being featured; in terms of planning; in terms of the
decision- making concerning the programmes ‘instruments of public instruction’ which
renders the public or the visitors ‘docile’ and also turning them into the passive
consumers or the audience. The role of the museum tensions one perspective that
views the museum or any other cultural institutions, as being elitist and the claim of
providing education for the public and the ‘collective good will of the State.’
For the space of the representation, the forms of culture given in space for
representation is visibility. It can also be seen as multicultural which means that, it
implies the coexistence of various cultural entities in a society as well as which also
supports the notion of an ‘inclusive’ society. As many things are recently changing
around our surroundings each and every day due to the modern advancement of
You have not
technology, the role of Singapore National Arts Council have changed by replacing discussed on the
issue of racist
from reading books to making funds of charities in organizations. As (Rowse, 1985) culture.
supported by (Bennett, 2003) quotation, “it illustrates how such cultural institutions of
National Arts Council emerge over time, giving feedback to the government
organizations and advertisers, often in disruptive and contentious alignment.” From this
quotation, it could be said that, it needs more time to obtain accurate and right
information from the organizations in order not to distribute unbiased information to the
communities.
“The area of image related with the museum relies on the conventions of general
human universality which provides it naturally volatile, opening up to a consistent
discussion of reform as hitherto removed constituencies to explore inclusion and
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inclusion on equal terms within that area.” (186) (Bennett, 2003). The term, “general
human universality” defines as celebrating the diversity of humanity or the cultures that
each culture is unique and deserving of respect and support. It also defines as those
managing rules of human education that are so significant to human integrity that we
are able to discover them in some form and in all societies around the world. Moreover,
the general human universality treats culture on equal terms as opposed to excluding
them in line with the notion of making the nation Singapore successful and also as well
as to make the country creating an ‘inclusive’ society.
References Lists
Works Cited
Bennett, T. 2003. “The Political Rationality of the Museum.” In Critical Cultural Policy
Studies: A Reader edited by Justin Lewis & Toby Miller, 180-87. Oxford: Blackwell.
Gerard, Clarabelle. Another fracas over Arts Funding: But where are the alternatives?
2015. http://themiddleground.sg/2015/12/09/another-fracas-arts-funding-
alternatives/ (accessed December 09, 2015).
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Henry, Frances. Concepts of race and racism and implications for OHRC policy. 2004.
http://www.ohrc.on.ca/en/race-policy-dialogue-papers/concepts-race-and-racism-
and-implications-ohrc-policy (accessed December 2004).
How, Tan Tarn. Is NAC reverting to its past censorious role? 2015.
http://www.straitstimes.com/opinion/is-nac-reverting-to-its-past-censorious-role
(accessed November 14, 2015).
Jagdish, Bharati. We need a wiser Singapore, not a reactionary one: NMP Kok Heng
Leun. 2016. http://www.channelnewsasia.com/news/singapore/we-need-a-wiser-
singapore/2824462.html (accessed May 28, 2016).
Martin, Michelle. What NAC did helped raise awareness: Book of the Year winner
Sonny Liew. 2016. http://www.channelnewsasia.com/news/singapore/what-nac-
did-helped-raise/2795820.html (accessed May 19, 2016).
Rowse, T. 1985. Arguing the Arts: the Funding of the Arts in Australia, Ringwood:
Penguin.
Tan, Corrie. Buzz over potential of National Arts Council's new Performing Arts
Masterplan. 2014. http://www.straitstimes.com/lifestyle/entertainment/buzz-over-
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potential-of-national-arts-councils-new-performing-arts-masterplan (accessed
September 08, 2014).
Xuan, Lee Jian. More funding for arts groups under National Arts Council's Major and
Seed Grant schemes. 2016. http://www.straitstimes.com/lifestyle/arts/more-
funding-for-arts-groups-under-national-arts-councils-major-and-seed-grant
(accessed March 22, 2016).
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MCC337 Cultural & Media Policy
Essay One Marking Sheet
Student Name: Myat Thu Myat Thu
This paper is a little short of the expected length. You’ve not identified evidences
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of racist culture based on ethnic representation through policy and content in the
media and arts sector. Arguments are not coherently built with elaboration and the
essay has failed to make any references to the course reading as a way of
constructing the framework of your arguments.
Grade: N 40
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