Stretto2

clear cadences somewhere in the middle of the piece

always help keep attention from rolling and rolling

every voices into the stretto

Stretto Fugue—no episode, everything is fill out by stretto

some features of this subject enable stretto works

CM

1. catch the moment that can create 6th, 3rd or 10th in a scale
2. arpeggio help make stretto
Stretto1 3. including lots of 4th and 5th (pattern)
 new episode: sequences

cm
soprano: typical entrance

non-modulate episode

middle section: one statement at the time entrance in the bass

candance
entrance over the pedal

principle episode: used several times pedal point

 augementation
Inversion
cm

dress-up entrance
 Stetto1 Middle Section
episode

Stetto2

Stetto3

fake one: dress-up entrence

Stetto4
episode

other thing can do with stretto from Fugue I

Exposition
Stetto5

DM
arpeggio help make stretto dress-up entrence

large scale: usually at the end using chromatic to save for here
vocal style subject

diminution

EM coutersubject

scale octave going down from here

 sequence and himeola

use Bb here because it the LT

ascending 3rd

ascending sequence

acending 5th
d
d
c

p
it