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  • Bendik Hofseth Deep River

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    jimb boif
    91 views2 pages
    This musical composition is written using musical notation symbols rather than traditional notation. It contains melodic passages played across multiple instruments or voices. The composition shifts between several musical keys and time signatures throughout its duration. It utilizes various musical techniques such as harmonization and counterpoint between the different melodic elements.

    Original Description:

    Cool sheet

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    This musical composition is written using musical notation symbols rather than traditional notation. It contains melodic passages played across multiple instruments or voices. The composition shifts between several musical keys and time signatures throughout its duration. It utilizes various musical techniques such as harmonization and counterpoint between the different melodic elements.

    Copyright:

    © All Rights Reserved
    Download as PDF, TXT or read online from Scribd
    Flag for inappropriate content
    Download as pdf or txt
    91 views2 pages

    Bendik Hofseth Deep River

    Uploaded by

    jimb boif
    This musical composition is written using musical notation symbols rather than traditional notation. It contains melodic passages played across multiple instruments or voices. The composition shifts between several musical keys and time signatures throughout its duration. It utilizes various musical techniques such as harmonization and counterpoint between the different melodic elements.

    Copyright:

    © All Rights Reserved
    Download as PDF, TXT or read online from Scribd
    Flag for inappropriate content
    Download as pdf or txt
    of 2

    Deep River Bendik Hofseth

    B¨Œ„Š9 C‹9/G F7(“4) F7

             

         
     

     
    5 E¨/F E¨ F7 F7(“4) F7(“4)/G

       
      
      

    10 B¨6 C‹9/G D‹7

     
    
      
      





       
    13 E¨Œ„Š7 F7

       
     
        
    2


               
    16 B¨‹7 E¨‹7/B¨

            
    20 B¨‹7 E¨‹7/B¨ E¨‹7/A¨

      
    24 D¨‹ (harmonique) EŒ„Š7/B

      
     
         

    A‹('9)/C E7(“4) E7

            
    28
     
          

    32 A‹ E‹11

      
        
         

    FŒ„Š7(#11) E¨/F

      
    36


           
                

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