Catalogue Gabrielli Kuhnel PDF

RUDOLF RASCH: THE MUSIC PUBLISHING HOUSE OF ESTIENNE ROGER AND MICHEL-CHARLES LE CÈNE
PART FOUR: THE CATALOGUE: GABRIELLI-KÜHNEL
MY WORK ON THE INTERNET — VOLUME FOUR
RUDOLF RASCH
THE MUSIC PUBLISHING HOUSE OF

ESTIENNE ROGER AND MICHEL-CHARLES LE CÈNE
1696-1743
PART FOUR: THE CATALOGUE
GABRIELLI — KÜHNEL
Please refer to this text in the following way:

Rudolf Rasch, The Music Publishing House of Estienne Roger and Michel-Charles Le Cène 1696-1743
(= My Work on the Internet, Volume Four), The Catalogue Gabrielli-Kühnel
http://www.let.uu.nl/~Rudolf.Rasch/personal/Roger/Catalogue-Gabrielli-Kühnel.pdf
For suggestions, additions, corrections and remarks: r.a.rasch@uu.nl
© Rudolf Rasch, Utrecht/Houten, 2013
1
25 February 2015
G
— Gabrielli — Balletti Opus 1 — (Heus, 1693) —
DOMENICO GABRIELLI, Balletti, gighe, correnti, ... a violino e violone, con il secondo violino a beneplacito ... Opera
prima. Amsterdam, Joan Philip Heus, 1693.
[Title engraving, with five putti, one apparently singing and beating the pulse, one playing a bass string instrument, one
a transverse flute, one a dulcian and one holding a violin, in right lower corner “J. D. L. S. F.” = Jean de Laresse fecit]
BALLETTI. | Gighe. Correnti. Sarabande | a due Violini. e Violoncello. con | Basso Continuo. del Sigr. DOMENICO |
GABRIELLI. Sonatore di Violoncello in | S. Petronio di Bologna. dedicate e presentate | al Sigr. PIETRO | SLICHER |
Supremo | amatore di Musica, patrone Singola- | rissimo. posta in lama [sic] | da GIOV: | PHILL: | HEUS. Musico. |
OPERA PRIMA. | Si vendono in Amsterdam sul Lydse-graft nel Sole-Dorato apresso Gio: Phill: Heus, e nel Stoof-steeg
nel libro di Musica. 1693. |
Engraved, oblong quarto format. Four partbooks: Violino Primo, Violino Secondo, Violoncello, Basso Continuo (no
pagination, all 12 pages of music; partbook headings only before Balletto Primo, in caption). Quadruple plates 4 x (19 x
24) cm. All partbooks one gathering. Title page on first page of a bifolio, of which the blank pages iii-iv appear at the
end of the partbooks.
Source Bologna, Giacomo Monti, 1684. {RISM G 91}

Issue Amsterdam, Joan Philip Heus, 1693. {RISM G 92}
Durham, Cath. Libr., Mus. C. 66 (Harman 1968, no. 469, pp. 77-78).
Catalogues First for sale: Vairasse 1702.
Last for sale: Catalogue 1708, p. 20.
Inventaire Ballard 1750, p. 41.
Contents (Balletto is the heading for all first movements)

[1] Balletto primo (F) Allegro, Corrente Allegro.
[2] Balletto Secondo (D) Allegro, Corrente Allegro.
[3] Balletto Terzo (E-flat-2) Allegro, Allemanda Allegro.
[4] Balletto Quarto (a) Allegro, Gigha Allegro.
[5] Balleto Quinto (B-flat-1) Largo, Sarabanda Allegro.
[6] Balletto Sesto (e) Allegro, Gigha Allegro.
[7] Balletto Settimo (G-0) Allegro, Sarabanda Allegro.
[8] Balletto Ottavo (b) Adagio, Allemanda Allegro.
[9] Balleto Nono (c-2) Largo, Allemanda Allegro.
[10] Balletto Decimo (A-2) Largo, Gigha Allegro.
[11] Balletto Undecimo (g-1) Largo, Corrente Largo.
[12] Balletto Duodecimo alla Francese (d-0) Presto, Sarabanda Allegro.
— Galliard — Sonata — ([Walsh], 114) — (“Roger” [= Walsh], [1717-1718]) —
JOHN ERNST GALLIARD, Sonata a flauto solo e basso continuo. “Amsterdam, Roger, [no. 114]” [= London, John Walsh,
[1717-1718]).
| SONATA | A | FLAUTO SOLO | e BASSO Continuo | Composees par | Monsieur Galliard | Opera prima sur
l’Edition d Amsterdam par Etienne Roger. | No. 114. |
Engraved, upright folio format. Score ([0], 1-21 pp., left-right reversed). Single plates 19 x 26 cm.
2
25 February 2015
Source JOHN ERNST GALLIARD & IGNAZ (IGNAZIO) SIEBER, XII Sonates à une flûte & une basse continue
... JR, no. 430, [1717], Sonatas I-VI. See next item.
Issue “Amsterdam, Étienne Roger,” [= London, John Walsh, [1717-1718]). {Smith 610; RISM G 249}
Cambridge, King’s Coll.
London, Brit.Libr., g.280.b.(3).
London, Roy. Coll. Mus., LIX.A.16.a. (no. 114 in manuscript).
Manchester, Publ. Libr. (without no. 114?).
Washington, Libr. Congr. (without no. 114?).
“Amsterdam, Étienne Roger”, no. 114 [= London, John Walsh, no. 114, [c. 1730]). {Smith &
Humphries 663; RISM G 250}
London, Brit. Libr., g.422.(2.) (with engraved no. 114).
Catalogues Catalogue Walsh 1721 (Smith 1948, Plate 28).
Catalogue Walsh 18 c. 1736-1744.
Catalogue Ballard 1731, p. 30.
Price £ 0:5 (Walsh); £t 8 (Ballard 1731).
Contents
1-4 Sonata I (C): Largo, Allegro, Largo, Allegro.
4-7 Sonata II (d-0): Grave, Allegro, Largo, Vivace e Affettuoso.
7-10 Sonata III (e): Adagio, Allegro, Grave, Allegro.
11-14 Sonata IV (F): Largo, Allegro, Sarabande, Allegro.
15-17 Sonata V (G): Un Poco Andante, Spiritoso, Sarbanda Adagio, Allegro.
18-21 Sonata VI (a): Grave, Allegro, Adagio, Giga.
Remark RISM lists the copies without no. 114 as G 249, those with no. 144 (engraved or manuscript) as G
250.
The dating is derived from the position of this edition in Walsh’s Catalogue of 1721.
[[Paper of GB-Lbl, g.280.b.: chain lines horizontal, 26 mm apart, no watermark or countermark.]]
[[Paper od GB-Lbl, g.422.(2.): chain lines vertical.]]
— Galliard & Sieber — Sonates — 430 — [1717] —

JOHN ERNST GALLIARD & IGNAZ (IGNAZIO) SIEBER, XII Sonates à une flûte & une basse continue ... JR, no.
430, [1717].
│ XII SONATES │ à une Flute & une Basse Continue, │ Dont les 6 Premières sont de la Composition de
Monsieur GALLIARD, │ qui font son OPERA PRIMA & les 6 Dernières de celle │ de Monsieur Sieber
demeurant à Rome. │ A AMSTERDAM │ CHEZ JEANNE ROGER │ No 430. │
Engraved, oblong folio format. Score (47 pp.). Single plates 31 x 20 cm.
Source Sonatas I-VI: JOHN ERNST GALLIARD, VI Sonatas for a flute & a through bass. [London],
engraved by Thomas Cross, [1711].{RISM G 251}
Sonatas VII-XII: The sonatas by Sieber seem to have been printed here for the first time.
Issue JR, no. 430, [1717]. {RISM G 252; Recueils XVIII, p. 367}
Copenhagen, Kong. Bibl., U 74 /3 (mu 6605.1433).
London, Brit. Libr., Hirsch III.211. (BL 1981 XXII, p. 322)
Rheda, Bentheim-Tecklenburgische Bibl., Rheda 210 (on title page “constat 4 fl.”)
Reprint John Ernest Galliard, Sonata a flauto solo e basso continuo ... Opera prima. “Amsterdam:
Estienne Roger,” (= London, John Walsh, [no. 114], [1717-1718]). See previous item.
Catalogues First: Catalogue 1725, p. 29 (no. 430).
Catalogue 1735, p. 25 (no. 430).
Catalogue 1744, p. 11 (no. 430).
Price f 4:0; £t 8 (Ballard 1731). [The French price would rather point to the previous item.]
3
25 February 2015
Inventory [p. 284] [no.] ‘58 - Galliard et Sieber XII Sonate a uno flauto e basse.’
[p. 320] ‘9 - Gaillard & Sieber, a flauto Solo.’
Contents
2-4 [GALLIARD] Sonata I (C): Largo, Allegro, Largo, Allegro.
5-8 [GALLIARD] Sonata II (d-0): Grave, Allegro, Largo, Vivace e Affettuoso.
8-11 [GALLIARD] Sonata III (e): Adagio, Allegro, Grave, Allegro.
12-15 [GALLIARD] Sonata IV (F): Largo, Allegro, Sarabande, Allegro.
16-19 [GALLIARD] Sonata V (G): Un Poco Andante, Spiritoso, Sarbanda Adagio, Allegro.
19-22 [GALLIARD] Sonata VI (a): Grave, Allegro, Adagio, Giga.
22-27 [SIEBER] Sonata VII (C): Preludio Largo, Corrente Allegro, Ceciliano Largo,
Capriccio Allegro.
27-31 [SIEBER] Sonata VIII (g): Preludio Largo, Corrente Allegro, Sarabanda Largo,
Allemanda Allegro.
32-35 [SIEBER] Sonata IX (C): Adagio, Allegro, Largo, Allegro.
36-39 [SIEBER] Sonata X (g-1): Adagio, Allegro, Adagio, Giga Allegro.
39-43 [SIEBER] Sonata XI (C): Cantabile, Allegro, Andante, Allegro.
44-47 [SIEBER] Sonata XII (g-1): Largo, Allegro, Andante, Allegro.
Remark About Sieber see Sardelli 2004, especially pp. 108, 11-112, 129-134.
— Gaspardini — Sonate Opus 2 — [300] — [1702] —

GASPARO GASPARDINI, Sonate a tre, due violini, e violoncello con il basso per l’organo ... Opera seconda.
ER, [no. 300], [1702].
│ SONATE │ à Tre │ Due Violini e Violoncello col Basso per l’Organo │ Da │ GASPARO GASPARDINI │
Maestro di Capella Della Cathedrale di Verona │ OPERA SECONDA │ A Amsterdam │ Chez ESTIENNE
ROGER Marchand Libraire │
Engraved, upright folio format. Four partbooks: Violino Primo (17 pp.), Violino Secondo (15 pp.), Violone
(p. 14), Organo (12 pp.). Double plates 2 x (20 x 30) cm.
Source Unknown, lost Italian edition?

Issue ER, [1702]. {RISM G 453}
Paris, Bibl. Nat., Vm7 1122.
Catalogues First: Vairasse 1702.
Catalogue 1716, p. 337 (no. 300).
Catalogue 1735, p. 52 (no. 300).
Catalogue 1744, p. 35 (no. 300).
Catalogue Leclers 1734, p. ***, 1737, p. ***.
Price f 4:0; £t 6 (Ballard 1731), £t 9 (Leclerc 1734-1737).
Inventory [p. 320] ‘42 - Gaspardini, secondo Trio.’
Contents
Sonata I (D): Adagio, Vivace, Grave, Vivace.
Sonata II (g-1): Adagio, Allegro, Adagio, Allegro.
Sonata III (d-0): Allegro, Adagio, Allegro.
Sonata IV (a): Allegro, Adagio, Largo.
Sonata V (e): Largo, Adagio, Vivace.
Sonata VI (C): Andante, Allegro, Allegrissimo.
Sonata VII (c-2): Vivace, Largo, Allegro.
4
25 February 2015
Sonata VIII (F): Largo, Allegro, Allegrissimo.

Sonata IX (D): Grave, Allegro, Adagio, Allegro.
Sonata X (B-flat-1): Adagio, Allegro, Allegro-Adagio-Presto-Adagio-Vivace.
Sonata XI (A-2): Grave, Allegro, Vivace, Spiritoso.
Sonata XII (d-0): Adagio, Largo, Vivace.
Internet http://gallica.bnf.fr/ark:/12148/btv1b9010314n
— Gatti — Airs — (Ballard, 1696) —
THEOBALDO DI GATTI, Recueil d’airs italiens ... Paris: Christophe Ballard, 1696. {RISM G 573}
Catalogues First for sale: Xenephon 1699AA.

Last for sale: Félibien 1706D.
— Geilfus — Sonatines Opus 2 — (Witvogel, [1740]) —
CARL GOTTFRIED GEILFUS, ‘Six sonatines pour le clavecin ... Ouvrage second.’ (Amsterdam: Gerhard Fredrik
Witvogel, nr.77, [1740]. {No extant copy?}
Inventory [p. 321] ‘1 - Geilfus, Opera secundo p le Clavecin.’
— Geminiani — Sonate Opus 1 — 459 — [1719] —

FRANCESCO GEMINIANI, Sonate a violino, violone e cembalo ... Opera prima. JR, no. 459, [1719].
Jeanne Roger issue

│ SONATE │ a Violino, Violone, e Cembalo, │ DEDICATE │ Al Illustrissimo et Excellentissimo Signore │ IL
SIGr: BARONE DI KILMANS’EGGE │ Cavallerizzo Maggiore e Ciamberlano │ Di sua Maestà Britanica │ e
Elettore di Brunswick e Lunebourg │ Da │ FRANCESCO GEMINIANI │ OPERA PRIMA │ A AMSTERDAM │
Chez Jeanne Roger │ No 459 │
Le Cène issue
│ SONATE │ a Violino, Violone, e Cembalo, │ DEDICATE │ Al Illustrissimo et Excellentissimo Signore │ IL
SIGr: BARONE DI KILMANS’EGGE │ Cavallerizzo Maggiore e Ciamberlano │ Di sua Maestà Britanica │ e
Elettore di Brunswick e Lunebourg │ Da │ FRANCESCO GEMINIANI │ OPERA PRIMA │ A AMSTERDAM │
Chez Michel Charles Le Cene Libraire │ No 459 │
Engraved, upright folio format. Score (38 pp.). Double plates:2 x (19.5 x 28.5) cm.
Source Londen, Author, [1716]. {RISM G 1486}

Issues JR, no. 459, [1719]. {RISM G 1489; Careri 1993, no. 1d, p. 225}
Delden, Castle Twickel (ex C. Bentinck)
Paris, Bibl. Nat., K 3540.
LC, no. 459, [1723-1743]. {RISM GG 1488}
Berlin, Deutsche Staatsbibl.
Bologna, Civ. Mus. Bibliogr. Mus., FF.247.
Brussels, Cons. Roy. Mus., (not in Wotquenne).
Dresden, Sächs. Landesbibl., Mus. 2201-R-1.
London, Brit. Libr., g.38.i. (BL 1981 XXIII, p. 122)
The Hague, Gemeentemuseum, 28 E 58.
5
25 February 2015
Vienna, Ges. Musikfreunde.

Catalogue 1735, p. 42 (no. 459).
Catalogue 1744, p. 26 (no. 459).
Catalogue Leclerc 1734, p. 69, 1737, p. 79.
Price f 4:0; £t 9 (Ballard 1731, Leclerc 1734), £t 10 (Leclerc 1737).
Inventory [p. 320] ‘14 - Geminiani, prima Solo - 19/1/49½ - f 26:16.’
Contents
1-5 Sonata I (A): Adagio, [Allegro], Grave, Allegro.
6-9 Sonata II (d-0): Adagio, Allegro, Adagio non tanto, Allegro.
10-13 Sonata III (e): Adagio-Allegro-Adagio, Tempo giusto-Presto, Allegro.
14-17 Sonata IV (D): Adagio, Allegro, Grave, Allegro.
17-21 Sonata V (B-flat-1): Affettuoso, Vivace, Grave, Allegro.
21-23 Sonata VI (g-1): Affettuoso, Adagio, Allegro.
23-25 Sonata VII (c-2): Grave, Allegro, Grave, Allegro.
26-28 Sonata VIII (b): Affettuoso, Vivace, Amoroso, Vivace.
29-31 Sonata IX (F): Vivace, Andante, Allegro.
31-33 Sonata X (E): Adagio, Allegro, Adagio, Allegro.
34-36 Sonata XI (a): Vivace, Affettuoso, Allegro.
36-38 Sonata XII (d-1): Amoroso, Allegro, Adagio, Allegro.
Facsimile In: Ed. Enrico Gatti [with Sonate a violino ... (London 1716) and Le prime sonate ...
(London 1739)]. Florence: Spes, 1991. (Monumenta Musicae Revocata 10)
Edition
References Careri 1993, pp. 84-95, 226-237 (them. cat.).
— Geminiani — Concerti Opus 2 — 574 — [1734] —

FRANCESCO GEMINIANI, Concerti grossi con due violini, violoncello e viola di concertino obligati, e due
altri violini e basso di concerto grosso ad arbitrio ... Opera seconda. LC, no. 574, [1734].
CONCERTI GROSSI │ CON │ DUE VIOLINI, VIOLONCELLO, E VIOLA DI CONCERTINO │ OBLIGATI, E DUE
ALTRIVIOLINI, E BASSO DI │ CONCERTO GROSSO AD ARBITRIO; │ il IV. V. e VI. si potranno suonare con
due Flauti │ traversieri, o due violini con violoncello. │ Dedicati │ A SUA ECCELLENZA │
HENRIETTA, │ Duchessa di Marlborough, &c. &c. │ DA │ FRANCESCO GEMINIANI │ OPERA
SECONDA │ A AMSTERDAM, │ Spesa de MICHELE CARLO LE CENE │ No. 574 │
Engraved, upright folio format. Seven partbooks: Violino Primo del Concertino (11 pp.), Violino Secondo
del Concertino (10 pp.), Alto Viola Primo (3-10 pp.), Violoncello (10 pp.), Violino Primo Ripieno (11 pp.),
Violino Secondo Ripieno (9 pp.), Basso Ripieno (8 pp.). Double plates 2 x (19 x 25) cm.
Source London, author, 1732. {RISM G 1455; advertized 8 June 1732}

Issue LC, no. 574, [1734]. {RISM G 1456; Careri 1993, no. 2b, pp. 232-233}
Chicago IL, Newberry Libr., VM 1040 G 32c. (Krummel 1977, no. 5662, p. 308)
New York NY, Publ. Libr., Drexel 5297/3 (V1).
Rochester NY, Eastman Sch. Mus.
Reprint Several reprints after the source edition.
Catalogue 1744, p. 38 (no. 574).
Catalogue Leclerc 1734, p. 69 (no price), 1737, p. 79.
6
25 February 2015
Catalogue Olofsen 1755, p. [3].

Price f 6:0; £t 15 (Leclerc 1737); f 6:0 (Olofsen 1755).
Inventory [p. 320] ‘18 - [Geminiani,] seconda Concerti - 32/5/61 - f 35:10.’
Contents
Concerto I (c-2): Andante, Allegro, Adagio, Allegro.
Concerto II (g): Adagio, Allegro, Adagio, Allegro.
Concerto III (d-0): Presto, Adagio (D-2), Allegro.
Concerto IV (D): Andante, Allegro, Adagio, Allegro.
Concerto V (d-0): Grave, Allegro, Adagio, Allegro.
Concerto VI (A): Andante, Allegro, Adagio, Allegro.
Facsimile edition
Modern edition
Literature Careri 1993, pp. 60-76, pp. 232-236 (them. cat.).
Remark The Collegium Musicum Ultrajectinum possessed a copy, still there in 1881. See Van
Riemsdijk 1881, p. 106).
— Geminiani — Concerti Opus 3 — 571 — [1733] —

FRANCESCO GEMINIANI, Concerti grossi con due violini, viola e violoncello di concertino obligati, e due
altri violini e basso di concerto grosso ... Opera terza. LC, no. 571, [1733].
│ CONCERTI GROSSI │ CON DUE VIOLINI VIOLA E │ VIOLONCELLO DI CONCERTINO, OBLIGATI, │ E

DUE ALTRI VIOLINI E │ BASSO DI CONCERTO GROSSO │ DA │ FRANCESCO GEMINIANI │ Opera Terza
│ Nuovamente Stampata è coretta │ per l’Autore Stesso │ A AMSTERDAM │ a Spesa DI MICHELE
CARLO LE CENE │ No. 571 │
Engraved, upright folio format. Seven partbooks: Violino Primo Concertino (2-15 pp.), Violino Secondo
Concertino (11 pp.), Alto Viola (9 pp.) Violoncello del Concertino (2-11 pp.), Violino Primo Ripieno
(11 pp.), Violino Secondo Ripieno (11 pp.), Basso Ripieno (8 pp.). Double plates 2 x 20 x 26 cm.
Source London, John Walsh, [no. 379], [1732]. {RISM G 1466-1467; Smith & Humphries 695;
advertized 22 April 1732}
Issue LC, no. 571, [1733]. {RISM G 1469; Careri 1993, no. 3b, p. 236}
New York NY, Publ. Libr.. Drexel 5297 (V1).
Paris, Bibl. Nat., K 3544.
Rochester NY, Eastman Sch. Mus.
Stockholm, Kungl. Mus. Akad. Bibl.
Hendrik Chalon, [1750]. (no copy extant?}
Olim: Utrecht, Collegium Musicum. See Remark.
Reprints Several reprints after the source edition.
Advertisement Amsterdamsche Courant, 2, 10, 25 January, 25 June, 2, 11 July 1733 (also for sale at Dirk
Haak, Leiden and Nicolaas Selhof, The Hague).
Catalogue 1744, p. 38 (no. 571).
Catalogue Olofsen 1755, p. [3].
Price f 6:0; £t 15 (Leclerc 1734-1737); f 6:0 (Olofsen 1755)..
Inventory [p. 282] [no.] ‘40 - Geminiani Opera Terza VI concerti Grossi.’
[p. 320] ‘33 - [Geminiani,] terza Concerti - 33/9/66¼ - f 46:06.’
Contents
7
25 February 2015
Concerto I (A-2): Adagio, Allegro, Adagio, Allegro.

Concerto II (g-1): Largo e Staccato, Allegro, Adagio, Allegro.
Concerto III (e): Spiritoso è Staccato, Allegro, Adagio, Allegro.
Concerto IV (d-0): Largo e Staccato, Allegro, Largo, Vivace.
Concerto V (Bflat-1): Adagio, Allegro, Adagio, Allegro.
Concerto VI (e): Adagio, Allegro, Adagio, Allegro.
Facsimile edition
Modern edition
Literature Careri 1993, pp. 60-76 (disc.), pp. 236-240 (bibliogr., them. cat.).
Remarks The Utrecht Collegium Musicum possessed a copy of the Chalon issue. See Van
Riemsdijk 1881, p. 106. It was in 1881 still there.
— Geminiani — Concerti Opus 2 — (Author, 1732) —
FRANCESCO GEMINIANI, Concerti grossi con due violini, violoncello e violino di concertino obligati, e due altri violini e
basso di concerto grosso ad arbitrio ... Opera secondo. London, 1732. {RISM G 1455}
Catalogues First and last for sale: Catalogue 1744, p. 59; ‘Seconda Concerti del Sign. Geminiani. London. - f
6:0.’
Price f 6:0.
Inventory [p. 368] ‘1 - Geminiani Seconda Concerti London.’
— Geminiani — Concerts — Manuscript —
Inventory [Geschreve Muzijk ... p. 291] ‘[no.] 17 - Deux Concerts de Geminiani.’
— Geminiani & Castrucci — 6 Sonate (1) — 531 — [1727] —

FRANCESCO GEMINIANI & PIETRO CASTRUCCI, Six sonate a une flute et une basse ... LC, no. 531, [1727].
│ Six │ SONATE │ a une Flute une Basse Choisis │ des derniers ouvrages Solo de la Composition │ de
Messieurs │ GEMINIANI & │ CASTRUCCI │ A │ AMSTERDAM │ Chez │ MICHEL CHARLES LE CENE │
Libraire │ No. 531 │
Engraved, upright folio format. Score (27 pp.). Double plates 2 x (19 x 24) cm.
Source Six sonatas or solos, contriv’d & fitted for a flute and a bass, collected out of the last new
solos compos’d by Mr Geminiani & Castrucci, engraven & carefully corrected. London:
John Walsh, [no. 102], [ca. 1720]. {Smith 611; Smith&Humphries 717; RISM XVIII, p.
365}{Paris, Bibl. Nat., D 10763 [on title page the following remark in manuscript: “Costa
due fiorini e mezzo, in Haya l’anno 1725.”], Cambridge, King’s Coll.}
Issue LC, no. 531, [1727]. {RISM Recueils XVIII p. 366; Careri 1993, no. 18c, p. 273}
Catalogue 1744, pp. 13-14 (no. 531).
Price f 3:0.
Inventory [p. 320] ‘81 - Geminiani & Castrucci, a flauto Solo - f 8:02.’
Contents
1-5 [Castrucci] Sonata I (F): Adagio, Allegro, Vivace.
5-9 [Castrucci] Sonata II (C): Adagio, Allegro, Adagio, Gavotta Allegro, Menuet Allegro.
8
25 February 2015
10-15 [Castrucci] Sonata III (d): Adagio, Allegro, Allegro.

15-19 [Castrucci] Sonata IV (G): Adagio, Allegro, Gavotta Allegro. [Castrucii Opus 1 no. 6]
19 ‘Fin del Sig:r Castrucci.’
20 ‘Del Sig:re Geminiani.’
20-23 Geminiani Sonata V (d-0): Grave, Allegro, Grave, Giga Allegro. a2 f d bes a gis
24-27 Geminiani Sonata VI (G): Adagio, Allegro, Adagio, Giga Allegro. g2 ab a g fis g
Volgens Careri, nagaan wat daar precies staat:

no. 5 = Geminiani Sonata V (c-2): Grave, Allegro, Grave, Allegro. (= Opus 1/7)
no. 6 = idem Sonata VI (E): Adagio, Allegro, Adagio, Allegro. (= Opus 1/10)
Dit klopt niet
References
— Geminiani & Castrucci — 12 Sonate (2) — 551 — [1729] —

FRANCESCO GEMINIANI & PIETRO CASTRUCCI, XII Sonate a flauto traversieri o hautbois o violino e basso
continuo ... LC, no. 551, [1729].
│ XII SONATE │ a Flauto Traversie, o Violino, │ o Hautbois e Basso Continuo. │ Delli Compositioni │ dei
Gli Sign. │ FRANCESCO GEMINIANI │ È CASTRUCCI. │ A AMSTERDAM │ a │ Spesa di │ MICHELE CARLO LE
CENE │ No. 551. │
Engraved, upright folio format. Score (44 pp.). Double plates 2 x (19 x 24.5) cm.
Source Solos for a German flute, a hoboy or violin with a thorough bass for the harpsichord ar
bass violin, being all choice pieces by the greatest authors, and fitted to the german flute
by ... Pietro Chaboud. Parte [primo-] secondo. London: John Walsh, [no. 428], [1723].
{Advertisement Daily Courant 22 May 1723 {Smith&Humphries no. 716, pp. 350-351,
RISM XVIII, p. 361; Careri 1993, no. 18a, p. 273; London, Brit. Libr. g.422.j.(3).}
Issue LC, no. 551, [1729]. {RISM Recueils XVIII, p. 187}
Brussel, Cons. Roy. Mus., 26410.
Stockholm, Kung. Mus. Akad. Bibl., C 1B-R, solos (title page missing: ex G.K.
Petersson).
Catalogue 1744, p. 19 (no. 551).
Catalogue Ballard, p. 30.
Price f 3:10; £t 9 (Ballard 1731, Leclerc 1734-1737).
Inventory [p. 320] ‘11 - [Geminiani & Castrucci] a fl:trav:Solo - 22/1/47 - If 20:04.’
Contents
1-5 [Castrucci?] Sonata I (G): Adagio, Allegro, Largo, Giga.
5-9 [Castrucci?] Sonata II (C): Grave, Allegro, Largo, Allegro.
9-13 [Castrucci?] Sonata III (e): Adagio, Allegro, Largo, Vivace.
13-15 [Castrucci?] Sonata IV (G): Largo, Allegro, Largo, Allegro Assai.
16-19 [Castrucci?] Sonata V (C): Adagio, Allegro, Largo, Rondeau.
19-22 [Castrucci?] Sonata VI (e): Largo, Allegro, Largo, Allegro.
23-26 [Castrucci?] Sonata VII (G): Adagio, Allegro, Adagio, Menuet.
27-30 [Castrucci?] Sonata VIII (e): Largo, Allegro, Affettuoso, Allegro ma non Presto.
30-33 [Castrucci?] Sonata IX (G): Largo, Allegro, Largo, Giga.
33-37 [Geminiani] Sonata X (D): Adagio, Allegro, Adagio, Allegro. [= Geminiani, Sonata Opus
1/X, transposed from E major to D major]
9
25 February 2015
38-41 [Castrucci?] Sonata XI (G): Adagio, Allegro, Largo, Giga.

41-44 [Castrucci?] Sonata XII (G): Affettuoso, Allegro, Grave, Allegro.
— Gentili — Suonate Opus 1— 268 — [1702] —

GIORGIO GENTILI, Suonate a tre, doi violini e violoncello col basso per l’organo ... Opera prima. ER,
[no. 268], [1702].
│ SUONATE │ a Tre │ doi Violini e Violoncello │ col Basso per L’Organo │ Da │ GIORGIO GENTILI │
Veneto │ Opera Prima │ A Amsterdam │ Chez ESTIENNE ROGER Marchand Libraire │
Engraved, upright folio format. Four partbooks: Violino Primo (19 pp.), Violino Secondo (16 pp.),
Violoncello (15 pp.), Organo (15 pp.). Double plates 2 x (19 x 30) cm.
Source A Sala edition? Sartori 1966, p. 115 gives one with year 1701. The Indice Sala (Mischiati
No. XXIV) gives as no. 95 a volume with trios Op. 1 by Gentili. Not in RISM.
Issue ER, [1702]. {RISM G 1579}
London, Brit. Libr., Hirsch IV.1602. (BL 1981 XXIII, p. 136)
Catalogue 1716, p. 338-339 (no. 268).
Catalogue 1735, p. 53 (no. 268).
Catalogue 1744, p. 36 (no. 268).
Price f 4:0.
Inventory [p. 320] ‘8 - Gentili Opera prima Trio.’
Contents
Sonata I (D): Adagio, Allegro, Grave, Ad Libitum Allegro, Allegro.
Sonata II (F): Grave, Presto, Largo, Allegro.
Sonata III (d-0): Adagio, Allegro, Grave, Presto.
Sonata IV (e): Grave, Allegro, Largo é Staccato, Allegro.
Sonata V (a): Grave, Allegro, Largo e Piano, Presto.
Sonata VI (C): Adagio-Allegro-Adagio, Allegro, Adagio,Allegro.
Sonata VII (Bflat-1): Grave, Allegro, Grave, Presto.
Sonata VIII (G-0): Adagio, Presto, Grave, Allegro, Adagio, Allegro.
Sonata IX (g): Grave, Allegro, Largo, Allegro.
Sonata X (b): Grave, Allegro, Grave, Allegro.
Sonata XI (g-1): Adagio, Presto, Grave, Presto.
Sonata XII (D): Adagio-Presto-Arpeggio, Adagio, Allegro, Grave, Allegro.
Internet http://gallica.bnf.fr/ark:/12148/btv1b9063384m.
Remarks Acquired by the Arnhem Collegium Musicum on 1 December 1702 (Minderhout 1997).
— Gentili — Sonate Opus 3— 299 — [1706] —

GIORGIO GENTILI, ‘XII sonate à violino e violoncello o cimbalo ... Opera terza.’ ER, [no. 299], [1706].
Source Capricci da camera, a violino e violoncello o cimbalo ... Opera terza. Venici, Giuseppe
Sala, 1707. {RISM G 1581}
Issue ER, [1706]. {not extant?}
Advertisement Post Man, 13 April 1706 (Isaac Vaillant).
10
25 February 2015
Catalogues First: Félibien 1706D; ‘Giorgio Gentili Opera Terza XII Sonate à Violino e Violoncello o
Basso Continuo.’
Catalogue 1716, p. 328 (no. 299).
Catalogue 1735, p. 41 (no. 299).
Catalogue 1744, p. 25 (no. 299).
Price f 4:10.
Inventory [p. 284] [no.] ‘56 - Gentili Opera terza Sonate a violino solo.’
[p. 320] ‘2 - [Gentili, Opera] terza Solo.’
Remarks The Sala edition is likely to be the source of the Roger edition although RISM dates the
Sala edition in 1707, while the Roger edition must be dated in 1706.
— Gervais — Airs Livre 3 — (Author, 1744) —
LAURENT GERVAIS, Airs sérieux et à boire ... Livre troisième. Paris, Author, Mme Boivin, Leclerc, 1744. {RISM G
1662 }
Catalogues For sale: Catalogue 1744, p. 57; ‘Airs serieux & à Boire suivis d’un Air Italien par Gervais. - f
2:10.’
Remark It could have been the Livre premier or second to which is being referred here..
— Gervais — Le triomphe de Bacchus— ([Author?], [c. 1740]) —
LAURENT GERVAIS, ‘Le triomphe de Bacchus, cantate de basse taille avec symphonie.’ {Not extant?}
Catalogues For sale: Catalogue 1744, p. 57; ‘Le Triomphe de Bacchus Cantate de Basse Taille avec
Symphonie par Gervais. - f 2:08.’
— Geschreve Muzijk — Manuscripts —
Inventory [Geschreve Muzijk ... p. 280] ‘[no.] 23 - Sis Sinfonie, e Concerts de divers Auteurs.’
[Geschreve Muzijk ... p. 297] ‘[no.] 67 - 150 Salmi pour La flute.
[no.] 68 - 150 Salmi Souprein, e Basse.’
[Geschreve Muzijk ... p. 298] ‘[no.] 69 - 150 Salmi pour Le violon.
[no.] 70 - un Livre de Musique pour La viola de Gambe.
[no.] 71 - Musicha Theoretica van de Matematice proporsin & manuscript.
[no.] 72 - un Livre de 15 Pieces pour La viola de Gambe e un Livre de Opera Italienne.
[no.] 73 - un Livre manuscrit de cantade Spagnole.
[no.] 74 - un Paquet manuscrit, de diferente Pieces.
[no.] 75 - un Paquet de 10 Livres divers.’
[Geschreve Muzijk ... p. 299] ‘[no.] 78 - 5 Cantate francoise de divers auteurs.
[no.] 79 - 5 Cantate francoise Idem.
[no.] 80 - 4 Cantate [francoise] Ibid.’
— Ghilarducci —Concerti — Manuscript —
DOMENICO GHILARDUCCI, ’10 Concerts et une Sinfonie pour le violon.’ Manuscript.
Inventory [Geschreve Muzijk ... p. 292] ‘[no.] 28 - Domenico Ghilarducci 10 Concerti e une Sinfonie pour Le
violon.’
11
25 February 2015
— Gillier —Attendez-moi: Airs — [161] — [1696] —

JEAN-CLAUDE GILLIER, ‘Les airs à chanter de la comédie Attendez moi sous l’orme.’ JLL&ER, [no. 161],
[1696].
Source ????
Issue JLL&ER, [1696]. {not extant?}
Catalogues First: Recueil II 1696A; ‘La comédie attendez-moi sous Lorme.’
Catalogue 1716, p. 298 (no. 161).
Catalogue 1735, p. 7 (no. 161).
Catalogue 1744, p. 50 (without number).
Price f 0:06 (1696-1735); f 0:08 (1744).
Inventory [p. 370] ‘6 - [Airs comedie] Attendez moy Sous L’orme.’
— Gillier —La foire de Bezons: Airs — [1697] —

JEAN-CLAUDE GILLIER, ‘Les airs à chanter de la comédie La foire de Bezons.’ ER, [1697].
Source La foire de Besons: Comédie. With Airs de la comédie de La foire de Besons, Paris: T.
Guillain, 1696. {RISM G 2053}.
Catalogues First: Loulié 1697D: ‘Les airs à chanter de la Comedie la Foire de Besons avec
l’augmentation f --8.’
Catalogue 1716, p. 298.
Price f 0:08 (1696-1735); f 0:06 (1744).
Inventory [p. 370] ‘6 - [Airs Comedie] La foire de besons.’
— Gillier —La foire de Saint-Germain: Airs — [179] — [1696] —

JEAN-CLAUDE GILLIER, ‘Les airs à chanter de la comédie de La foire de St. Germain.’ JLL&ER, [no. 179],
[1696].
Source Airs de la comédie de La foire St. Germain, représentée en janvier 1696. [Paris: Ballard]
{G 2055}
Airs pour la comédie de La foire de St. Germain, représentée sur le théâtre des
Comédiens Italiens. [Ballard] {G 2056}
Catalogues First: Recueil II 1696A; ‘La Comedie de la Foire de St. Germain.’
Catalogue 1716, p. 298 (no. 179).
Catalogue 1735, p. 7 (no. 179).
Price f 0:06 (1696-1735); f 0:08 (1744).
Inventory [p. 370] ‘3 - [Airs] Comedie de la Foire de St Germain.’
— Gillier —Le mary sans femme: Airs — [178] — [1696] —

JEAN-CLAUDE GILLIER, ‘Les airs à chanter de la comédie du Mary sans femme.’ JLL&ER, [no. 178], [1696].
Source Airs de la comédie du Mary sans femme. {G 2064}
12
25 February 2015

Catalogues First: Recueil II 1696A; ‘La Comedie du Mary sans femme.’
Catalogue 1716, p. 298 (no. 178).
Catalogue 1725, p. 10 (no. 178, handwritten addition).
Catalogue 1735, p. 7 (no. 178).
Price f 0:6 (1696-1725); f 0:8 (1735-1744).
Inventory [p. 370] ‘6 - Airs Comedie d Mary sans femme.’
— Gillier — L’hyménée royal — (Ballard, 1699) —
Jean-Claude Gillier, L’hyménée royal, divertissement. Paris: Christophe Ballard, 1699. {RISM G 2057}

Price f 1:0 (1744).
Inventory [p. 383] ‘2 - L Hymenee Royaal p Gillier 4o.’
— [Gobert?] — Paraphrase — [1709-1712] —

[THOMAS GOBERT?], ‘Paraphrase des pseaumes de David par Antoine Godeau à voix seul avec la basse
continue.’ ER, [1709-1712]
Source Perhaps: Artus Auxcousteaux, Paraphrase des pseuame de David, en vers François par
Antoine Godeau .. et mis nouvellement en chant, .... Quatrième edition, Paris: Pierre Petit,
1656. No copies known from the first to third editions, published in 1654-1656. Revised
by Gobert and then published under Gobert’s name: Thomas Gobert, Paraphrase des
pseuame de David, en vers François par Antoine Godeau .. et mis nouvellement en chant
... Cinquième édition, Paris: Pierre Petit, 1659-1661 (RISM G 2914), 6/1672 (G 2915),
7/1676 (G 2917), Paris, Denis Thierry, 8/1686,
Issue ER, [1709-1712]. {no extant copy?}
Catalogues First: Catalogue 1712, p. 4; ‘Paraphrase des Pseaumes de David par Antoine Godeau
avec la Musique à voix seule - f 1:05.’
Not in Catalogue 1744.
Price f 1:05.
Inventory [p. 286] [no.] ‘77 - Paraphrasis des 150 Psaumes de David par Godeau avec la basse
continue france band.’
[p. 287] [no.] ‘80 - Paraphrases des 150 Pseaumes de David par Godeau avec la basse
continue france band.’
References Denise Launay, ‘À propos du chant des psaumes en français au XVIIe siècle: La
«Paraphrase des psaumes» de Godeau et ses musiciens,’ Revue de Musicologie 50 (1964),
pp. 30-75.
Remark The identification of this edition with Gobert’s music for Godeau’s psalms is conjectural.
However, it seems to be the only version for a single voice and figured bass available.
— Gouy — Paraphrase — ([Le Chevallier], 1691) —
JACQUES DE GOUY, Airs à quatre parties sur la Paraphrase des pseames de Godeau ... Amsterdam: [Amedée Le
Chevallier], printed by Pieter and Joan Bleau, 1691.
13
25 February 2015
| AIRS | A QUATRE PARTIES, | Sur la Paraphrase des Pseaumes | DE | MIESSIRE ANTOINE GODEAU, | Composez
par | MONSIEUR JAQUES DE GOÜY. | Et divisez en trois parties. | PREMIER DESSUS | A AMSTERDAM, | Dans
l’Imprimerie de P. & J. BLAEU, aux depens d’AMEDÉE LE CHEVALLIER, | & se vendent sur le Pype-Markt, proche le
Schilt van Vrankryk. 1691. |
Bookprinted, oblong octavo format. Four partbooks: Premier Dessus (fols. A-D(8), E(7)), Haute-Contre (fols. a-e(8)),
Taille (fols. a-e(8)), Basse-Contre (fols. A-D(8), E(6)). All partbooks ([1], 2-75, [76-80] pp.
Source Paris, Robert Ballard, 1650. {RISM G 3218}

Issue Amsterdam, Amedée Le Chevallier, 1691, printed by Pieter & Joan Blaeu. {RISM G 3219}
Glasgow, Euing Libr., R. c. 18.
Reprints ER, [1700]. See next item.
Le compagnon divin, ou les airs à quatre parties ... London, William Pearson, [c, 1700?]. {RISM
G 3221; Recueils XVIII p. 134} In Catalogue Vaillant 1762: “Le Compagnon divin, ou les Airs
notés à quatre parties sur la Paraphrase des Pseaumes d’Antoine Godeau, composés par Jaques de
Gouys. à Londres.” In the imprint also “Où on peut aussi avoir les Pseaumes François à Deux
PARTIES, Le Plain Chant & la Basse.”
Advertisement Amsterdamsche Courant, 27 December 1691 (Le Chevallier).
Contents (page numbers after Premier Dessus)

[1] Title.
2-3 Psalmus I (C): Heureux qui n’ouvre point son cœur (Beatus vir, qui non abiit) (low clefs)
4 Psalmus II (d-0): Pourquoy tant de peuples rebelles (Quare fremuerunt gentes)
5 Psalmus III (C): Seigneur, qui jusqu’icy m’as esté favorable (Domine quid multiplicati)
6-7 Psalmus IV (d-0): Quand l’esprit accablé sous les faix des douleurs (Cum invocarem exaudivit me Deus)
8-9 Psalmus V(d-0): Seigneur, de qui je tiens la couronne (Verba mea auribus percipe, Domine) (low clefs)
10 Psalmus VI( a): Grand Dieu qui sur les Rois (Domine ne in furore) (low clefs)
11 Psalmus VII (G-0): Suprême Monarque du monde (Domine Deus meus in te speravi
12 Psalmus VIII (g-1): Suprême arbitre des Monarques (Domine Dominus noster)
13 Psalmus IX (F-0): Seigneur, pour m’acquitter de ce que te doy (Confitebur tibi Domine) (low clefs)
14-15 Psalmus X (g-1): Traitres, qui me tenez un piege si funeste (In Domino confido) (low clefs)
16-17 Psalmus XI (B-flat-1): Seigneur, qui connois le danger (Salvum me fac Domine) (low clefs)
18 Psalmus XII (a): Jusques à quand Seigneur (Usquequò Domine oblivisceris me)
19 Psalmus XIII (F): Il n’est point de Dieu (Dixit insipiens in corde suo)
20 Psalmus XIV( B-flat-1): Seigneur, en tes saints Tabernacles (Domine qui habitabit)
21 Psalmus XV (g-1): Seigneur, puisque mon esperance (Conserva me Domine, quoniam) (low clefs)
22 Psalmus XVI (g-1): Seigneur, dont la bonté pour les tiens (Exaudi Domine justitiam meam) (HC has
empty staves with C2 clef)
23 Psalmus XVII (C): Seigneur, ma suprême puissance (Diligam te Domine fortitudo mea) (BC heeft F4-
sleutel) (Taille has empty staves with C3 clef)
24-25 Psalmus XVIII (C): Ces voûtes claires & solides (Cœli enarrant gloriam Dei) (low clefs)
26-27 Psalmus XIX (d): Que le Monarque des Monarques (Exaudiat te Dominus in die)
28-29 Psalmus XX( F): Aprés tant d’illustres merveilles (Domine in virtute tua lætabitur)
30-31 Psalmus XXI (g-1): Mon Dieu, mon Dieu, regarde-moy (Deus Deus meus quare relinquis me?)
32-33 Psalmus XXII (F): Celuy dont la sagesse en merveilles feconde (Domine regit me, & nihil) (low clefs)
34-35 Psalmus XXIII (C): Le Seigneur qui soûtient la masse de la Terre (Domine est terra & plenitudo)
36-37 Psalmus XXIV(d-0): Pressé de cruelles douleurs (Ad te Domine levavi)
38-39 Psalmus XXV (d-0): Contre ces cruels envieux (Judica me Domine, quoniam ego) (low clefs)
40-41 Psalmus XXVI( C): Que le brillant flambeau du Monde (Dominus illuminatio mea)
42-43 Psalmus XXVII (F): Monarque souverain, dont j’adore les loix (Ad te Domine levavi) (low clefs)
44-45 Psalmus XXVIII (g-1): Vous qui dans cet Estat tenez le premier rang (Afferte Domine filii Dei)
46 Psalmus XXIX (G-0): Seigneur, dans tous les lieux du Monde (Exaltabo te Domine, quoniam) (low clefs)
47 Psalmus XXX (g-1): Seigneur, quelque mal que je sente (In te Domine speravi) (low clefs)
48 Psalmus XXXI (d): Bien heureux à qui, Dieu (Beati quorum remissæ sunt)
49 Psalmus XXXII (C): Justes, avec plaisir loüez le Tout-puissant (Exultate justi in Domine)
50-51 Psalmus XXXIII (F): Puisque la grace du Seigneur (Benedicam Dominum in omni)
52-53 Psalmus XXXIV (F-0): Seigneur, sois sensible à mes larmes (Judica Domine nocentes me)
54-55 Psalmus XXXV (a): Le mechant, pour flater son vice (Dixit injustus ut delinquat) (BC F4-clef)
56-57 Psalmus XXXVI d-0): Toy qui vois, d’un œil plein d’envie (Noli æmulari in malignantibus)
14
25 February 2015
58 Psalmus XXXVII (a): Grand Dieu, dont la bonté surpasse la Justice (Domine ne in furore tuo) (low
clefs)
59 Psalmus XXXVIII (g-1): Je veux, ay-je dit en moy-même (Dixi Custodiam vias meas)
60 Psalmus XXXIX (G-0): J’ay, d’une extrême impatience (Expectans expectavi Domine) (low clefs)
61 Psalmus XL (g-1): Heureux de qui l’ame est atteinte (Beatus qui intelligit super egenum) (low clefs)
62-63 Psalmus XLI (C): Le Cerf qu’un meut inhumaine (Quemadmodum desiderat cervus)
64 Psalmus XLII (B-flat-1): Seigneur, qui dans mes maux es mon ferme refuge (Judica me Deus, & discerne)
(low clefs)
65 Psalmus XLIII (d-0): Seigneur, dont les bontez égalent la puissance (Deus auribus nostris audivimus)
66 Psalmus XLIV (C): Je sens une nouvelle flame (Eructavit cor meum verbum bonum) (low clefs)
67 Psalmus XLV (F-0): Dieu, qui de l’Univers est le Juge & le Maistre (Deus noster refugium)
68 Psalmus XLVI (F): Peuples, battez des mains (Omnes gentes plaudite manibus)
69 Psalmus XLVII (F-0): Le Seigneur fait partout voir sa force immortelle (Magnus Deus, & laudabilis)
(low clefs)
70-71 Psalmus XLVIII (C): Fils des hommes, peuples divers (Audite hæc omnes gentes (): auribus)
72-73 Psalmus XLIX (d-0): Le Dieu des tous les dieux qu’adore l’univers (Deus deorum Dominus locutus est)
74-75 Psalmus L (g-1): Grand Dieu, preste l’oreille à mes tristes demandes (Miserere mei Deus, secundum
magnam)
[76-78] ‘Table des pseaume’ (only D1).
[77] Catalogue (only in HC and T).
Remarks Only the first stanzas of the texts have been put underneath the notes. Further stanzas are printed
following the first stanza. Above each psalm there is the incipit of the Latin psalm and “PSAL. I”,
“PSAL. II.”, etc.
After the HC and T of the only known extant copy a catalogue of Le Chevallier’s publications has
been inserted. See CATALOGUES IN FACSIMILE – LE CHEVALLIER.
— Gouy — Paraphrase — [1700] —

JACQUES DE GOUY, Airs à quatre parties sur la Paraphrase des pseames de Godeau ... ER, [1700].
| AIRS | A QUATRE PARTIES, | Sur la Paraphrase des Pseaumes | DE | MESSIRE ANTOINE GODEAU, |
Composez par | MONSIEUR JAQUES DE GOÜY. | DESSUS | [vignette] | A Amsterdam, chez Estienne
Roger, Marchand Libraire. |
Bookprinted, octavo oblong format. Four partbooks: Dessus (A-C(8), D(4), 2-55 pp.), Haute-Contre(a-c(8),
d(4), 2-55 pp.), Taille (a-c(8), d(4), 2-55 pp.), Basse-Contre (A-C(8), D(4), 2-55 pp.).
Source Amsterdam, Amedée le Chevalier, 1691. See previous item.

Issue ER, [1700]. {RISM G 3220}
Durham, Cath. Libr., Mus. B. 28 (Harman 1968, no. 284, p. 46).
Norrköping, Bibl. (Davidsson I 181;)
Wolfenbüttel, August-Bibl., 45.1-4 Musica div. (August 1967, no. 962, p. 585).
Zuoz, Gem.arch.
Catalogues First: Du Fresny 1700A.
Price f 2:0.
Inventory [p. 375] ‘7 - Godeau Psaumes de David quatre parties.’
[p. 388] ‘140 - Pseaumes de Godeau a 4 Parties 8vo - f 3:10.’
[p. 389] ‘116 - Pseaume de Godeau a 4 Part: 8o G:P: - f 3:0.’
Contents (most pieces have high clefs, but with F-4: G2, C2, C3, F4; several pieces have low clefs C1, C3,
C4, F4) if no indication: high clefs
15
25 February 2015
[1] Title.
2-3 Psalmus I (C): Heureux qui n’ouvre point son cœur (Beatus vir, qui non abiit) (low clefs)
4 Psalmus II (d-0): Pourquoy tant de peuples rebelles (Quare fremuerunt gentes)
5 Psalmus III (C): Seigneur, qui jusqu’icy m’as esté favorable (Domine quid multiplicati)
6 Psalmus IV (d-0): Quand l’esprit accablé sous les faix des douleurs (Cum invocarem exaudivit
me Deus)
7 Psalmus V(d-0): Seigneur, de qui je tiens la couronne (Verba mea auribus percipe, Domine)
(low clefs)
8 Psalmus VI( a): Grand Dieu qui sur les Rois (Domine ne in furore) (low clefs)
9 Psalmus VII (G-0): Suprême Monarque du monde (Domine Deus meus in te speravi
10 Psalmus VIII (g-1): Suprême arbitre des Monarques (Domine Dominus noster)
11 Psalmus IX (F-0): Seigneur, pour m’acquitter de ce que te doy (Confitebur tibi Domine) (low
clefs)
12 Psalmus X (g-1): Traitres, qui me tenez un piege si funeste (In Domino confido) (low clefs)
13 Psalmus XI (B-flat-1): Seigneur, qui connois le danger (Salvum me fac Domine) (low clefs)
14 Psalmus XII (a): Jusques à quand Seigneur (Usquequò Domine oblivisceris me)
15 Psalmus XIII (F): Il n’est point de Dieu (Dixit insipiens in corde suo)
16 Psalmus XIV( B-flat-1): Seigneur, en tes saints Tabernacles (Domine qui habitabit)
17 Psalmus XV (g-1): Seigneur, puisque mon esperance (Conserva me Domine, quoniam) (low
clefs)
18 Psalmus XVI (g-1): Seigneur, dont la bonté pour les tiens (Exaudi Domine justitiam meam)
(HC has empty staves with C2 clef)
19 Psalmus XVII (C): Seigneur, ma suprême puissance (Diligam te Domine fortitudo mea) (BC
heeft F4-sleutel) (Taille has empty staves with C3 clef)
20 Psalmus XVIII (C): Ces voûtes claires & solides (Cœli enarrant gloriam Dei) (low clefs)
21 Psalmus XIX (d): Que le Monarque des Monarques (Exaudiat te Dominus in die)
22 Psalmus XX( F): Aprés tant d’illustres merveilles (Domine in virtute tua lætabitur)
23 Psalmus XXI (g-1): Mon Dieu, mon Dieu, regarde-moy (Deus Deus meus quare relinquis me?)
24 Psalmus XXII (F): Celuy dont la sagesse en merveilles feconde (Domine regit me, & nihil) (low
clefs)
25 Psalmus XXIII (C): Le Seigneur qui soûtient la masse de la Terre (Domine est terra &
plenitudo)
26 Psalmus XXIV(d-0): Pressé de cruelles douleurs (Ad te Domine levavi)
27 Psalmus XXV (d-0): Contre ces cruels envieux (Judica me Domine, quoniam ego) (low clefs)
28 Psalmus XXVI( C): Que le brillant flambeau du Monde (Dominus illuminatio mea)
29 Psalmus XXVII (F): Monarque souverain, dont j’adore les loix (Ad te Domine levavi) (low
clefs)
30 Psalmus XXVIII (g-1): Vous qui dans cet Estat tenez le premier rang (Afferte Domine filii Dei)
31 Psalmus XXIX (G-0): Seigneur, dans tous les lieux du Monde (Exaltabo te Domine, quoniam)
(low clefs)
32 Psalmus XXX (g-1): Seigneur, quelque mal que je sente (In te Domine speravi) (low clefs)
33 Psalmus XXXI (d): Bien heuerux à qui Dieu, voulant estre propice (Beati quorum remissæ sunt)
34 Psalmus XXXII (C): Justes, avec plaisir loüez le Tout-puissant (Exultate justi in Domine)
35 Psalmus XXXIII (F): Puisque la grace du Seigneur (Benedicam Dominum in omni)
36 Psalmus XXXIV (F-0): Seigneur, sois sensible à mes larmes (Judica Domine nocentes me)
37 Psalmus XXXV (a): Le mechant, pour flater son vice (Dixit injustus ut delinquat) (BC F4-clef)
38-39 Psalmus XXXVI d-0): Toy qui vois, d’un œil plein d’envie (Noli æmulari in malignantibus)
40 Psalmus XXXVII (a): Grand Dieu, dont la bonté surpasse la Justice (Domine ne in furore tuo)
(low clefs)
41 Psalmus XXXVIII (g-1): Je veux, ay-je dit en moy-même (Dixi (): Custodiam vias meas)
42 Psalmus XXXIX (G-0): J’ay, d’une extrême impatience (Expectans expectavi Domine) (low
clefs)
43 Psalmus XL (g-1): Heureux de qui l’ame est atteinte (Beatus qui intelligit super egenum) (low
clefs)
44 Psalmus XLI (C): Le Cerf qu’un meut inhumaine (Quemadmodum desiderat cervus)
16
25 February 2015
45 Psalmus XLII (B-flat-1): Seigneur, qui dans mes maux es mon ferme refuge (Judica me Deus, &
discerne) (low clefs)
46 Psalmus XLIII (d-0): Seigneur, dont les bontez égalent la puissance (Deus auribus nostris
audivimus)
47 Psalmus XLIV (C): Je sens une nouvelle flame (Eructavit cor meum verbum bonum) (low clefs)
48 Psalmus XLV (F-0): Dieu, qui de l’Univers est le Juge & le Maistre (Deus noster refugium)
49 Psalmus XLVI (F): Peuples, battez des mains (Omnes gentes plaudite manibus)
50 Psalmus XLVII (F-0): Le Seigneur fait partout voir sa force immortelle (Magnus Deus, &
laudabilis) (low clefs)
51 Psalmus XLVIII (C): Fils des hommes, peuples divers (Audite hæc omnes gentes (): auribus)
52-53 Psalmus XLIX (d-0): Le Dieu des tous les dieux qu’adore l’univers (Deus deorum Dominus
locutus est)
54-55 Psalmus L (g-1): Grand Dieu, preste l’oreille à mes tristes demandes (Miserere mei Deus,
secundum magnam)
Remarks Two stanzas of each psalm have been put underneath the notes. Above each psalm there
is the incipit of the Latin psalm nad “PSAL. I”, “PSAL. II.”, etc.
— Grandi — Messe Opus 3 — [1697] —

ALESSANDRO GRANDI, 3 Misse à 3 e 4 voci concertate, con strumenti ... Opera terza. ER, [1697].
CANTO PRIMO | MESSE | A 3. & à 4. voci Concertate con Strumenti | DI ALESSANDRO GRANDI |
Maestro di Cappella nella Cathedrale di Rimino [sic] | DEDICATE | All’Illustrissimo, Reverendissimo |
CAPITOLO E CANONICI | Della medesima | OPERA TERZA. | [vignet] | IN BOLOGNA | ---- | Per Pier-
Maria Monti Con Licenza de Superiori. | Se vendono a Amsterdam da Estienne Roger. |
Bookprinted, upright folio format. Seven (?) partbooks: Canto Primo (--(1), [A],B-D (2), 16 pp.), Alto [&
Canto Secondo?], Tenore, Basso, Violino Prima, Violino Secondo, Organo?
Source Bologna, Marino Silvani, 1693. {RISM G 3477}

Issue ER, [1697]. {RISM G 3478}
Oxford, Christ Church Libr., Mus. 677 (on title page the remains of Vaillant’s label,
stil legible “... sold .... llant ... may be fur ...”; on flyleave price 0:9:0)
Advertisement Amsterdamsche Courant, 18 January 1708.
Catalogues First: Recueil V 1697E.
Catalogue Ballard 1704S, p. 2.
Bibl. Ballard p. 339.
Price f 4:10.
Inventory [p. 381] ‘4 - Grandi Terza missa a 3&4 voix.’
[p. 391] ‘25 - Grandi Opera terza missee - f 2:05.’
Contents
Messa prima, à 3. due Canti, e Basso con Violini
Messa seconda à 3. Alto Tenore, e Basso, con Violini
Messa terza, à 4 con Violini se piace
17
25 February 2015
— Grandval — L’opéra de Village — [160] — [1696] —

NICOLAS RACOT DE GRANDVAL, Les airs à jouer et à chanter de l’opéra de Village à sept parties ... ER,
[no. 160], [1697].
Title
Description
Source ...
Issue ER, [1697]. {RISM GG 3492a}
Marburg/Lahn, Musikwiss. Inst. Philipps-Univ. (incomplete)
Advertisement Gazette d’Amsterdam, 18 October 1696 (annoucement).
Catalogues First: Recueil III 1697B.
Catalogue 1716, p. 298 (no. 160).
Last: Catalogue 1735, p. 7 (no. 160).
Price f 1:02.
Inventory [p. 338] ‘25 - Opera de Vilage.’
Contents
...
Facsimile edition ... Modern edition ... Literature ... Remarks ...
— Grandval — Je prends sans verd: Airs — [160] — [1696] —

NICOLAS RACOT DE GRANDVAL, ‘Les airs à chanter de la comédie Je prends sans verd ...’ ER, [1697].
Source Unknown.
Catalogues First: Loulié 1697D; ‘Les Airs à chanter de la Comedie je vous prends sans verd.’
Catalogue 1744, p. 50
Price f 0:08 (1697-1735); f 0:06 (1744).
Inventory [p. 370] ‘6 - [Airs comedie] Je vous Prens Sans verd.’
[p. 400] ‘50 - [Airs d’] Je vous Prens sans vers 4o.’
— Greber & Fede — Sonates — [220] — [1703] —

JACOB GREBER and INNOCENZO FEDE, ‘Six sonates à une flûte et une basse de Mrs. Greber et Fede ...’ ER,
[no. 220], [1703].
Source Unknown.
Catalogues First: Arnauld 1703; ‘Six Sonates à une Flute & une Basse continue de Mrs. Greber &
Fede, gravé - f 2:0.’
Catalogue 1716, p. 317 (no. 220).
Catalogue 1735, p. 27 (no. 220).
Catalogue 1744, pp. 12-13 (no. 220).
Price f 2:0.
Inventory [p. 321] ‘7 - Greber & Tebe.’
18
25 February 2015
— Grossi — Sonate Opus 3 — [235] — [1698] —

ANDREA GROSSI, ‘Sonate a due, tre, quattro e cinque istromenti col basso continuo ... Opera terza.’ ER,
[no. 235], [1698].
Source Bologna, Giacomo Monti, 1682. {RISM G 4726}

Catalogues First: Jurieu 1698C, ‘Andrea Grossi opera Terza 12 sonates a 2. 3. 4. 5. instrumentis col.
Bc. gravé.’
Catalogue 1716, p. 342 (no. 235).
Catalogue 1735, p. 58 (no. 235).
Catalogue 1744, p. 40 (no. 235).
Price f 5:0.
Inventory [p. 321] ‘47 - Grossi, Opera terza Trio.’
— Guido & Marchitelli — La pomme d’or, Symphonies — Manuscript —
GIOVANNI ANTONIO GUIDO, ‘La pomme d’or, Cantate; 2 Symphonies,’ PIETRO MARCHITELLI, ‘Symphonie.’
Inventory [Geschreve Muzijk ... p. 293] ‘[no.] 32 - La Pomme d’or Cantate de M: Giov Antonio Guido e
deux Sinfonies du mesme e un Sinfonie de Po Marchitelli.’
— Guillon — Sonate — (??, c. 1730?) —
HENRY-CHARLES GUILLON, ‘Sonate pour le violon, trio: Amusement d’une heure.’ Paris, c. 1730? {no copy extant?}
Inventory [p. 368] ‘7 - Guillon Amusement d’une heure Paris.’

Catalogues First and last for sale: Catalogue 1744, p. 59; ‘Amusemens d’une heure par Guillon. Paris - f
1:10.’
19
25 February 2015
H
— Hacquart — Cantiones sacrae Opus 1 — (author, 1674) —
CAROLUS HACQUART, Cantiones sacrae 2, 3, 4, 5, 6, 7, tam vocum quam instrumentorum ... Opus primum. Amsterdam,
author, printed by Paulus Matthysz, 1674. {RISM HH 34}
Catalogues First for sale: La Martinière 1698EE; ‘Mottetti a 3. 4: 5 voce authore carolo Hakart - f 4:10.’
Last for sale: Catalogue 1708, p. 20; ‘Les motets de Mr. Hakart à 2, 3, 4, 5, 6. & 7. voix &
instrumens.’
— Hacquart — Chelys Opus 3 — (author, 1686) —
CAROLUS HACQUART, Chelys ... Opus tertium. The Hague: author [=composer], engraved by Georg Seiller, 1686.
{RISM H 36}
Catalogues First: Arnauld 1703; ‘Pieces de viole de Gambe de Mr. Hakart composées de préludes,
Allemandes, courantes, sarabandes, gigues, Fantaisies & c. à une viole de gambe & une Basse
continue.’
Catalogue 1716, p. 345 (no. 13).
Catalogue 1735, p. 66 (no. 13).
Catalogue 1744, pp. 46-47 (no. 13).
Price f 6:0.
Inventory [p. 321] ‘25 - Hackart, pour La viole de Gambo.’
— Han — Harmonie Opus 1 — [263] — [1701] —

GERARD HAN, Harmonie secolare, overo Dieci suonate da camera a due violini e violoncello obligato col
basso per cembalo ... Opera prima. ER, [no. 263], [1701].
│ HARMONIE SECOLARE │ overo │ DIECI SUONATE DA CAMERA │ a due Violini et Violoncello obligato. │
col basso per il Cembalo. │ OPERA PRIMA │ [vignette with coats of arms of the six dedicatees and the city
of Gouda] │ Da │ GERARDO HAN Organista. │ et Musico delle Compagnie di GOUDA │ A AMSTERDAM
│ Chez Estienne Roger Marchand Libraire. │ D.V. Oÿe Sculp. │
Engraved, upright folio format. Four partbooks: Violino Primo (iv, 17 pp.), Violino Secondo (ii, 16 pp.),
Violoncello, [Basso]. Double plates 2 x (18.5 x 30) cm.
Issue ER, [1701]. {RISM H 1972}

London, Brit. Libr., g.409.cc.(3.) (BL 1981 XXVI, p. 299; V1, V2 only; label
Francis Vaillant).
Catalogues First: Fiocco 1701A.
Catalogue 1716, p. 337 (no. 263).
Catalogue 1735, p. 52 (no. 263).
Catalogue 1744, p. 34 (no. 263).
Price f 4:10.
20
25 February 2015
Inventory [p. 321] ‘49 - Han, prima Trio.

14 - [Han,] Idem Gr.Pap.’
Contents
i Title
ii Heading of dedication to Hugo van Streyen Presidt, Mattheys de Grande, Joris de Lange,
Melchior Gerard van Rietveld [burgomasters and governors of Gouda], Brunno van Dussen
[council pensionary van Gouda], Adriaan van Groenendyck [secretary of Gouda].
iii Letter of dedication in Dutch
Sonata I (F): Lente, Allegro, Lente, Allegro.
Suonata II (a): Capriccio Presto, Discreto, Contra Fuga Capella.
Suonata III (Bflat): Lente, Allegro, Adagio, Allegro.
Suonata IV (C): Discreto-Presto-etc., Presto, Spiritore a 2, Lente a 3, Capella.
Suonata V (F): Discreto, Allegro, Lento, Presto.
Suonata VI (g-1): Lente, Allegro, Lente, Vivace.
Suonata VII (G): Allegro-Lente-Allegro, Vivace, Grave, Presto.
Suonata VIII (f-3): Lente, Allegro, Discreto, Lente et lamentoso, Capricio Presto.
Suonata IX (E): Lente, Allegro, Lente, Allegro.
Suonate X (c-2): Delicato e Lente, Allegro, Lente, Alla breve.
— Handel — Pièces — 490 — [1722] —

GEORGE FRIDERIC HANDEL, Pièces à un & deux Clavecins ... JR, no. 490, [1722].
│ PIECES │ à un & Deux Clavecins │ COMPOSÉES │ Par │ MR.HENDEL │ A AMSTERDAM │ Chez Michel
Charles Le Cene │ Libraire │ No. 490. │
Engraved, upright folio format. Score (75 pp.). Single plates 18.5 x 26 cm. Title plate 17 x 24 cm. Plates are
not from the Roger-Le Cène shop, almost certainly English, probabaly from the Walsh shop. The title page is
Dutch engraving work. The paper used for the edition shows that it was produced in Amsterdam.
Sources The sources for the edition were certainly manuscripts. Some suites had been published
two years before in the Suites de pièces pour le clavecin ... Premier volume (London,
Christopher Smith, [1720]), others would appear in the Suites de pièces pour le clavecin
... Deuxième volume, which were published only later (London: John Walsh, [1733]),
although possible prepared before (c. 1727?). Best (1983, pp. 174-175) points to the
resemblance of the contents of this edition to three manuscripts from the late 1710s with
keyboard music by Handel, the Keyboard Book of Elizabeth Legh (1717-1718:
Collection Malmesbury) and the manuscripts Boston, Museum of Fine Art, Edward M.
Ripin Collection, and New York, Publ. Libr., Drexel Mus. Res. 5856. Three pieces are
from other sources: the Prelude p. 1 (HB 48, p. 149, from manuscript), the Prelude p. 6
(not traced elsewhere) and the Sonata pp. 60-68 (from manuscript sources)
Issues JR, no. 490, [1722]. {RISM HH 1441}
Oxford, Bodl. Libr., Mus. 118 c.H.31 (incomplete: pp. 13-24 missing).
Vienna, Oest. Nat.bibl.
LC, no. 490, [1723-1743]. {RISM H 1442}
The Hague, Gemeentemuseum, 27 D 89 (1).
Uppsala, Univ. Bibl., Leufsta mus. tr. 27 (ex Coll. De Geer).
Reprint Suite de pièces pour le clavecin ... Second volume. London: Christopher Smith, Richard
Meares, [c. 1727?]. {RISM H 1437} Later issues by John Walsh, [1733], {RISM H
1438} and Wright [c. 1784]. {RISM H 1439}
Last: Catalogue 1735, p. 69 (no. 490).
21
25 February 2015
Not in Catalogue 1744.

Price f 6:0.
Inventory It is not immediately clear which edition with keyboard pieces by Handel is mentioned in
the inventory, but since the Pieces à un & deux clavecins (no. 490) is not in Catalogue
1744 it seems most likely that the edition mentioned in the inventory is no. 561 (see next
item).
Contents
1-5 (d): Prelude, Allamand, Corrant, Saraband, Variatio imo -2do, Jigg. [HWV 437; without Prelude:
1733, no. 4, pp. 25-28; HG II, pp. 81-83; HHA IV/5 (KW II), pp. 29-33. Prelude also HWV
428/1 and 561: HG XLVIII, p. 149; not in HHA]
6-9 (a): Prelude, [Andante], Allegro. [HWV 432. Prelude: HHA IV/6 (KW III), p. 69, in G Minor;
Andante and Allegro in G Minor in 1720, no. 7, HHA IV/1 (KW I), pp. 64-67.]
10-13 (e): Allmand, Saraband, Jigg [HWV 438; HHA IV/5 (KW II), pp. 34-39]
14-17 (e): Allmand, Corrant, Saraband, Jigg. [HWV 429; 1720, no. 4; Suites (Le Cène, see next item),
no. 4; HG II, pp. 24-**; HHA IV/1 (KW I), pp. 34-43.]
18-23 (G): Chaconne. [HWV 435, 3d version; 1733, p. 9-**; HG II, 69-**; HHA IV/5 (KW II), pp.
11-19]
24-33 (g): Allmand, Corrant, Saraband, Jigg. [HWV 439; 1733, pp. 34-** (without Saraband); HG II,
pp. 88-**; HHA IV/5 (KW II), pp. 40-55. Sarabande: HWV 432/4; HHA IV/1 (KW I), p. 68]
34-39 (g): Overture [Adagio]-Presto-[Adagio] [HWV 432/1; 1720, no. 7; HG II, pp. 45-**, HHA IV/1,
pp. 61-63], Minuet [HWV 434/4; 1733, p. 8; HG II, p. 68; HHA IV/5 (KW II), p. 10], Chaccoon
[HWV 432/6; 1720, no.7, pp. ****; HG II, pp. ***, HHA IV/1, pp. 69-71].
40-42 (B-flat): Allmand, Corrant, Saraband, Jigg. [HWV 440; 1733, no. 7; HG II, pp. 97-99; HHA
IV/5 (KW II), pp. 56-60]
43-44 (F): Sonata, Allegro, Fuga Tempo, Allegro. [1720, no. 2 (without final Allegro); HG II, pp. 6-**
(idem); HHA IV/1, pp. 10-17 (idem). Final Allegro: 1773, p. 64 (in G Major); HG II, pp. 142-
***; HHA IV/5 (KW II), p. 76 (“Preludio”)]
50-54 (f-3): Allmand, Aria, Jigg. [1720, no.8/ii-iv; HG II, pp. **-**; HHA IV/1 (KW I), pp. 76-81]
55-59 (B-flat): Prelude, [Sonata], Aria con Variatio imo-5ta. [HWV 434/i-iii; 1733, no. 1; HG II, pp. 63-
**; HHA IV/5 (KW II), pp. 1-9]
60-68 Sonata for a Harpsichord with double Keys (G): [Allegro]. [HWV 579; not in HG II; HHA IV/6
(KW III), pp. 80-85] (“with double Keys” means “with two keyboards”; the edition is for two
harpsichords.)
Modern edition HG II: Georg Friedrich Händels Werke: Ausgbae der deutschen Händel-Gesellschaft,
Band II, ****
HG II: Georg Friedrich Händels Werke: Ausgbae der deutschen Händel-Gesellschaft,
Band XLVIII, ****
HHA IV/1 (KW I): Klavierwerke I: Die acht grossen Suiten, Herausgegeben von Rudolf
Steglich (Kassel: Bärenreiter, BA 4005, 1955 = Hallische Händel-Ausgabe, Serie IV:
Instrumentalmusik, Band I).
HHA IV/5 (KW II): Klavierwerke II: Zweite Sammlung von 1733, Herausgegeben von
Peter Northway (Kassel: Bärenreiter, BA 4221, 1970 = Hallische Händel-Ausgabe, Serie
IV: Instrumentalmusik, Band V).
HHA IV/6 (KW III): Klavierwerke III: Einzelne Suiten und Stücke, Herausgegeben von
Terence Best (Kassel: Bärenreiter, BA 4028, 1970 = Hallische Händel-Ausgabe, Serie
IV: Instrumentalmusik, Band VI).
References Smith 1960, pp. 251-252; Best 1983, p. 175; Baselt 1986, p.213.
Remarks Although they realised that Roger’s edition appeared later than Handel’s edition of Suites
de pièces de clavecin … Premier volume (London, Christopher Smith, [1720]), both Best
(1983, p. 175) and Baselt (1986, p. 213) assume that it was Roger’s edition that induced
Handel to bring out his own edition. They must assume therefore that Handel knew, in
1720, that Roger would publish, in 1722, his edition. This seems, however, very unlikely.
Best and Baselt base their opinion on the text of Handel’s preface of the Smith edition,
22
25 February 2015
where Handel wrote ‘I have been obliged to publish some of the following lessons
because surrepticious and incorrect copies of them had got abroad.’ Apart from the fact
that this is a standard excuse for publishing music, the sentence does in fact not have to
mean any more than that manuscript copies were in circulation.
— Handel — Suites — 561 — [1730-1733] —

GEORGE FRIDERIC HANDEL, Suites de pièces pour le clavecin ... LC, no. 561, [1730].
│ SUITES │ De Pieces │ POUR LE │ CLAVECIN │ Composées Par │ G.F. HANDEL │ A │ Amsterdam │

Aux depens de │ MICHEL CHARLES LE CENE │ No. 561. │
Engraved, upright folio format. French keyboard score (2-75 pp.). Double plates 2 x (20 x 26.5 cm).
Source London, Christopher Smith, Richard Meares, [1720]. {RISM HH 1430-1432}

Issue LC, no. 561, [1730-1733]. {RISM HH 1435}
Hamburg, Staats- Univ.bibl.
Paris, Bibl. Nat., L 12633.
The Hague, Gemeentemuseum, 27 D 89 (2).
Venice, Cons. Mus.
Vienna, Oest. Nat.bibl.
Catalogue 1744, p. 49 (no. 561).
Price f 8:0; £t 20 (Catalogue Ballard 1731).
Inventory [p. 286] [no.] ‘72 - Suittes de Pieces de clavecin par Handel.’
[p. 322] ‘42 - Handel, Pieces de Clavecin - 37/3/102 - f 60:08.
15 - [Handel,] Idem Gr.Papier.’ (see also preceding item)
Contents
2-9 Suite Premiere pour le Clavecin (A): Prelude, Allemande, Courante, Gique. [HWC 426; HHA
IV/5 (KW I), pp. 2-9]
10-15 Suite Seconde (F): Adagio, Allegro, Adagio, Allegro. [HWV 427; HHA IV/5 (KW I), pp. 10-
17]
16-31 Suite Troisieme (d): Prelude Presto, Allegro, Allemande, Courante, Air, Double 1-5, Presto.
[HWV 428; HHA IV/5 (KW I), pp. 18-33]
32-39 Suite Quattrieme (e): Allegro, Allemande, Courante, Sarabande, Gique. [HWV 42; HHA IV/5
(KW I), pp. 34-43]
40-49 Suite Cinquieme (E-3): Prelude, Allemande, Courante, Air, Double 1-5. [HWV 429; HHA IV/5
(KW I), pp. 44-53]
50-55 Suite Sixieme (f-sharp): Prelude, Largo, Allegro, Gigue Presto. [HWV 430; HHA IV/5 (KW I),
pp. 54-60]
56-65 Suite Septieme (g): Ouverture, Andante, Allegro, Sarabande, Gique, Passacaille. [HWV 431;
HHA IV/5 (KW I), pp. 61-71]
66-75 Suite Huitieme (f-3): Prelude Adagio, Allegro, Allemande, Courante, Gique. [HWV 432; HHA
IV/5 (KW I), pp. 72-81]
Facsimile edition
Modern edition HHA IV/5 (KW I): Klavierwerke I: Die acht grossen Suiten, Herausgegeben von Rudolf
Steglich (Kassel: Bärenreiter, BA 4005, 1955 = Hallische Händel-Ausgabe, Serie IV:
Instrumentalmusik, Band I).
Literature
23
25 February 2015
Remarks Walsh’s edition of these pieces {RISM HH 1433} appeared in 1736
— Handel — Sonates — “534” — “J. Roger” ([= Walsh], [c. 1730]) —
GEORGE FRIDERIC HANDEL, Sonates pour un traversiere, un violon ou hautbois con basso continue. “Amsterdam,
Jeanne Roger, no. 534” (= London, John Walsh, [c. 1730]).
| SONATES | POUR UN | TRAVERSIERE | UN VIOLON OU HAUTBOIS | Con Basso Continuo | Composées par | G. F.
HANDEL | A AMSTERDAM | CHEZ JEANNE ROGER | No 534. |
Engraved, upright folio format. Score (62 pp.; pp. 6, 16, 22, 36, 48, 58 blank). Single plates 18.5 x 26 cm.
Issues “Amsterdam, Jeanne Roger, no. 534” (= London, John Walsh, [c. 1730]). { RISM H 1340} Dating
after Burrows 1983.
Bentley (GB), Coke Collection (should be part of Brit. Libr. now?)
Edinburgh, Nat. Libr. Scotland, BH.195.
London, Brit. Lib., g.74.d. (Sonatas X and XII with contemporary remark “NB This is not
Mr: Handel’s”) (with Houbraken’s engraved portrait of Handel: “J. Houbraken sculps.
Amst.”).
Manchester, Roy. Coll. Mus.
Oxford, Bodl. Libr.
Paris, Bibl. Nat.
Washington, Libr. Congr.
Solos for a German flute, a hoboy or violin, with a through bass for the harpsicord or bass violin,
[London], John Walsh, no. 407, [c. 1734]. {RISM H 1343}
Cambridge, Fitzw. Mus.
Hamburg
London, Brit. Mus., g.74.h.
Paris, Bibl. Nat.
Paris, Bibl. Nat.
Stockholm, Kungl. Mus. Akad.
Vienna, Ges. Mus. Freunde
Solos for a German flute, a hoboy or violin, with a through bass for the harpsicord or bass violin,
[London], John Walsh, without number, [1740s?]. {RISM H 1342}
Cambridge, jc
Cambridge, King’s Coll.
Cambridge, pl
Cambridge, Univ. Libr.
Edinburgh, Nat. Libr. Scotl., BH.194.
Genève, Univ.
London, Brit. Libr., g.74.c.(2.)
London, Brit. Libr., Hirsch III.243.
Manchester, Publ. Libr.
Oxford, Bodl. Libr.
Reprints XII Solos for a German flute, a hoboy or violin, with a thorough bass for the harpsicord or bass
violin. Paris, Vve Boivin, Leclerc, Guersant, [c. 1737]. {RISM H 1343} Vve Boivin, Leclerc,
Duval, [c. 1737?]. {RISM H 1344}
Contents
1-5 Sonata I (e) Traversa solo: Grave, Allegro, Adagio, Allegro. [HWV 379; HHA IV/3, pp. 10-15]
6-10 Sonata II (g) Flauto solo: Larghetto, Andante, Adagio, Presto. [HWV 360; HHA IV/3, pp. 16-20]
11-15 Sonata III (A) Violino solo: Andante, Allegro, Adagio, Allegro. [HWV 361; HHA IV/4, pp. 10-16]
17-21 Sonata IV (a) Flauto solo: Grave (Walsh issues: Larghetto), Allegro, Adagio, Allegro. [HWV 362; HHA
IV/3, pp. 21-27]
24
25 February 2015
23-26 Sonata V (G) Traversa solo: Adagio, Allegro, Andante (replaced in Walsh issues by a different
movement, Adagio), Bouré (Walsh issues write Boree, and add Menuetto; p. 26 from a new plate]. [HWV
363; HHA IV/3, pp. 28-32]
27-30 Sonata VI (g) Hoboy solo: Larghetto, Allegro, Adagio, Allegro. [HWV 364; HHA IV/**, pp.]
31-35 Sonata VII (C) Flauto solo: Larghetto, Allegro, Larghetto, (added in Walsh issues: A tempo di Gavotti),
Allegro (Walsh issues pp. 34-35 from new plates). [HWV 365; HHA IV/3, pp. 33-41]
37-40 Sonata VIII (c-2) Hoboy solo: [Andante], Allegro, Andante Allegro. [HWV366; HHA IV/18, pp. 32-**]
41-47 Sonata IX (b) Traversa solo: Largo, Vivace, Presto, Adagio, Alla breve, (Walsh issue inserts here the
Andante of Sonata V), A tempo di Menuett (Walsh issues have p. 47 from new plate and add p. 48).
[HWV 367; HHA IV/3, pp. 42-51]
49-53 Sonata X (A) Violino solo: Adagio, Allegro, Largo, Allegro. [HHA IV/4, “no. 14”, pp. 40-45]
49-53 (Walsh issues:) Sonata X (g-2) Violino solo: Andante, Allegro, Andante, Giga (pp. 49-53 printed from
new plates). [HHA IV/4, “no. 10”, pp. 10-16]
54-57 Sonata XI (F) Flauto solo: Larghetto, Allegro, Siciliana, Allegro. [HWV 369; HHA IV/3, pp.]
59-62 Sonata XII (E) Violino solo: Adagio, Allegro, Largo, Allegro. [HHA IV/4, “no. 15”, pp. 46-52]
58-63 (Walsh issues:) Sonata XII (F) Violino solo: Andante, Allegro, Largo, Allegro (pp. 58-63 printed from
new plates). [HHA IV/4, “no. 12”, pp. 17-27]
Facsimile edition Roger issue: in: Introduction by M. Castellani (Florence: SPES, *** = ***), pp.
Walsh issue: in: Introduction by M. Castellani (Florence: SPES, *** = ***), pp.
Roger issue: New York, Performer’s Facsimiles, [1996].
Walsh edition: separate facsimile edition: ****
Modern editions HHA IV/3:Elf Sonaten für Flöte und bezifferten Bass, Herausgegeben von Hans-Peter Schmitz,
Continuo-Aussetzung Max Schneider. Kassel, Bärenreiter, BA 4003, 1955 (Hallische Händel-
Ausgabe IV/3).
HHA IV/4: Sechs Sonaten für Violine und bezifferten Bass, Herausgegeben von Johann Philipp
Hinnenthal. Kassel, Bärenreiter, BA 4004, 1955 (Hallische Händel-Ausgabe IV/4).
References Smith 1960, pp. 242-244; Best 1977; Lasocki 1979; Burrows 1983; Baselt 1986, pp. 132-135
Renarks The issues with a Walsh title page replace the entire Sonatas X and XII by other sonatas and add or
replace movements of Sonatas V, VII and IX. The new plates are of the same size as the original
plates.
— Handel — Sonates — “535” — (“J. Roger” [= Walsh], [c. 1730]) —
GEORGE FRIDERIC HANDEL, Sonates à deux violons, deux haubois ou deux flûtes traversières & basse continue.
“Amsterdam, Jeanne Roger, no. 535” [= London, John Walsh, [c. 1730]).
| VI SONATES | à deux Violons, deux haubois ou | deux Flutes traversieres & | Basse Continue| Composées par |
Composées Par | G. F. HANDEL | SECOND OUVRAGE | A AMSTERDAM | CHEZ JEANNE ROGER | No 535. |
Engraved, upright folio format. Three partbooks: Traversa Primo / Violino Primo (T1: Sonatas I, pp. 2-5, IV, pp. 14-17;
V1: Sonatas II-III, pp. 6-13, V-VI, pp. 18-25), Violino Secondo (2-16 pp.), Violoncello e Cimbalo (2-22 pp., pp. 7, 12
blank). Single plates 18.5 x 26 cm.
Issues “Amsterdam, Jeanne Roger, no. 535” (= London, John Walsh, [c. 1720]). {Smith& Humphries
Handel 2/1970, p.242; RISM H 1346} Dating after Smith & Humphries
Bentley (GB), Coke Collection (now Brit. Libr.?)
Edinburgh, Nat. Libr. Scotland, BH.***.
London, Brit. Lib., h.435.z. (ex Gerald Edward Coke) (over the imprint of the T1/V1
partbook a damaged label with ‘sold by IOHN WALSH at the Harp … Where may be had
the foll… compos’d by Mr. HANDEL’ and a catalogue of Handel editions in three
columns).
London, Roy. Coll. Mus.
Oxford, Bodl. Libr.
[London], John Walsh, no. 408, [c. 1733]. {RISM H 1347}
Bentley (GB), Coke Collection (now Brit. Libr.?)
Berkeley, Univ. Calif. Mus. Dep.
25
25 February 2015
Cambridge, Univ. Libr.

Cardiff, Univ. Libr. (ex Publ. Libr.)
Edinburgh, Nat. Libr. Scotland, BH.***.
Frankfurt (B F)
Haslemere, Dolmetsch Libr.
Leeds, Brotherton Coll.
London, Brit. Libr.
London, Brit. Libr.
London, Brit. Libr.
London, Brit. Libr.
London, Roy. Acad. Mus.
London, Westminster Abbey Libr.
Los Angeles, Univ. Calif., W.A. Clark Memorial Libr. (Vcl & BC missing).
US-LVu
Oslo, Univ. Bibl.
Oxford, Bodl. Libr.
Oxford, Oriel Coll. Libr.
Oxford, Oxford Univ. Fac. Mus. Libr.
Paris, Bibl. Nat.
Paris, Bibl. Nat.
Rochester, Sibley Mus. Libr.
Skara, Stifts- og Landesbibl.
Stockholm. Kungl. Mus. Akad.
Venice, Bibl. Naz. Marciana
Vienna, Ges. Musikfreunde
Vienna, Oest. Nat. Bibl. (V2 missing)
Washington, Libr. Congr.
Watertown (Mass.), Perkins School for the Blind
Williamsburg, Col. Williamsburg Libr.
Reprints London, Benjamin Cooke, [c. 1733]. {RISM H 1348} Later issue London, John Johnson, [c.
1750?] {RISM H 1349}
Six sonates en trio, pour deux violons, hautbois ou flûtes traversières, avec la basse continüe …
Second Oeuvre, Nouvelle édition. Paris: Leclerc, Leclerc, Boivin, [c. 1737] (RISM H 1350}
Contents
Sonata I (b): Andante, Allegro ma non troppo, Largo, Allegro. (HWV 386; HHA IV/10/1, p. 1-14).
Sonata II (g): Andante, Allegro, Largo, Allegro. (HWV 387; HHA IV/10/1, p. 15-22).
Sonata III (B-flat): Andante, Allegro, Larghetto, Allegro (HWV 388; HHA IV/10/1, p. 23-34).
Sonata IV (F): Larghetto, Allegro, Adagio, Allegro. (HWV 389; HHA IV/10/1, p. 35-44).
Sonata V (g): Larghetto, Allegro, Adagio, Allegro. (HWV 390; HHA IV/10/1, p. 45-60).
Sonata VI (g): Andante, Allegro, Arioso, Allegro. (HWV 391; HHA IV/10/1, p. 61-72).
Facsimile Editions
Modern Edition HHA IV/10/1: Neun Sonaten für zwei Violinen und basso continuo: Sechs Sonaten op. 2, Sonate
F-dur, Sonate g-Moll, Sonate E-Dur, Herausgegeben von Siegfried Flesch, Continuo-Aussetzung
Ingeborg Schneider. Kassel, Bärenreiterm BA 4029, 1970 = Hallische Händel-Ausgabe, Serie IV,
Band 10/1.
References Smith 1960, pp. 244-246; Burrows 1983; Baselt 1986, pp. *****
Smith noemt “Hopkinson”. Nagaan.
— Handel — Floridant — (Walsh, [1720]) —
GEORGE FRIDERIC HANDEL, Floridant, an opera ... London, John Walsh, [1720]. {RISM HH 147-148; Smith 1960,
Floridante 1?}
Inventory [p. 378] ‘1 - [Handel] Floridant Opera.’

Catalogue For sale: Catalogue 1744, p. 57; ‘Floridant Opera fol. - f 9:0.’
26
25 February 2015
— Handel — Ottone — (Walsh, [1723]) —
GEORGE FRIDERIC HANDEL, Ottone, an opera ... London, John Walsh, [1723]. {RISM HH 219-220; Smith 1960, Ottone
1 or 3?}
Inventory [p. 378] ‘1 - [Handel] Otto Opera.’

Catalogue For sale: Catalogue 1744, p. 57; ‘Otho Opera fol. - f 9:0.’
— Handel — Radamisto — (Meares, [1720]) —
GEORGE FRIDERIC HANDEL, Il Radamisto, opera ... London, Richard Meares, [1720]. {RISM HH 258; Smith 1960,
Radamisto 1}
Inventory [p. 378] ‘1 - Handel Radomisto Opera.’

Catalogue For sale: Catalogue 1744, p. 57; ‘Radamiste Opera fol. - f 9:0.
— Handel — Radamisto: Arie — (Meares, [1721]) —
GEORGE FRIDERIC HANDEL, Arie aggiunte di Radamisto, opera ... London, Richard Meares, [1721]. {RISM HH 261;
Smith 1960, Radamisto 2}
Inventory [p. 378] ‘1 - [Handel] Arie del Aggiunte de Radomisto Opera.’

Catalogue For sale: Catalogue 1744, p. 57 : ‘Arie Aggiunte di Radamisto. - f 4:0.’
— Handel — Rinaldo — (Walsh, [1726c]) —
GEORGE FRIDERIC HANDEL, Arie dell’opera Rinaldo. London: John Walsh, [1726c]. {RISM H 278-280; Smith 1960,
no. 5?}
Inventory [p. 378] ‘1 - Arie del Opera di Renaldo Handel.’

Catalogue For sale: Catalogue 1744, p. 57; ‘[Arie] de l’Opera di Rinaldo. - f 3:0.’
— Handel — Rodelinda — (Cluer, [1725]) —
GEORGE FRIDERIC HANDEL, Rodelinda, an opera ... London, John Cluer, [1725]. {HH 292-293; Smith 1960, Rodelinda
1?}
Inventory [p. 378] ‘1 - [Handel] Rodelinda Opera.’

Catalogues For sale: Catalogue 1744, p. 57; ‘Rodelinde Opera fol. - f 9:0.’
— Handel — Siroe — (Cluer, [1728]) —
GEORGE FRIDERIC HANDEL, Siroe, an opera ... London, John Cluer, [1728]. {RISM HH 329; Smith 1960, Siroe 1?}
Inventory [p. 378] ‘1 - [Handel] Siroe Opera.’

Catalogue For sale: Catalogue 1744, p. 57; ‘Siro -f 9:0.’
Opera fol.
— Handel — Tamerlano — (Cluer, [1724]) —
GEORGE FRIDERIC HANDEL, Tarmelano, an opera ... London, John Cluer, [1724]. {RISM HH 350; Smith 1960,
Tamerlano 1?}
Inventory [p. 378] ‘1 - [Handel] Tamerlane Opera.’
27
25 February 2015
Catalogue For sale: Catalogue 1744, p. 57; ‘Tamerlane Opera fol. - f 9:0.’
— Handel — Overtures— (Walsh, [1733c]) —
GEORGE FRIDERIC HANDEL, XXIV Overtures for violins &c. in eight parts. London: John Walsh, no. 409, various
editions, [1733c] {RISM H 1278-1282; Smith 1960, Overtures in Parts 33}
Inventory [ p. 379] ‘1 - Handel XXIV Ouvertures en 7 parties.’

Catalogue For sale: Catalogue 1744, p. 59; ‘XXIV. Ouvertures en sept parties. - f 9:0.’
Remark All editions with the main title ‘XXIV Overtures’ seem to be ‘in eight parts.’
— Handel — Suites — (Walsh, [17**]) —
GEORGE FRIDERIC HANDEL, Suites de pièces pour le clavecin ... Premier volume. London, Christopher Smith, Richard
Meares, [....]. {RISM HH 1430-1432} London, John Walsh, [....]. {RISM HH 1433}
Inventory [p. 368] ‘1 - Handel Pieces de Clavecin London.’

Catalogue For sale: Catalogue 1744, p. 59; ‘Pièces de Clavecin d’Hendel. London. – f 6:0.’
— Handel — Overtures (Harpsichord) — (Walsh, [17**]) —
GEORGE FRIDERIC HANDEL, XXIV Overtures, fitted for the harpsichord or spinnet … London: John Walsh, no. 203,
[*** ***]. {RISM H 1310}
Inventory [p. 379] ‘1 - [Handel] XXI [Ouvertures] p: le clavecin.’

Catalogue For sale: Catalogue 1744, p. 59; ‘XII. pour le clavecin. - f 3:0.’
— Handel — Sinfonie Teseo, Rinaldo — (Manuscript) —
GEORGE FRIDERIC HANDEL, ‘Sinfonie dell’opera del Teseo e del Rinaldo.’ Manuscript.
Inventory [Geschreve Muzijk ... p. 294] ‘[no.] 38 - Sinfonia del Opera de Tesco, e Rinaldo &c.’
— Havingha — Suites Opus 1 — 510 — [1724] —

GERHARDUS HAVINGHA, VIII Suites ... voor de clavecijmbal ... Opera prima. LC, no. 510, [1724].
│ VIII SUITES │ Gecomponeerd │ voor de │ Clavecijmbal off Spinet │ Bestaande │ in │ Ouvertures,

Preludien, Allemanden, │ Couranten, Sarabanden, Aire, │ Gavotten, Entrées, Marschen, │ Menuetten, en
Gig3 │ Opgedraagen │ Aan de │ EDELE GROOT ACHTBAARE HEEREN BORGEMEESTEREN │ der Stad │
ALKMAAR │ door │ GERHARDUS HAVINGHA │ Opera Prima │ T’ AMSTERDAM │ bij │ MICHEL
CHARLES LE CENE │ Musijk en Boekverkooper │ No.510 │
Engraved, upright folio format. Score (iv, 67 pp.), Plates 2 x (20 x 29) cm.
Issue LC, no. 510, [1724]. {RISM H 2411}

Leipzig, Musikbibl.
Advertisement Gazette d’Amsterdam, 17 October 1724.
Catalogue 1735, p. 69 (no. 510); ‘VII Suittes ... [sic].’
Catalogue 1744, p. 49 (no. 510); ‘VII Suites ... [sic].’
28
25 February 2015

Price f 5:0; £t 11 (Ballard 1731) £t 12 (Leclerc 1734-1737).
Inventory [p. 322] ‘19 - Havingha, Pieces de Clavecin - 33/3/93¼ - f 42:10.’
Contents
i Title
iii Dedication by Havingha to the burgomasters of Alkmaar.
1-7 Ouverture prima (g): Adagio-Vivace-Adagio, Allemanda, Corrente, Marsch, Sarabanda, Gigue.
7-14 Ouverture seconda (E): Adagio e Grave - Allegro-Adagio, Allemanda, Corrente, Sarabande,
Entrée, Menuet.
14-20 Ouverture terza (b-flat): Grave-Presto-Adagio & Grave, Allemanda, Corrente, Air, Air met
d’Agremente, Menuet, Sarabanda, Gigue, Gigue d’Ecossoise.
21-30 Ouverture quarta (A): Vivace-Adagio-Allegro, Allegro, Allemanda, Corrente, Air, Entrée,
Sarabanda, Fantasia, Menuet, Gigue.
31-40 Ouverture quinta (a-sharp): Adagio & Grave - Poco Allegro - Adagio & Grave, Allemanda,
Corrente, Sarabanda, Marsch, Aria, Entrée, Menuet.
40-51 Ouverture sexta (E-flat): Poco Vivace, Alla Breve, Allemanda, Corrente, Sarabanda, Gavotta,
Largo, Menuet, Gigue.
52-57 Ouverture septima (d): Adagio - Allegro avec Discretion - Adagio & Grave, Allemanda,
Corrente, Sarabanda, Entrée, Menuet.
58-67 Ouverture octava (F): Vivace-Largo-[Allegro], Allemanda, Corrente, Air, Gavotta, Sarabanda,
Menuet, Gigue.
Facsimile edition Ed. Clemens Romijn. Utrecht, Stimu, 1990.

Modern edition Gerh. Havingha, Werken voor clavecimbel [=VIII Suites ... voor de clavecijmbal], ed. Jos.
Watelet & Egard Lemaire. Antwerpen, Vereniging voor Muziekgeschiedenis, 1951;
reprint Amsterdam, Swets & Zeitlinger, 1971. (Monumenta Musicae Belgicae 7).
— Haym — Sonate Opus 1 — [272] — 1703 —

NICOLA FRANCESCO HAYM, Dodeci sonate a tre, cioe due violini, e violoncello o cembalo ... Opera prima.
ER, 1703.
│ DODECI SONATE À TRÈ │ Cioè due Violini, e Violone ò Cembalo, di │ Nicola Francesco Haim Romano
│ Opera Prima │ CONSECRATE │ Al’ Illus.mo et Ecc.mo Signore │ IL’ SIGRE. WRIOTHESLY DUCA DI
BEDFORD, │ Marchese di Tavistok, Conte di Bedford, Barone Russell di │ Thornhaugh, Barone Howland
di Streatham, Governatore, │ delle Provincie, di Bedford, Cambridg, e Middlesex, │ et Custos Rotulorum
per la detta Provincia, │ et Cavaliero del’ Nobbilismo. Ordine │ della Giartiera │ in Amsterdam per
ESTIENNE ROGER 1703. │
Engraved, oblong quarto format. Three partbooks: Violino primo (iv, 2-23 pp.), Violino secondo (iv, 2-22
pp.), Violone o Leuto (iv, 2-22 pp.). Quadruple plates 4 x (21 x 17) cm.
Issue ER, 1703. {RISM HH 4918}

London, Brit. Libr., K.7.c.2.(2.) (only V1, V2; without titlepage, printed on one
side of the leaf only). (BL 1981 XVII, p. 340)
Oxford, Bodleian Libr., MS. Mus. Sch. E 509.
Oxford, Christ Church Libr., 97-9. (Hiff 1919, p. 34)
Washington DC, Libr. Congr., M 351 .H56 Op. 1 Case.
The Hague, Mus. Neerl./ Noske.
Catalogues First: Arnauld 1703A.
Catalogue 1716, p. 272 (no. 272).
29
25 February 2015
Catalogue 1735, p. 51 (no. 272).

Catalogue 1744, p. 33 (no. 272).
Price f 5:0.
Inventory [p. 321] ‘12 - Haim, Opera primo Trio - 16/4/54 - f 22:04.’
Contents
i Title page.
iii Letter of dedication in Italian by Haym, dated ‘Londra li 15 Febraro 1703’, in all partbooks. For
text with Italian translation see modern edition p. 2.
Sonata I (d-0): Adagio, Vivace, Adagio, Allegro. [L 1, pp. 3-7]
Sonata II (F): Adagio, Allegro, Largo, Allegro. [L 1, pp. 8-11]
Sonata III (a): Adagio, Andante, Adagio, Vivace. [L 1, pp. 12-16]
Sonata IV (c): Grave, Vivace, Adagio, Allegro. [L 1, pp. 16-22]
Sonata V (G): Adagio, Andante, Grave, Vivace. [L 1, pp. 23-27]
Sonata VI (C): Adagio, Vivace, Grave, Allegro. [L 1, pp. 28-32]
Sonata VII (B-flat): Adagio Preludio, Corrente Allegro, Sarabanda Adagio, Gavotta Presto. [L 1, pp. 33-36]
Sonata VIII (D): Adagio Preludio, Corrente Vivace, Adagio, Gavotta Allegro. [L 1, pp. 37-41]
Sonata IX (g): Grave Preludio, Andante Allemanda, Grave, Giga Vivace. [L 1, pp. 42-27]
Sonata X (e): Largo Preludio, Corrente Allegro, Grave, Gavotta Vivace. [L 1, pp. 48-51]
Sonate XI (A): Adagio, Preludio, Allemanda Allegro, Adagio, Giga Allegro. [L 1, pp. 52-56]
Sonata XII (G): Adagio Preludio, Allemanda Allegro e Puntato, Adagio, Presto, Giga Allegro. [L 1, pp. 57-
60]
Edition In L 1: Nicola Francesco Haym, Complete Sonatas Part 1, Edited by Lowell E. Lindgren
(Middleton WI: A-R Editions, 2002 = Recent Researches in the Music of the Baroque Era
116), pp. 1-60.
Reference Lepore 1995, pp. 560-561.
Remark Purchased by the Arnhem Collegium Musicum on 13 October 1703 for f 5 (Minderhout
1997).
— Haym — Sonate Opus 2 — [201] — 1704 —

NICOLA FRANCESCO HAYM, Sonate a tre, cioè violini, flauti, violoncello e basso continuo per il cembalo ...
Opera seconda. ER, [no. 201], 1704.
│ SONATE a TRE │ Cioè Violini Flauti, Violoncello e │ Basso Continuo per il Cembalo │ DI NICOLA
FRANCESCO HAIM ROMANO │ Opera Seconda │ DEDICATE │ Al’ illustrissimo Signore │ IL SIGre.
RICCARDO EDGCUMBE │ in AMSTERDAM │ Per Estienne Roger 1704. │
Engraved, oblong quarto format. Three partbooks: Violino Primo (iv, 22 pp.), Violino Secondo (iv, 22 pp.,
16-19: Violoncello; 20-21: Flauto Secondo), Violone o Leuto (iv, 20 pp.). Quadruple plates 4 x (21 x 17) cm.
Issue ER, [1704]. {RISM H 4919}

Brussels, Cons. Roy. Mus., 13,504. (Wotquenne 1912, p. 132)
Oxford, Bodl. Libr., MS. Mus. Sch. E 510.
Washington DC, Libr. Congr., M 351 .H56 Op. 1 Case.
Advertisement Post Man, 3 August 1706 (Isaac Vaillant).
Catalogues First: Burchett 1704A.
Catalogue 1716, pp. 321, 332, 336 (no. 201).
Catalogue 1735, pp. 32, 47, 51 (no. 201).
Catalogue 1744, pp. 17, 30, 33 (no. 201).
Price f 5:0.
Inventory [p. 321] ‘8 - [Haim, Opera] seconda Trio.’
30
25 February 2015
Contents
i Title page.
iii Letter of dedication in Italian by Haym, dated ‘Londra, li 15 ottobbre 1704’, in all four
partbooks.
Sonate per due Violini e Basso
Sonata I (C): Adagio, Vivace, Adagio, Gavotta Allegro.
Sonata II (D): Largo, Allegro, Adagio, Vivace.
Sonata III (c-2): Adagio, Allegro, Grave, Andante.
Sonata IV (E): Adagio, Vivace, Adagio, Allegro.
Sonata V (a): Largo, Presto, Adagio, Vivace, Adagio, Allegro.
Sonate proprie per due Violini ò per due Flauti
Sonata VI (g-1): Adagio, Allemanda Allegro, Grave, Allegro.
Sonata VII (C): Adagio, Allemanda Allegro, Adagio, Gavotta.
Sonata VIII (F): Adagio, Allemanda Allegro, Adagio, Giga Allegro, Gavotta.
Sonata IX (e): Adagio, Allemanda Allegro, Adagio, Giga Allegro.
Sonate à Violino e Violoncello con il Basso Continuo
Sonata X (C): Grave, Allemanda Allegro, Adagio, Giga Presto.
Sonata XI (G-0): Adagio, Allemanda Largo e Puntato, Vivace.
XII Partite di Ciaccona per due Flauti e Basso
Sonata XII (G-0): Partite Di Ciaccona.
Modern edition In L 2: Nicola Francesco Haym, Complete Sonatas Part 2, Edited by Lowell E. Lindgren
(Middleton WI: A-R Editions, 2002 = Recent Researches in the Music of the Baroque Era
117), pp. 1-58.
Literature Lepore 1995, pp. 560-562.
Remark Purchased by the Arnhem Collegium Musicum on 2 May 1705 for f 5 (Minderhout 1997).
The dedicatee is Richard Edgcumbe (1680-1758), later Member of Parliament for
Cornwall, Plympton and Saint Germans. He had been in Rome from 1697 to 1697, where
he studied with Corelli’s and commissioned Hugh Howard’s portrait of the composer.
— Haym & Bitti — Sonate — [329] — [1710] —

NICOLA FRANCESCO HAYM & MARTINO BITTI, VI Sonate da camera a flauto traversa, haubois, o violino
solo ... ER, [no. 329], [1710].
│ VI SONATE DA CAMERA │ a Flauto Traversa, Haubois │ o Violino Solo │ di │ NICOLA FRANCESCO

HAIM ROMANO │ e │ M. BITTI │ A AMSTERDAM │ Aux depens D’ESTIENNE ROGER Marchand Libraire
│Qui vend la Musique du monde la plus correcte & qui s’engage de la I donner à meilleur marché que qui
que ce soit, quand │ même il devroit la donner pour rien. │
Engraved, upright folio format. Score (21 pp.). Double plates 2 x (20 x 28) cm.
Issue ER, [1710]. {RISM H 4920}

Wiesentheid, Coll. Schönborn, Mus. 66 (Zobely 1967, no. 66, pp. 54-55).
Advertisement Amsterdamsche Courant, 8 May 1710.
Catalogues First: Catalogue 1712, pp. 25, 30.
Catalogue 1716, pp. 323, 329 (no. 329).
Catalogue 1735, pp. 34, 41 (no. 329).
Catalogue 1744, pp. 18-19, 25 (no. 329).
Catalogue Leclerc 1734, p. 70.
Price f 2:0; £t 6 (Leclerc 1734).
Inventory [p. 321] ‘18 - [Haim] & Bitti, a fl: trav: Solo.’
31
25 February 2015
Contents
2-5 HAYM Sonata I (c-2): Largo, Vivace, Adagio, Allegro. [L 1, pp. 63-66]
5-7 HAYM Sonata II (d): Adagio, Allegro, Adagio, Allegro. [L 1, pp. 67-70]
8-11 HAYM Sonata III (c-2): Adagio, Allegro, Adagio, Allegro. [L 1, pp. 71-74]
11-15 HAYM Sonata IV (a): Largo, Allegro, Largo, Allegro. [L 1, pp. 75-80]
15-18 BITTI Sonata V (c-3 sic: Adagio, Allegro, Adagio, Allegro.
19-21 BITTI Sonata VI (c-2 sic): Adagio, Vivace, Adagio, Allegro assai.
Facsimile edition
Modern edition The four sonatas by Haym in L 1: Nicola Francesco Haym, Complete Sonatas Part 1,
Edited by Lowell E. Lindgren (Middleton WI: A-R Editions, 2002 = Recent Researches
in the Music of the Baroque Era 116), pp. 61-80.
Reference Talbot 2015, pp. 59-61, 73.
Remark According to Talbot (2015, p. 59) Sonata VI is probably not by Bitti.
— Haze — Triphonia Opus 2 — (Aerssens, 1691) —
JOANNES DE HAZE, ‘Triphonia da suonare in camera a doi violini e basso, consistendi in balletti, allamande, correnti,
sarabande, arie e altre bizarrie academiche ... Opera seconda.’ Antwerp: Henricus Aertssens, 1691. {not extant?}
Catalogues First for sale: La Martinière 1698EE; ‘Giovanni de Haas, Balletti, opera seconda - f 2:10.’
Catalogue 1744, p. 59; ‘Haze Triphonicae Trio Anversa. - f 1:10.’
Catalogue Ballard/Brossard 1700 (Lebeau 1955, p. 34): ‘Haze (giovanni de) - Tryphonio da
suonare in camera a doi violini e basso consistendi in balletti, allemende, correnti, sarabande, arie
e altre bizarrie academiche ... Opera seconda. Anvers, per Henrico Aertssens, 1689. 3 parties in-
fol. (Il paroist par la preface que «La sua prima opera che fu stampata in Middelburgo citta in
Zelanda 1681 non ha riuscito al gusto de’ virtuosi non per mancanza della compositione, ma per le
molti errori commessivi dallo stampatore e anche le piccole note, onde egli la rese insonabile et
tutto affatto disforme e mostruosa &c»).’
Price f 2:10 (1698); f 1:10 (1744).
Inventory [p. 369] ‘3 - Haze Tryphonia Trio Anversa.’
Remarks Joannes de Haze was an Antwerp amateur composer. His Opus 1, a volume with trio pieces,
entitled Clio (Middelburg, Remigius Schrijver, 1681), is extant.
— Hertel — Sonate Opus 1 — 543 — [1727] —

JOHANN CHRISTIAN HERTEL, Sonate a violino solo col violino o cembalo ... Opera prima. LC, no. 543,
[1727].
| SONATE | à Violino Solo Col Violone ò Cimbalo | DEDICATE | AL SERENISSIMO PRINCIPE | IL SIGNORE
ERNESTO AUGUSTO | Duca di Sassonia, Giuliaco Clivia Monte, Angria e Westphalia, | Landgravio di
Thuringhia, Margravio di Misnia Principe di Henneberg, | Conte di Marca e Ravensberg, Signore di
Ravenstein. | Da | GIOVANNI CHRISTIANO HERTELLI | OPERA PRIMA | A AMSTERDAM | a Spesa di MICHELE
o
CARLO LE CENE | N . 543 |
Engraved, oblong folio format. Score (29 pp., pp. 10 and 24 blank). Single plates 31.5 x 20.5 cm.
Issue LC, no. 543, [1727]. {RISM H 5199}

Uppsala, Univ. Bibl., Coll. Leufsta Bruk(De Geer), 33.
Catalogue 1744, p. 27 (no. 543).
32
25 February 2015

Price f 3:0; £t 8 (Ballard 1731); £t 9 (Leclerc 1734-1737).
Inventory [p. 325] ‘5 - Hertelli Solo - 29/-/32¼ - f 13:08.’
Contents
i Title
iii Letter of dedication by Hertel.
1-5 Sonata I (F): Andante, Un poco Allegro, Siciliana, Giga.
5-9 Sonata II (C): Largo, Vivace, Affettuoso Vivace.
10 blank
11-15 Sonata III (c-2): Largo, Allegro, Affettuoso, Tempo di Menuet.
16- Sonata IV (g): Largo, Vivace, Sicilana, Allegro.
20-24 Sonata V (E): Dolce, Allegro, Andante, Tempo di Boeree [sic].
24 blank
25-29 Sonata VI (A): Largo, Fuga, Siciliana, Allegro.
Literature Walther 1732, p. 312: mentions 1727 as year of publication.
— Hertel — Sonate (flauto) — (Manuscript) —
JOHANN CHRISTIAN HERTEL, ‘VI Sonate a flauto traversiere solo.’ Manuscript.
Inventory [Geschreve Muzijk ... p. 299] ‘[no.] 84 - VI Sonate a flauto traversiere Solo di Joh:Ch:Hertel.’
— Heudeline — Suittes Livre 1 — [203] — 1702 —

LOUIS HEUDELINE, Trios suittes de piéces a deux violes propres ... Livre premier, Seconde édition. ER,
[1702].
| TROIS SUITTES | DE PIECES | A DEUX VIOLES | Propres à joüer sur le violon | & le Clavessin | Composées
Par | MONSIEUR HEUDELINE | LIVRE PREMIER | SECONDE ÉDITION | Corrigée par l’Autheur de quantité de
fautes | qui se sont glisées dans l’édition de Paris. | AVERTISSEMENT | Le P siginifie Poussez l’Archet | Le T
signifie Tirez l’Archet | Le + signifie Battement | Le t Marque le Cadence | Les chiffres sous les Nottes du
dessus marquent les Doigts. | Ces marques ne sont Faittes que pour ceux qui jouent ces | Pieces sur le
Dessus de Viole. | A AMSTERDAM | Chez ESTIENNE ROGER Marchand Libraire | Ou l’on trouve un
Assortiment General de Musique Italienne | Angloise & Francoise tant pour les voix que | pour toutes sortes
d’Instrumens. |
Engraved, upright folio format. Two partbooks: Dessus (16 pp.), Basse (9 pp.). Double plates 2 x (20 x 30)
cm.
Source Paris, Christophe Ballard, 1701. {RISM H 5213}

Issue ER, [1702]. {RISM H 5214}
Durham, Cath. Libr., Mus. C 40 (Harman 1968, no. 509, p. 85).
Catalogue 1716, p. 309 (no. 203).
Catalogue 1735, p. 18 (no. 203).
Catalogue 1744, p. 6 (no. 203).
Price f 2:10.
Inventory [p. 322] ‘24 - Hendeline, Liv. premier Trio.’
33
25 February 2015
Contents
Premiere Suitte (d-0): 1 Prelude, 2 Prelude, 3 Allemande à joüer seul, 4 Double, 5 Courante, 6 Sarabande
Grave, 7 Gigue, 8 Gavotte en Rondeau, 9 Menuet, 10 Rondeau à joüer seul, 11 Chaconne, (D) 12 Sonate
Gay, 13 la Petite Marquise, 14 Double.
Seconde Suitte (A): 15 Prélude à joüer seul Tres viste, 16 Allemande, 17 Courante, 18 Double, 19
Sarabande, 20 Gigue, 21 Gavotte, 22 Double, 23 Menuet, 24 Rondeau, 25 Rigaudon, 26 Second Rigaudon,
27 Troisieme Rigaudon, 28 Sonate en Chaconne.
Troisiéme Suitte (g-1): 29 Prelude, 30 Prelude, 31 Allemande, 32 Courante, 33 Double, 34 Sarabande, 35
Gigue, 36 Gavotte, 37 Double de la Gavotte precedente, 38 Menuet, 39 Rondeau, 40 Chaconne, 41 Sonate
(various movementsm last): Lentement.
— Heudeline — Pièces Livre 2 — [204] — 1706 —

LOUIS HEUDELINE, ‘Pièces pour le dessus et le basse de viole & pour le violon & le clavecin ... Livre
seconde.’ ER, [1706].
Source Ballard-uitgave? Nagaan.

Catalogues First: Félibien 1706D; ‘Pièces pour le dessus & basse de viole & pour le violon & le
Clavessin, Trios & sonates composées par Mr. Heudelinne Livre second.’
Catalogue 1716, p. 309 (no. 204).
Catalogue 1735, p. 18 (no. 204).
Catalogue 1744, p. 6 (no. 204).
Price f 3:0.
Inventory [p. 322] ‘23 - [Hendeline,] Liv. second Trio.’
— Van der Hoeven — Musicale wisjewasjes Deel 1 — [1717-1725] —

EMANUEL VAN DER HOEVEN, ‘Musicale wisjewasjes en vodderyen ... Eerste deel.’ JR or LC, [1717-1725].
Issue JR or LC, [1717-1725]. {not extant?}

Catalogues First: Catalogue 1725, p. 14; ‘Emanuel van der Hoevens Musicale wisjewasjes en
vodderyen, bestaande in boertige gesangen met en sonder Instrumenten eerste Deel.
Price f 1:02.
Inventory [p. 373] ‘3 - Hoeven (van der) Mengelzangen 1e deel.’
[p. 393] ‘147 - van der Hoevens Eerste deel 4o - f 3:10.’
— Van der Hoeven — Musicale wisjewasjes Deel 2 — [1717-1725] —

EMANUEL VAN DER HOEVEN, ‘Musicale wisjewasjes en vodderyen ... Eerste-Tweede deel.’ JR or LC, [1717-
1725].
Issue JR or LC, [1717-1725]. {not extant?}

Catalogues First: Catalogue 1725, p. 14: ‘ Idem [Emanuel van der Hoevens Musicale wisjewasjes
en vodderyen, bestaande in] mengelzangen met en sonder instrumenten tweede Deel.’
Price f 1:02.
Inventory [p. 373] ‘13 – [Hoeven (van der) Mengelzangen] 2 deel.’
34
25 February 2015
[p. 393] ‘200 – [van der Hoevens] Tweede deel 4o - f 5:0.’
— Hollantsche Schouwburg Deel 1 — 199 — [1714] —

Hollantsche schouburgh en plugge dansen ... Opgeset door Servaas de Konink, [Eerste deel] ... ER, no. 199,
[1714].
│ HOLLANTSCHE SCHOUBURGH │ en Plugge Dansen │ Vermengelt met Sangh Airen │ Seer bequaem
om op alle Instrumenten Gespeelt te kunnen werden │ Opgeset door │ SERVAAS DE KONINK │ TOT
AMSTERDAM │ By Estienne Roger Musyk en Boekverkooper │ No 199 │
Engraved, oblong quarto format. Single partbook (24 pp.). Quadruple plates 4 x (18 x 14) cm.
Issues ER, no. 199, [1714]. {RISM K 1331}

Amsterdam, Toonkunst-Bibl.
Catalogue 1735, p. 25 (no. 199).
Catalogue 1744, p. 4 (no. 199).
Price f 0:10 (1716-1735); f 0:15 (1744).
Inventory [p. 286] [no.] ‘76 - Hollandsche Schouwburg 1.2.3.4.5.6.7. delen.’
[p. 324] ‘38 - Holl. Schouwburg 1 Deel - 6/1/13 - f 7:08.’
[p. 325] ‘2 - Holl. Schouwburg, XI Deele Comp. - f 1:02.’
Contents
1 1. Een Olifant in een duyts doosie; 2. Hekse Dans uyt de vier kroonen; 3. Uyien en Peen
2 4. Boer en Boerin aen t spinnewiel; 5. Menuet
2-3 6. Loeres Dans of Boer met d’Eyers mandtie
3 7. Boer en Boerin; 8. Sterke Mans Menuet; 9. Vervolg van Sterke mans Menuet
4 10. Sarabande voor de sterke Man; 11. Dronke Switser
4-5 12. Het kraie Bosch.
5 13. Vriesche Boer; 14. Voltizeer Menuet
6 15. Menuet; 16. Schoonhoofse Menuet; 17. Dans voor de vier Getyden
6-7 18. De Princes van Vrieslant
7 19. De jonge Prins van Hollant; 20. Het Engels Spul
8 21. Menuet voor de Coort; 22. De Nieuwe markt
8-9 23. De Graven van Hollant
9 24. Belegh van Landauw; 25. De Jonge Prins van Vrieslandt
10 26. Marse; 27. ’T Overgaan van Doornik
11 28. T’ Overgaan van Ryssel; 29. Onse Sinter Claas; 30. Overtoome Menuet
12 31. De groote jonge van d’Osse Markt; 32. Het lieve lekkere Luk ......
12-13 33. Het klyne koe voetie
13 34. Menuet voor de Coort; 35. Boer op klompen; 36. Sarabande
14 37. En ik vryde een Mysie teer; 38. Poolsche Courant: Langhsaam; 39. Poolsche Menuet: gauw
14-15 40.Menuet voor vier Mooren
15 41. Boer en Boerin voor de Engelse juffrouw; 42. Polichinels, Scaramousie of Harlequin:
Langhsaam
16 43. Chaconne voor Polichinels
16-17 44. Pitie Paties dronke Boer
17 45. De Lapper van de Vullis karre; 46. Lieffelyke Steeven
18 47. Alle die niet meugen; 48. Menuet voor de Coort; 49. Den gevonde trouw in t Bosch: Franse
Manier Boer en Boerin
19 50. Menuet Figurée; 51. Menuet van juffrouw Boon; 52. Velt Menuet
20 53. Moffe Boeren Dans; 54. Menuet de Vleegel.
35
25 February 2015
Hier beginnen de Sangh Airen en moeten langhsaam gespeelt werden.

20-21 55. O Minne God hoe wonder
21 56. Bedroefde Ziel; 57. Air: Langhsaam
22 58. Bacchus liet tusschen byden; 59. Laat onse kussiens, Gavot
22-23 60. Air: langhsaam
23 61. Moet ik O minne Godt; 62. Trio
24 63. Soete juffers; 64. De Traanen die de: Langsaam
Facsimile edition In: Hollantsche Schouburgh, Met een inleiding van dr. Jos Koning en aantekeningen van
Cor van Sliedrecht (Enkhuizen: Drie Koningen, 2003).

Hollantsche schouburgh en plugge dansen ... Opgeset door Servaas de Konink, ’t Tweede deel... ER, [1715].
│ HOLLANTSCHE SCHOUBURGH │ en Plugge Dansen │ Vermengelt met Sangh Airen │ Seer bequaam
om op alle Instrumenten Gespeelt te kunnen werden │ Opgeset door │ SERVAAS DE KONINK │ T’
TWEEDE DEEL │ TOT AMSTERDAM │ By Estienne Roger Musyk en Boekverkoper │ No 370 │
Issues ER, no. 370, [1715]. {RISM 1331}

Catalogue 1735, p. 15 (no. 370).
Catalogue 1744, p. 4 (no. 370).
Price f 0:10 (1716-1735); f 0:15 (1744).
[p. 324] ‘49 - [Holl. Schouwburg] 2 Deel - 6/1/16 - f 8:17.’
Contents
1 65. Entree Langsaam; 66. Boeree; 67. Menuet met vieren
2 68. Gigue; 69. Menuet Gefigureert in Aghten; 70. T’ Vervolgh van de Menuet
2-3 71. Entree
3 72. Gigue; 73. Rigodon
4 74. Rigodon; 75. Passepie; 76. Tweede Passepie
4-5 77. Furie
5 78. Rondaux Gefigureert; 79. Sarabande Grave
6 80. Een Maskaraade, een Poessinel; 81. Sarabande voor een Scharmoes
6-7 82. Het groen Baarsien
7 83. Het warme Possien; 84. D’Springende Bot; 85. Spaanse Menuet
8 86. Voor een Spaniolet Sarabande; 87. Dronke Suitzer; 88. Entree
8-9 89. Menuet met vieren
9 90. Het Enkele haartje; 91. Poolse Menuet met vieren; 92. Entree
10 93. Gigue; 94. Menuet; 95. Boeree
11 96. Entree Langsaam; 97. Menuet Figuree; 98. Boeree
12 99. Gigue Rasiens; 100. Entraade Langsaam; 101. Boeree Piysanne
12-13 102. Menuet voor de Coort
13 103. Menuet Maskaraade; 104. Ballet voor Maskaraade
14 105. Poolse Sarabande; 106. Granadiers Mars; 107. Engelse Gigue voor Madam dragon
14-15 108. Boeree inde Carneval
15 109. Hans-worst zyn Menuet; 110. Sarabande Langsaam
36
25 February 2015
16 111. T’Groot School; 112. Gigue, Hans piffenbagh

16-17 113. Het niuwe Slaa mantje
17 114. Het Swieren van Zardam; 115. Duytsche Menuet met vieren
18 116. Sarabande met vieren en Castienetten; 117. Engelse Plaic
18-19 118. Chacconne Langsaam, Heel Langsaam, Heel Ras,
20 119. Klaas baas Moeder vande Slock; 120. Het malle maffi
21 122. De pop Victoria; 123. De bos hont; 124. Zoete Mijsje Aardigge prij
22 125. Het Gevolg of Gigue; 126. Langsaam: per Che Crudo ingraato; 127. Zang Air: Sieti Care
23 128. Zang Aria Langsaam; 129. Aria Langsaam Meijsiens Zagt en Teer van Zinnen; 130. Zang
Air, De Boer aghtige Savoijkool
24 131. Air vrolijk, A’table avec mes amis; 132. Aria zijt gij niet eens bewoogen

Hollantsche schouburgh en plugge dansen ... Opgeset door Servaas de Konink, ’t Derde deel ... ER, no. 416,
[1716].
│ HOLLANTSCHE SCHOUBURGH │ en Plugge Dansen │ Vermengelt met Sangh Airen │ Seer beqaam
om op alle Instrumenten Gespeelt te kunnen werden │ Opgeset door │ SERVAAS DE KONINK │ T’
DERDE DEEL │ TOT AMSTERDAM │ By Estienne Roger Musyk en Boekverkoper │ & Michel Charles
Le Cene │ No 416 │
Issues ER, no. 416, [1716]. {not extant?}

ER&LC, no. 416, [1723-1735]. {RISM K 1331}
Catalogue 1735, p. 15 (no. 416).
Catalogue 1744, p. 4 (no. 416).
Price f 0:10 (1725-1735); f 0:15 (1744).
[p. 324] ‘62 - [Holl. Schouwburg] 3 Deel - 6/1/14 - f 8:14.’
Contents
1 133. Den Uythooren; 134. Menuet Figuré
2 135. Het vergult Koekoetje
2-3 136. Bourée Eysere Waal of out Roest
3 137. Menuet Foutesse; 138. Menuet voor de Coort
4 139. Sarabande Langhsaam; 140. De Gewaande Prins van Wales
5 142. Menuet Figuré
6 143. Boer en Boerinnetje; 144. Sarabande Langhsaam
6-7 145. Air Ach wie wil hooren Singhen
7 146. Menuet voor de Coort H.F.; 147. Giga voor d’Engelsche juffrouw
8 148. Ballet Langhsaam; 149. D’Oostindische Vreught
8-9 150. Menuet
9 151. Menuet Gevarieert; 152. Menuet met vieren
37
25 February 2015
10 153. Giga een Musikant op Klompen; 154. Menuet voor de Coort

11 155. De Marveillen van t’ Leydsche pleyn; 156. Ballet voor de Coort
12 157. jan Rontom alias Stinkende L...; 158. Op Stilletje
12-13 159. Air Langhsaam
13 160. Osse voete met Savoy kool; 161. Sarabande Amours
14 162. Menuet d’Amours; 163. Menuet Figuré; 164. Vervolgh van de Menuet
15 165. Menuet voor de Coort; 166. d’Alkmaarder Hout
16 167. Menuet voor een Spaniolet; 168. T’Smousje of Gigue; 169. Menuet voor de Coort
16-17 170. Bourée of de Honties Dans
17 171. Entrée Ballet; 172. Sarabande
18 173. Menuet met vieren; 174. Sluyt Ballet uyt G
19 175. De Graef Steenbok; 176. Ruyghe Poessie
20 177. Menuet Figuré; 178. Menuet in de Uren van Phaeton
20-21 179. Switsers Mars
21 180. Sarabande voor een Moor; 181. Gigue op Klompen
22 182. Herders Menuet
22-23 183. Chaconne
23 184. Afdaaling van de vier Kroonen; 185. Dragonders Mars
24 186. Rondeau; 187. juffrouw hoogh en laagh

Hollantsche schouburgh en plugge dansen ... Vierde deel ... JR, no. 441, [1718].
│ HOLLANTSCHE SCHOUBURGH │ en Plugge Dansen │ Vermengelt met Sangh Airen │ Seer beqaam om op
alle Instrumenten Gespeelt te kunnen werden │ T’ VIERDE DEEL │ TOT AMSTERDAM │ By Jeanne Roger │
No 441 │
Issue JR, no. 441, [1718]. {RISM K 1331}

Catalogue 1735, p. 15 (no. 441).
Catalogue 1744, p. 4 (no. 441).
Price f 0:10 (1725-1735); f 0:15 (1744).
[p. 324] ‘41 - [Holl. Schouwburg] 4 Deel - 6/1/14- f 7:13.’
Contents
1 188. ’t Varke vret Stront; 189. De Poolze Daame; 190. De Dom van Utreght
2 191. De Schotse Ionker; 192. Menuet; 193. Menuet voor Lange Piet
2-3 194. De Tweede Menuet
3 195. Te Warmelo in ’t Haantie; 196. Hippel op ’t Sootie; 197. De Spaanse Boer
4 198. Wilt U Niet; 199. Dight Begroeijde
4-5 200. Ik Mis U.E. Waarde
5 201. Mahomet in ’t Duyts Doosie; 202. Menuet voor Mahomet
6 203. Ian Met de Vogtel; 204. De Boer Sonder Wante
7 205. Sarabande op de Slappe Coort; 206. Sang Air Wanneer Gedaghte Speelen
38
25 February 2015
8 207. Air De Lente: De Lente Hoort nu Apollo

8-9 208. De Soomer
9 209. De Herfst; 210. De Winter
10 211. De Stinkert van Sardam; 212. Hy die Mysis van den Haagh
10-11 213. ’t Engels Iuffertie
11 214. de Engelse Opera; 215. Giga
12 216. ’t Iuffr. Menuet; 217. Gigue Rondau
13 218. De Ligtmis; 219. Menuet van Klaas platvoet; 220. De Tweede Menuet
14 221. De France Boer; 222. Menuet van de France Boer
14-15 223. Menuet voor de France Iuffr.
15 224. Rigodon voor Ioris Langbeen; 225. De Tweede Rigodon
16 226. Menuet voor Iooris Langbeen; 227. Menuet voor de Mosselman; 228. De Tweede Menuet;
229. Lubbert met syn Stelt
17 230. Menuet voor Lubbert; 231. Menuet; 232. De Tweede Menuet
18 233. Menuet van de Hr. van Opdam; 234. De Tweede Menuet; 235. Frans Conterdans
19 236. Menuet; 237. Rigodon; 238. De Tweede Rigodon
20 239. Giga op Klompe; 240. De Tweede Giga
20-21 241. De Derde Giga
21 242. Rigodon; 243. De Tweede Rigodon
22 244. Menuet; 245. Engelze Rigodon; 246. Haaghze Conterdans
23 247. Menuet; 248. Post Menuet; 249. Air
24 250. Schots Air; 251. Giga

Hollantsche schouburgh en plugge dansen ... Vyfde deel ... JR, no. 443, [1718].
alle Instrumenten Gespeelt te kunnen werden │ T’ VYFDE DEEL │ TOT AMSTERDAM │ By Jeanne Roger │
No 443 │
Issue JR, no. 443, [1718]. {RISM K 1331}

Catalogue 1735, p. 15 (no. 443).
Catalogue 1744, p. 4 (no. 443).
Price f 0:10 (1725-1735); f 0:15 (1744).
[p. 325] ‘48 - Holl. Schouwburg 5 deel - 6/1/18 - f 9:12.
2 - Holl. Schouwburg, XI Deele Comp. - f 1:02.’
Contents
1 252. Engel[s]che Boere; 253. Twede Boere; 254. Menuet
2 255. Twede Menuet; 256. Derde Menuet; 257. De Engel[s]che Boer
2-3 258. Courant voor de Engel[s]che Boer
3 259. Giga voor de Engel[s]che Boer; 260. Boure; 261. Menuet
4 262. Menuet; 263. Menuet; 264. Jan van Bergen; 265. Menuet voor Jan van Bergen
4-5 266. Twede Menuet voor Jan van Bergen
39
25 February 2015
5 267. De Spaanse Soldaat; 268. Giga; 269. Menuet voor de Spaanse Soldaat; 270. Floris ben je
daar
6 271. De Boer wort van de Huyg Geligt; 272. ‘tGentze juffertje; 273. De Westfaalze Boer
6-7 274. Menuet voor de Westfaalze Boer
7 275. Giga; 276. Floris in ’t Mantje; 277. Mouris Langbeen; 278. Vader Hans
8 279. Menuet voor Vader Hans; 280. Giga voor Vader Hans; 281. De Vlielander Boere Vreugt
8-9 282. Menuet
9 283. Giga; 284. ’t Vlielander Mysje; 285. ’t Mysje wordt Gequeest
10 286. Van de rys komtze Thuys; 287. Giga voor ’t Vlielander Mijsje; 288. ‘t Boertje van Sardam
10-11 289. Menuet voor 4 Boere
11 290. Twede Menuet; 291. Derde Menuet
12 292. Vierde Menuet
12-13 293. La Forlane
13 294. Menuet; 295. Boere
14 296. De Weeseper pluym Graaf; 297. Menuet voor de pluym Graaf
14-15 298. Giga voor de pluym Graaf
15 299. De Haarlemmer duyn Majer; 300. Menuet; 301. Piet wort Gepoest
16 302. Jan kijkuyt; 303. Harderwijker Student; 304. Menuet voor de Student
17 305. Twede Menuet; 306. Giga; 307. Twede Giga
18 308. Forlaan voor de Student
18-19 309. ’t Sweets Harderin
19 310. Giga voor ’t Harderinnetje; 311. Courant; 312. Menuet
20 313. Vrolijke Frans; 314. Giga voor Vrolijke Frans; 315. Menuet voor Frans
20-21 316. Boere
21 317. Giga voor Jan met de Stelt; 318. Twede Giga; 319. Menuet
22 320. De Pronker van Amsterdam; 321. Giga; 322. Menuet
22-23 323. Twede Menuet
23 324. Giga; 325. Post Menuet; 326. Menuet
24 327. De moije Jongen; 328. Giga voor de Moije Jongen

Hollantsche schouburgh en plugge dansen ... Sesde deel ... JR, no. 444, [1718].
alle Instrumenten Gespeelt te kunnen werden │ T’ SESDE DEEL │ TOT AMSTERDAM │ By Michel Charles Le
Cene │ No 444 │
Issue JR, no. 444, [1718]. {not extant?}

LC, no. 444, [1723-1735]. {RISM K 1331}
Catalogue 1735, p. 15 (no. 444).
Catalogue 1744, p. 4 (no. 444).
Price f 0:10 (1725-1735); f 0:15 (1744).
[p. 325] ‘55 - [Holl.Schouwburg] 6 Deel - 6/1/18 - f 9:19.
40
25 February 2015
Contents
1 330. De Gekroonde Vlak; 331. Altena; 332. Straats Burgh
2 333. De vier Winde; 334. Ongemak aan de ... (sic)
2-3 335. D’Juffer aan de Schans
3 336. Menuet voor de koort; 337. Menuet voor de koort
4 338. D’Beer aan ’t Brulle; 339. Menuet voor de koort
4-5 340. Menuet Harlequin
5 341. Menuet Fugure
6 342. Menuet Zilvertijn; 343. Menuet a Quater
6-7 344. Met gemak mijn Heer
7 345. Menuet Fugure; 346. Koffij in ’t Hemt
8 347. Giga voor de Slinger koort; 348. Menuet d’Anjous
9 349. Menuet Fugure; 350. Het klijn Pluggie
10 351. D’Uijlle Boomen; 352. Sarabanda voor de koort
10-11 353. Van de dikke
11 354. Het Kloppie; 355. Menuet Fugure
12 356. Menuet a Quater; 357. Menuet Porsionel
12-13 358. Menuet voor de koort
13 359. Menuet a Quater; 360. Jannetje Snotneus
14 361. De Ververs Graft; 362. Mijn Wijf is Doot
14-15 363. Menuet Fugure
15 364. Menuet Fugure; 365. Menuet
16 366. D’Groote Maggol; 367. Menuet voor de Turk
16-17 368. Boer en Boerin
17 369. ‘t Rondeel van Utrecht; 370. Die Gaare Kakke wille
18 371. Courant voor klijn Lijffie; 372. Giga voor de koort; 373. Menuet voor de koort
19 374. Menuet; 375. Menuet Fugure; 376. Agh Philis
20 377. Het Droevigh Eijlant; 378. ‘t Vervolgh van ‘t Droevigh Eijhlant
20-21 379. Menuet Fugure
21 380. Een Pant(a)lon maat de Cappelle; 381. Ballet a Quater
22 382. D’Moffel Stijger; 383. De Nieuwe Kikker
22-23 384. Dronke Boer
23 385. Menuet voor de koort; 386. Boer en Boerin
24 387. Sarabanda; 388. Het Losse Slootje

Hollantsche schouburgh en plugge dansen ... Sevende deel ... JR, no. 475, [1721].
alle Instrumenten Gespeelt te kunnen werden │ T’ SEVENDE DEEL │ TOT AMSTERDAM │ By Jeanne Roger │
No 475 │
Issue JR, no. 475, [1721]. {RISM K 1331}

Catalogue 1735, p. 15 (no. 475).
41
25 February 2015
Catalogue 1744, p. 4 (no. 475).

Price f 0:10 (1725-1735); f 0:15 (1744).
[p. 325] ‘38 - [Holl. Schouwburg] 7 Deel - 6/1/14 - f 7:10.
Contents
1 389. Een Bruyntje met en Blontje; 390. ’t Vervolgh
2 391. De Catte Cop; 392. De France Rotte
2-3 393. Menuet voor de France Rotte
3 394. ’t Kind van Sendingh; 395. ’t Kind komt Thuys
4 396. d’Hartoogh van Beyjeren Passepied, Boere
4-5 397. Gavotta met Senys
6 398. Infante Dans van de Prins van Poortugaal Sarabanda Passepied
7 399. De Sarinne Langsaam; 400. Rigodon voor de Sarinne
8 401. Menuet voor de Sarinne
8-9 402. De Nieuwe Rigodon
9 403. Harders Duentje Langsaam; 404. Harders Boere
10 405. Harders Rondeau; 406. Harders Menuet; 407. Parysse Menuet
11 408. De Juffrouw Welgevalle
12 409. ’t Klyne Jantje; 410. Air voor d’Jonge Heer van Overvelt; 411. Menuet voor de Selve
12-13 412. Giga voor de Selve
13 413. De Haagse Lightmus
14 414. ‘t Frans Agrement
14-15 415. Het Tweede Frans Agrement
16 416. Het Haagse Soontje; 417. Rondeau; 418. Het Haagse Boerinnetje
16-17 419. De Sweetze Dans
17 420. Madam Alicrucque; 421. De Dans van Widdingh
18 422. Menuet; 423. March voor de Engelse Dragonder; 424. De Princesse Menuet
18-19 425. De Engelse Boure
19 426. Het Delfse Juffertje; 427. De France Dame
20 428. De France Dans; 429. De Hartoogh van Lottering; 430. De Spaanse Oorlogh
21 431. De France Tamboer; 432. Het Cupidootje
22 433. De Haagse Ojevaar; 434. De Hartoogh van Anyou; 435. Menuet
22-23 436. Ploij air d’Arnhem
23 437. Prelude voor de Canarie; 438. March om de Canarie te leere Singen; 439. Het Concert van
Abel tot Utreght
24 440. De Haagse nuwe Opera; 441. Rigaudon voor de Selve; 442. De Tweede Rigaudon

‘Hollantsche schouburgh en plugge dansen ... Achtste deel.’ LC, no. 552, [1729].
Issue LC, nos. 552-555, [1729-1735]. {not extant?}

Catalogues First: Catalogue 1735, p. 15 : ‘552 Hollandsche Schouburg, 8de deel.’
Catalogue 1744, p. 4 (nos. 552).
Price f 0:10 (1735); f 0:15 (1744).
Inventory [p. 325] ‘15 - [Holl. Schouwburg] 8 deel - 5/2/15¼ - f 6:17.
42
25 February 2015
Remark Walther 1732, p. 344, mentions all eleven volumes. Since he usually uses a (lost)
catalogue of 1729, this suggest that Volumes 8-11 appeared in that year, and not later.

‘Hollantsche schouburgh en plugge dansen ... Negende deel.’ LC, no. 553, [1729-1732].

Catalogues First: Catalogue 1735, p. 15; ‘553 Hollandsche Schouburg, 9de deel.’
Catalogue 1744, p. 4 (nos. 553).
Price f 0:10 (1735); f 0:15 (1744).
Inventory [p. 325] ‘49 - [Holl. Schouwburg] 9 Deel - 5/2/14¼ - f 8:03.
Remarks See Deel 8.

‘Hollantsche schouburgh en plugge dansen ... Tiende deel.’ LC, no. 554, [1729-1732].

Catalogues First: Catalogue 1735, p. 15 (no. 554); ‘554 Hollandsche Schouburg, 10de deel.’
Catalogue 1744, p. 4 (nos. 552-555).
Price f 0:10 (1735); f 0:15 (1744).
Inventory [p. 325] ‘ll. Schouwburg] 10 deel - 5/2/11 - f 6:17.
Remarks See Deel 8.

‘Hollantsche schouburgh en plugge dansen ... Elfde deel.’ LC, no. 555, [1729-1732].

Catalogues First: Catalogue 1735, p. 15 (no. 555); ‘555 Hollandsche Schouburg 11de deel.’
Catalogue 1744, p. 4 (nos. 552-555).
Price f 0:10 (1735); f 0:15 (1744).
Inventory [p. 325] ‘44 - [Holl. Schouwburg] 11 deel - 5/2/13¼ - f7:10.
Remarks See Deel 8.
— Hotteterre — Principes — [1709] —

JACQUES HOTTETERRE (LE ROMAIN), Principes de la flûte traversière ... ER, [1709].
│ PRINCIPES │ DE LA │ FLUTE TRAVERSIERE, │ OU FLUTE D’ALLEMAGNE. │ DE LA FLUTE

A BEC, │ OU FLUTE DOUCE, │ ET DU HAUT-BOIS, │ Divisez par Traitez. │ Par le Sieur
HOTTETERRE-le Romain, ordinai- │ re de la Misique du Roy. │ [vignette] │ A AMSTERDAM, │ Aux
43
25 February 2015
Dépens d’ESTIENNE ROGER, Marchand Li- │ braire, qui vend la Musique du Monde la plus cor- │ recte, &
qui s’engage de la donner à meilleur mar- │ ché que qui que ce soit, quand même il de- │ voit la donner
pour rien. │
Bookprinted, upright octavo format (iv, 46-[47] pp.)
Source Paris, Ballard, 1707. {RISM Écrits p. 423}

Issue ER, [1709]. {RISM Écrits p. 423}
Berlin, Deutsche Staatsbibl. (East), Fb 1.
Bologna, Civ. Museo Bibliogr. Mus., H.4.
Brussels, Cons. Roy. Mus., 17132 (not in Wotquenne).
London, Brit. Libr., 7899.c.11. (BL 1981 XXIX, p. 259).
The Hague, Gemeentemuseum, 4 C 61.
Paris, Bibl. Nat.
Vienna, Ges. Musikfreunde.
Wolfenbüttel, August-Bibl., 62 Musica div. (1) (August 1967, no. 1176, pp. 677-
678).
Washington DC, Libr. Congr.
LC, [1723-1743]. {RISM Écrits p. 424}
Kopenhagen, Kong. Bibl.
Advertisement Amsterdamsche Courant, 22 May 1710.
Catalogues First: Catalogue 1712, p. 11.
Catalogue 1744, pp. 1-2.
Price f 1:10.
Inventory [p. 375] ‘24 - Hotetere de flute traversiere.’
[p. 392] ‘520 - Hottetere Principes p La flute traversiere en 8o - aght plaaties 4 3/4 LB –
f 21:18.’
Contents
i Title
ii-iv Préface
1-33 Traité de la flûte traversière
34-43 Traité de la flûte à bec
44-46 Méthode pour apprendre à jouer du haut-bois
[47] Table
Facsimiles Kassel: Bärenreiter, [1941]. With after the facsimile: Deutsche Übertragung von Hans
Joachim Hellwig (pp. 3-46) and Nachwort des Herausgebers H.J. Hellwig (p. 47-48),
dated Berlin, Autumn 1941.
Kassel: Bärenreiter, 1982. Mit deutscher Übertragung und einem Nachwort von Hans
Joachim Hellwig (pp. 5-53). (= Documenta Musicologica Erste Reihe 34)
Internet http://www.musebaroque.fr/Downloads/hotteterre_principes.pdf
Dating Because of the phrase ‘qui vend la Musique du Monde la plus correcte, & qui s’engage de
la donner à meilleur marché que qui que ce soit, quand même il devoit la donner pour
rien.’ in the imprint?
— Hotteterre — Grondbeginselen — 1728 —

JACQUES HOTTETERRE (LE ROMAIN), ABRAHAM MOUBACH (translator), Grondbeginselen over de
behandeling van de dwars-fluit. LC, 1728.
44
25 February 2015
| GROND-BEGINSELEN | Over de BEHANDELING van de | DWARS-FLUIT. | In een duidelyke

Verhandeling over het recht | gebruik, in een korte Leeroeffening | van dien vervat. | DOOR | Den Heer
HOTTETERRE den Romein, | Voornaam Muzyk-Meester. | Overgezet door | ABRAHAM MOUBACH |
[vignette] | T’AMSTERDAM; | By MICHEL CHARLES LE CENE. | MDCCXXVIII. |
Bookprinted, octavo ( *(4), A-C(8) fols., viii, 47 pp., with three engraved sheets, taken from the French
edition, see previous item).
Source ER, [1709]. See previous item.

Issue LC, 1728. {RISM Écrits p. 424}
Bologna, Civ. Mus. Bibliogr. Mus., H.5.
Kopenhagen, Kong. Bibl.
The Hague, Ned. Muz. Inst., 10 H 54.
Catalogues First: Catalogue 1735, p. 2.
Catalogue 1744, pp. 1-2.
Price f 1:0.
Advertisement Leidsche Courant 24 October, 11 November 1729.
Inventory [p. 376] ‘2 - Hotteterre Grond beginselen van de dwarsfluyt.’
[p. 393] ‘250 - Hotteterre Grondbeginselen voor de Dwarsfluyt 8o - f 10:0.’
[p. 396] ‘62 - Hotteterre Grond beginselen voor de dwarsfluyt - f 1:0.’
Contents
iii-v Voorreede.
vi-vii Lyst van den Inhoudt der Hoofdstukken.
viii Bericht voor de Boekbinder.
[1]-2-47 Verhandeling over de Oeffening en ’t wel-behandelen van de Dwarsfluit.
Facsimile Facsimile van de Amsterdamse uitgave van 1728 met een inleiding van Rien de Reede en
een bijdrage van Johan Giskes (Amsterdam: Broekmans & Van Poppel, c. 2010).
Remarks The translator ABRAHAM MOUBACH (Amsterdam 1661-1730) was not a professional
musicien, but a merchand, probably amateur musician. Roger dedicated his edition of
Nivers’s Traitté (1697) to him.
In the Dutch translations the sections on the recorder and the oboe are missing.
45
25 February 2015
I
— Idee — Psalmen — [1710] —
Idee, ‘Psalmen van David, Superius en Basse, voor d’organisten.’ {Lost edition?}
Advertisement Amsterdamsche Courant, 8 May 1710; ‘Psalmen van David Superius en basse voor d’organisten,
door Mr. Idee gecomponeert, 1:10 St.’
Remarks Nothing is known about the edition, nor about it composer.
46
25 February 2015
J
— Jacquet — Céphale et Procris — (Ballard, 1694) —
Elisabeth-Claude Jacquet de la Guerre, Cephale et Procris, tragédie mise en musique ... Paris, Christophe Ballard,
1694. {RISM J 237}

For sale: Mortier Catalogue 1711.
Price f 4:0 (1744).
Inventory [p. 383] ‘6 - Cephale et Proeris p mademoiselle de La Guerre folio.’
47
25 February 2015
K
— Keller — Sonates — [240] — [1700] —
GOTTFRIED KELLER, Six sonates, the first three for a trumpett, houbois, or violins with doubble basses, the
other three for two flutes, and two houbois, or two violins with doubble basses ... ER, [no. 240], [1700].
| SIX SONATAS | The First Three | For a Trumpett, Houbois, or violins, | with Doubble Basses. | The Other
Three | For two flutes, and two Houbois: | or two violins, with Doubble Basses. | Composed By | GODFRIJ
KELLER. | Amsterdam | Engraven and Printed | by STEPHEN ROGER. |
Engraved, upright folio format. Six partbooks: Tromba / Fluto Primo, Violino Primo / Fluto Secondo,
Violino Secondo / Hautboi Primo, Violin Tenor / Hautboi Secondo, Violoncello, Organo & Violoncello. All
partbooks have 12 pages of engraved music, 2 pages per sonata and always paginated left-right odd-even
reversed. Where two instruments are mentioned for a partbook, the first instrument regards Sonatas I-III
(pp. 1-6), the second instrument Sonatas IV-VI (pp. 7-12). Double plates 2 x (17 x 23) cm. Printed in
gatherings pp. 0-3, 4-7, 8-11 and 12.
Issue ER, [1700]. {RISM K 256}

London, Brit. Libr., R.M.15.i.2. (BL 1981 XXXII, p. 268)
Uppsala, Univ.bibl. (incomplete).
Zürich, Zentralbibl.
Advertisement Post Man (London), 14 November 1700 (Francis Vaillant, London).
Catalogues First: Bassani XVIII 1700B.
Catalogue 1716, pp. 322, 325, 342 (no. 240).
Catalogue 1735, pp. 33, 36, 58 (no. 240).
Catalogue 1744, pp. 18, 21, 40 (no. 240).
Price f 4:0.
Inventory [p. 326] ‘24 - Keller, a Cinq Parties.’
Contents
iii Letter of dedication in English by Keller addressed to “Her Royal Highness The Princess”.
Tromba, Violino Primo, Violino Secondo, Violin Tenor, Violoncello, Organo & Violoncello:
1-2 Sonata I (D): Allegro, Allegro, Roundo, Allegro.
3-4 Sonata II (D): Allegro, Adagio, 3/4, Allegro.
5-6 Sonata III (D): Allegro, Adagio, Allegro, 6/4.
Fluto Primo, Fluto Secondo, Hautboi Primo, Hautboi Secondo, Violoncello, Organo & Violoncello:
7-8 Sonata IV (d): Adagio, Vivace, Adagio, Allegro.
9-10 Sonata V (B-flat): Grave, Allegro, Allegro C|, 6/4, 3/4.
11-12 Sonata VI (F): Grave, Allegro, Adagio Piano, Allegro.
Facsimile Alston (Cumbria), JHP Publications, no year.

Remarks Although it has been tried to give this edition the appearance of a genuine Roger edition,
such as the ones engraved and printed in Amsterdam, the edition was certainly engraved
and printed in England. Nevertheless, from the entries in Roger’s catalogue it is clear that
this is a true Roger edition.
48
25 February 2015
The dedicatee must be Anne Stuart (1665-1714), daughter of King James II and husband
of George Prince of Denmark. She would be Queen of England, Scotland and Ireland
from 1702 to 1714.
— Keller — Sonates Op. post. — [233] — [1705] —

GOTTFRIED KELLER, Six sonates à tre, due flauti e basso continuo ... Ouvrage posthume. ER, [1705].
VI SONATE | à tre | Due Flauti e Basso Continuo | Del Signore | GODEFRIDO KELLER | A AMSTERDAM | Chez
o
ESTIENNE ROGER Marchand Libraire | N 233 |
Engraved, upright folio format. Three partbooks: Flauto Primo (2-13 pp.), Fluato Secondo (2-13 pp.),
Organo e Violoncello (2-13 pp.). Double plates 2 x (19 x 24.5) cm.
Example First edition?

Issue ER, [1705]. {RISM K 257}
Uppsala, Univ. Bibl., Leufsta Mus. tr. 37 (Org& Vcl double; ex Leufsta Bruk, Coll.
De Geer).
Advertisement Post Man, 13 April 1706 (Isaac Vaillant)
Catalogues First: Avellaneda 1705.
Catalogue 1716, p. 321 (no. 233).
Catalogue 1735, p. 31 (no. 233).
Catalogue 1744, p. 17 (no. 233).
Price f 3:10.
Advertisement Post Man, 13 April 1706 (Isaac Vailant).
Inventory [p. 326] ‘17 - [Keller], six Sonate a 2 fl: & basse.’
Contents
2-3 Sonata I (d): Adagio, Allegro, Vivace, Presto.
4-5 Sonata II (F):Adagio, Allegro, Vivace, Presto.
6-7 Sonata III (g): Adagio, Allegro, Canzona, Vivace.
8-9 Sonata IV (B-flat):Adagio, Allegro, Vivace, Presto.
10-11 Sonata V (C):Adagio, Allergo, Vivace (c), Presto.
12-13 Sonata VI (G): Adagio, Allergo, Adagio, Presto.
— Klein — Sonates Op. 1 Livre 1 — 423 — [1717] —

JACOB KLEIN LE JEUNE, Six sonates à un hautbois et basse continue ... Premier ouvrage, Livre premier. JR,
no. 423, [1717].
Issue JR, no. 423, [1717]. {Not extant?}

Catalogues First: Catalogue 1725, p. 38 (no. 423); ‘Six Sonates a un Haubois & Basse continue,
composJes par Mr. Jacob Klein, le jeune, qui sont le premier livre de son premier ouvrage
- f 2.0.’
Catalogue 1735, p. 34 (no. 423), p. 42 (no. 423).
Catalogue 1744, p. 19 (no. 423), p. 26 (nos. 423).
Price f 2:0 (Livre 1); f 4:0 (Livre 1 & 2 together).
Inventory [p. 326] ‘25 - Kleyn, Opera prima Liv: 1. 2.’
49
25 February 2015

JACOB KLEIN LE JEUNE, Six sonates à violon et basse continue ... Premier ouvrage, Livre second. JR, no.
424, [1717].
Issue JR, no. 424, [1717]. {Not extant?}

Catalogues First: Catalogue 1725, p. 46 (nos. 423-424); ‘Jacobi Klein Junior livre premier & second
de son opera prima, contenant douze Sonates à un Violon & Basse continuo, les deux
livres - f 4.0.’
Catalogue 1735, p. 42 (nos. 423-424).
Catalogue 1744, p. 26 (nos. 423-424).
Price f 4:0 (Livre 1 & 2 together).
Inventory [p. 326] ‘25 - Kleyn, Opera prima Liv: 1. 2.
17 - [Kleyn, Opera] Idem Liv: 2.’

JAKOB KLEIN LE JEUNE, VI Sonates à une basse de violon & basse continue ... Premier ouvrage, Livre
troisième. JR, no. 425, [1717].
 VI SONATES  à une Basse de Violon & Basse Continue,  DEDIÉES À MESSIEURS  NICOLAAS NOPPEN,
JACOB HOUTMAN & JEAN DE WOLF  PAR JACOB KLEIN LE JEUNE, AMATEUR DE MUSIQUE  PREMIER
OUVRAGE LIVRE TROISIEME. A AMSTERDAM  CHEZ JEANNE ROGER  No 425 
Engraved, oblong folio format. Score (51-77 pp.). Single plates 30 x 21 cm.
Issue JR, no. 425, [1717]. {RISM K 880}

Wiesentheid, Coll. Schönborn, Mus. 70 (Zobely 1967, no. 70, pp. 58-59).
Reprint Paris, Leclerc, Leclerc, Boivin?, [1740]. {not extant?; Mercure de France, December
1740; catalogues Leclerc Le Cadet}
Catalogue 1735, p. 66 (no. 425).
Catalogue 1744, p. 47 (no. 425).
Catalogue Leclerc 1734, p. 69, 1737, p. 79: ‘Klein, Opera prima, solo, violoncello 9.’
Price f 2:10; £t 9 (Leclerc 1734-1737; price points to more than Livre 3 only).
Inventory [p. 326] ‘4 - [Kleyn, Opera] Idem 3 - 29/-/41 - f 16:12.’
Contents
51-55 Sonata XIII (C): Presto-Adagio, Allegro, Largo, Allegro.
55-58 Sonata XIV (D): Adagio, Allegro, Adagio, Allegro.
59-63 Sonata XV (E): Adagio, Allegro, Adagio, Allegro.
63-66 Sonata XVI (fsharp): Adagio, Allegro, Largo, Allegro.
67-71 Sonata XVII (a): Allegro, Andante, Adagio, Vivace.
72-77 Sonata XVIII (b): Adagio, Allegro, Largo, Allegro.
All sonatas with tuning D-A-e-b for the violoncello.
— Klein — Duetti Op. 2 — 449 — [1719] —

JACOB KLEIN LE JEUNE, VI Duetti a due violoncelli ... Opera seconda, JR, no. 449, [1719].
50
25 February 2015
JR issue
 VI DUETTI  a due Violoncelli  Preludii, Allemande, Correnti, Gighe, Sarabande,  Gavotte, Minuetti,
Fuga, e Ciacconne.  DEDIDCATI AL SIGNOR MATTEO DUBROCQ  Grand Amatore della Musica  da 
GIACOMO KLEIN IL GIOVANE  Amatore della Musica  OPERA SECONDA  in Amsterdam  APPO JANNA
ROGER  Libraro  No 449 
LC issue
 VI DUETTI  a due Violoncelli  Preludii, Allemande, Correnti, Gighe, Sarabande,  Gavotte, Minuetti,
Fuga, e Ciacconne.  DEDIDCATI AL SIGNOR MATTEO DUBROCQ  Grand Amatore della Musica  da 
GIACOMO KLEIN IL GIOVANE  Amatore della Musica  OPERA SECONDA  in Amsterdam  APPO
MICHELE CARLO LE CENE  Libraro  No 449 
Engraved, upright folio format. Two partbooks: Violoncello Primo (iv, 17 pp.), Violoncello Secondo
(14 pp.). Double plates 2 x (19.5 x 25) cm.
Issues JR, no. 449, [1719]. {RISM K 881}

Agen, Arch. Dép. Lot et Garonne.
Wiesentheid, Coll. Schönborn, Mus. 71 (Zobely 1967, no. 71, p. 59).
LC, no. 449, [1723-1743]. {RISM K 881}
The Hague, Gemeentemus., 28 B 26-27 (Vcl2 incomplete).
Reprint Paris, Leclerc, Leclerc, Boivin?, [1740]. {not extant?; catalogues Leclerc Le Cadet}
Catalogue 1735, p. 66 (no. 449).
Catalogue 1744, p. 47 (no. 449).
Price f 3:0; £t 8 (Ballard 1731), £t 9 (Leclerc 1734-1737).
Inventory [p. 281] [no.] ‘31 - Kleyn Opera secunda a Duo violoncello.’
[p. 326] ‘46 - [Kleyn, Opera] secondo Duo - 15/3/38¼ - f 17:12.’
Contents
i Title page.
iii Letter of dedication in Italian by Klein.
Sonata I (d): Preludio Allegro, Corrente Poco allegro, Giga Allegro, Sarabanda Largo, Minuetto Vivace.
Sonata II (C): Preludio Allegro, Allemanda Andante, Tempo di Minuetto Poco presto, Sarbanda Adagio,
Giga Allegro.
Sonata III (e): Preludio Allegro, Corrente Allegro, Sarabanda Adagio, Gavotta Presto, Giga Allegro.
Sonata IV (D): Preludio Allegro, Allemanda Andante, Fuga Allegro, Sarabanda Adagio, Giga Allegro,
Gavotta Allegro.
Sonata V (A): Preludio Allegro, Corrente Vivace, Tempo di Gavotta Poco Presto, Sarbanda Largo, Giga
Allegro.
Sonata VI (G; scordatura C-G-d-g): Preludio Allegro, Gavotta Vivace (g), Gavotta Vivace, Ciacconna Poco
allegro, Gavotta Presto, Minuetto Allegro, Giga Allegro.
— Klein — Sonate Op. 3 — 591 — [1737-1742] —

JACOB KLEIN LE JEUNE, ‘VI Sonate a violoncello solo ... Opera terza.’ LC, no. 591, [1737-1742].
Issue LC, no. 591, [1737-1742]. {Not extant?}

Reprint Paris, Leclerc, Leclerc, Boivin?, [c. 1749]. {not extant?; catalogues Leclerc Le Cadet}
Catalogues First: Catalogus 1744, p. 47 (no. 591); ‘591 - VI. Sonate, à Violoncello solo, e Basso
contin. composta da Giacomo Herman Klein, Opera Terza. - f 6:0.’
51
25 February 2015
Price f 6:0.
Inventory [p. 326] ‘49 - [Kleyn, Opera] terza Solo - 21/3/61½ - f 27:1.
5 - [Kleyn, Opera] Idem Solo - f 0:5.’
— De Konink — Trios Op. 1 — [157] — [1696] —

SERVAAS DE KONINK, Trios pour la flute, le violon, le hautbois et toutes sortes d’instruments ... Premier
oeuvre. DL&ER, [1696].
 TRIOS  pour la Flute le Violon le Hautbois  et toutes sortes d’Instruments faits par  MONSIEUR
SERVAAS DE KONINK  Maistre de Musique a Amsterdam et dediés a  MONSIEUR GUILLAUME DE LANAYE
 Premier oeuvre  A AMSTERDAM ches  J.L. Delorme et E. Roger Marchands  Libraires sur le Rokin
pres  la Bourse  [engraving with two recorders, two oboes and one bassoon] 
Engraved, oblong quarto format. Three partbooks: Premier Dessus (32 pp.), Second Dessus (32 pp.), Basse
(32 pp.). Quadruple plates 2 x (18 x 15) cm.
Issue DL & ER, [1696]. {RISM K 1332}

Durham, Cath. Libr., *C56. (Harman 1968, no. 512, pp. 85-86)
Advertisement Gazette d’Amsterdam, 18 October 1696.
Catalogues First: Recueil II 1696A.
Catalogue 1716, p. 312 (no. 157).
Catalogue 1735, p. 22 (no. 157).
Catalogue 1744, p. 9 (no. 157).
Catalogue Ballard 1704P, 1709P, 1715, p. 4.
Price f 1:16.
Inventory [p. 327] ‘26 - Konink, Livre premier Trio.’
Contents Paginanummering controleren

1 Trio 1 (d-0): Lentement. [T1, pp. 20-21]
2 Trio 2 (d-0). [T1, pp. 26-27]
3 Trio 3 (d-0).
4 Trio 4 (C). [T3, pp. 19-20]
5 Trio 5 (C). [T3, pp. 16-17]
6-7 Trio 6 (C).
8 Trio 7 (C): Rigaudon. [T3, pp. 14-15]
9 Trio 8 (a). [T1, pp. 12-13]
10 Trio 9 (a). [T1, p. 15]
11 Trio 10 (a). [T1, pp. 2-3]
12 Trio 11 (a): Rigaudon. [T1, pp. 10-11]
13 Trio 12 (G-0): Lentement. [T1, pp. 10-11]
14 Trio 13 (G). [T2, pp. 18-19
15 Trio 14 (G): ..., Menuet. [T2, pp. 6-7]
16 Trio 15 (G). [T2, pp. 3-5]
17 Trio 16 (F). [T3, pp. 29-30]
18-19 Trio 17 (F): Introduction Lentement-Gay-Lentement. [T3, pp. 24-27]
20 Trio 18 (F): Lentement. [T3, pp. 28-29]
21 Trio 19 (F). [T3, pp. 32-33]
22 Trio 20 (e). [T2, pp. 34-35]
23 Trio 21 (e). [T2, pp. 36-37]
24 Trio 22 (e).
25 Trio 23 (e): Lentement, Lentement-Gay-etc. [T2, pp. 38-39]
52
25 February 2015
26 Trio 24 (e): Lentement, Gay. [T2, pp. 40-41]

27 Trio 25 (Bflat): Prelude Lentement, Marche Gay. [T2, pp. 26-27]
28 Trio 26 (Bflat): Gay, Bourre. [T2, pp. 30-31]
29 Trio 27 (Bflat): Lentement-Gay-etc., Courante. [T2, pp. 28-29]
30 Trio 28 (g): Lentement. [T1, pp. 32-33]
31 Trio 29 (g): Lentement.
32 Trio 30 (g): Lentement, Menuet. [T1, pp. 36-37]
Modern edition Servaas de Konink, Trios Opus 1 und Opus 4 (1696-1698), Heft 1-3, Ed. F. Noske.
Locarno, Noetzel 3642-3644, 1988. [T1, T2, T3]
— De Konink — Athalie [Opus 2] — [1697] —

SERVAAS DE KONINK, Athalie, [Opus 2]. ER, [1697].
 ATHALIE  TRAGEDIE.  Tirée de l’Ecriture sainte.  Par Mr. Racine.  Avec les Choeurs mis en
Musique par Mr. SERVAAS de KONINK.  [Vignette]  A Amsterdam,  Chez ESTIENNE ROGER,
Marchand Libraire.  MDCXCVII. 
Bookprinted, upright quarto format (iv, [1-4], 5-119 pp.).
Issue ER, 1697. {RISM K 1328}

Parijs, Bibl. Nat.
The Hague, Gemeentemuseum, Kluis B 29.
Catalogues First: Recueil IV 1697C.
Price f 2:10.
Inventory [p. 371] ‘12 - Athalie tragedie p Racine 4to.’
[p. 389] ‘305 - Athalie Tragedie par Racine & mis en musique par Konink 4o - f 3:0.’
[p. 400] ‘12 - Athalie Tragedie par Racine 4o - f 0:10.’
Contents
i Title.
ii Catalogue Athalie 1697B.
iii-iv Letter of dedication in French by De Konink to Lucie Quartier.
[1-3] Préface.
[4] Les noms des personnages.
5-12 Acte premier, Scène première-III (text).
13-27 Scène IV: Tout l’univers est plein de sa magnificence (à 1, & 2 instr.).
28-40 Acte II, Scène première-VIII (text).
41-61 Scène IX: Quel astre à nos yeux vient de luire? (à 1, & 2 instr.).
62-69 Acte III, Scène première-VII (text).
70-90 [Scène VIII:] Que du Seigneur la voix se fasse entendre (à 1, & 2 instr.).
91-96 Acte IV, Scène première-V (text).
97-109 Scène VI: Partez, partez enfans d’Aaron (à 1, & 2 instr.).
110-119 Acte V, Scène première-dernière [=IX] (text).
Literature Noske 1955; Athalie 1992; Noske 1992; Rasch 1992; Rasch 2010.
53
25 February 2015
— De Konink — Hollandsche Minne- en Drinkliederen [Opus 3] — [1697] —

SERVAAS DE KONINK, ‘Hollandsche minne- en drinkliederen ...’ [Opus 3]. ER, [1697].

Reprint PM, [1709]. {RISM K 1330} See next item.
Catalogues First: Loulié 1697D; ‘Hollantze Minne en Drink Liederen van Servaas de Konink - f
1:10.’
Catalogue 1712, p. 7 (both Roger and Mortier impressions).
Price Roger: f 1:10 ( 1697-1708), f 0:6 (1709 Rapin), f 0:11 (1712-1744).
Inventory [p. 373] ‘10 - [Hollandse Liederen] van de Konink’ (Roger and/or Mortier issue).
130 - [Hollandse Liederen van de Koninck] 4o Roger - f 2:0.’
[p. 400] ‘10 - Hollandse Liederen de S. de Koning 4o’ (Roger and/or Mortier).
— De Konink — Hollandsche Minne- en Drinkliederen [Opus 3] —

— (Mortier, [1709] —
SERVAAS DE KONINK, Hollandsche minne- en drinkliederen ... en van veel fauten gecorrigeert door Henrico
Anders [Opus 3]. PM, [1709].
Mortier reprint
 HOLLANDSCHE  MINNE- EN DRINK-  LIEDEREN,  Gecomponeert door Mr. SERVAAS de KONINK: 
En van veele Fauten gecorrigeert door HENRICO ANDERS  [Vignette]  T’ AMSTERDAM  By PIETER
MORTIER, op de Vygendam,  werd verkoft alderhande soorte van Musique, zoo Italiaansche, Fransche,
Engelsche,  als Nederlandsche, twee derde beeter koop, als die by andere verkoft zyn geweest,  en dan
veel Correcter, beeter Druk, en Papier. 
Bookprinted, oblong quarto format. Score (A-F(4), G(1) fols.; ii, 1(=A2)-46-51-52 pp.; no hiatus between pp.
46 and 51).
Source ER, [1697]. See previous item.

Issue PM, [1709]. {RISM K 1330}
The Hague, Kon. Bibl.
Catalogues Catalogue 1712, p. 7 (both Roger and Mortier impressions).
Catalogue 1716, p. 302 (Roger and/or Mortier issue).
Price Roger: f 1:10 ( 1697-1708), f 0:6 (1709 Rapin), f 0:11 (1712-1744).
Mortier: f 0:11 (1709 Rapin, Catalogue 1712, p. 7).
Inventory [p. 373] ‘10 - [Hollandse Liederen] van de Konink’ (Roger and/or Mortier issue).
[p. 393] ‘360 - Hollandse Liederen van de Koninck 4o Mortier - f 7:0.
[p. 400] ‘10 - Hollandse Liederen de S. de Koning 4o’ (Roger and/or Mortier issue).
Contents
i Title
ii “CATALOGUE | Van Musique nieuwlyks gedrukt tot Amsterdam, by PIETER MORTIER.”
54
25 February 2015
1-12 Zaamen-spraak tusschen Coridon en Climene: Minlijke lust van een kuis en stil leeven (G1, BC;
C4, BC; G1, C4, BC; partially “Fransche manier”, partially “op zyn Italiaansch”)
13-15 Air (F): O! doodelyke spyt (G1, BC; “Fransche manier.”)
15-17 Air (F): Stond my geen quaad te duchten (C1, BC; “op zyn Italiaansch”)
18-20 (a) Ach Philis! is uw vuur gedooft (F4/BC, two violins G2)
20-21 (d-0): Had ik eens myn vryheid weer (C1, BC)
22-23 (d-0) Fier onderwind krachtlooze zwaan (C1, BC)
24-25 (F) In dit zoet en vermaakelyk dal (G2, BC)
26-27 (g-1) Vreest niet, schoone Cloris (C3, BC)
27-28 (G-0): Ik kan uw schoon gezicht niet langer derven (C1, BC)
29-30 (e) Een weinig min dat streelt de zinnen (G2, BC)
31-33 (d-0) In het glaasjen of myn Tryntjen (F4/BC, two violins G2)
33-35 (c-2) Overzoete Nachtegaalen (C1, BC)
35-36 (C) ’T minnezoet lykt wat van buiten (G2, F4/BC)
37-39 (d-0) Wech lompe, zyt gy dol (C1, C3, F4/BC)
40-52 Air (Amarillis/Tirsis) (d-0): Zoete rust van myn ziel (G2, BC; C3, BC; G2, C3, BC; “Fransche
manier”)
— De Konink — Trioos Boek 2 Opus 4 — [155] — [1698] —

SERVAAS DE KONINK, Trioos voor de fluiten, hautbois en violen ... Tweede Trioos Boek, Vierde Werk. ER,
[1698].
 TRIOOS  Voor de Fluyten Hautbois  en Violen  Opgedragen  Aan de Jonge Ed.le Heeren 
Mynheeren  LAURENTIUS EN JOHANNES BAPTISTA DE BLOIS  VAN TERLON  door Servatius de Konink 
Tweede Trioos Boek Vierde Werk  tot Amsterdam ten Kosten van den Autheur  et se vendent aussi ches
Estienne Roger  Marchant Libraire 
Engraved, oblong quarto format. Three partbooks: Dessus, Second Dessus, Basse (all 16 pp.). Quadruple
plates 2 x (18 x 15) cm.
Issue ER, [1698]. {RISM K 1333}

Durham, Cath. Libr., *C55 (ii). (Harman 1968, no. 513, p. 86)
Catalogues First: Bassani VIII 1698A.
Catalogue 1716, p. 312 (no. 155).
Catalogue 1735, p. 22 (no. 155).
Catalogue 1744, p. 9 (no. 155).
Catalogue Ballard 1704P, 1709P, 1715, p. 4.
Price f 2:0.
Inventory [p. 327] ‘21 - [Konink, Livre] second Trio.’
Contents
1 1. Ouverture (C): --, Guay [T3, pp. 3-5]
2 2. Plainte (c-2) [T3, pp. 10-11]; 3. Marche (C) [T3, p. 18]
3 4. Rondeau (C): Lentement [T3, pp. 12-13]; 5. Menuet (C) [T3, p. 22]; 6. Louis Bourbon (C)
[T3, p. 21]
4 7. Gigue (C) [T3, p. 23]; 8. Rondeau (a) [T1, pp. 4-5]; 4 9. Allemande (A) [T1, pp. 6-7]
5 10. Ah dat ik ook een Hontje was (a) [T1, pp. 8-9]; 11. Menuet (a) [T1, p. 14]; 12. Gelijk de
Beekjes (a); 13. Gigue (a): [T1, p. 16]
6 14. Trio (G) [T2, pp. 16-17]; 15. Trio (G): Guay [T2, pp. 13-15]
7 16. Allemande (g-1); 17. Prelude (G); 18. Trio (G) [T2, pp. 8-9]
8 19. Chaconne (G) [T2, pp. 20-24]
55
25 February 2015
9 20. Sarabande (G) [T2, p. 12]; 21. Gigue (G) [T2, p. 25]; 22. Sonatina (e): Largo, --, Adagio
[T2, pp. 32-33]
10 23. Sonatina (e): Vivace, Adagio, Allegro [T3, pp. 37-39]
11 24. Ouverture (D): --, Guay, Lentement [T1, p. 17]
12 25. Sarabande (D) [T1, p. 24]; 26. Allemande (D) [T1, p. 22]; 27. Rondeau (D) [T1, p. 25]
13 28. Gigue (D) [T1, p. 28]; 29. Trio (d-0): Vivace [T1, p. 23]; 30. Trio (d-0): Grave
14 31. Gigue (d-0); 32. Ouverture (g-1): --, Guay [T1, pp. 29-31]
15 33. Sonatina (g-1): Largo, --, Adagio [T3, pp. 34-36]
16 34. Allemande (g-1) [T1, pp. 34-35]; 16 35. Rondeau (g-1) [T1, pp. 38-39]
Modern edition See De Konink, Trios Op. 1 [T1, T2, T3]
— De Konink — Sonates [Op. 5] — [222] — [1698] —

SERVAAS DE KONINK, ‘XII Sonates à une flûte, violon ou hautbois ...’ [Opus 5].’ ER, [no. 222], [1698].

Catalogues First: Antonii 1698B; ‘12 Son. a 1 fluste, violon ou hautbois & 1 B. Continue par Mr. S.
de Konink, gravé - f 3:0.’
Catalogue 1716, p. 316 (no. 222).
Catalogue 1735, p. 26 (no. 222).
Catalogue 1744, p. 12 (no. 222).
Catalogue Ballard 1704P, 1709P, 1715, p. 4: “Sonates à 2. Part.”
Inventaire Ballard 1750, p. 29: ‘Douze sonates à ybne flute, violon ou haubois et B.C. par
Servaes de Konink, Gravés.’
Price f 3:0.
Inventory [p. 327] ‘24 - [Konink,] XII Sonate Trio [sic].’
Remarks It is assumed that the twelve recorder (‘flute’) sonatas in Wolfenbüttel, Herzog August-
Bibl., Cod. Guelf. Vogel 139, are a copy of the Roger edition:
Sonata 1ma (c-2): Adagio, Allegro, Adagio, 6/8.

Sonata 2da (d): Grave, Allegro, Adagio, Vivace.
Sonata 3tia (c-2): Largo, Vivace, Adagio, Aria Allegro.
Sonata 4ta (g-1): Adagio, Allegro, Adagio, Allegro.
Sonata 5 (g-1): Vivace, Adagio, Gay, Adagio.
Sonata 6ta (F): Adagio, Vivace, Adagio, Allegro.
Sonata 7ma (F): Lento, Vivace, Adagio, Allegro.
Sonata 8 (d): Adagio, Allegro, Grave, Vivace.
Sonata 9 (d): Adagio, Allegro, Lento, Vivace.
Sonata 10 (F): Lento, 6/8, Adagio, Presto.
Sonata 11 (C): Adagio, Vivace, Grave, Gigue.
Sonata 12 (G): Vivace, Grave, Vivace, Adagio, Allegro.
— De Konink — Sonates [Op. 6] — [223] — [1698] —

SERVAAS DE KONINK, ‘XII Sonates à deux flûtes, violons ou hautbois sans basse ...’ [Opus 5]. ER, [no. 223],
[1698].
Issue ER, [1698] {not extant?}

Catalogues First: Antonii 1698B; ‘12 Sonates a 2 flustes violons ou hautbois par Mr. S. de Konink
gravé - f 3:0.’
56
25 February 2015
Catalogue 1716, p. 319 (no. 223).

Catalogue 1735, p. 29 (no. 223).
Catalogue 1744, p. 15 (no. 223).
Price f 3:0.
Inventory [p. 327] ‘15 - [Konink,] Livre sisieme.’
Remark It seems likely that the sonatas Opus 5 and Opus 6 contain the same music, Opus 5 for
one high instrument and figured bass, Opus 6 with the second part transposed an octave
upward to create a second high-instrument part.
— De Konink — Sacrarum armoniarum flores Op. 7 — [1699] —

SERVAAS DE KONINK, Sacrarum armoniarum flores, 1-4 vocibus et 2 instrumentis ... Opus septimum. ER,
[1699].
│ Canto │ SACRARUM ARMONIARUM  FLORES  Una, 2, 3, et 4 Vocibus et duobus Instrumentis.

Auctore  SERVATIO DE KONINCK  Amstelodami Musico Opus Septimum.  Dedicatum Reverendae
admodum Dominae Antistitae Dominae  BENEDICTAE SANNENS  Meritae sub Antistitæ Mariæ Joseph
de Hertsie.  Sorori SCHOLASTICE LOUVEL. Sorori ELEANORE ANNE’.  Ceterisque Religiosis
Ordinis Sti. Benedicti Sororibus in oppido Teneramundano  [Vignette with legend: UTRElevet MIserum
FAtum SOLitosque LAbores]  Stampate in VENETIA da Gioseppe Sala, en si vendono in Amsterdam
apresso  ESTIENNE ROGER 
Bookprinted, upright folio format. Seven partbooks: Canto (A, 2A (2) fols.; ii, 5 pp.), Alto (D, 2D, 3D (2)
fols.; ii, 10 pp.), Tenore (F, 2F (2) folsii, 6 pp.), (Basso (E, 2E (2) fols.; ii, 7 pp.), Violino Primo (C, 2C, 3C,
4C (2) fols.; Violino Secondo (B, 2B, 3B, 4B (2) fols.; ii, 14 pp.), Basso Continuo (G, 2G, 3G, 4G (2) fols.;
ii, 15 pp.). The first gathering with a letter of each partbook starts on p. 1, the second one on p. 5, the third
one on p. 9, the fourth one on p. 13. The title page is a separate gathering.
Issue ER, [1699]. {RISM K 1329}

Zürich, Zentralbibl., AMG XIII 1131 & a-f.
Catalogues First: Konink 1699A.
catalogue 1744, p. 53.
Price f 4:0.
Inventory [p. 381] ‘5 - Konink Settima motetti.’
[p. 391] ‘25 - Konink opus septimum motetti - f 0:15.’
Contents
[1.] Quid facis in felix anima Canto solo con violini (per ogni tempore)
[2.] Venite ad me omnes Canto solo con 2 violini ( De elevatione)
[3.] Audite fideles anime Alto solo con 2 violini ( De virgine martyre) [N, no. 14, pp. 504-520]
[4.] Stupete novum sidus Basso solo con 2 violini (per ogni tempore)
[5.] Descendite de coelo Alto e Tenore con 2 violini ( De resurrectione)
[6.] Mortales sperate Alto, Tenore e Basso con 2 violini ( De beata virgine)
[7.] Ite longe gaudia Alto, Tenore e Basso con 2 violini (per ogni tempore)
[8.] Quid siletis Canto, Alto, Tenore e Basso con 2 violini ( Per uno sancto o sancta) [N, no. 15, p. 521-541]
[9.] Veneremur cernui Canto, Alto, Tenore e Basso con 2 violini (Benedictio)
[10.] Veneremur cernui Canto, Alto, Tenore e Basso con 2 violini (Benedictio secunda)
Literature Noske 1989, Ch. 15, pp. 234-256.

Modern edition Two motets in Noske 1989. [N]
57
25 February 2015
— Kraft — Sonate Op. 1 — [276] — [1706] —

GEORG ANDREAS KRAFT, ‘Sonate da camera a tre, due violini, violoncello e basso continuo ... Opera prima.’
ER, [no. 276], [1706].
Issue ER, [1706]. {Not extant?}

Catalogues First: Félibien 1706D; ‘276 - Sonate da Camera à tre due Violini Violoncello e Basso
Continuo del signore Craft Componiste pour les instrumens de la Chambre de l’Electeur
Palatin. - f 3:0.’
Catalogue 1716, pp. 335-336 (no. 276).
Catalogue 1735, p. 50 (no. 276).
Catalogue 1744, p. 33 (no. 276).
Price f 3:0.
Inventory [p. 314] ‘21 - Crafft, Sonate p la flute Trio.’
— Kühnel — Sonates — (1698) —

AUGUST KÜHNEL, Sonate o partite ad una o due viole da gamba, con il basso continuo. S.l., s.n., 1698.
{RISM K 2960}
Catalogues First: Catalogue 1716, pp. 345-346; ‘Sonates a une & deux violes de Gambe de Mr.
Khunell. - f 5:0.’
Last: Catalogue 1725, p. 67.
Price f 5:0.
Inventory Not in inventory.
Remark This edition is mentioned in the catalogues of Roger’s own editions of 1716 and 1725,
but without a publisher’s number. One may assume that he sold the German edition,
which contains six sonatas for two viols and eight sonata for one viol, al of them with
figured bass. It seems that Le Cène reprinted six of the sonatas for one viola da gamba,
but without the figured bass. See next item.
— Kühnel — Sonate — 580 — [1735] —

AUGUST KÜHNEL, ‘VI sonate à 1 viole de gambe sans basse ...’ LC, no. 580, [1735].
Sources Previous item?

Issue LC, no. 580, [1735] {not extant?}
Catalogues First: Catalogue 1735, p. 64 (no. 580); ‘580. VI Sonate de Khunel a une viole de gambe
sans basse. - f 3:0.
Catalogue 1744, p. 45 (no. 580).
Catalogue Leclerc 1737, p. 76: ‘Pour la basse de viole seule.’
Price f 3:0; £t 15 (Leclerc 1737).
Inventory [p. 287] [no.] ‘83 - Khunel Pieces a une viole de Gambe sans basse.’
[p. 326] ‘11 - Khunel, pour la viole de Gambe - 8/2/18¼ - f 7:17.’
58
25 February 2015

Catalogue Gabrielli Kuhnel PDF

Uploaded by

Document Information

Original Title

Copyright

Available Formats

Share this document

Share or Embed Document

Sharing Options

Did you find this document useful?

Is this content inappropriate?

Copyright:

Available Formats

Catalogue Gabrielli Kuhnel PDF

Uploaded by

Copyright:

Available Formats

RUDOLF RASCH: THE MUSIC PUBLISHING HOUSE OF ESTIENNE ROGER AND MICHEL-CHARLES LE CÈNE

PART FOUR: THE CATALOGUE: GABRIELLI-KÜHNEL

MY WORK ON THE INTERNET — VOLUME FOUR

THE MUSIC PUBLISHING HOUSE OF

PART FOUR: THE CATALOGUE

Please refer to this text in the following way:

Source Bologna, Giacomo Monti, 1684. {RISM G 91}

Contents (Balletto is the heading for all first movements)

— Galliard — Sonata — ([Walsh], 114) — (“Roger” [= Walsh], [1717-1718]) —

— Galliard & Sieber — Sonates — 430 — [1717] —

— Gaspardini — Sonate Opus 2 — [300] — [1702] —

Source Unknown, lost Italian edition?

Sonata VIII (F): Largo, Allegro, Allegrissimo.

— Gatti — Airs — (Ballard, 1696) —

Catalogues First for sale: Xenephon 1699AA.

— Geilfus — Sonatines Opus 2 — (Witvogel, [1740]) —

Inventory [p. 321] ‘1 - Geilfus, Opera secundo p le Clavecin.’

— Geminiani — Sonate Opus 1 — 459 — [1719] —

Jeanne Roger issue

Source Londen, Author, [1716]. {RISM G 1486}

Vienna, Ges. Musikfreunde.

— Geminiani — Concerti Opus 2 — 574 — [1734] —

Source London, author, 1732. {RISM G 1455; advertized 8 June 1732}

Catalogue Olofsen 1755, p. [3].

— Geminiani — Concerti Opus 3 — 571 — [1733] —

│ CONCERTI GROSSI │ CON DUE VIOLINI VIOLA E │ VIOLONCELLO DI CONCERTINO, OBLIGATI, │ E

Concerto I (A-2): Adagio, Allegro, Adagio, Allegro.

— Geminiani — Concerti Opus 2 — (Author, 1732) —

— Geminiani — Concerts — Manuscript —

Inventory [Geschreve Muzijk ... p. 291] ‘[no.] 17 - Deux Concerts de Geminiani.’

— Geminiani & Castrucci — 6 Sonate (1) — 531 — [1727] —

10-15 [Castrucci] Sonata III (d): Adagio, Allegro, Allegro.

Volgens Careri, nagaan wat daar precies staat:

— Geminiani & Castrucci — 12 Sonate (2) — 551 — [1729] —

38-41 [Castrucci?] Sonata XI (G): Adagio, Allegro, Largo, Giga.

— Gentili — Suonate Opus 1— 268 — [1702] —

— Gentili — Sonate Opus 3— 299 — [1706] —

— Gervais — Airs Livre 3 — (Author, 1744) —

— Gervais — Le triomphe de Bacchus— ([Author?], [c. 1740]) —

— Geschreve Muzijk — Manuscripts —

— Ghilarducci —Concerti — Manuscript —

DOMENICO GHILARDUCCI, ’10 Concerts et une Sinfonie pour le violon.’ Manuscript.

— Gillier —Attendez-moi: Airs — [161] — [1696] —

— Gillier —La foire de Bezons: Airs — [1697] —

— Gillier —La foire de Saint-Germain: Airs — [179] — [1696] —

— Gillier —Le mary sans femme: Airs — [178] — [1696] —

Source Airs de la comédie du Mary sans femme. {G 2064}

Issue JLL&ER, [1696]. {not extant?}

— Gillier — L’hyménée royal — (Ballard, 1699) —

Catalogues First for sale: Vairasse 1702.

— [Gobert?] — Paraphrase — [1709-1712] —

— Gouy — Paraphrase — ([Le Chevallier], 1691) —

Source Paris, Robert Ballard, 1650. {RISM G 3218}

Contents (page numbers after Premier Dessus)

— Gouy — Paraphrase — [1700] —

Source Amsterdam, Amedée le Chevalier, 1691. See previous item.

— Grandi — Messe Opus 3 — [1697] —

Source Bologna, Marino Silvani, 1693. {RISM G 3477}

— Grandval — L’opéra de Village — [160] — [1696] —

— Grandval — Je prends sans verd: Airs — [160] — [1696] —

— Greber & Fede — Sonates — [220] — [1703] —

— Grossi — Sonate Opus 3 — [235] — [1698] —

Source Bologna, Giacomo Monti, 1682. {RISM G 4726}