Professional Documents
Culture Documents
Catalogue Dalay Fux PDF
Catalogue Dalay Fux PDF
RUDOLF RASCH
MICHEL-CHARLES LE CÈNE
1696-1743
1
25 February 2015
RUDOLF RASCH: THE MUSIC PUBLISHING HOUSE OF ESTIENNE ROGER AND MICHEL-CHARLES LE CÈNE
PART FOUR: THE CATALOGUE: D’ALAY — FUX
D
— D’Alay — Concerti Opus 1 Libro 1-2 — 538-539 — [1727] —
MAURO D’ALAY, Dodici concerti a violino principale, 2 violini, viola, violoncello e cimbalo ... Opera
prima, Libro primo-secondo. LC, no. 538-539, [1727].
XII CONCERTI | a Violino Principale | Violino Primo e Secondo | Alto Viola, Violoncello | e Cimbalo | Del
Sigr. MAURO D’ALAY | Detto IL MAURINI. | Opera Prima | Libro Primo | AMSTERDAM. | a Spesa di
MICHELE CARLO LE CÈNE | Libraro | No. 538 |
Engraved, upright folio partbooks. Five partbooks: Violino Principale (2-20, 2-25 pp.), Violino Primo (1-10,
2-15 pp.), Violino Secondo (2-10, 2-13 pp.), Alto Viola (2-9, 2-12 pp.), Organo e Violoncello (2-17, 2-27
pp.). Double plates 2 x (19 x 26) cm.
Contents
Concerto I (A-2): Allegro, Largo, Allegro.
Concerto II E-flat-2: Allegro, Sicilana Largo, Allegro.
Concerto III G Allegro, Grave Presto
Concerto IV F Allegro, Largo Allegro,
Concerto V D Allegro, Largo Allegro,
Concerto VI B-flat-1 Allegro, Largo Allegro,
Concerto Libro Secondo
Concerto VII A-2 Allegro, , Grave Affettuoso, Allegro,
Concerto VIII F Allegro, , Grave, Allegro,
Concerto IX b Allegro, Largo Allegro,
Concerto X c-2 Allegro ma non Presto, Siciliana Adagio, Allegro.
Concerto XI A-2 Allegro, , Largo, Allegro,
Concerto XII g Allegro, , Andante, Presto
2
25 February 2015
RUDOLF RASCH: THE MUSIC PUBLISHING HOUSE OF ESTIENNE ROGER AND MICHEL-CHARLES LE CÈNE
PART FOUR: THE CATALOGUE: D’ALAY — FUX
Inventory [Geschreve Muzijk p.291] [no.] ‘19 - 3 Solos pour Le violon de Mauro D’Alaij.’
[Title engraving]│ SONATE DA CAMERA │ a Violino e Violo overo Clavicembalo solo │ DEDICATE │ ALL’
│ ALTEZZA SERENISSIMA │ Di Giouani Adolfo Ernesto Ferdinando Carlo │ Duca di Schleswigholstein,
Ereditario di Norwega, Principe │ del Sacro Romano Imperio, Conte d’Oldembourg, et Delmen- │ horste
Stormase, é Ditmarse, Sigre di Rethwisch e di Wesen- │ bergh, Marchese di Trelon, Barone di Ray &a. │ DA
EVARISTA FELICE DALL’ABACO│ Cittadino Veronese Musico di Camera │ di S. A. S. E. di │ BAVIERA. &a. │
OPERA PRIMA. │ A AMSTERDAM │ CHEZ ESTIENNE ROGER │ No 6. │ Rich. van Orley del. │ J. Berterham
sculps. Bruxs. │
Engraved, oblong folio format. Score (iv, 53 pp.). Single plates *** x *** cm.
Contents
i Title
iii Letter of dedication in Italian by Dall’Abaco. For text see S 1, p. XXXI.
1-4 Sonata I (C): Largo, Allegro-Adagio, Grave, Allegro. [S 2, pp. 1-9]
4-9 Sonata II (d-0): Largo e Cantabile, Allegro, Adagio, Giga Allegro. [S 1, pp. 1-9; K, pp. 2-9]]
10-13 Sonata III (e): Andante e Spiccato, Giga Allegro, Adagio, Presto Assai. [S 2, pp. 10-16]
13-16 Sonata IV (a): Largo, Allegro e Spicaato, Cantabile, Aria Allegro. [S 1, pp. 10-16; K, pp. 10-17]
17-21 Sonata V (g-1): Andante, Chaconne Allegro, Adagio, Giga. [S 1, pp. 17-25; K, pp. 18-25]
22-25 Sonata VI (D): Allegro e Spiccato, Adagio, Allegro. [S 1, pp. 26-32; K, pp. 26-31]
26-31 Sonata VII (b-1): Andante, Presto, Adagio, Allegro Assai. [S 1, pp. 33-41; K, pp. 32-41]
31-35 Sonata VIII (G): Largo, Allegro, Adagio, Allegro e Spiritoso. [S 2, pp. 17-25]
35-39 Sonata IX (A-2): Grave, Allegro, Cantabile, Allegro. [S 2, pp. 26-35
40-43 Sonata X (F): Allegro, Grave, Giga Allegro Assai, Largo Andante, Allegro Assai. [S 2, pp. 36-
44]
44-47 Sonata XI (B-flat): Adagio e Cantabile, Allegro, Largo, Aria Cantabile. [S 1, pp. 42-47; K,
pp. 42-47]
3
25 February 2015
RUDOLF RASCH: THE MUSIC PUBLISHING HOUSE OF ESTIENNE ROGER AND MICHEL-CHARLES LE CÈNE
PART FOUR: THE CATALOGUE: D’ALAY — FUX
48-53 Sonata XII (E-3): Ciaccona Allegro, Presto Assai. [S 2, pp. 45-54]
Facsimile Preface by Marco Materassi & Laura Och. Florence: SPES, 1999 (= Monumenta Musicae
Revocatae 24).
Editions S 1: Ausgewählte Werke, Erster Theil, [Herausgegeben von Adolf Sandberger]. Leipzig,
Breitkopf & Härtel, 1900 (= Denkmäler der Tonkunst in Bayern, Erster Jahrgang,
Band I): Sonatas 2, 4, 5, 6, 7 and 11.
S 2: Ausgewählte Werke, Zweiter Teil, Eingeleitet und herausgegeben von Adolf
Sandberger, Bearbeitung des Basso Continuo von Anton Beer-Walbrunn, Max Meyer-
Olbersleben und Josef Venzl. Leipzig, Breitkopf & Härtel, 1908 (= Denkmäler der
Tonkunst in Bayern, Neunter Jahrgang, Band I): Sonatas 1, 3, 8, 9, 10 and 12.
K: Sechs Sonaten für Violino und Generalbaß aus opus 1, Neuausgabe nach dem Urtext
… herausgegeben von Walter Kolneder. Mainz, Schott, 4618, 1956: Sonatas II, IV, V,
VI, VII, XI (same choice as S 1, perhaps after S 1?).
Remark The dedicatee is Johann Adolf Ernest Ferdinand Karl Duke of Plön and Rethwisch
(Brussels 1684-1729 Hambrug). Plön adn Rethwisch are two small possessions in
Holstein. Johann Adolf’s family had converted to catholicism, his father was a general in
the Spanish Army in the Southern Netherlands.
│ CONCERTI A QUATRO DA CHIESA │ Cioè due Violini Alto Viola Violoncello e Basso Continuo │
DEDICATI ALL’ │ Altezza Serenissima Elettorale │ DI │ MASSIMILIANO EMANUELE │ Duca dell’alta
e Bassa Baviera, del Palatinato Superiore, di Brabante, │ Limburgo, Luxemburgo, é della Geldria, Conte
Palatino del Reno, Arcidapifero, │ Elettore e Vicario del Sacro Romano Imperio, Landgravio di
Leuchtenberg, │ Conte di Fiandra, Hanonia e Namur, Marchese del Sacro │ Imperio, é Signore di
Malines, &c. &c. │ da me │ EVARISTO FELICE DALL’ABACO │ Cittadino Veronese Maestro de Concerti
della Medesima A.S.E. │ OPERA SECONDA. │ A AMSTERDAM │ Chez Estienne Roger & Le Cene
Libraire. │ No. 114. │
Engraved, upright folio format. Five partbooks: Violino Primo (iv, 19 pp.), Violino Secondo (18 pp.), Alto
Viola (15 pp.), Violoncello (15 pp.), Basso Continuo (15 pp.). Double plates 2 x (20 x 24.5) cm.
4
25 February 2015
RUDOLF RASCH: THE MUSIC PUBLISHING HOUSE OF ESTIENNE ROGER AND MICHEL-CHARLES LE CÈNE
PART FOUR: THE CATALOGUE: D’ALAY — FUX
Contents
i Title
iii Letter of dedication in Italian by Dall’Abaco.
Concerto I (d-0): Largo, Allegro, Allegro Assai. [S 3, pp. 1-8]
Concerto II All’unissono (e): Allegro Assai, Adagio, Allegro e All’unisono. [S 3, pp. 9-14]
Concerto III (F): Adagio, Allegro-Adagio, Presto e Spiccato. [S 3, pp. 15-20]
Concerto IV All’unissone (a): Aria Allegro, Largo, Presto. [S 1, pp. 126-140]
Concerto V (g-1): Largo, Allegro e Spiritoso, Grave, Allegro. [S 1, pp. 141-151]
Concerto VI All’unissono (D): Allegro Assai, Adagio, Allegro e Spiritoso Assai.
Concerto VII (C): Largo Andante, Allegro, Adagio, Presto. [S 3, pp. 21-25]
Concerto VIII All’unissono (b): Allegro, Largo, Presto. [S 1, pp. 152-163]
Concerto IX (B-flat): Largo Andante, Allegro e Spiccato, Largo, Allegro e Spiccato. [S 1, pp. 164-177]
Concerto X All’unissono (A-2): Allegro Assai-Adagio-Allegro-etc., Largo, Presto.
Concerto XI Con il Violoncello obligato (G): Vivace, Grave Piano e Solo, Allegro Assai. [S 3, pp. 26-35]
Concerto XII All’unissono (F): Allegro, Largo, Violino Solo Presstissimo-Adagio, Allegro Assai. [S 3,
pp. 36-42]
[Title engraving] │ SONATE │ DA │ CHIESA È DA CAMERA │ à tre, cioè due Violini, Violoncello è
Basso Continuo. │ Dedicate All’ │ ALTEZZA REALE │ DI │ LEOPOLDO PRIMO │ Duca di Lorena, Rè
di Gerusalemme, Marchesio Duca di Calabria, │ di Bar, di Gheldria, del Monferrato è di Carloville,
Marchese di Pointe- │ a Mousson è di Nomery, Conte di Provenza, di Vaudemonte, di │ Blamonte, di
Zutphen, di Sarverden, di Salme è di Falkenstein &c. &c. &c. │ da me │ EVARISTO FELICE
DALL’ABACO │ Cittadino Veronese Maestro de Concerti │ dell’ A.S.E. di Baviera. │ OPERA TERZA. │
Libro Primo. │ à Amsterdam │ Chez ETIENNE ROGER Marchand Libraire │ & MICHEL CHARLES LE
CENE │ No 184 │
5
25 February 2015
RUDOLF RASCH: THE MUSIC PUBLISHING HOUSE OF ESTIENNE ROGER AND MICHEL-CHARLES LE CÈNE
PART FOUR: THE CATALOGUE: D’ALAY — FUX
[Libro secondo]│ SONATE DA CAMERA │ à tre, cioè due Violini, Violoncello è │ Clavecembalo, ò vero
due Haubois con │ il Fagotto. │ Dedicate all’ ALTEZZA REALE │ DI │ LEOPOLDO PRIMO │ Duca di
Lorena, Rè di Gerusalemme, Marchesio Duca di Calabria, │ di Bar, di Gheldria, del Monferrato è di
Carloville, Marchese di Pointe- │ a Mousson è di Nomeny, Conte di Provenza, di Vaudemonte, di Blamonte,
│ di Zutphen, di Sarverden, di Salme è di Falkenstein &c. &c. &c. │ Da me │ EVARISTO FELICE
DALL’ABACO │ Cittadino Veronese Maestro de Concerti │ dell’ A.S.E. di Baviera. │ OPERA TERZA. │
LIBRO SECONDO │ A AMSTERDAM │ Chez ESTIENNE ROGER Marchand Libraire │ & MICHEL
CHARLES LE CENE │ No 185 │
Engraved, upright folio format. Three partbooks: Violino Primo (iv, 11, 11 pp.), Violino Secondo (11,
11 pp.), Basso Continuo (11, 11 pp.). Double plates 2 x (20 x 25) cm.
Contents
Libro primo
i Title page
iii Letter of dedication in French by Dall’Abaco.
1-2 Sonata I (C): Adagio, Allegro, Largo, Allegro. [S 2, pp. 106-115]
2-3 Sonata II (F): Adagio, Allegro, Largo, Allegro. [S 1, pp. 89-96]
4-5 Sonata III (b): Adagio, Allegro e Spiccato, Largo, Allegro. [S 1, pp. 97-106]
6-7 Sonata IV (G): Largo, Allegro mà non Presto, Adagio, Allegro.
8-9 Sonata V (D): Largo e Cantabile, Allegro, Largo, Allegro.
10-11 Sonata VI (e): Allegro e Spiccato, Adagio, Allegro. [S 1, pp. 107-115]
Libro secondo
1-2 Sonata VII (g-1): Largo, Allemanda Allegro, Sarabanda Largo, Giga Allegro.
2-4 Sonata VIII (C): largo, Allegro, Sarabanda Largo, Aria Allegro. [S 2, pp. 116-125]
4-5 Sonata IX (a): Largo, Allemande Allegro, Aria Largo, Giga Allegro.
6-7 Sonata X (F): Adagio e cantabile, Allegro, Sarabanda Largo, Gavotte Allegro. [S 2, pp. 126-
136]
8-9 Sonata XI (G): Grave, Allemanda Allegro, Ciaccona Vivace. [S 2, pp. 127-148]
10-11 Sonata XII (A-2): Largo, Allemanda Allegro, Aria Adagio, Gavotta 1-2da, Allegro Assai. [S 1,
pp. 116-125]
6
25 February 2015
RUDOLF RASCH: THE MUSIC PUBLISHING HOUSE OF ESTIENNE ROGER AND MICHEL-CHARLES LE CÈNE
PART FOUR: THE CATALOGUE: D’ALAY — FUX
Editions S 1 (see under Opus 1): Sonatas II, III, VI, XII (after the Paris reprint).
S 2 (see under Opus 1): Sonatas I, VIII, X, XI (after the Paris reprint).
Reference Lepore 1995, pp. 555-556.
Remark The dedicatee is Leopold Duke of Lorraine and Bar (1679-1729), nicknamed Leopold the
Good. Since his territories were first occupied by the French, he could govern them only
from 1698 onwards.
[Title engraving] │ Sonate da Camera │ à Violino, è Violoncello │ Dedicate All’ │ ALTEZZA SERENISSIMA
│ E REVERENDISSIMA ELETTORALE │ DI │ GIOSEPPE CLEMENTE ELETTORE │ Gran Cancelliere del Sacro
Romo: Imperio, │ Arcivescovo di Collonia, per Italia legato │ nato dalla Sacra Sede Apostolica, Vescovo │
Principe di Hildeshaim │ di Ratisbona, è │ Liege; Ammistratore di Berchtols- │ graden. duca dell’una è
l’altra Baviera │ è del Palatinato Superiore; duca di │ Westfalia di Angaria è di Biglione; │ Conte Palatino
del Reno; Langravio di Leuchtenberg; Marchese di Franco │ monte, Conte di Solser, è di Hoorn │ da me │
EVARISTO FELICE DALL’ABACO │ Cittadino │Veronese Maestro de Concerti │ dell’ Al:za Ser:ma Ell:e di
Baviera │ OPERA QUARTA. │ A Amsterdam Chez Estienne Roger & Le Cene │ No 419. │
Engraved, upright folio format. Score (iv, 60 pp.). Double plates 2 x (18 x 25) cm.
Contents
i Title page.
iii Letter of dedication in Italian by Dall’Abaco. For text see S 1, p. XXXII.
7
25 February 2015
RUDOLF RASCH: THE MUSIC PUBLISHING HOUSE OF ESTIENNE ROGER AND MICHEL-CHARLES LE CÈNE
PART FOUR: THE CATALOGUE: D’ALAY — FUX
1-5 Sonata I (d-0): Adagio, Corente Allegro, Sarabanda Adagio, Giga Allegro. [S 2, pp. 55-60]
6-11 Sonata II (e): Andante è Spiccato, Presto e Spiritoso Assai, Largo è Cantabile, Giga Presto
Assai. [S 2, pp. 61-67]
11-14 Sonata III (F): Grave, Allemanda Spiritoso Assai, Largo è Cantabile, Allegro Assai. [S 1, pp.
48-53]
14-19 Sonata IV (A): Vivace è Puntato, Allemanda ma non Presto, Adagio, Allegro Assai. [S 1, pp.
54-60]
19-23 Sonata V (g-1): Grave, Allegro, Largo, Giga Affettuoso. [S 1, pp. 61-66]
24-29 Sonata VI (C): Allegro ma non Presto, Sarabanda Largo, Aria Cantabile, Allegro Spiritoso. [S 1,
pp. 67-73]
30-37 Sonata VII (a): Adagio, Allemanda Allegro, Rondeau Largo, Giga Allegro Assai. [S 2,
pp. 68-76]
38-43 Sonata VIII (G): Allegro, Allegro, Grave, Largo è Cantabile, Allegro. [S 1, pp. 74-81]
44-48 Sonata IX (D): Adagio, Allemanda Allegro, Largo, Allegro. [S 2, pp. 77-84]
49-53 Sonata X (F): Grave, Allegro Assai, Grave, Presto Assai. [S 2, pp. 85-91]
54-58 Sonata XI (b): Allegro, Giga Affettuoso, Adagio, Primo Passepie Allegro, Secondo Passepie.
[S 1, pp. 82-85]
59-60 Sonata XII (g): Largo, Presto è Spiccato, Passacaglia un Poco Vivace, Giga Allegro Assai. [S 2,
pp. 92-105]
Facsimile [Introduction] Marco Materassi & Laura Och (Florence: S.P.E.S., 1999 = Monumenta
Musicae Revocata 25) ?
Editions S 1 (see under Opus 1): Sonatas III, IV, V, VI, VIII, XI.
S 2 (see under Opus 1): Sonatas I, II, VI, IX, X, XII.
Remarks The dedicatee is Joseph Clemens of Bavaria (1671-1723), Prince Bishop and Elector of
Cologne.
Engraved, upright folio format. Seven partbooks: Violino Primo (2-23 pp.), Violino Secondo (Flauto Primo
in Concerto IV; 2-24 pp.), Violino Primo de Concerto Grosso (2-25 pp.), Violino Secondo de Concerto
Grosso (Flauto Seecondo in Concerto III; 18 pp.), Alto Viola (15 pp.), Fagotto (12 pp.), Organo (14 pp.).
Plates 2 x (19 x 25) cm.
8
25 February 2015
RUDOLF RASCH: THE MUSIC PUBLISHING HOUSE OF ESTIENNE ROGER AND MICHEL-CHARLES LE CÈNE
PART FOUR: THE CATALOGUE: D’ALAY — FUX
Contents
i Title page.
iii Letter of dedication in Italian by ‘Euvariste Felice dell’Abaco’. For text see S 1 (see under Opus
1), p. XXXIII, S 3 (see under Opus 2), p. XIV, DOCUMENTS 1721.
Concerto I (F): Allegro, Aria Allegro, Largo e Cantabile, Allegro ma non Presto, Presto Assai. [S 3,
pp. 43-52]
Concerto II (g): Allegro e Spiccato, Largo, Allegro, Grave, Presto. [S 3, pp. 53-64]
Conceroto III (e): Allegro, Adagio Cantabile, Presto Assai-Adagio-Prestissimo-Adagio, Largo, Primo-
Secondo Passepied. [S 3, pp. 65-76]
Sonata IV (B-flat): Allegro e Spiccato, Allegro ma non Presto, Adagio e Spiccato, Giga Allegro, Primo-
Secondo Passepied. [S 3, pp. 86-101]
Sonata V (C): Allegro-Grave, Grave, Allegro, Rondeau Allegro.
Sonata VI (D): Allegro, Aria Cantabile, Ciaccona Allegro e Spiccato, Rondeau Allegro, Allegro.
Edition S 3 (see under Opus 2): Concertos I, II, III, IV, VI.
Remark The dedicatee is Ferdinand Maria Innocenz Joseph Michael of Bavaria (Brussels 1699-
1783 Vienna), a son of Maximilian II Emanuel Elector of Bavaria. He later served as a
general in the Imperial Army.
On the title page the volume is called Libro Primo, which is right for the six concertos
that follow. Nothing is known about a Libro Secondo. The number 477 was given to the
Libro Secondo of Facco’s Pensieri adriarmonici (Libro primo with no. 469). No. 485
seems to open. Perhaps this number was reserved for a Libro Secondo.
9
25 February 2015
RUDOLF RASCH: THE MUSIC PUBLISHING HOUSE OF ESTIENNE ROGER AND MICHEL-CHARLES LE CÈNE
PART FOUR: THE CATALOGUE: D’ALAY — FUX
[Title engraving:] │ Concerti à piu Istrumenti │ Dedicati │ All’Altezza Serenissma. Reverendma. Elettorale
│ di │ CLEMENTE AUGUSTO. Arcivescovo di Colonia │ Gran Cancelliere del S.R.I. per l’Italia
Elettore Legato nota dalla Sta. │ Sede Apostolica Gran,Maestro del Ordine Teutonico Vescovo è Prencipe
│ d’Hildesio Paderborna, Münster, ed Osnabruck, Duca dell’Alta │ è Bassa Baviera del Palatinato
Superiore di Westphalia, │ ed Angaria, Conte Palatino del Rheno, Landgravio di │ Leüchtenberg,
Burgravio di Stromberg, Conte │ di Pirrmont Signore di Borkelohe, Wörth, │ Freüdenthall, ed Eüllenberg
&c. &c. &c. │ Opera Sesta │ da me │ Evaristo Felice dall’Abaco Consilliere │ è Maestro de Concerti di
S.A.S. E. di Baviera &. │ AMSTERDAM │ Spesa di MICHELE CARLO LE CENE │ I. S. Ways inv. │ I.
M. Liotard Scul: │
Engraved, upright folio format. Six partbooks: Violino Primo (iv, 33 pp.), Violino Secondo (31 pp.), Violino
Terzo (28 pp.), Alto Viola (24 pp.), Violoncello (25 pp.), Basso Continuo (24 pp.). Double plates 2 x (19 x
24,5) cm.
Contents
i Title page
iii Letter of dedication by Dall’Abaco. For text see S 1 (see under Opus 1), p. XXXIII, S 3 (see
under Opus 2) , p. XV.
Concerto I (C): Allegro, Largo, Presto è Spiccato. [S 3, pp. 102-111]
Concerto II (E-3): Allegro mà non Troppo, Adagio, Allegro Assai.
Concerto III (F): Allegro, Largo Sempre Piano, Allegro è Spiritoso.
Concerto IV (b): Allegro, Adagio, Allegro. [S 3, pp. 112-125]
Concerto V (G): Allegro è Vivace Assai, Aria Adagio Cantabile, Allegro. [S 3, pp. 126-133]
10
25 February 2015
RUDOLF RASCH: THE MUSIC PUBLISHING HOUSE OF ESTIENNE ROGER AND MICHEL-CHARLES LE CÈNE
PART FOUR: THE CATALOGUE: D’ALAY — FUX
│ SONATE │ a Violino Solo e Violoncello │ o Basso Continuo │ DEL SIG. DANDRIEU │ OPERA SECONDA. │
A AMSTERDAM │ Aux Depens d’Estienne Roger Marchand Libraire │ Qui vend la Musique du monde la
plus correcte & qui s’engage de la │ donner à meilleur marché que qui que ce soit, quand │ même il devroit
la donner pour rien. │
Engraved, upright folio format. Score (2-35 pp.). Double plates 2 x (21 x 28) cm
Source Livre de sonates à violon seul ... Seconde oeuvre. Paris, Foucault, [....]. {RISM D 890}
Issue ER, [1710]. {RISM D 891}
Berlin, Staatsbibl.
D-W, 19 Musica div. fol. (August 1967, no. 72, p. 68).
Advertisement Amsterdamsche Courant, 22 May 1710.
Catalogues First: Catalogue 1712, p. 28.
Catalogue 1716, p. 326 (no. 334); Catalogue 1735, p. 39 (no. 334); Catalogue 1744, p.
23 (no. 334).
Price f 2:10.
Inventory [p. 315] ‘14 - [Dandrieu,] Secondo Solo.’
Contents
1-7 Sonata I (A): Preludio Grave, Allegro, Adagio, Giga Affettuoso, Gavotta Allegro.
7-11 Sonata II (c-2): Preludio Adagio, Allegro, Aria Affettuoso, Allemanda, Adagio, Giga Allegro.
12-17 Sonata III (G): Preludio Adagio, Allegro, Aria Affettuoso, Giga Allegro, Gavotta Allegro.
17-23 Sonata IV (g-1): Preludio Largo, Allegro, Gavotte Allegro, Giga, Grave, Corrente Allegro.
23-29 Sonata V (e): Preludio Largo, Allegro, Adagio, Corrente Affettuoso, Gavotte Allegro, Giga
Allegro.
30-35 Sonata VI (D): Preludio Adagio, Giga Allegro, Sarabanda Largo, Vivace, Aria Affettuoso.
11
25 February 2015
RUDOLF RASCH: THE MUSIC PUBLISHING HOUSE OF ESTIENNE ROGER AND MICHEL-CHARLES LE CÈNE
PART FOUR: THE CATALOGUE: D’ALAY — FUX
Source Livre de pièces de clavecin contenant plusieurs divertissement dont les principeaux sont
les caractères de la guerre, ... Paris, author, 1724. See previous item.
Issue LC, no. 515, [1724]. {not extant ?}
Catalogues First: Catalogue 1735, p. 69 (no. 515), ‘Livre de Pieces de Clavecin contenant plusieurs
Divertissemens de la Guerre de la Chasse & la fête de Villages par François d’Andrieu.’
Catalogue 1744, p. 49 (no. 515), p. 54 (without number).
Price f 5:0.
Engraved, upright folio format. Keyboard score (69 pp.). Double plates 2 x (19,5 x 26,5) cm.
12
25 February 2015
RUDOLF RASCH: THE MUSIC PUBLISHING HOUSE OF ESTIENNE ROGER AND MICHEL-CHARLES LE CÈNE
PART FOUR: THE CATALOGUE: D’ALAY — FUX
Contents
i Title.
1 Prelude.
2 Allemande.
3 Courante.
4 Double de la Courante.
5 Seconde courante.
6 Troisieme Courante.
7 Sarabande.
8 Gigue.
9 Gaillarde (Lentement).
10-11 Chaconne en Rondeau.
12 Gavotte (Lentement), Menuet.
13 Ouverture de Cadmus (de Mr De Lully).
14 Ritournelle de Feés de Roland, Menuet dans no bois.
15-17 2e Gigue On la joue avant la gaillarde aprez la I.re Gigue.
18 Prelude.
19 Allemande.
20 Courante.
21 Seconde Courante.
22 Courante de Mr Lully.
23 Sarabande (Lentement), Sarabande Dieu des Enfers.
24-25 Gigue
25 Gigue de Mr Lully.
26 Gaillarde.
26-28 Passacaille.
29 Menuet La Jeunne Iris, Gavotte ou es tesalles Air ancien.
30 Gavotte La Beau Berger, Air La Berger Annette Vaudeville.
30-31 Ouverture de la Mascarde.
32 Les Sourdines d’Armide.
32-33 Les Songes agréables d’Atis.
33 air d’Apollon du Triomphe d’Amour.
34 Menuet de Poiton Vaudeville.
34-37 Passacaille d’Armide.
38-39 Prelude.
40 Allemande.
41 Courante, Double de la Courante.
42-43 Sarabande Grave (Lentement).
43 Sarabande (Lentement).
44 Gigue.
13
25 February 2015
RUDOLF RASCH: THE MUSIC PUBLISHING HOUSE OF ESTIENNE ROGER AND MICHEL-CHARLES LE CÈNE
PART FOUR: THE CATALOGUE: D’ALAY — FUX
45 Gaillarde (Lentement).
46 Gavotte, Menuet.
47-48 Ouverture de Proserpine.
48-55 Variations sur les Folies d’Espargne.
56 Allemande.
57 Courante, Seconde Courante.
58 Sarabande.
58-59 Gigue (Gayement).
59 Chaconne de Galatée.
60-61 Chaconne en Rondeau.
62 Tombeau de Mr. de Chambonnieres.
63 Fugue grave pour l’Orgue.
64 Seconde Fugue sur le même sujet.
65 Troisième Fugue sur le même sujet.
66-67 Quatrième Fugue sur le même sujet.
68 Cinquème Fugue sur le même sujet.
69 Quatuor sur le Kirie à trois sujets tires du plein chant
[70] Marques des Agrémens & leurs signification
Source Suonate a violino solo col basso continuo per l’organo ... Opera quinta. Bologna,
Giacomo Monti, 1686. {RISM D 1350}
Issue ER, [1698]. {not extant?}
Catalogues First: Jurien 1698C; ‘Ricercate a violino e violone, o cimbalo da pietro degli Antony
Opera quinta.’
Catalogue 1716, p. 331 (no. 285).
Catalogue 1735, p. 45 (no. 285).
Catalogue 1744, p. 29 (no. 285).
Catalogue Ballard 1704P, 1709P, 1715, p. 4: “Antonye. Symphonies à 2. Part”.
Inventaire Ballard 1750, p. 38: Risercate a violino et violone o cimbalo da Pietro degli
Antonio opera quinta gravé.’
Price f 3:0.
Inventory [p. 304] ‘30 - Antony, Opera quinta.’
│ BASSO │ MESSE, │ Concertate à 3. Voci, due Canti, e Basso e 2 Violini ad libitum. │ CONSACRATE
│ AL REVERENDISSIMO CAPITOLO DE’│ CANONICI REGOLARI │ LATERANENSI │ Di S. Gio.
in Monte di Bolgna. │ DA │ PIETRO DEGLI ANTONII Mastro di Capella nella Sudetta Chiesa, │ &
Accademico Filarmonico. │ OPERA OTTAVA. │ [vignette wih legend ‘UT RElevet Miserum FAtum
SOLitosque LAbores.’] │ A Amsterdam, chez ESTIENNE ROGER Marchand Libraire. │
14
25 February 2015
RUDOLF RASCH: THE MUSIC PUBLISHING HOUSE OF ESTIENNE ROGER AND MICHEL-CHARLES LE CÈNE
PART FOUR: THE CATALOGUE: D’ALAY — FUX
Bookprinted, upright folio format. Six partbooks: Canto Primo (-(1), A, 2A, 3A(2), [4A](1) fols; 1[=A1r]-14
pp.), Canto Secondo (-(1), [B], [2]B, 3B(2), 4B(1) fols; 1[=[B]1r]-14 pp.), Basso (-(1), C, [2]C, 3C(2) fols;
1[=C1r]-12 pp.), Violino Primo (-(1), D, 2D, 3D(2) fols; 1[=D1r]-12 pp.), Violino Secondo (-(1), E, 2E,
3E(2) fols; 1[=E1r]-12 pp.), Basso-Continuo (-(1), F, [2F], 3F, 4F(2) fols; 1[=F1r]-16 pp.),
Contents
i Title
ii Catalogue Degli Antonii 1698B (only in Basso-Continuo)
Messa prima
Messa seconda
Messa terza
Facsimile
Edition Messa terza in: Pietro Degli Antonii and Giovanni Battista Bassani, Masses, Edited with
an Introduction by Anne Schnoebelen (New York: Garland, 1999 = Seventeenth-Century
Italian Sacred Music 10), pp. 1-49 (after source edition, without violins).
Remarks The source edition does not have the violin parts.
15
25 February 2015
RUDOLF RASCH: THE MUSIC PUBLISHING HOUSE OF ESTIENNE ROGER AND MICHEL-CHARLES LE CÈNE
PART FOUR: THE CATALOGUE: D’ALAY — FUX
Catalogue Catalogue 1744, p. 56; ‘Les Geans Cantate avec Symphonie par Deon. - f 3:0.’
HENRI DESMARETS, Circe, trag;edie. Paris, Christophe Ballard, 1694. {RISM D 1768}
HENRI DESMARETS, Symphonies de la tragédie de Didon. Paris, Ballard, 1693. {RISM D 1770}
16
25 February 2015
RUDOLF RASCH: THE MUSIC PUBLISHING HOUSE OF ESTIENNE ROGER AND MICHEL-CHARLES LE CÈNE
PART FOUR: THE CATALOGUE: D’ALAY — FUX
Source Les fêtes galantes: Opéra-ballet. Paris, Ballard 1698. See previous item.
Issue ER, no. 130, [1713]. {not extant?}
Catalogues First: Catalogue 1716, p. 312 (no. 130), ‘Les Airs à jouër de l’Opera d’les Fêtes Galantes,
Dessus & Basse.’
Catalogue 1735, p. 22 (no. 130).
Catalogue 1744, p. 8 (no. 130).
Price f 1:0.
Inventory [p. 337] ‘27 - [Ouverture d’ L’opera] festes Galantes.’
Source ‘Les airs à jouer de l’opéra Les fêtes galantes.’ ER, no. 130, [1713].
Issue ER, [1715-1716]. {not extant?}
Catalogues First: Catalogue 1716, p. 306 (no. 377), ‘[De Musyk Schouwtoneel,] Vijfde boek,
[inhoudende alle Speel-Airen van d’Opera] de Galanten Feesten - f 0:10.’
Catalogue 1725, p. 19 (no. 377).
Not in Catalogues 1735, 1744.
Price f 0:10; bass available separately for f 0:10.
Inventory Not in inventory.
Remarks In all probability this was a mere title edition of the edition of airs from Desmaretes Les
fêtes galantes with French title page (see previous edition, no. 130).
Inventory [p. 279] [no.] ‘10 - Theogene et Carieler tragedie par Desmarets P. France band.’
Catalogue For sale: Mortier Catalogue 1711.
Fort sale: Catalogue 1744, p. 58: ‘Theogene & Cariclée Tragedie par Desmartes. Paris – f
3.’
17
25 February 2015
RUDOLF RASCH: THE MUSIC PUBLISHING HOUSE OF ESTIENNE ROGER AND MICHEL-CHARLES LE CÈNE
PART FOUR: THE CATALOGUE: D’ALAY — FUX
The data in connection with Derosier concerts are equivocal at first sight. The Pointel catalogue of 1689
gives only ‘Concerts a 4,’ a title resumed in Roger’s publisher’s catalogue of 1697B, apparently signalling a
take-over. This title is changed into ‘Ouvertures, Allemandes, Sarabandes, etc.’ in the catalogue 1697D.
These concerts were sold for f4.
Roger’s first sales catalogue 1698EE lists ‘VIII Concert ou Ouvertures, Allemandes, Sarabandes, etc.’ for
guitar and ad libitum melody parts (two trebles and figured bass), of which the guitar part sold for f5, all
parts together for f9. That means that the melody parts were sold for f4, the same price as the concerts or
overtures in the publisher’s catalogue. It is therefore difficult not to assume that the ‘guitar concerts’ are the
same as the other concerts, but it remains unclear why the guitar concerts are in the sales catalogue, the
version for melody instruments and figured bass in the publishing catalogue.
The sales catalogues bring another, third version of apparently the same concerts. Now they are in score,
for melody instrument and figured bass only, and sold per concert.
The above given relations between the various versions are by no means certain, but they seems
satisfactory to explain the various, seemingly paradoxical listings in the catalogues.
Thus, this collection of eight concerts (or rather: suites) was apparently available in three versions, which
could be performed separately or combined:
Version 1: Two (Concert VIII: three) melody instruments and figured bass, engraved in four part
books: ‘Pour le violon et la flûte à trois et quatre parties.’ Plates got no. 202.
Version 2: Guitar, one engraved partbook; melody and bass parts could be added ad libitum: ‘pour la
guitarre, avec deux violons ou deux flûtes et une basso continue ad libitum.’ Plates got
no. 318.
Version 3: First melody part and figured bass, engraved (or book-printed) in score: ‘le dessus et la
basse en partition pour la flûte et le violon à la clef Françoise.’
[Version 2] First for sale: La Martinière 1698EE: ‘8 Concerts ou ouvertures, allemandes sarabandes,
courantes, gigues, menuets, & c. pour la guitarre avec 2 violons ou 2 flustes & une bass,
18
25 February 2015
RUDOLF RASCH: THE MUSIC PUBLISHING HOUSE OF ESTIENNE ROGER AND MICHEL-CHARLES LE CÈNE
PART FOUR: THE CATALOGUE: D’ALAY — FUX
contin. ad Libitum, composées par Mons. Nicolas des Rosiers gravé - f 9:0. Les mêmes
pieces de guitarre separées - f 5:0.’
Last for sale: De la faille 1699DD.
First: Bassani XVIII 1700B: ‘Un Livre de pieces de Guitarre avec 2 dessus d’instruments
& une bass. cont. ad libitum, composé par mr. Nicolas Derosiers, gravé - f 9:0. Le même
Livre de Guitarre separé, gravé. - f 5:0.’
Catalogue 1716, p. 348 (no. 818 [sic]).
Catalogue 1735, p. 70 (no. 318).
Catalogue 1744, p. 50 (no. 318).
Catalogue Ballard 1704P, 1709P, 1715, p. 4. [version 1]
Catalogue Ballard 1699, p. 4. [version 2: guitar]
[Version 3] First for sale: La Martinière 1698EE; ‘ 7 Concerts de M. de Derosiers le dessus & la
basse en partition pour la flûte. & le violon à la clef francoise chaque concert - f 0:12.’
Last for sale: Catalogue 1708, p. 20.
Price f 4:0 (version 1: melody and bass parts together), f 5:0 (version 2: guitar part); f 0:12 per
concert (version 3: score of melody and bass parts).
Inventory Possibly: [p. 316] ‘6 - [Dreux] Livre de Guitarre - 19/6/32 - f 13:10.’
Nicolas Derosier, Galoys (Google Books) “Airs d’opéras d’Issé etde l’Europe galante mis sur la guitarre,
par M. Nic. d’Erozier. Paris 1699.” fol. Dd1v.
Bibliotheca D. Joannis Galloys, Paris, Laurentius Seneuze, 1710.
Catalogue Ballard 1699, Catalogue Ballard 1704P, 1709P, 1715, p. 4.
Catalogue Galoys
[Engraved as part of the cartouche] │ t’AMSTERDAM, by Anthony Pointel, op de Singel inde Roseboom is
alderley gelinieert Papier en Musyc te Koop. 1688. │
[Bookprinted in the cartouche] │ LA │ FUITTE │ DU ROI │ D’ANGLETERRE, │ A TROIS
INSTRUMENTS │ deux Flutes Basse de Viole, │ où deux Violons Basse-Continue, │ par N. DEROSIER. │
[Heading of p. 1, bookprinted]│ LA FUITTE DU ROY D’ANGLETERRE, │ A 3. deux Violons où 2.
Fluttes, Basse ou Continue, par N. DEROSIER, │ et se vendent chez l’Autheur, sur le Cingel devant le Doele
inde Roose-boom, │ A AMSTERDAM, 1689. │
Bookprinted, upright quarto format. Three partbooks: Premier Dessus, Second Dessus, Basse et Continue (all
ii, 8 pp.).
19
25 February 2015
RUDOLF RASCH: THE MUSIC PUBLISHING HOUSE OF ESTIENNE ROGER AND MICHEL-CHARLES LE CÈNE
PART FOUR: THE CATALOGUE: D’ALAY — FUX
Contents
1-8 La fuitte du Roy d’Angleterre Adagio (c-2), La navigation du Roi Adagio (f), L’arivée du Roi
Alegro, Reception du Roi Grave, Le voyage de Versaille Presto, Ritournelle de l’entreveû
Adagio, Plainte (F), Air de consolation (d), Marche de Brest, La Dieu, Ritournelle Adagio,
Marche Ecossoise, La Rejouîssance, Les Bourgeois (C).
Edition Nicolas Derosier, La fuite du Roy d’Angleterre for two treble recorders and keyboard,
with optional cello, Transcribed and edited by Thurston Dart. London: Oxford Univ.
Press, 1959. Incomplete, includes the movements from the begining up to and including
the Air de consolation.
20
25 February 2015
RUDOLF RASCH: THE MUSIC PUBLISHING HOUSE OF ESTIENNE ROGER AND MICHEL-CHARLES LE CÈNE
PART FOUR: THE CATALOGUE: D’ALAY — FUX
Bookprinted, oblong quarto format ([i], ii-xij pp.; a(4; sic) fols.).
Contents
i Title
ij Explanation of signs and ornaments
iij Maniere de faire les Tremblements
iv Acord de la Guitarre, etc.
v Toutes les Lettres de la Guitarre. Toutes les Notes de la Guitarre.
vj Alphabet Italienne et Françoise.
vij Chaconne A la; Chaconne C ut. [All chaconnes in guitar tablature]
viij Chaconne D re; Chaconne E mi.
ix Chaconne F fa; Chaconne G sol.
x Chaconne A mi; Chaconne B fa.
xj Chaconne C sol; Chaconne D la.
xij Chaconne F fa; Chaconne G sol.
21
25 February 2015
RUDOLF RASCH: THE MUSIC PUBLISHING HOUSE OF ESTIENNE ROGER AND MICHEL-CHARLES LE CÈNE
PART FOUR: THE CATALOGUE: D’ALAY — FUX
Remark The dating is based on the mentioning of the edition in Pointel’s Catalogue of 1689, while
he had just moved to the Singel.
Source ‘Les airs à jouer de l’opéra d’Issé.’ ER, no. 116, [1713]. See previous item.
Issue ER, no. 373, [1715-16]. {not extant?}
Catalogues First: Catalogue 1716, p. 306 (no. 373): ‘De Musyk Schouwtoneel, eerste boek,
inhoudende alle de Speel-Airen van d’Opera van Issé. - f 0:10.’
Catalogue 1725, p. 19 (no. 373).
Not in Catalogues 1735, 1744.
Price f 0:10; bass available separately for f 0:10.
Inventory Not in Inventory.
22
25 February 2015
RUDOLF RASCH: THE MUSIC PUBLISHING HOUSE OF ESTIENNE ROGER AND MICHEL-CHARLES LE CÈNE
PART FOUR: THE CATALOGUE: D’ALAY — FUX
Remarks In all probability this was a mere title edition of the edition of airs from Destouches Issé
with French title page. See previous item.
Source Omphale. Tragédie lyrique. Paris, Christophe Ballard, 1701. {RISM DD 1835}
Issue ER, no. 117, [1713]. {not extant?}
Catalogues First: Catalogue 1716, p. 312 (no. 117). ‘Les Airs à jouër de l’Opera d’Omphale, Dessus
& Basse. - f 0:10.’
Catalogue 1735, p. 22 (no. 117).
Catalogue 1744, p. 9 (no. 117).
Price f 1:0.
Inventory [p. 338] ‘44 - [Ouverture D’opera] D’omphale.’
Source ‘Les airs à jouer de l’opéra d’Omphale.’ ER, no. 117, [1713]. See previous item.
Issue ER, no. 379, [1715-1716]. {not extant?}
Catalogues First: Catalogue 1716, p. 306 (no. 379): ‘[De Musyk Schouwtoneel,] Sevende boek,
[inhoudende alle Speel-Airen van d’Opera] Omphale. - f 0:10.’
Catalogue 1725, p. 19 (no. 379).
Not in Catalogues 1735, 1744.
Price f 0:10; basse available separately for If 0:10.
Inventory Not in inventory.
23
25 February 2015
RUDOLF RASCH: THE MUSIC PUBLISHING HOUSE OF ESTIENNE ROGER AND MICHEL-CHARLES LE CÈNE
PART FOUR: THE CATALOGUE: D’ALAY — FUX
Remarks In all probability this was a mere title edition of the edition of airs from Destouches
Omphale with French title page, See previous item.
Inventory [p. 279] [no.] ‘9 - Semiramis tragedie par Destouches P. France band.
Catalogues Catalogue 1744, p. 58.
Price f 10:0.
ALPHONSE D’EVE, Genius musicus divinis Marianis ac sanctorum laudibus decoratus, et ecclesiaastico
ritui, una, 2. 3. 4. 5. tam vocibus quam instrumentis officiosus ... Opus primum. ER, [1701].
Bookprinted, upright folio. Eleven partbooks: Canto Primo (ii, 24 pp., A), Canto Secondo (ii, 12 pp., B), Alto
(ii, 24 pp., C), Tenore (ii, 14 pp., D), Basso (ii, 16 pp., E), Violino Primo (ii, 28 pp., F), Violino Secondo (ii,
26 pp., G), Alto Viola (ii, 18 pp., H), Tenore Viola (ii, 18 pp. I), Basso Viola (ii, 22 pp., K), Basso continuo
(ii, 36 pp., L).
Contents
Missa à 5 vocibus cum 5 instrumentis
Fugite fastus De Venerabile (Canto solo cum 5 instrumentis)
Quis es tu Domine De Venerabile (Alto solo cum 5 instrumentis)
Qui in hoc sæculi profluvio De B.M.V. (Canto et Alto cum 5 instrumentis)
24
25 February 2015
RUDOLF RASCH: THE MUSIC PUBLISHING HOUSE OF ESTIENNE ROGER AND MICHEL-CHARLES LE CÈNE
PART FOUR: THE CATALOGUE: D’ALAY — FUX
| SONATE A VIOLINO SOLO | Col Basso per il Cimbalo | DI | GIOVANNI DE ZOTTI | OPERA PRIMA | A
AMSTERDAM | Aux depens d’Estienne Roger Marchand Libraire | Qui vend la Musique du Monde La plus
correcte & qui s’engage de la | donner à meilleur marché que qui que ce soit, quand | même il devroit la
donner pour rien. |
25
25 February 2015
RUDOLF RASCH: THE MUSIC PUBLISHING HOUSE OF ESTIENNE ROGER AND MICHEL-CHARLES LE CÈNE
PART FOUR: THE CATALOGUE: D’ALAY — FUX
Engraved, upright folio format. Score (2-49 pp.). Double plates 2 x (21 x 28) cm.
Contents
2-5 Sonata I (g): Grave, Allegro, Largo, Presto.
5-8 Sonata II (a): Adagio, Allegro assai, Adagio ma Smorzato, Presto.
9-13 Sonata III (D): Largo, Allegro, Adagio, Presto.
14-16 Sonata IV (e): Grave, Allemanda Allegro, Largo, Tempo di Gavotta.
16-19 Sonata V (B-flat): Largo, Presto, Andante, Allegro.
20-23 Sonata VI (F): Adagio, Allegro e Presto, Adagio assai, Presto.
23-29 Sonata VII (c-2): Largo, Allegro e Presto, Allegro, Allegro ma non Presto.
30-32 Sonata VIII (C): Adagio, Allemanda Presto, Coreente Allegro, Gavotta Presto.
33-37 Sonata IX (d): Andante, Presto, Adagio, Allegro.
37-41 Sonata X (E-flat): Largo, Allegro, Allegro.
41-45 Sonata XI (b): Adagio, Allegro assai, Largo, Allegro.
46-49 Sonata XII (A): Adagio, Presto, Presto, Allegro ma non Presto.
Three partbooks: [Clavessin] (iv, 2-49 pp.), [Violon ou Flûte] (2-16 pp.), [Basse Continue] (2-16 pp.).
Double plates 2 x (20 x 25) cm.
26
25 February 2015
RUDOLF RASCH: THE MUSIC PUBLISHING HOUSE OF ESTIENNE ROGER AND MICHEL-CHARLES LE CÈNE
PART FOUR: THE CATALOGUE: D’ALAY — FUX
D-W, 21.1-2 Musica div. (no dedication; August 1967, no. 84, p. 75).
Reprint Select lessons for the harpsichord or Spinnet as allemands, sarabands, corants, gavots
minuets and jiggs ... plac’d on five lines in ye English cliff ... London: John Walsh, [no.
175], 1705. {RISM D 3045; Smith 179; Smith&Humphries 576}
Six sonatas or solos made on purpose for a flute and a through bass. London, John
Walsh, [no. 115], 1717. {RISM D 3043; Smith 50; Smith&Humphries p. 577}
Advertisement Post Man, 4 November 1701; 7 March, 11 April 1702 (Francis Vaillant)
Post Boy, 5 March 1702 (Francis Vaillant).
Catalogues Vairasse 1702. Catalogue 1716, pp. 308-309 (no. 227; flute and continuo parts), p. 347
(no. 226: all parts; no. 226: harpsichord part); Catalogue 1735, p. 18 (no. 227; flute and
continuo parts), p. 68 (no. 226: all parts; no. 229 [sic = no. 226]: harpsichord part only);
Catalogue 1744, p. 6 (no. 227; flute and continuo parts), p. 48 (no. 226: all parts; no. 229
[sic = no. 226]: harpsichord part only).
Price f 9:0 (complete); f 3:0 (flute and continuo parts); f 6:0 (harpsichord part).
Inventory [p. 315] ‘34 - Dieupart, VI Sonato a flauto Solo.’
Contents (page numbers from keyboard part; left hand of keyboard part always with F-3 clef)
iii Dedication to Madame Maria Countess of Sandwich.
2-9 1re Suitte (A): 1 Ouverture Gravement-Gay-Lentement, 2 Allemande, 3 Courante, 4 Sarabande,
5 Gavotte, 6 Manuet, 7 Gigue. (Above the Violon/Flute part: Cette Suitte se doit joüer en C sol
ut sur une flute de voix.)
10-17 2e Suitte (D): 8 Ouverture [Gravement]-Viste, 9 Allemande, 10 Courante, 11 Sarabande, 12
Gavotte, 13 Passepied, 14 Gigue. (Above the Violon/Flute part: Cette Suitte se doit joüer en f fa
ut sur une flute de voix.)
18-25 3e Suitte (b): 15 Ouverture [Gravement-Viste]-Lentement, 16 Allemande, 17 Courante, 18
Sarabande, 19 Gavotte, 20 Menuet, 21 Gigue. (Above the Violon/Flute part: Cette Suitte se doit
joüer en D la re sur une flute de voix.)
26-33 4e Suitte (e): 22 Ouverture [Gravement-Viste-Lentement, 23 Allemande, 24 Courante, 25
Sarabande, 26 Gavotte, 27 Menuet, 28 Gigue. (Above the Violon/Flute part: Cette Suitte se doit
joüer en G ré sol sur une flute de voix.)
34-41 5e Suitte (F): 29 Ouverture [Gravement-Viste-Lentement, 30 Allemande, 31 Courante, 32
Sarabande, 33 Gavotte, 34 Menuet en Ronbdeau, 35 Gigue. (Above the Violon/Flute part: Cette
Suitte se doit joüer en G ré sol sur une flute du quatre.)
42-48 6e Suitte (f-3): 36 Ouverture [Gravement-Viste-Lentement], 37 Allemande, 38 Courante, 39
Sarabande, 40 Gavotte, 41 Menuet, 42 Gigue. (Above the Violon/Flute part: Cette Suitte se doit
joüer en G ré sol sur une flute du quatre.)
49 Explication des marques / Rules for graces.
Remark The dedicatee is Elisabeth Wilmot (1674-1757; daughter of John Wilmot, Second Earl of
Rochester), who married Edward Montagu, Third Earl of Sandwich, in 1689.
27
25 February 2015
RUDOLF RASCH: THE MUSIC PUBLISHING HOUSE OF ESTIENNE ROGER AND MICHEL-CHARLES LE CÈNE
PART FOUR: THE CATALOGUE: D’ALAY — FUX
JACQUES-PHILLIPPE DREUX, ‘Airs à deux clarinettes ou deux chalumeaux ...’ ER, No. 358, [1715].
JACQUES-PHILIPPE DREUX, ‘Fanfares pour les chalumeax et les trompettes ... Livre premier.’ ER, [No. 163],
[1704].
JACQUES-PHILIPPE DREUX, Fanfares pour les chalumeaux et les trompettes, ... Livre premier. PM, [1709].
│ FANFARES │ Pour les Chalumeaux & les Trompettes | Propres aussi à joüer sur les Flûtes, Violons &
Haubois. | Composées Par │ JAQUES [sic] PHILIPPE DREUX. │ Livre Premier | Second Dessus │ A
AMSTERDAM. │ Chez PIERRE MORTIER sur le Vuygendam │ qui vend les Livres Nouveaux en
Musique. │
Engraved, oblong ocatvo format. Two Partbooks: Premier Dessus, (22 pp.), Second Dessus (24 pp.; p. 24
with staves but no music). Octuple plates 8 x (15 x 9) cm. (There are as many pages with no plate horizontal
margins as there are with horizontal plate margins.) Five systems per page. Premier Deussus: Title page and
verso are contained in one plate with pp. 1-6; other plates pp. 7-14 and 15-22. Verso of title page is blank
page printed from the plate Second Dessus: Title page is separate plate 13 x 8 cm, music from plates pp. 1-8,
9-16, 17-24.
28
25 February 2015
RUDOLF RASCH: THE MUSIC PUBLISHING HOUSE OF ESTIENNE ROGER AND MICHEL-CHARLES LE CÈNE
PART FOUR: THE CATALOGUE: D’ALAY — FUX
JACQUES-PHILIPPE DREUX, ‘Fanfares pour les chalumeaux, ... Livre second.’ ER, [No. 133], [1706].
29
25 February 2015
RUDOLF RASCH: THE MUSIC PUBLISHING HOUSE OF ESTIENNE ROGER AND MICHEL-CHARLES LE CÈNE
PART FOUR: THE CATALOGUE: D’ALAY — FUX
JACQUES-PHILIPPE DREUX, Fanfares pour les chalumeaux, ... Livre second. PM, [1706].
│ FANFARES │ Pour les Chalumeaux, Les Doubles Flûtes | & les Trompettes; Propres aussi à Jouer. | Sur
les Flûtes, Violons & Haubois. | Composées Par │ JAQUES [sic] PHILIPPE DREUX. │ Livre Second. │ A
AMSTERDAM │ Chez PIERRE MORTIER sur le Vuygendam │ qui vend les Livres Nouveaux en Musique.
│
Engraved, oblong octavo format. Two Partbooks: Premier Dessus (?? pp.), Second Dessus (32 pp.).
Quadruple plates 4 x (15 x 9) cm. Title page is separate
30
25 February 2015
RUDOLF RASCH: THE MUSIC PUBLISHING HOUSE OF ESTIENNE ROGER AND MICHEL-CHARLES LE CÈNE
PART FOUR: THE CATALOGUE: D’ALAY — FUX
17 24 Air de Trompette
18 25 Air
18-19 26 Air
19 27 Air
20 28 Air
20-21 29 Rondeau
21 30 Marche
22 31 La Chasse
22-23 32 Allemande
23 33 Air
24 34 Air
24-25 35 Fanfare
25 36 Marche
26 37 Rigaudon; 38 Second Rigaudon
26-27 39 Menuet
27 40 Marche
28 41 Menuet
28-29 42 Air
30 43 Gigue
31 44 Air de Trompette
32 45 Gigue
JACQUES PHILIPPE DREUX, ‘Fanfares et autres airs ... deux chalumeaux ou deux trompettes &c. ... Livre
troisième. ER, no. 193, [1714].
GIOVANNI FILIPPO MARIA DREYER, ‘Sonates à une flûte & basse ... Second ouvrage.’ LC, No. 579, [1735].
31
25 February 2015
RUDOLF RASCH: THE MUSIC PUBLISHING HOUSE OF ESTIENNE ROGER AND MICHEL-CHARLES LE CÈNE
PART FOUR: THE CATALOGUE: D’ALAY — FUX
PIERRE DUBUISSON, Premier (septième) livre d’airs sérieux et à boire à 2 & 3 parties. Paris, Christophe
Ballard, 1686-1692. {RISM D 3606} Airs sérieux et à boire à deux et trois parties, premier livre en
partition. Paris, Christophe Ballard, 1693. {RISM DD 3607} Premier (-neuvième) livre d’airs sérieux et à
boire ... pour le mois de janvier 1694 (-octobre 1696). Paris, Christophe Ballard, 1694-1696. {RISM D
3608}
Catalogues First for sale: Xenephon 1699AA; ‘Les Airs de Mr. du Buisson.’
Last for sale: Catalogue 1708; ‘Les livres d’Airs de Mr. du Buisson.’
Remarks From the description in Catalogue 1708 it can be concluded that Roger sold several
volumes with airs from Dubuisson, but it is impossible to establish which volumes
exactly.
Les duos à la mode, petits et grands, anciens et nouveaux. “LC, No. 580,” = [Paris, ??].
│ LES DUOS | A LA MODE | PETITS, ET GRANDS | ANCIENS, ET NOUVEAUX. | Qui Serviront de Suitte
au Receüil [sic] | qui a paru précédemment. | A AMSTERDAM | Chez Michel Charles le Cene. “Sur le
Boom-markt. | No. 580│
Engraved, oblong quarto format. Score (85 pp.). Single plates, 21 x 16 cm.
Sources ***
Issue “Amsterdam, Le Cène, No. 580” = ??
Ann Arbor, **
Paris, Bibl. Ars.
Paris, Bibl. Nat., Rés. 1399
Paris, Bibl. Nat., Rés. 1468
Paris, Bibl. Nat.
1-5 Duo (g-1): Lieux aimés, lieux plein de charmes (G2, F4)
5-6 Duo de deux Voix Egalles (G): Feüillages verds naissez (C1, C1)
7-8 Duo Gracieusemt. (D): Ton vin Champagne adorable fait les delices de la table (C1, F4)
8-9 Duo de deux Voix Egales (a): Sur de ta foi je viens dans ce hameau (C1, C1)
10-11 Duo Gayment (C): Vive Bachus vive Grégoire (G2, F3)
12-14 Duo Gracieusemt. (G): Viens dans mon coeur Dieu de la treille (G2, F4)
14-15 Duo de deux Voix Egales (g-1): Tu ne dois pas Jeune Lizette (G2, G2)
15-17 Duo (g-1): Un usurier sur son grimoire (C1, F4)
17-18 Duo de deux Voix Egales Rondeaux Tendremt. (g-1): Vous regnez sur mon coeur (C1, C1)
18-20 Marche des Gris-Vêtus (F): Des Gris-vêtus chantons la gloire (G2, F4)
21 Duo de deux Voix Egales Lentement (g-1): Pour un baiser doux Guillemette (C1, C1)
32
25 February 2015
RUDOLF RASCH: THE MUSIC PUBLISHING HOUSE OF ESTIENNE ROGER AND MICHEL-CHARLES LE CÈNE
PART FOUR: THE CATALOGUE: D’ALAY — FUX
22-25 Duo Gay (C): Versez moy Versez moy chers Amis a boire (C1, F4)
25-27 Gravement (F): Mon coeur n’est pas troublé (C1, F4)
27-28 Duo Rondement (d-0): Versez ce champagne divin (G2, F4)
29-30 Duo de deux Voix Egales (G): Descendez des Cieux, fils de Venus (C1, C1)
30-32 Duo en Rondeau (F): Tout rend hommage a ta beauté (G2, F3)
32-33 Brunette Duo de deux Voix Egales Tres tendremt. (Bflat): Oh Dieux! que mon Iris est belle (G2, G2)
33-34 Air de Cor de Chasse Duo de deux Voix Egales (C): Dans ces aimables lieux (G2, G2)
34-38 Duo Paysan (a): Colette et moy comme je nous aimons (C1, F4)
38-41 Duo de deux Voix Egales (C): Auprès d;une jeune merveille (C1, C1)
41-42 Duo de deux Voix Egalles Rondeau Tendre et Leger (G): Helas! quand on aime bien (C1, C1)
43 Duo Rondeau (F): Ah! Therese qu’on est aise (C1, F4)
44-45 Duo de Deux Voix Egalles (a): Je verray, j’embrasseray, ce soir ma maitresse (G2, G2)
45-47 Duo en Rondeau Graciesemt. (g-1): Aimable Dieu du vin (C1, F4)
48-49 Duo de deux Voix Egales Fanfare (G): Buvons a tasse pleine (C1, C1)
50-52 Duo Gracieusemt. (d-0): En vain pour oublier une beauté cruelle (C1, F4)
52-53 Duo de deux Voix Egalles (A): Je n’entend plus dessous l’ormeau (C1, C1)
54-55 Duo Gracieusemt. (a): L’autre jour en dorman à l’ombre d’une treille (C1, F4)
56-57 Duo de deux Voix Egalles Gracieusemt. Louré (G): Dans nos hameaux, il est un bergere (G2, G2)
57-59 Duo Gay (c): Guillot est mon Amy (G2, F4)
59-60 Duo de deux Voix Egalles Tendremt. (G): A l’ombre d’un ormeau Lizette (G2, G2)
60-62 Duo en Rondeua de deux Voix Egalles (g-1): Versez, versez que j’eprouve a mon tour (G2, G2)
63 Musette Duo de deux Voix Egales Tendremt. et Louré (C): Amuson toujours nos desirs (G2,
G2)
64-65 Duo en Rondeau Legeremt. (C): Je suis tant que dure le jour (G2, F4)
66-67 Duo de deux Voix Egalles Tendremt. (a): De la Déesse de Cythere (C1, C1)
67-68 Duo Gracieusemt. (d-0): Je sers egalement et l’Amour et la treille (C1, F4)
69 Duo de deux Voix Egalles Tendremt.(C): Quitte ta musette Berger amoureux (G2, G2)
70-73 Duo Rondement (F): Viens Bachus vole a mon secours (G2, F4)
74 Duo de deux Voix Egalles (a): D’une simple amitiez (G2, G2)
75-78 Duo Gayment (g-1): Chantez chantez mes chers amis (G2, F4)
78-81 Duo de deux Voix Egalles (d-0): Amy prend viste un verre (C1, C1)
82-85 Duo (g-1): Quel orage imprevû (C1, F4)
Remark Certainly produced in France (Paris). It is the second volume to the Recueil de duos sérieux et à
boire (“Amsterdam”).
Paper has vertical chain lines, 30 mm apart, a little grape as watermark. Same paper as the
Recueil de duos.
RISM gives composers De Bousset, Colin de Blamont, Déon, Regnault, N. Renier, Anon.
‘Duos Anglois de différents maîtres à deux flûtes ou violons ... Livre premier.’ ER, [1697].
33
25 February 2015
RUDOLF RASCH: THE MUSIC PUBLISHING HOUSE OF ESTIENNE ROGER AND MICHEL-CHARLES LE CÈNE
PART FOUR: THE CATALOGUE: D’ALAY — FUX
‘Duos Anglois de différents maîtres à deux flûtes ou violons, ... Livre premier.’ PM, [1709].
‘Duos Anglois de différents maîtres à deux flûtes ou violons ... Livre second.’ ER, [No. 210], [1707-1708].
Duos Anglois de différents maîtres à deux flûtes ou violons ... Livre second.’ PM, [1709].
Engraved, oblong quarto format. Two Partbooks: Premier Dessus, (25 pp.), Second Dessus (2 pp.).
Quadruple plates 4 x (20 x 11) cm.
34
25 February 2015
RUDOLF RASCH: THE MUSIC PUBLISHING HOUSE OF ESTIENNE ROGER AND MICHEL-CHARLES LE CÈNE
PART FOUR: THE CATALOGUE: D’ALAY — FUX
35
25 February 2015
RUDOLF RASCH: THE MUSIC PUBLISHING HOUSE OF ESTIENNE ROGER AND MICHEL-CHARLES LE CÈNE
PART FOUR: THE CATALOGUE: D’ALAY — FUX
DUPARC, Premier(-second) livre d’airs sérieux et à boire à deux et trois parties. Paris, Christophe Ballard,
1693, 1694. {RISM D 3834-3835}
PIERRE DUPONT, Principes de musique par demandes et résponces ... Paris, Christophe Ballard, 1713. Paris,
Jean Baptiste Christophe Ballard, 1719. {RISM Écrits p. 283}
Inventory [p. 289] [no.] ‘96 - Les Principes de Musique mis en dialogue.’
JEAN-BAPTISTE DU TARTRE, ‘Divertissement pour la paix ...’ Paris, Author, Foucaut, [1714]. {RISM D
4660}
FRANÇOIS DUVAL, Seconde livre de sonates à III parties pour II violons et la basse. Paris, author, 1706.
{RISM D 4665}
36
25 February 2015
RUDOLF RASCH: THE MUSIC PUBLISHING HOUSE OF ESTIENNE ROGER AND MICHEL-CHARLES LE CÈNE
PART FOUR: THE CATALOGUE: D’ALAY — FUX
E
— Eberhard — Pièce— (Manuscript) —
Inventory [Geschreve Muzijk ... p. 290] ‘[nr.] 5 – une Piece pour deux Clavecimbal de Everhardo.’
37
25 February 2015
RUDOLF RASCH: THE MUSIC PUBLISHING HOUSE OF ESTIENNE ROGER AND MICHEL-CHARLES LE CÈNE
PART FOUR: THE CATALOGUE: D’ALAY — FUX
F
— Facco — Pensieri Opus 1 Libro 1-2 — 469,477 — [1720, 1721] —
GIACOMO FACCO, Pensieri Adriarmonici ... Opera prima, Libro primo-secondo. JR, nos. 469, 477, [1720,
1721].
PENSIERI ADRIARMONICI O uero Concerti à cinque, Trè Violini, Alto Viola, Violoncello, e Basso
per il Cembalo Consecrati ALL’ECCELLENZA Del Signor DON CARLO FILIPPO ANTONIO SPINOLA
Colonna Marchese de los Balbasses, Duca del Sesto Rocca Piperozzi, e Peutime, Baron de Ginosa,
Feudatario de Pontecurone, Casalnoceto, Montebello, Montemarsino, e Paderno, Gran Protonotario del
Supremo Consiglio d’Italia, Consigliero di Stato di Sua Maestà Cattolica, e Suo Gentilhuomo di
Camera, Castellano del Castel nouo di Napoli, Cavagliero del Ordine di San Giacomo, Grande di Spagna
& c a Dà GIACOMO FACCO Musico Veneto, e Servitore attuale DI SUA ECCELLENZA OPERA PRIMA
Libro Primo A AMSTERDAM Chez Jeanne Roger No 469
PENSIERI ADRIARMONICI Ouero Concerti à cinque, Trè Violini, Alto Viola, Violoncello, e Basso per
il Cembalo Consecrati ALL’ECCELLENZA Del Signor DON CARLO FILIPPO ANTONIO SPINOLA
Colonna Marchese de los Balbasses, Duca del Sesto Rocca Piperozzi, e Peutime, Baron de Ginosa,
Feudatario de Pontecurone, Casalnoceto, Montebello, Montemarsino, e Paderno, Gran Protonotario del
Supremo Consiglio d’Italia, Consigliero di Stato di Sua Maestà Cattolica, e Suo Gentilhuomo di
Camera, Castellano del Castel nouo di Napoli, Cavagliero del Ordine di San Giacomo, Grande di Spagna
& c a Dà GIACOMO FACCO Musico Veneto, e Servitore attuale DI SUA ECCELLENZA OPERA PRIMA
Libro Secondo A AMSTERDAM Chez Jeanne Roger No 477
PENSIERI ADRIARMONICI O uero Concerti à cinque, Trè Violini, Alto Viola, Violoncello, e Basso
per il Cembalo Consecrati ALL’ECCELLENZA Del Signor DON CARLO FILIPPO ANTONIO SPINOLA
Colonna Marchese de los Balbasses, Duca del Sesto Rocca Piperozzi, e Peutime, Baron de Ginosa,
Feudatario de Pontecurone, Casalnoceto, Montebello, Montemarsino, e Paderno, Gran Protonotario del
Supremo Consiglio d’Italia, Consigliero di Stato di Sua Maestà Cattolica, e Suo Gentilhuomo di
Camera, Castellano del Castel nouo di Napoli, Cavagliero del Ordine di San Giacomo, Grande di Spagna
& c a Dà GIACOMO FACCO Musico Veneto, e Servitore attuale DI SUA ECCELLENZA OPERA PRIMA
Libro Primo A AMSTERDAM Chez Estienne Roger & Le Cene No 469
Engraved, upright folio format. Six partbooks: Violino Primo Principale (iv, 2-23, 2-25 pp.); Violino Primo
(2-21, 2-20 pp.); Violino Secondo (2-19, 2-20 pp.); Alto Viola (2-17, 2-15 pp.); Violoncello (2-17, 2-18 pp.);
Organo (2-12, 2-15 pp.). Double plates 2 x (19 x 28) cm.
38
25 February 2015
RUDOLF RASCH: THE MUSIC PUBLISHING HOUSE OF ESTIENNE ROGER AND MICHEL-CHARLES LE CÈNE
PART FOUR: THE CATALOGUE: D’ALAY — FUX
Contents
Libro Primo
i Title page.
iii Letter of dedication in Italian by Facco.
Concerto I (e): Allegro, Adagio, Allegro.
Concerto II (B-flat): Allegro assai, Grave staccato, Allegro assai.
Concerto III (E-3): Allegro assai, Adagio, Allegro assai.
Concerto IV (c-2): Allegro, Grave, Allegro.
Concerto V (A): Allegro, Grave, Allegro.
Concerto VI (F): Allegro, Adagio cantabile, Allegro.
Libro Secondo
Concerto VII (C): Allegro, Adagio, Allegro.
Concerto VIII (D): Allegro, Adagio, Allegro assai.
Concerto IX (C): Allegro, Adagio, Allegro.
Concerto X (B-flat): Adagio staccato-Presto-..., Allegro assai.
Concerto XI (g): Allegro, Adagio, Allegro assai.
Concerto XII (B-flat): Allegro, Adagio, Allegro.
Remark The dedicatee is Carlo Felipe Antonio Spinola y Colonna (Madrid 1665-1721), Fourth
Marquis of Los Balbases, 1707-1713 Spanish Viceroy of Naples and Sicily.
ANDREA FADINI, Sonate a due violini, violoncello, ed organo ... Opera prima. JR, no. 450, [1719].
| XII SONATE | a due Violini, Violoncello ed Organo, | con trè Soggetti Reali | Di | ANDREA FADINI |
Compositore di Musica | OPERA PRIMA | A Amsterdam | Chez Jeanne Roger | No 450 |
Engraved, upright folio format. Three partbooks: Violino Primo (2-24 pp.), Violino Secondo (2-23 pp.),
Violoncello (1-19 pp.), Organo (1-8 pp.), Double plates 2 x (28 x 20) cm.
39
25 February 2015
RUDOLF RASCH: THE MUSIC PUBLISHING HOUSE OF ESTIENNE ROGER AND MICHEL-CHARLES LE CÈNE
PART FOUR: THE CATALOGUE: D’ALAY — FUX
Contents
Sonata I (A-2): Canone Allegro, Allegro, Adagio.
Sonata II (C): Canone Allegro, Allegro, Adagio, Allegro.
Sonata III (e): Adagio, Allergo, Adagio, Allegro.
Sonata IV (B-flat): Canone Adagio, Allegro, Adagio, Allegro.
Sonata V (F): Canone Adagio, Allegro, Adagio, Allegro ma non Presto.
Sonata VI (G): Adagio, Allegro, Adagio, Allegro.
Sonata VII (d-0): Adagio, Allegro, Adagio, Allegro.
Sonata VIII (D): Canone Adagio, Allegro, Adagio, Allegro.
Sonata IX (g-1): Canone Adagio, Allegro, Adagio, Allegro.
Sonata X (F):Adagio, Allegro, Adagio, Allegro.
Sonata XI (B-flat): Adagio, Allegro, Adagio, Allegro.
Sonata XII (G): Adagio, Allegro, Adagio, Allegro.
ANTOINE FAVRE, ‘Premier livre’ or ‘Second livre de sonates à violon seul’? Both Paris, Author?, after 1731.
{not extant?}
Remarks Antoine Favre (Faure) (Lyons? 1670?, ? after 1737), Frans violist en componist.
GIUSEPPE FEDELI, Sonate a violino solo e basso continuo ... Opera prima. Paris, Foucault, 1715. {RISM F
157}
GIUSEPPE FEDELI, Recueil d’airs françois dans le goût italien, sérieux et à boire à une, II et III voix. Paris,
author, Boivin, Le Clerc, 1728. {RISM F 154}
GIUSEPPE FEDELI, Opera seconda, IIme recueil d’airs françois dans le goût italien, sérieux et à boire à une, II
et III voix. Paris, author, Boivin, Le Clerc, [1728]. {RISM F 155}
40
25 February 2015
RUDOLF RASCH: THE MUSIC PUBLISHING HOUSE OF ESTIENNE ROGER AND MICHEL-CHARLES LE CÈNE
PART FOUR: THE CATALOGUE: D’ALAY — FUX
GIUSEPPE FEDELI, Opera terza, IIIe livre d’airs françois, sérieux et à boire à une et deux voix mis en musique
dans le goût italien. Paris, author, Mme Boivin, Le Clerc, [c.1730?]. {RISM F 156}
GIOVANNI FERRANDINI, ‘Sonate a flauto traversière solo e basso ... Opera prima, Parte prima-seconda.’ LC,
no. 586, 593 [1737, 1742-1743].
WILLEM DE FESCH, ‘VI Duetti a due violini senza basso ... Opera prima.’ JR, no. 414, [1716].
Edition Six Duets for Two Violins, Opus IA, Edited by Robert L. Tusler (Amsterdam: Donemus,
1999 = Willem de Fesch Vol. 1) (after the French reprint).
References Van den Bremt 1949, pp. 112-118, 196-198 (them. cat.); Tusler 2005, pp.33-34, 36-50.
Remark The volume was dedicated to João Gomes da Silva (1671-1738), extraordinary
ambassador and plenipotentiary on behalf of Portugal for in the Dutch Republic. His
name is known from the title page of the French reprint.
41
25 February 2015
RUDOLF RASCH: THE MUSIC PUBLISHING HOUSE OF ESTIENNE ROGER AND MICHEL-CHARLES LE CÈNE
PART FOUR: THE CATALOGUE: D’ALAY — FUX
WILLEM DE FESCH, VI Concerti a quatro violini, alto viola, violoncello e basso per l’organo ... Opera
seconda. JR, no. 436, [1718].
VI CONCERTI a Quatro Violini, Alto-Viola, Violoncello e Basso per l’Organo Dedicati ALL’ ILLmo
ET ECCELL
mo
SIGNORE IL SIGr RICCARDO MUNNICKS, Avocato della Corte d’Hollanda DA
GUGLIELMO DE FESCH, OPERA SECONDA A AMSTERDAM CHEZ JEANNE ROGER No 436
Engraved, upright folio format. Seven partbooks: Violino Primo (iv, [1], 2-30 pp.), Violino Secondo, Alto-
Viola (2-13 pp.), Violoncello (2-9 pp.), Violino Primo di Ripieno (2-10 pp.), Violino Secondo di Ripieno (2-
10 pp.), Basso Continuo (2-12 pp.). Double plates 2 x (19 x 24,5) cm.
Contents
i Title page.
iii Letter of dedication in Italian by De Fesch.
Concerto I (E-flat; a 2 Violini e Violoncello obligati): Adagio, Poco Allegro, Grave, Adagio, Giga Spiritoso.
Concerto II (C; a Violino Primo obligato): Allegro, Adagio, Allegro.
Concerto III (B-flat; a 2 Violini, Alto Viola e Violoncello obligati): Adagio, Allegro, Adagio, Tempo di
Gavotta.
Concerto IV (A; a Quatro con Ripieni): Adagio-Presto, Allegro, Adagio, Fuga Allegro.
Concerto V (F; a Violino Primo obligato): Allegro, Largo e Cantabile, Vivace.
Concerto VI (D; a 2 Violini, Alto Viola obligati): Allegro, Largo e Cantabile, Allegro.
Edition Six Concertos, Opus II, Edited by Robert L. Tusler (Amsterdam: Donemus, 1997 =
Willem de Fesch Vol. 3).
References Van den Bremt 1949, pp. 158-159; Tusler 2005, p. 34, 50-67.
Remark The dedicatee is Richard Munnicks, from 1716 Sollicitor at the Court of Holland in The
Hague.
42
25 February 2015
RUDOLF RASCH: THE MUSIC PUBLISHING HOUSE OF ESTIENNE ROGER AND MICHEL-CHARLES LE CÈNE
PART FOUR: THE CATALOGUE: D’ALAY — FUX
WILLEM DE FESCH, VI Concerts ... à quatre à 4 violons, haute contre et basse continue, et 2 à 2 hautbois, 2
violons basse & basse continue ... Troisième ouvrage. JR, no. 454, [1719].
VI CONCERTS Dont il y en a quatre à 4 Violons Haute Contre & Basse Continue, & 2 à 2 Haubois, 2
Violons Basse & Basse Continue. DEDIEZ A MONSIEUR PIERRE DE COUP Amateur de Musique PAR
GUILLAUME DE FESCH Troisiéme Ouvrage A AMSTERDAM CHEZ JEANNE ROGER No 454
Five partbooks: Violino Primo Principale (iv, 2-15 pp.), Violino Secondo Principale (2-11 pp.), Violino
Primo di Ripieno (2-11 pp.), Violino Secondo di Ripieno (** pp.), Alto Viola (*** pp.), Violoncello (7 pp.),
Organo (7 pp.). Double plates 2 x (19,5 x 25) cm.
Contents
i Title page.
iii Letter of dedication in French by De Fesch.
Concerto I (C): Allegro, Largo e Cantabile, Spirituoso.
Concerto II (B-flat): Allegro, Adagio a tre, Vivace.
Concerto III (E-3): Allegro, Largo e Cantabile, Fuga Allegro.
Concerto IV (C): Allegro, Largo e Cantabile, Giga Vivace.
Concerto V (e): Allegro, Adagio, Allegro.
Concerto VI (a): Allegro, Adagio e Cantabile, Vivace.
Edition Six Concertos, Opus III, Edited by Robert L. Tusler (Amsterdam: Donemus, 1997 =
Willem de Fesch Vol. 4).
References Van den Bremt, 1949, pp. 159-163, 200-201 (them. cat.); Tusler 2005, pp. 34-35, 50-67.
Remark The dedicatee is Pieter de Coup (1684-1730), bookseller and publisher in Amsterdam.
See about him Van Eeghen III 1965, pp. 81-83.
WILLEM DE FESCH, XII Sonate ... 6 a violino, violone e cembalo ... 6 a due violoncelli ... Opera quarta, Libro
primo-secondo. Amsterdam, Author [1725]. Engraved by Jean Morellon la Cave.
43
25 February 2015
RUDOLF RASCH: THE MUSIC PUBLISHING HOUSE OF ESTIENNE ROGER AND MICHEL-CHARLES LE CÈNE
PART FOUR: THE CATALOGUE: D’ALAY — FUX
XII SONATE in due libri il primo: 6 à Violino, Violone, e Cembalo. ed il secondo: 6 a due
violoncelli. Dedicate Al Molto jllustre Signore jl Sigr: Giacomo Dupeyron Jansz: da Guglielmo
de Fesch Opera Quarta. Libro primo. in Amsterdam, in casa del Autore. fatto stampare a sue
spese, e Costa f 6,,6,, [signature Guglmo de Fesch]
Engraved, upright folio format. Score (vi, 53 pp.), Single plates 20 x 28 cm.
Contents
i Title-page
iv Privilege of the States of Holland, 15 years, for op. 4, 24 January 1725.
v Letter of dedication in Italian by ‘Guglielmo de Fesch’.
[Sonatas I-VI for violin and figured bass]
1-5 Sonata I (d): Preludio Largo, Allemanda Larghetto, Sarabande Largo, Giga Vivace.
6-9 Sonata II (D): Preludio Adagio, Allemanda Allegro, Largo, Giga Allegro.
10-13 *Sonata III (B-4): Preludio Largo, Allemanda Allegro, Sarabande Larghetto, Giga Vivace.
* ‘Questa Sonata si può Sonare un mezzo tono piu Basso giungendovi due bb.’
14-17 Sonata IV (a): Preludio Largo, Vivace, Largo e Cantabile, Tempo di Gavotta, Minuetto.
18-21 Sonata V (A): Preludio Largo, Allemanda Allegro, Largo, Giga Vivace.
22-28 Sonata VI (B-flat): Adagio, Allegro, Grave, Allegro, Spirituoso.
28 ‘Il Fine del libro primo.’
[Sonatas VII-XII for two cellos without figuring]
29-33 Sonata VII (a): Preludio Largo, Allegro, Adagio, Tempo di Gavotta.
33-37 Sonata VIII (D): Preludio Largo e Cantabile, Allemanda Allegro, Largo, Giga Vivace.
38-41 Sonata IX (C): Largo, Allemanda, Ciciliana, Tempo di Minuetto.
42-45 Sonata X (d): Largo, Allegro, Largo, Giga Vivace.
46-49 Sonata XI (F): Preludio Largo, Allemanda Largo, Sarabande Allegro, Minuetto Primo, Minuetto
Secundo (f).
50-53 Sonata XII (A): Preludio Adagio, Allemanda, Largo, Vivace.
53 ‘il Fine J.M. Lacave sculpsit.’
Facsimile
Edition Six Sonatas for Violin and Continuo, Opus IVA, Edited by Robert L. Tusler (Amsterdam:
Donemus, 1999 = Willem de Fesch Vol. 5).
Six Sonatas for Two Violoncellos, Opus IVB, Edited by Robert L. Tusler (Amsterdam:
Donemus, 1999 = Willem de Fesch Vol. 6).
44
25 February 2015
RUDOLF RASCH: THE MUSIC PUBLISHING HOUSE OF ESTIENNE ROGER AND MICHEL-CHARLES LE CÈNE
PART FOUR: THE CATALOGUE: D’ALAY — FUX
References Van den Bremt 1949, pp. 125-128 (Cello duets), 133-136 (Violin sonatas), 202-205
(them. cat.); Tusler 2005, p. 35-50.
Remark The dedicatee is Jacobus Du Peyrou Janszoon (Amsterdam 1692-1756 Velsen), Lord of
Limmen (in North-Holland), a wealthy merchant on Italy and the Levant, and active in
whale-fishery.
WILLEM DE FESCH, VI Concerti ... 4 a due flauti traversieri, due violini, alto viola e basso per l’organo ... 2
a quattro violini, alto viola, violoncello e basso per l’organo ... Opera quinta. LC, no. 563, [1730].
VI CONCERTI Li Quattro Primi, Sono a due Flauti Traversieri due Violini, Alto Viola e Basso per
lorgano Dedicati À SUA ALTEZZA il Signore ALESSANDRO DE TURRI=TASSIS, Prencipe del Sagro R.
Imperio, Conte di Vallassino, Barone d’Impden, Signore di Wolverthem Rossum & Meuseghem e della
[sic] Signorie Libere del S.I. d’Egling & osterhoven Cavagliere dell’ordine de Sto. Huberto &c. &c.
Da GUGLmo. DE FESCH Maestro di Capella della Chiesa Cathedrale d’Anversa OPERA QUINTA
AMSTERDAM a Spesa di MICHELE CARLO LE CENE No. 563
Engraved, upright folio format. Seven partbooks: Flauto Primo (I-II) / Violino Principale (V-VI) (iv, 1-19
pp.), Violino Primo del Concerto Grosso (I-II) / Violino Primo (III-VI) (14 pp.), Violino Secondo del
Concerto Grosso (I-II) / Violino Secondo (III-IV) / Violino Terzo (V-VI) (15 pp.), Flauto Secondo del
Concertino (I-II) / Flauto Traversiere ò Violino (III-IV) / Violino Secondo (V-VI) (16 pp.), Alto Viola
(11 pp.), Basso del Concerto grosso (I-II) / Violoncello (III-VI) (11 pp.), Organo del Concertino (I-II) /
Organo (III-VI) (1-12 pp.). Double plates 2 x (20 x 24) cm.
Contents
i Title page.
iii Letter of dedication in Italian by De Fesch.
Concerto I (D; concertino two transverse flutes): Largo, Vivace, Largo (b), Giga Allegro
Concerto II (g; concertino two transverse flutes): Largo, Allegro ma non Troppo, Grave (B-flat), Arioso,
Tempo di Gavotta
Concerto III (G; concertino two transverse flutes): Adagio, Allegro, Ciciliana (a), Vivace
Concerto IV (D; concertino two transverse flutes): Allegro, Largo e Cantabile (b), Vivace
Concerto V (c; concertino three violins, viola): Allegro, Largo (E-flat), Vivace Presto.
Concerto VI (E; violin concerto): Larghetto-Presto, Largo (B), Allegro, Adagio, Vivace
45
25 February 2015
RUDOLF RASCH: THE MUSIC PUBLISHING HOUSE OF ESTIENNE ROGER AND MICHEL-CHARLES LE CÈNE
PART FOUR: THE CATALOGUE: D’ALAY — FUX
Edition Six Concertos, Opus V, Edited by Robert L. Tusler (Amsterdam: Donemus, 1999 =
Willem de Fesch Vol. 7).
References Van den Bremt 1949, pp. 163-165; Tusler 2005, pp. 78-87.
Remarks The dedicatee is Alexander Ferdinand Third Prince of Turn und Taxis (Frankfurt/Main
1704-1773 Regensburg), from 1739 Postmaster General of the Imperal Reichspost and
Head of the Princely Family of Thurn un Taxis.
GOTTFRIED FINGER, Sonatæ XII. Pro diversis instrumentis ... Opus primum. ER, [no. 265], 1700.
Finger issue
SONATÆ XII PRO DIVERSIS INSTRUMENTIS Quarum Tres priores pro Violino & Viola di
Gamba, Proximæ tres pro II Violinis & Viola di Basso, Tres sequentes pro III Violinis Reliquæ pro II
Violinis & Viola Omnes ad Basin Continuam pro Organo seu Clavicymbalo Formantur AUTHORE
GODEFRIDO FINGER OLMUTIO-MORAVIO Capellæ Serenissimi REGIS MAGNÆ BRITANIÆ
Musico OPUS PRIMUM Anno MDCLXXXVIII
Roger issue
… Anno MDCLXXXVIII ce Livre se vend á Amsterdam Chez Estienne Roger Marchand Libraire
Engraved, upright folio format. Four partbooks: Violino/Violino Primo vi, [0]-1-24 [-25] pp.), Violino
Secondo (i, 7-24 [-25] pp.), Viola di Gamba (i, 1-6 pp.) / Viola di Bassa (7-12 pp.) / Violino Terzo [sic] (13-
18 pp.) / Viola da Brazzo (19-24 [-25] pp.), Basso Continuo (i, 24 [-25] pp.). All partbooks begin with page 1
or 7 on a left-hand page. Double Plates 2 x (19 x 23.5) cm. Printed from the English plates.
Violino Primo partbook: sheets are marked on pp. 2, 4, 6, 8, 10, 12: “A.2.”, … “A. 6.”, “A. 7. finis”.
Violino Secondo partbook: sheets are marked on pp. 8, 10, 12, 14: “B.2.”, … “B. 4.”, “B. 5. finis”.
Viola da gamba partbook: sheets are marked on pp. 2, 4, 6, 8, 10, 12: “C.2.”, … “C. 6.”, “C. 7. finis”.
Basso Continuo partbook: sheets are marked on pp. 2, 4, 6, 8, 10, 12: “D.2.”, … “D. 6.”, “D. 7. finis”.
Violino Secondo partbook is 20 pages, one gathering of five bifolios. Other partbooks have 26 pages, 1 folio
with title and p. 1 (in fact on pp. i-ii of a bifolio), one gathering of six bifolios [numbered 2 to 7]. For this
reason p. 1 (verso of title page) is a single plate 19 x 24 cm) and p. 2 (first page of gathering) is a single plate
19 x 24 cm. The last page of the gathering has the Tavola, also a single plate of 19 x 24 pp. Pp. iii-iv of the
bifolio with the title and p. 1 appear at the end as blank pages. In the Violino Primo partbook of the Durham
copy the title engraving is on p. ii of a bifolio, the dedication on p. i of a bifolio. The blank pages iii-iv of
these bifolios appear as blank pages at the end. All partbook therefore consist of one gathering of 8, 5, 6 and
6 bifolios respectively.
Issues London, [Author], 1688. {RISM F 845} London, Brit. Libr. K.1.i.15.
ER, [1700]. {RISM F 846}
Durham, Cath. Libr., Mus. C. 36. (Harman 1968, no. 463, pp. 76-77).
Paris, Bibl. Nat., X 652 (1)-(4) (‘Ex Bibliotheca D. Crozas’).
Reprint London: John Walsh, [no. 468], [1705]. {no copy extant? Smith 177; Smith& Humphries
622}
46
25 February 2015
RUDOLF RASCH: THE MUSIC PUBLISHING HOUSE OF ESTIENNE ROGER AND MICHEL-CHARLES LE CÈNE
PART FOUR: THE CATALOGUE: D’ALAY — FUX
Catalogues First and last for sale: Xénophon 1699AA; ‘12 Sonates à 2, 3. & 4. instruments de Mr.
Fingher.’
First: Bassani XVIII 1700B.
Catalogue 1716, pp. 332, p. 339, p. 343 (no. 256).
Catalogue 1735, pp. 47, p. 54, p. 59 (no. 256).
Catalogue 1744, pp. 30, 36, 41 (no. 256).
Price ƒ 5:0.
Inventory [p. 318] ‘48 - Finger, prima Trio.’
Contents
ii [In Violino partbook] Title engraving, with ‘Ad Astra usque’, ‘Puras non plenas aspice manus’,
‘SONATÆ. XII. | Pro diversis Instrumentis | Authore Godefrido Finger. | Olmutio Moravio Regiae
Capellae. | Musico. Londini M.DC.LXXXVIII.’ and ‘S Gribelin sculpsit’. Plate 15 x 21 cm
(upright).
iii Engraved title. In Durham p. v = p. [0], that is, the recto of the first page of music. Plate 13.5 x
18.5 cm (upright).
iv [In Violino partbook] Letter of dedication in Latin by Finger addressed to King James II of
England. Plate 19.5 x 24.5 cm (upright). In durham p. iii.
à due, Violino e Viola di Gamba:
1-2 Sonata Prima (d-0): C, Adagio, Allegro.
3-4 Sonata Seconda (F): Adagio, Allegro, Viola Solo, Allegro, Adagio, Allegro, Adagio, Adagio.
5-6 Sonata Terza (A-2): C, Allegro, Adagio, Allegro.
à 3, due Violini e Viola di Basso:
7-8 Sonata Quarta (B-flat): 3/2, C.
9-10 Sonata Quinta (F): C, 3/2, C.
11-12 Sonata Sesta (A): Allegro, Adagio, Prestissimo.
à 3 Violini:
13-14 Sonata Settima (e): Adagio, Allegro, Adagio, Allegro, Adagio.
15-16 Sonata Ottava (g-1): Adagio, 3/4, Adagio, Presto.
17-18 Sonata Nona (D): 3/2, Adagio, Allegro, C.
à 3, due Violini & Viola da Brazzo:
19-20 Sonata Decima (G): C, Adagio, Allegro, 3/2, Adagio.
21-22 Sonata Undecima (E-flat-2): Adagio, 3/8, Adagio, C.
23-24 Sonata Duodecima (C): C, 6/4, 3/2, Adagio.
[25] Tavola. Plate 19 x 24 (upright).
Facsimile
Remark Roger must have bought plates and stock in 1698 or 1699. In 1699 the edition appears
among those for sale. Then Roger printed his own issue. Both on the title engraving and
on the engraved title he added ‘Ce Livre se vend à Amsterdam Chez Estienne Roger
Marchand libraire.’ Since the edition appears among his own editions in the catalogues
from 1700 onwards, the new issue must have been created in 1700.
GOTTFRIED FINGER, ‘Six sonates, 3 à un violon et 3 a une flûte et une basse ... Opera seconda.’ ER, [no.
137], [1700].
47
25 February 2015
RUDOLF RASCH: THE MUSIC PUBLISHING HOUSE OF ESTIENNE ROGER AND MICHEL-CHARLES LE CÈNE
PART FOUR: THE CATALOGUE: D’ALAY — FUX
Source VI Sonatas or solo’s. Three for a violin & three for a flute wth. a thorough bass for ye
harpsichord. London, Gottfried Finger, 1690. {RISM F 848}
Issue ER, [1700]. {not extant?}
Reprint London, John Walsh, [no. 374?], [1702 or earlier]. {RISM F 849; Smith 82a; S&H 621}
Catalogues First: Euclide 1700C, ‘Fingher opera seconda consistant en six sonates, 3 a un violon & 3
à une flûte & une basse continue, gravé. - ƒ 1:13.’
Catalogue 1716, pp. 316, 331 (no. 137).
Catalogue 1735, pp. 26, 46 (no. 137).
Catalogue 1744, pp. 12, 29 (no. 137).
Price ƒ 1:13.
Inventory [p. 318] ‘30 - [Finger,] secondo solo.’
Remarks According to Smith 82a the Walsh edition of 1702 is printed from the plates of original
private edition of Finger of 1690. If this is indeed the case, Roger cannot have bought the
plates from Finger, as he did with Opus. 1
GOTTFRIED FINGER, Dix sonates a 1 flute et 1 basse continue ... Opera terza. ER, [no. 219], [1702].
DIX SONATES à 1 Flute & Basse Continue Composez par Mr GODFRY FINGER Opera Terza A
Amsterdam Chez Estienne Roger Marchand libraire
Engraved, upright folio edition. Two partbooks: Fluto (14 pp.), Basso (8 pp.). Plates 2 x (19 x 29) cm.
Contents
Sonata I (F): Adagio, Vivace, Presto.
Sonata II (c-2): Adagio, Allegro, Adagio, Vivace, Presto.
Sonata III (B-flat-1): Allegro, Allegro, Vivace, Allegro.
Sonata IV (g-1): Adagio, Vivace, Adagio, Presto.
Sonata V (C): Vivace, Allegro, Vivace, Adagio, Presto.
Sonata VI (B-flat): Adagio, Allegro, Vivace, Presto.
Sonata VII (F): Adagio, Adagio, Vivace, Presto.
Sonata VIII (F): Adagio, Allegro, Ciacona Vivace.
Sonata IX (d): Adagio, Allegro, Adagio, Allegro, Presto.
Sonata X (F): Ciacona Allegro.
48
25 February 2015
RUDOLF RASCH: THE MUSIC PUBLISHING HOUSE OF ESTIENNE ROGER AND MICHEL-CHARLES LE CÈNE
PART FOUR: THE CATALOGUE: D’ALAY — FUX
GOTTFRIED FINGER, Six sonates à 2 flûtes et 1 basse continue ... Opera quarta. ER, [1702].
SIX SONATES à 2 Flutes & 1 Basse Continue Composez par Mr GODFRY FINGER Opera quarta
A Amsterdam Marchand Libraire
Engraved, upright folio format. Three partbooks: Fluto Primo, Fluto Secondo (8 pp.), Organo (7 pp.). Plates
2 x (19 x 30) cm.
Contents
Sonata I (C): Allegro, Largo, Vivace, Adagio, Presto.
Sonata II (d): Largo, Allegro, Largo, Allegro.
Sonata III (G): Grave, Allegro, Adagio, Largo, Vivace.
Sonata IV (C): Grave, Largo, Vivace, Allegro.
Sonata V (C): Adagio-Presto-Adagio, Allegro, Largo, Allegro.
Sonata VI (F): Adagio, Vivace, Adagio, Presto.
GOTTFRIED FINGER, XII Suonate a due flauti e violoncello o basso continuo ... Opera quarta et sexta. ER,
edition corrigée, [no. 71], [1709-1712].
XII SUONATE a Due Flauti e Violoncello o Basso Continuo DI GODFRYDO FINGER OPERA QUARTA
E SEXTA Edition corrigée trez exactement sur la Partition par Estienne Roger. A AMSTERDAM Chez
Estienne Roger Marchand Libraire. No. 71.
Engraved, upright folio format. Three partbooks: Flauto Primo (17 pp.), Flauto Secondo (16 pp.), Organo e
Violoncello (14 pp.). Plates **** cm. [[geschat ca. 20 x 25]]
Source Six sonates à 2 flûtes et 1 basse continue ... Opera quarta. ER, [1702]. See previous item.
Issue ER, edition corrigée, no. 71, [1709-1712]. {RISM F 853}
Washington DC, Libr. Congr. (with no. 71)
Catalogues First: Catalogue 1712, p. 23.
Catalogue 1716, p. 320 (no. 71).
49
25 February 2015
RUDOLF RASCH: THE MUSIC PUBLISHING HOUSE OF ESTIENNE ROGER AND MICHEL-CHARLES LE CÈNE
PART FOUR: THE CATALOGUE: D’ALAY — FUX
Contents
Sonata I (F): Vivace, Allegro, Largo, Allegro.
Sonata II (B-flat): Largo, Allegro, Adagio, Vivace.
Sonata III (C): Allegro, Largo, Allegro, Adagio, Presto.
Sonata IV (d): Vivace, Allegro, Largo, Allegro.
Sonata V (G): Grave, Vivace, Allegro, Allegro.
Sonata VI (F): Adagio, Vivace, Adagio, Presto.
Sonata VII (C): Adagio-Presto-Adagio, Allegro, Largo, Allegro.
Sonata VIII (g): Adagio, Allegro, Adagio-Allegro, Vivace, Allegro.
Sonata IX (C): Grave, Largo, Vivace, Allegro.
Sonata X (F): Largo, Allegro, Adagio, Allegro.
Sonata XI (G): Adagio, Allegro, Adagio, Vivace, Allegro.
Sonata XII (c): Adagio, Allegro, Vivace, Allegro.
Gottfried Finger, X Suonate a tre, due violini e violoncello o basso continuo ... Opera quinta. ER, [no. 257],
[1702].
X SUONATE à Tre Due Violini e Violoncello o Basso Continuo Dedicate ALLA SERENISSIMA
ALTEZZA ELETTORALE Da GIOVANNI GUGLIELMO Per las Gratia di Dio Conte Palatino del Rheno,
Arcitesoriere & Elettore del Sacro Rom: Imperio, Duca di Baviera Guiliers, Cleves, e Berghes, Co: di
Veldents, Sponheim della Marca, Ravensberg, & Moers, Signore di Ravenstein & & & Dal Suo
Devotissimo Servo GODEFRIDUS FINGER Opera Quinta A Amsterdam Chez ESTIENNE ROGER
Marchand libraire.
Engraved, upright folio format. Three partbooks: Violino Primo (14 pp.), Violino Secondo (14 pp.), Organo
e Violoncello (11 pp.). Plates 2 x (19 x 31) cm.
50
25 February 2015
RUDOLF RASCH: THE MUSIC PUBLISHING HOUSE OF ESTIENNE ROGER AND MICHEL-CHARLES LE CÈNE
PART FOUR: THE CATALOGUE: D’ALAY — FUX
Contents
Sonata I (F): Adagio, Allegro, Largo, Allegro.
Sonata II (B-flat): Arioso, Adagio-Presto-Adagio-Presto, Largo, Allegro, Largo.
Sonata III (d): Adagio, Allegro, Largo, Allegro.
Sonata IV (a): Adagio, Allegro, Adagio, Allegro, Allegro.
Sonata V (A): Adagio, Vivace, Largo, Vivace.
Sonata VI (e): Adagio, Allegro, Adagio-Allegro-Adagio-Allegro, Vivace.
Sonata VII (b): Adagio, Vivace, Arioso, Allegro.
Sonata VIII (e): Adagio, Allegro, Adagio, Affettuoso.
Sonata IX (b): Adagio, Allegro, Largo, Allegro.
Sonata X (C) ‘a Violino e Violone [vel Fagotto] col Basso Continuo’: Allegro, Largo-Presto-Adagio-Largo-
Allegro, Vivace.
GOTTFRIED FINGER and an ANONYMOUS ITALIAN MASTER, ‘Six sonates à flûte solo avec le basse continue,
trois d’un maître Italien et trois de Mr. Finger ...’ ER, [no. 138], [1700].
GOTTFRIED FINGER and GEORGE BINGHAM, 40 Airs Anglois à un dessus et une basse dont les 16 premiers
sont de Mr. Finger et les 24 suivants de Mr. Georg Bingham ... Livre troisième. ER, [no. 213], [1703].
40 AIRS ANGLOIS à un Dessus & une Basse. dont les 16 Prémiers sont de MONSIEUR FINGER &
les 24 suivants de Mr GEORGE BINGHAM Livre Troisiéme Dedie a MESSIEURS SES DISCIPLES.
LIVRE TROISIÉME. A Amsterdam Chez ESTIENNE ROGER. Marchand libraire
51
25 February 2015
RUDOLF RASCH: THE MUSIC PUBLISHING HOUSE OF ESTIENNE ROGER AND MICHEL-CHARLES LE CÈNE
PART FOUR: THE CATALOGUE: D’ALAY — FUX
Engraved, oblong sexto format. Two partbooks: [Fluto (v, 1-27 pp., left-right reversed)?], Basso (iii, 1-23 pp.,
left-right reversed). Sextuple plates 6 x (19 x 12) cm.
Contents
i Title
ii Dedication by George Bingham to ‘Messieurs.’
GOTTFRIED FINGER (d) 1. Ouverture: [Adagio]-[Allegro]-Adagio; 2. A Farewel: Adagio 3. Air; 4.
Adagio; 5. Jigg: Allegro; 6. A Ground: Adagio; 7. Allegro.
GOTTFRIED FINGER (F) 8. Allegro; 9. Jigg; 10. Chaconne; 11. Round O.
GOTTFRIED FINGER (G) 12. Allemanda; 13. Air; 14. Air; 15. Sybell; 16. Chaconne.
GEORGE BINGHAM (B-flat) 17. Allemanda; 18. Borée; 19. Air; 20. Jigg.
GEORGE BINGHAM (e) 21. Air; 22. Minuet; 23. Hornepipe; 24. Jigg; 25. A March.
GEORGE BINGHAM (C)26. Allegro; 27. Air: Presto.
GEORGE BINGHAM (d) 28. Air; 29. Hornepipe; 30. Round O.
GEORGE BINGHAM (D) 31. Trumpet Air; 32. Hornepipe; 33. Air; 34. Jigg.
GEORGE BINGHAM (a) 35. Adagio; 36. Minuet; 37. Hornepipe.
GEORGE BINGHAM (G) 38. Scotch Air; 39. Air; 40. Jigg.
GOTTFRIED FINGER and GEORGE BINGHAM, 40 Airs Anglois à un dessus et une basse dont les 16 premiers
sont de Mr. Finger et les 24 suivants de Mr. Georg Bingham ... Livre troisième. Mortier, [1710].
40 AIRS ANGLOIS POUR la FLUTE à un Dessus & une Basse. dont les 16 Premiers sont de
MONSIEUR FINGER & les 24 suivants de Mr GEORGE BINGHAM Dedié á MESSIEURS SES DISCIPLES.
LIVRE TROISIÉME. A AMSTERDAM Chez PIERRE MORTIER. Libraire sur le Vygendam. Chez qui l’on
vend toute sorte de Musique.
Engraved, oblong sexto format. Two partbooks: Fluto (v, 1-27 pp., left-right reversed), Basso (iii, 1-23 pp.,
left-right reversed). Sextuple plates 6 x (19 x 11) cm.
Source ER, [1703]. {RISM Recueils XVIII p. 78} See previous item.
Reprint PM, [1710?]. {RISM Recueils p. 78}
Brussels, Cons. Roy. Mus., 5528. (Wotquenne 1902, p. 250)
Catalogues Roger Catalogue 1712, p. 22 (Roger and Mortier editions).
Price f 0:15 (Roger 1712).
52
25 February 2015
RUDOLF RASCH: THE MUSIC PUBLISHING HOUSE OF ESTIENNE ROGER AND MICHEL-CHARLES LE CÈNE
PART FOUR: THE CATALOGUE: D’ALAY — FUX
GOTTFRIED FINGER and WILLIAM CROFT, ‘Sei sonate a violino e violoncello o basso continuo, tre del
Signore Finger e tre del Signore Croft.’ ER, [no. 139], [1700].
GOTTFRIED FINGER and GOTTFRIED KELLER, Six sonates à 2 flustes et 2 hautbois ou violons et 1 basse
continue. ER, [no. 237], [1698].
| SIX SONATES | .a.2. Flustes et .2. Hautbois ou Violons et .1. Basse Continüe | Dont les .4. Premier Sont
Composes par Mr. Fingher et les 2 derniers par Mr: Keller | et Dedies .a. | MONSIER HENRY HAAKS. |
SECONDE EDITION | ----- | .a. Amsterdam Ches Estienne Roger Marchant Libraire. |
Engraved, oblong quarto format. Five partbooks: Fluto Primo (10 pp.), Fluto Secondo (10 pp.), Hobois
Primo (8 pp.), Hobois Secondo (8 pp.), Basso Continuo (11 pp.). Single plates 21 x 15 cm.
53
25 February 2015
RUDOLF RASCH: THE MUSIC PUBLISHING HOUSE OF ESTIENNE ROGER AND MICHEL-CHARLES LE CÈNE
PART FOUR: THE CATALOGUE: D’ALAY — FUX
Contents
[GOTTFRIED FINGER] Sonata I (F): Largo, Solo, Allegro
[GOTTFRIED FINGER] Sonata II (F): Adagio, Vivace, 3/2
[GOTTFRIED FINGER] Sonata III (F): 3/2, Vivace, Adagio, Allegro
[GOTTFRIED FINGER] Sonata IV (F) Allegro, Adagio, 3/2
[GOTTFRIED KELLER] Sonata V (G) Vivace, Allegro, Adagio, Allegro
[GOTTFRIED KELLER] Sonata VI (G): Vivace, Vivace, Allegro
JEAN-JOSEPH FIOCCO, Sacri concentus, quatuor vocibus ac tribus instrumentis modulandi ... Opus primum.
ER, [1709-1712].
Bookprinted, upright quarto format. Seven partbooks: Cantus (ii, 39 pp; E), Altus (ii, 39 pp.; F), Tenor (ii, 36
pp.; D), Bassus (ii, 36 pp.; A), Violino Primo (ii, 60 pp.; G), Violino Secondo (ii, 54 pp.; H), Basso Viola (ii,
44 pp.; C), Bassus Continuus (iv, 55 pp.; B).
Contents
54
25 February 2015
RUDOLF RASCH: THE MUSIC PUBLISHING HOUSE OF ESTIENNE ROGER AND MICHEL-CHARLES LE CÈNE
PART FOUR: THE CATALOGUE: D’ALAY — FUX
i Title
iii Letter of dedication in Latin by Fiocco. For text see Stellfeld 1941, pp. 63-65.
Motettum I De Beata Virgine: O Maria quis te laudare
Motettum II De Beata Virgine: Sub tuum præsidium
Motettum III De beata Virgine & pro Festo Nativitatis Domino: Ridet orbis, plaudunt astra
Motettum IV De S.S. Sacramento: Obstupescite gentes
Motettum V De S.S. Sacramento: A solis ortu, usque ad occasum
Motettum VI Pro omni tempore: Ite, ite, ô pompæ fallaces
Motettum VII Pro omni tempore: O anima dilecta
Motettum VIII Pro omni tempore: O quam stultus & insanus
Motettum IX De S.S. Sacramento: Fulcite me floribus
Motettum X Pro tempore paschali: Surgite cum gaudio
Motettum XI Pro Sancto: O fides, ô spes
Motettum XII Pro Sanctâ: Adeste plaudentes
Tavola
Errata (4 fols., printed only one-sidedly)
Reference Stellfeld 1941, pp. 63-65, 70-76 (pp. 63-65: text of letter of dedication; p. 73: facsimile of
title page).
Remark The dedicatee is Eugen Alexander Franz First Prince of Thurn und Taxis (1652-1714),
from 1676 Postmaster General of the Imperal Reichspost and Head of the Princely Family
of Thurn un Taxis.
PIETRO ANTONIO FIOCCO, Sacri concerti a una, e più voci, con instrumenti e senza ... Opera prima. ER,
[1701].
[BASSO CONTINUO] SACRI CONCERTI A Una, è più Voci, con Instrumenti è senza, DI
PIETRO ANTONIO FIOCCO VENETO Maestro di Capella nella Chiesa Ducale della Madonna del
Sablone in Bruxelles. DEDICATI All’ Excell.mo Sig.re Prencipe de la Torre, Tassis, etc. OPERA
PRIMA [vignette with legend ‘UTRElevet MIserum FAtum SOLitosque LAbores.’] A AMSTERDAM
Chez ESTIENNE ROGER, Marchand Libraire.
Bookprinted, upright folio format. Eleven partbooks: Soprano Primo (fols. –(1), A-3A(2), 4A(1), 14 pp.),
Soprano Secondo (fols. –(1), C(2), 4 pp.), Alto (above the pages Altus) (fols. –(1), D-4D(2), 16 pp.), Tenore
(fols. –(1), I-3I(2), 4I(1), 14 pp.), Basso (above the pages Bassus) (fols. –(1), H-4H(2), 16 pp.), Violino
Primo (fols. –(1), B-4B(2), 16 pp.), Violino Secondo (fols. –(1), E-4E(2), 16 pp.), Alto Viola (fols. –(1),
H(2), 2H91), 6 pp.), Tenore Viola (above the pages Tenor Viola) (fols. –(1), G-2G(2), 7 pp.), Viola [da
gamba] o Fagotto (fols. K-3K(2), 4K(1), 14 pp.), Basso Continuo (fols. [L], 2L, 3L, [4L], 5L, 6L (2), 24 pp.).
Basso Continuo partbook with first page of catalogue on verso of title page, Viola o Fagotto with second
page.
55
25 February 2015
RUDOLF RASCH: THE MUSIC PUBLISHING HOUSE OF ESTIENNE ROGER AND MICHEL-CHARLES LE CÈNE
PART FOUR: THE CATALOGUE: D’ALAY — FUX
Motetti. - ƒ 4:10.’ [probably an unwanted amalgam of P.A. Fiocco’s Sacri concerti ...
Opera prima and J.J. Fiocco’s Sacri concertus ... Opus primum]
Price ƒ 5:0 (1708-1735); ƒ 4:10 (1744).
Inventory [p. 391] ‘26 - Fiocco Opera Prima missee et motetti - ƒ 2:05.’
[p. 400] ‘40 - motetti de Fiocco opera prima.’
Contents
[1] Messa à 4 Voci, è 5 Instrum.
[2] Per ogni tempo: Gaude cor (Canto solo, con 2 Violini e Basso)
[3] Del Santissimo: Ad te venio (Canto solo, con due Violini, e Basso)
[4] Del Santissimo: Benignissima Jesu (Alto solo, con cinque Instrum.)
[5] Per ogni tempo: Usquequo (Tenore solo, con tre instr.)
[6] Per ogni tempo: Adeste fideles (Basso solo, con 3 instr.)
[7] Per ogni tempo: Venite cantantes (A 2. Alto e Bassso)
[8] Per il Santissimo: Coeli dapes (A tre A.T.B.)
[9] Per la Madonna: O quam serena rutilat (A quatro C.A.T.B. con 3 instr.)
[10] Per la Madonna: Quam lœta quam clara (A cinque 2 C.A.T.B. con instrum.)
[11] Per una Santa: Pugnasti, vicisti (A cinque 2 C.A.T.B. con 5 instr.)
[12] Per una Santa: Date palmas (A cinque 2 C.A.T.B. con 5 instr.
[13] Salve Regina (A cinque 2 C.A.T.B. con 5 instr.)
[14] Regina cœli (A cinque 2 C.A.T.B. con 4 instr.)
[15] Alma Redemptoris Mater (A quatro C.A.T.B. con 3 instr.)
[16] Ave Regina cœlorum ( A cinque 2 C.A.T.B. con 5 instr.)
Reference Stellfeld 1941, pp. 26-38 (p. 30: facsimile of title page).
ANDREA FIORE, Sinfonie da chiesa a tre, cioe due violini e violoncello con il suo basso continuo per
l’organo ... Opera prima. ER, [no. 259], [1701].
| SINFONIE | Da Chiesa | a Tre cioe | Due Violini e Violoncello con il Suo Basso Continuo per l’organo | Da |
ANDREA FIORE | Milanese | Academico Filarmonico e Musico Di Camera di | S. A. R. Vittorio Amadeo II
Duca di | Savoye prencipe di Piemonte | Re di Cipro &c. | OPERA PRIMA | A Amsterdam | Chez Estienne
Roger | Marchand Libraire |
Engraved, upright folio format. Three partbooks: Violino Primo, Violino Secondo, Violoncello (14 pp.),
Basso Continuo (13 pp.). Double plates 2 x (19 x 30) cm.
56
25 February 2015
RUDOLF RASCH: THE MUSIC PUBLISHING HOUSE OF ESTIENNE ROGER AND MICHEL-CHARLES LE CÈNE
PART FOUR: THE CATALOGUE: D’ALAY — FUX
ANGELO MARIA FIORE, Trattenimenti da camera a due stromenti violino e violoncello e violoncello e
cimbalo ... Opera prima. ER, [no. 286], [1700].
Engraved, upright folio format. Two partbooks: Violino Solo, Violoncello Solo (1-10, 11-16 pp.
respectivelt), Violoncello e Cimbalo (13 pp.). Double plates 2 x (19 x 30) cm.
The title is correct: Trattenimenti I-X are for “Violino solo” and “Violoncello o Cimbalo”, Trattenimenti XI-
XXIV for “Violoncello Solo” and “Violoncello o Cimbalo”. The Trattenimenti are followed by two canons
for two violoncellos.
Contents
Violino Solo
Trattenimento I (d-0): Preludio Grave-Presto-Adagio, Balletto Largo, Allegro.
Trattenimento II (A-2): Grave, Balletto Allegro, Corrente Largo.
57
25 February 2015
RUDOLF RASCH: THE MUSIC PUBLISHING HOUSE OF ESTIENNE ROGER AND MICHEL-CHARLES LE CÈNE
PART FOUR: THE CATALOGUE: D’ALAY — FUX
NICOLAS FLEURY, Méthode pour apprendre facilement à toucher le théorbe sur la basse-continue. Paris,
Robert Ballard, 1660. {RISM Écrits p. 319}
GIOVANNI PIETRO FRANCHI, Sonate a tre, due violini e violone o arcileuto col basso per l’organo ... Opera
prima. ER, [no. 305], [1701].
| LA CETRA SONORA | SONATE | a Tre doi violini o Arcileuto | col Basso per l’Organo | Da | D GIO PIETRO
FRANCHI DA | PISTOYA | OPERA PRIMA | a Amsterdam | che [sic] Estienne Roger | Marchand libraire |
Engraved, upright folio format. Four partbooks: Violino Primo (18 pp.), Violino Secondo (18 pp.),
Violoncello (17 pp.), Organo (18 pp.). Double plates 2 x (20 x 30) cm.
58
25 February 2015
RUDOLF RASCH: THE MUSIC PUBLISHING HOUSE OF ESTIENNE ROGER AND MICHEL-CHARLES LE CÈNE
PART FOUR: THE CATALOGUE: D’ALAY — FUX
JOHANN WOLFGANG FRANCK, ‘Sonate a tre, due violini, violoncello, basso e basso continuo ... Opera
prima.’ ER, [no. 270], [1702].
LOUIS FRANCŒUR, Premier livre de sonates à violon seul et basse. Paris, Author, Henri Foucault, 1715.
{RISM F 1807-1808}
59
25 February 2015
RUDOLF RASCH: THE MUSIC PUBLISHING HOUSE OF ESTIENNE ROGER AND MICHEL-CHARLES LE CÈNE
PART FOUR: THE CATALOGUE: D’ALAY — FUX
LOUIS FRANCOEUR, Sonates a violon seul & basse continue ... Livre premier. JR, no. 437, [1718].
| SONATES | à Violon Seul & Basse Continue. | Composées Par | Mr. FRANCOEUR LE FILS, | L’un des vingt
quatre Ordinaires de la Musique | de la Chambre de SA MAJESTÉ, & ordinaire de | l’Academie royalle de
Musique. | LIVRE PREMIER | A AMSTERDAM | CHEZ JEANNE ROGER | No 437 |
Engraved, upright folio format. Score (45 pp.). Double plates 2 x (19 x 25.5) cm.
Contents
1-5 Sonata I (G): Adagio, Allegro, Sarabanda, Giga Allegro.
6-9 Sonata II (g-1): Adagio, Allemanda Andante, Adagio, Aria Allegro.
10-15 Sonata III (B-flat-1): Adagio, Allemanda Allegro, Gavotta, Presto.
16-19 Sonata IV (e): Adagio, Allemanda un Poco Andante, Courante, Giga.
20-25 Sonata V (a): Adagio, Allegro, Aria Affettuoso, Presto.
26-33 Sonata VI (b): Largo, Courante, Allemanda Allegro, Gavotta Andante, Presto.
34-39 Sonata VII (d-0): Allemanda, Courante, Sarabanda, Presto.
39-46 Sonata VIII (D): Adagio, Allegro, Allegro, Adagio, Allegro.
(The last sonata is complete corellian: 2nd & 5th movement fugues, polyphonic violin, third
movement perpetuum mobile)
ALEXANDRE FRÈRE, Transpositions de musique, réduits au naturel par le secours de la modulation ... ER,
[1707-1708].
60
25 February 2015
RUDOLF RASCH: THE MUSIC PUBLISHING HOUSE OF ESTIENNE ROGER AND MICHEL-CHARLES LE CÈNE
PART FOUR: THE CATALOGUE: D’ALAY — FUX
Bookprinted, upright octavo format (– (3), A-F(8), G(1) fols.; 1[=A1r]-98 pp.).
Contents
i Title
ii Blank
iii-iv ‘Préface’
v-vi ‘Table’
1-31 ‘Transpositions de musique.’ ‘Première partie.’
32-98 ‘Seconde partie.’
JOHANN JACOB FROBERGER, 10 Suittes de clavessin. ER & Compagnie, [no. 314], [1698].
First issue
10 Suittes de CLAVESSIN Composées Par MONSR GIACOMO FROBERGUE à Amsterdam chez
Estienne Roger Marchant libraire & Compagnie
Seconde édition
10 Suittes de CLAVESSIN Composées Par MONSR GIACOMO FROBERGUE Seconde Edition trez
exactement corrigée à Amsterdam chez Estienne Roger Marchant libraire & Compagnie
Engraved, oblong quarto format. Keyboard score (38 pp.). Single plates 20.5 x 16 cm, numbered both recto
and verso with letters a (pp. 1-2), b (pp. 3-4), c, … i, k, l, …, until t (37-38).
Issues ER & Compagnie, [1698]. {not Adler; RISM F 2034; Schott AMSTERDAM EDITION
1698; Rasch&Dirksen 1992 D3}
61
25 February 2015
RUDOLF RASCH: THE MUSIC PUBLISHING HOUSE OF ESTIENNE ROGER AND MICHEL-CHARLES LE CÈNE
PART FOUR: THE CATALOGUE: D’ALAY — FUX
Contents
i Title
1-4 Suite 1 (d): Allemande, Courante, Sarabande, Gigue. [A Suite XIII, pp. 36-38; S 2/2 Suite XIII,
pp. 78-81; R 3 Partita FbWV 613, pp. 42-45]
4-7 Suite 2 (g-1): Allemande, Courante, Sarabande, Gigue. [A Suite XIV, pp. 38-41; S 2/2 Suite
XIV, pp. 82-86; R 3 Partita FbWV 614, pp. 52-55]
8-12 Suite 3 (a): Allemande, Courante, Sarabande, Gigue. [A Suite XV, pp. 42-45; S 2/2 Suite XV,
pp. 87-91; R 3 Partita FbWV 615, pp. 56-59]
12-16 Suite 4 (G): Allemande, Courante, Sarabande, Gigue. [A Suite XVI, pp. 46-48; S 2/2 Suite XVI,
pp. 92-96; R 3 Partita FbWV 616, pp. 64-68]
16-19 Suite 5 (A): Allemande, Courante, Sarabande, Gigue. [A Suite VIII, pp. 18-21; S 1 Suite II
[VIII], pp. 183-186; R 2 Partita II FbWV 608, pp. 55-57]
19-23 Suite 6 (F): Allemande, Courante, Sarabande, Gigue. [A Suite XVII, pp. 48-51; S 2/2 Suite
XVII, pp. 97-100; R 3 Partita FbWV 617, pp. 69-72]
23-26 Suite 7 (g-1): Allemande, Courante, Sarabande, Gigue. [A Suite XVIII, pp. 51-53; S 2/2 Suite
XVIII, pp. 101-104; R 3 Partita FbWV 618, pp. 73-76]
27-30 Suite 8 (a): Allemande, Courante, Sarabande, Gigue. [A Suite X, pp. 27-29; S 1 Suite IV [X],
pp. 191-194; R 2 Partita IV FbWV 610, pp. 62-64]
30-34 Suite 9 (c-2): Allemande, Courante, Sarabande, Gigue. [A Suite XIX, pp. 54-56; S 2/2 Suite
XIX, pp. 105-109; R 3 FbWV 619, pp. 77-80]
35-38 Suite 10 (D): Allemande, Courante, Sarabande, Gigue. [A Suite XX, pp. 57-59; S 2/3 Suite XX,
pp. 110-114; R 3 FbWV 620, pp. 81-84]
Editions A = Suiten für Klavier (Klavierwerke II). [Herausgegeben von Guido Adler]. Vienna,
1899; Graz, Akademische Druck- u. Verlagsanstalt, R1959. (Denkmäler der Tonkunst in
Österreich. 13 [Jahrg. VI/2])
S 1 = Johann-Jakob Froberger, Oeuvres complètes pour clavecin I: Livres de 1649, 1656
et 1658. Édition par Howard Schott. Paris, Heugel/Leduc, 1979.
S 2/2 = Oeuvres complètes pour clavecin 2 Volume 2: Suites et pièces diverses. Édition
par Howard Schott. Paris, Heugel/Leduc, 1992.
R 2 = Neue Ausgabe sämtlicher Clavier- und Orgelwerke II: Libro Quarto (1656), Libro
di Capricci e Ricercate (ca. 1685), Herausgegeben von Siegbert Rampe. Kassel:
Bärenreiter, BA 8064, 1995.
R 3 = Neue Ausgabe sämtlicher Clavier- und Orgelwerke III: Clavier- und Orgelwerke
abschriftlicher Überlieferung: Partiten und Partitensätze, Teil 1, Herausgegeben von
Siegbert Rampe. Kassel: Bärenreiter, BA 8064, 1995.
References Rasch 1991, pp. 67-69; Rasch 1992, pp. 135-139; Rasch & Dirksen 1992, pp. 2525-256.
62
25 February 2015
RUDOLF RASCH: THE MUSIC PUBLISHING HOUSE OF ESTIENNE ROGER AND MICHEL-CHARLES LE CÈNE
PART FOUR: THE CATALOGUE: D’ALAY — FUX
10. Suittes DE CLAVESSIN Composées Par MONSIEUR GIACOMO FROBERGUE Mis en Meilleur
Ordre. et Corrigée d’un Grand nombre de Fautes. A AMSTERDAM Chez PIERRE MORTIER sur le
Vygendam, qui vend toutte sorte de Musique.
Engraved, oblong quarto format. Keyboard score (ii, 38 pp.). Plates 2 x (25 x 18) cm. (The pages are oblong,
so the two pages have been engraved on top of one other, the higher of them flipped.) Title 25 x 17.5 cm.
Contents Same as Roger edition (see previous item), but the suites do not have a number.
Facsimiles In: Johann Jacob Froberger, Diverse ... Partite, 2 parts (Mainz, Bourgeat, 1693, 1696);
10 Suittes de Clavessin (Amsterdam, Mortier, n.d.). Introduction by Robert Hill. New
York, Garland, 1988. (17th Century Keyboard Music 4)
Semi-facsimile: [Postface] J.H. van Krevelen, Utrecht: Musica Repartita, no. 44, 1994.
Editions See Roger edition (see previous item).
References See Roger edition (see previous item).
JOHANN JACOB FROBERGER, Diverse curiose e rarissime partite di toccate, ricercate, caprici e fantasie ...
Mainz, Louis Bourgeat, 1695. {RISM F 2028}
63
25 February 2015
RUDOLF RASCH: THE MUSIC PUBLISHING HOUSE OF ESTIENNE ROGER AND MICHEL-CHARLES LE CÈNE
PART FOUR: THE CATALOGUE: D’ALAY — FUX
Catalogues First for sale: La Martinière 1698EE; ‘Tocate, capricie e fantazie de Frobergue, gravé –
f 3:0.’
Last for sale: Catalogue 1708, p. 20; ‘Les Tocates de Frobergue pour le Clavessin, Livre
premier.’
Price f 3:0.
References Rasch 1991, p. 68; Rasch 1992, pp. 133-135.
JOHANN JACOB FROBERGER, Seconda parte delle diverse curiose e rarissime partite ... Mainz, Louis
Bourgeat, 1699. {RISM F 2031}
Catalogues First for sale: Xenophon 1699AA; ‘Le mesme [= Tocates, Capricies & Fantaisies de
Frobergue pour le clavessin] gravé - f 3:0.’
Last for sale: Catalogue 1708, p. 20: ‘Les Tocates du même Auteur [= Froberger], livre
second.’
Price f 3:0.
References See previous item.
JOHANN JOSEF FUX, Elisa, festa theatrale per musica ... JR, no. 482, [1721].
ELISA FESTA THEATRALE PER MUSICA; Rappresentata nel Giardino dell’Imperiale Favorita Per il
felicissimo Gioro Natalizio Della Sacra Cesarea e Cattolica Reale Maestà Di ELISABETTA CRISTINA
IMPERADRICE REGNANTE, per comando della Sac:a, Ces:a e Catt:a Real Maestà di CARLO VI.
Imperador de’ Romani sempre Augusto. Poësia di PIETRO PARIATI Poëta di S.M. Ces:a e Catt:a
Musica di GIO: GIOSEPPE FUX, Maestro di Capella. A AMSTERDAM, Chez Jeanne Roger N. 482.
Engraved, upright folio format. Score (vi, 420 pp.) Plates 2 x (19 x 25) cm.
64
25 February 2015
RUDOLF RASCH: THE MUSIC PUBLISHING HOUSE OF ESTIENNE ROGER AND MICHEL-CHARLES LE CÈNE
PART FOUR: THE CATALOGUE: D’ALAY — FUX
Contents
i Title
iii Persone che cantano.
v Italian dedication by Pietro Pariati to Emperor Charles VI.
1-420 Elisa
Remarks This is an unusual publication within Roger’s catalogue, being the only Italian opera
score. It is Roger’s largest and also most expensive publication. It is unclear why this
opera, which was premiered in Vienna on 28 August 1719 should be published two years
later in Amsterdam. The edition, with Pariati’s letter of dedication addressed to the
Emperor, seems to be an authentic edition.
65
25 February 2015