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Peter Lang AG Commercialised History: Popular History Magazines in Europe
Peter Lang AG Commercialised History: Popular History Magazines in Europe
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Commercialised History: Popular History Magazines in Europe
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Miriam Hannig
Popular history magazines between
information and entertainment. A qualitative
study on the expectations of consumers
1. Introduction
In the year 2014, hundred years after the ‘great seminal catastrophe of
the 20th century’ (George F. Kennan), the periodical racks in supermar-
kets, kiosks and station bookshops throughout Europe paint a similar
picture: cover pages showing battle scenes, trenches, prominent political
actors such as the German Kaiser Wilhelm II, or also the assassination of
Sarajevo are supposed to attract the buying interest of potential custom-
ers to the corresponding history magazine. But who are these ‘potential
customers’? And which one of them actually turns towards the magazine
and therewith gets out their wallet? Which considerations and attitudes
influence the purchase decision for a specific magazine?
So far, relatively little can be said about this,1 since popular history mag-
azines have only recently attracted the attention of historians and history
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336 Miriam Hannig
2. Methodology
In order to outline the recipients and their demands on the magazines, it
does not suffice to merely consider the data on the buyers published by the
publishers, which most of the time only mirror the subscribers. It became
apparent in the study that many recipients of the magazines are not also
buyers at the same time. The magazines are passed on, lent out or given
away especially among students and young professionals, who formed the
majority of the participants. All these recipients are not depicted in the
magazines’ own collection of data, which aims at presenting the magazine
to the advertising customers in a highly profitable way.
In order to also include these recipients, readers of history magazines
were found in the university courses offered by the Chair of History Didac-
tics who would be prepared to participate in a roughly 50 minute group
discussion. Since the students were also asked to find further readers in
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Popular history magazines between information and entertainment 337
their circle of friends, 20 people could be gathered for three group dis-
cussions in August this year: two groups, one with six and the other one
with seven participants, consisted of persons who study or have studied
history and/or history didactics: eight of the participants study history as
a fourth subject, five of the participants with a main focus on didactics.3
The youngest participant was born in 1994, the oldest participant in 1984.
A third group with seven participants was formed with further readers
with professional backgrounds in all areas. Accordingly, a student of math-
ematics (born in 1990), a graphic designer (born in 1985), and a physi-
otherapist (born in 1956) took part in the survey. In this group, the age
structure reached from participants born in 1990 to participants born in
1955. In contrast to the magazines’ analysis, where the gender ratio among
the readers is roughly 62% male and 38% female buyers,4 the survey here
was balanced. Ten men and ten women volunteered to participate in the
discussion.
A qualitative structure was chosen for the study due to the knowledge
interest. The aim of the study was to offer the recipients the possibility to
freely talk about their reading habits and opinions about magazines so as
to express their motives of use, their expectations, evaluations and their
self-conception. This is enabled by a qualitative approach since it is – when
it comes to the aims mentioned above – superior to the standardised quan-
titative methods. Of course, it has to be considered in this respect that the
results at hand have emerged in the scope of a very small group of discus-
sion participants and have to be further verified. However, this contribution
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338 Miriam Hannig
may pose a useful starting point as a first approach to the actual recipients
of history magazines.5
3. Results
Each group was questioned about their ‘consumer behaviour’ regarding
popular history magazines, their favoured topics, the further use after hav-
ing read the history magazines as well as their assessment of the use of
popular history magazines in school. Additionally, the participants were
presented with six magazines on the topic ‘World War One’ on which the
participants were supposed to comment. Thereby, possible unconscious
attitudes towards the magazines, personal preferences and dislikes were
supposed to be recorded. A further aspect of discussion was the extent
to which very-special-interest magazines are familiar and whether their
partially ideological alignment is known or rather suspected. Furthermore,
two Brazilian magazines were presented and the participants were asked
about the impressions they made on them.
5 The empirical study is based on a study by Michael Meyen and Senta Pfaff-
Rüdiger (Munich University, Institute for communication studies and media
research), who examined the reception of history on television in 2005. In
cooperation with the media research of the ‘Bayerischer Rundfunk’ the quali-
tative study examined the motives of use, the expectations of the viewers and
the evaluations of individual forms of history presentations on TV from the
perspective of the recipients. The answers to this question are based on group
discussions, which were held in May 2005 with 31 persons in total: five stu-
dents and 13 persons each from the age groups ‘30 to 49 years’ as well as
‘50 years and older’. Cf. (note 1). In the following, I refer to the study from
the year 2006.
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Popular history magazines between information and entertainment 339
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340 Miriam Hannig
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342 Miriam Hannig
–– G
/GESCHICHTE 11 (2013): ‘Der erste Weltkrieg – Als die Welt in
Flammen aufging’16
–– DAMALS 3 (2014): ‘Alptraum Erster Weltkrieg 1914–1918’17
Especially the aesthetic dimension18 of the history culture – i.e. the dimen-
sion which is decisive for the presentation of history to actually reach the
consumer by attracting their attention – plays an important part here.
Of course, it is not only the aesthetic dimension that effects the buyers,
also the attributions which are ascribed to the publishers ZEIT, SPIEGEL,
GEO or P.M. affect the subjective evaluation and therewith the purchase
decision. Accordingly, it is a widespread opinion about P.M. HISTORY
that the ‘added value’ of other magazines is higher, the headlines are con-
stantly sensational and the magazine tries to transport emotions rather
than scientific knowledge. Only one participant said that she finds the
coloured cover pages appealing and interesting and that they are – in
comparison to the other black-and-white cover pages – an eye-catcher.
The fact that P.M. HISTORY is a multi-thematic magazine is also the rea-
son why the participants would decide for or against the magazine: three
participants found the combination of the topics dinosaurs, World War
One and Japanese emperors interesting and they would buy the magazine
if they were only looking for ‘amusing entertainment’. Others in partic-
ular regarded this as an impossible combination in a history magazine.
Similarly, the announcement of diary passages on the cover pages is
received in a differing way. For one part of the participants this is very
interesting and partially the trigger to buy the particular magazine. The
history trainee teacher participating in the discussion stated that it was
‘worth a lot since several lessons could be “crafted” from this as it stands’.
For one participant from the ‘non-historian group’ this is ‘yet another
diary reporting about personal fates’. According to her own statements
she rather values ‘facts’ and connections instead of the presentation of
individual fates.
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344 Miriam Hannig
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Popular history magazines between information and entertainment 345
buy on the topic ‘World War One’ the market of the very-special-interest
magazines has to be considered: several of these magazines have special-
ised in military history and some represent a revisionist image of history,
which only becomes apparent when critically examining the articles. In
how far this is known or whether the subject group is already sensitised
was supposed to be determined by presenting the subject group with the
two very-special-interest magazines – DEUTSCHE GESCHICHTE and
HUSAR – indicating that both are pure military magazines bought at the
local station kiosk. DEUTSCHE GESCHICHTE26 is a history magazine
which can be situated in the right-wing of the political spectrum and is
specialised in revisionist German military history. However, the magazine
published by Gerd Sudholt at the publishing house Druffel & Vowinckel27
aims at a larger segment of buyers, which is why most of the time the
ideological alignment is not explicitly presented on the cover page.28 The
magazine chosen for the survey was a special issue with the title ‘1914 –
The Prelude to Destruction’29. Besides the title, the indication of the price
(14.80€ in Germany and 15.90€ in Austria) and the logo of DEUTSCHE
GESCHICHTE no further information can be found on the cover page.
The ‘glossy cover’ is illustrated with a collage of historical paintings: the
German military on horseback is shown in the background, in the lower
third of the page the Russian Tsar Nicholas II30, the German Emperor
Wilhelm II, and the Austrian Emperor Franz Joseph are lined up at the
lower end of the magazine.
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346 Miriam Hannig
The second magazine HUSAR ‘is entirely apolitical and supports no po-
litical option. We are only interested in military history alone without any
prejudices whatsoever’31, as can be read on the magazine homepage. Pub-
lished in Croatia since 2007, the ‘illustrated magazine for military history
and militaria HUSAR’ has positioned itself also on the German market
since November 2013. At a price of 5€ it is one of the cheaper magazines.
The cover page of the first magazine advertises with the topics ‘Rommel in
Africa 1912–42. His strategy. His greatest successes’ as well as ‘Germany’s
history until 1914: War plans. War games’ and acknowledged in the name:
‘The Hussars. Horsemen with furs and feathers’. The cover page shows an
illustration of Rommel standing in front of a tank and wearing a uniform.
‘Have you already noticed such magazines?’ or ‘have you already pur-
chased such magazines or would you be encouraged to buy them?’ These
were the questions according to which the participants positioned them-
selves.
Surprisingly, only one of the participants has already noticed such
kind of magazines at the kiosk or in the supermarket. The participants
in the survey agreed that they would not buy such magazines due to
a lack of interest in military history. Some stated that DEUTSCHE
GESCHICHTE may be for experts and explained this assumption with
a reference to the price of 15.90€ and the size of the magazine. Regard-
ing the ‘biased presentation of history’ only one of the participants said
that the HUSAR appeared as a ‘magazine for military interest groups’,
but thereby referred to the strong technical alignment and less to the
possible subliminally conveyed mind-set, which could enter the articles.
This result makes clear that the participants in the survey are not aware
of the idea that commercialised presentations of history, which they
encounter in every-day life, may indeed contain political messages that
follow a right-wing nationalist to neo-fascist alignment as is discern-
ible in DEUTSCHE GESCHICHTE. Naturally, this does not apply to all
military magazines, but a generally more critical approach to presenta-
tions of history would be, however, desirable – which was not the case
with the participants here.
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348 Miriam Hannig
the magazine. Cf. Maximilian Kloes: Das ‘Yps’-Heft kehrt zurück. FOCUS-
Online, URL: http://bit.ly/1uK381F (1.8.2014).
37 The fact that the magazines here address an adult readership is made clear by
the title of the Napoleon issue, which no one of the participnts, however, was
able to translate from Portuguese: ‘Napoleon, the great conqueror. The great
emperor seen from a new perspective: underneath the sheets of his mistress’.
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Popular history magazines between information and entertainment 349
which at least one was doubled.38 In the contrary: this picture suggested
seriousness and scholarliness to the participants.
38 Cf. Anton Holzer: „Going Over The Top“. Neue Perspektiven aus dem Schüt-
zengraben. In: Gerhard Paul (ed.): Das Jahrhundert der Bilder. Vol. 1: 1900 bis
1949. Göttingen 2009, p. 196–203; Thomas Knieper/Marion G. Müller (eds.):
Authentizität und Inszenierung von Bilderwelten. Köln/Halem 2003; Stefan
Leifert: Bildethik. Theorie und Moral im Bildjournalismus der Massenmedien.
München 2007; Gerhard Paul: Bilder des Krieges. Krieg der Bilder. Die Visua-
lisierung des modernen Krieges. Paderborn 2004.
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350 Miriam Hannig
read other magazines instead by referring to the fact that he is not interested
in the topics of other magazines.
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Popular history magazines between information and entertainment 351
40 That this is a very important learning objective and that learning opportunities
in the area of media literacy should indeed be given to pupils is shown e.g. by:
Jamie Bartlett/Carl Miller: Truth, lies and the internet. A report into young
people’s digital fluency. London 2011; URL: http://bit.ly/1yk7DCy (1.8.2014).
41 Cf. the EHISTO homepage, where extracts from Spanish, Polish, English,
German and Swedish magazines as well as prepared tasks – all in the lan-
guages mentioned – can be downloaded free of charge, URL: https://media.
sodis.de/ehisto/en/index.html (1.8.2014).
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352 Miriam Hannig
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