^ SCHMIDT'S EDUCATIONAL SERIES

No. 37.
%

PROGRESSIVE STUDIES
IN

OCTAVE PLAYING
(WITH SPECIAL PREPARATORY EXERCISES)

BY

CHARLES DENNEE
PRICE $ 1.00
 Schmidt s Educational Series.
PIANOFORTE.
Vol. Vol. Vol.

a) Pianoforte Collections. SCHYTTfe, LUDVIG. HOFMANN, RICHARD.

BOHM, CARL.
30. Op. 358. Lyric Suite. 6 Compo¬
sitions.0.75
49. Musical Echoes. 10 Instructive and
melodious Compositions . . . 0.75
FRIML, RUDOLF.
3. Op. 35. Suite mignonne. 6 Com¬
positions .0.75
GURLITT, CORNELIUS.
50. Op. 197. Fireside Fancies. 12 Little
Tone Pictures on Five Notes . 0.60
11. Musical Sketch Book. 15 Selected
Compositions.0.75
HANDEL, G. F.
64. 12 Instructive Pieces. Adapted by
Carl Faelten.
HEINS, CARL.
15. Op. 270. Six Fancies.0.75
HENNING, MAX.
1. Op. 22. 12 Two-Part Fughettas
and Fugues (Introductory to the
works of J. S. Bach).0.75
KAISER, ALFRED.
57. Arlequinade. Suite of 8 Compo¬
sitions.0.75
KRENTZLIN, R.
59. Op. 19. Village Scenes. 6 Charac¬
teristic Pieces.0.75
LACK, THEODORE.
47. Morceaux podtiques. 8 Selected
Compositions.1.00
LYNES, FRANK.
53. Op. 14. Bagatelles. 10 Melodious
Sketches.0.75
19. Op. 47. A Pleasant Beginning and
other tunes for little fingers in
all the major and minor keys . 0.75
THE PUPIL’S LIBRARY.
43a-b. First Series. 2 Books . . each 0.60
44a-b. Second Series. 2 Books . each 0.60
45a-b. Third Series. 2 Books . each 0.60
RITTER, G. P.
27. First Amusements. 12 Pieces on
Five Notes.0.75
48. Instructive Recreations. 8 Selected
Compositions.0.75
7. lOStudy-piecesselectedfromOp. 66 0.75
SMITH, WARREN STOREY.
38a-b. Effort and Pastime. 24 Melodious
Pieces in all keys. 2 Books ea. 0.60
TORJUSSEN, TRYGVE.
63. Op. 3. Norwegian Suite. 6 Com¬
positions .0.75
b) Pianoforte Studies.
BACH, J. S.
24. 15 Two-Voice Inventions. Edited
by Arthur Foote.0.75
BIEHL, ALBERT.
29. Op. 153. 12 Melodious Studies for
the development of the left hand 0.75
39. Op. 156. 12 Melodious Arpeggio
Studies . . . . ..0.75
9. 15 Selected Etudes for the deve¬
lopment of technique and ex¬
pression .0.75
DENNEE, CHARLES.
37. Progressive Studies in Octave Play¬
ing (with special preparatory ex¬
ercises) .1.00
EGGELING, GEORG.
16a-b. Op. 170. 25 Etudes (without oc¬
taves) for technical and musical
development. 2 Books . each 0.75
60a-b. Op. 176. Pleasure and Progress.
35 Descriptive Etudes for the
earlier grades. 2 Books . each 0.75
FOOTE, ARTHUR.
2. Op. 27. 9 Etudes for musical and
technical development . . . .1.00
GURLITT, CORNELIUS.
41. Op. 186. Velocity Studies for Be¬
ginners .0.75
31. Op. 187. 53 Very first Studies . . 0.75
51. Op. 198. 16 Studies in Melody and
Rhythm.0.75
52. Op. 199. 16 Melodious Studies for
more advanced players (A Sequel
to “Studies in Melody & Rhythm”
Op. 198).0.75
40. 10 Melodious Etudes from Op. 72 0.75
KAISER, ALFRED.
25. The Weaker Fingers. Exercises and
tuneful pieces.0.75
KRAUSE, EMIL.
26. Op. 99. 12 Technical Studies for
the equal development of both
hands.0.75
LYNES, FRANK.
8. Op. 20. 10 Special Studies . . . 0.75
MAC DOWELL, EDWARD.
4. Op. 39. 12 Studies for the deve¬
lopment of technic and style . 1.50
MAYLATH, H.
55. Op. 163. Melodious Etudes. Edited
by Charles Dennde.0.75
NEUPERT, EDMUND.
61. 10 Selected Studies for the de¬
velopment of Expression and
technique. Arranged and edited
by Charles Dennee.1.00
PFITZNER, HEINRICH.
13. Systematic training for Polyphonic
Playing.0.75
SARTORIO, ARNOLDO.
21. Op. 214. 14 Melodious Etudes
(without octaves).0.75
SCHYTT&, LUDVIG.
7. 10 Melodious Etudes from Op. 66 0.75
TAPPER, THOMAS.
12. Sight Reading and Memory Lessons 0.75
c) Pianoforte Duets.
DENNSE, CHARLES.
6. Op. 18. The Children’s Festival.
10 Easy Duets.0.75
FOOTE, ARTHUR.
20. 12 Duets on Five Notes .... 0.75
GURLITT, CORNELIUS.
35a-b. Op. 178. Tender Blossoms. 20
Melodious Duets. 2 Books each 0.75
THE PUPIL’S DUET ALBUM.
46a-b. First Series. 2 Books . . each 0.60
SARTORIO, ARNOLDO.
58a-b. Op. 400. Pictures from Youth.
12 Melodious Duets. 2 Books ea. 0.60

|f ARTHUR P. SCHMIDT |f
M BOSTON LEIPZIG NEW YORK Y
120 Boylston Street. 11 West 36th Street. 1)3^ V

No. 54. Printed In Germany.

 MW

(WITH SPECIAL PREPARATORY EXERCISES)

ph rh n
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COMPOSED ADAPTED and EDITED

TTie ARTHUR P. SCHMIDT Co

BOSTON, LEIPZIG, NEW YORK,
120 Boy Iston Street. 8 West 40th Street
Copyright 1911 bv Arthur P. Schmidt
Copyright 1917 by the ArthurP. Schmidt Co.
 Schmidt’s Educational Series
NEW VOLUMES
PIANOFORTE STUDIES Vol. MORITZ MOSZKOWSKI
117a-b. Op. 91. Dexterity and Style.
20 Modern Studies (Third Grade).
Vol. FLORENCE NEWELL BARBOUR 2 Books, each .76
131. Six Melodic Etudes. Prelude- 133. Style and Execution. 6 Brilliant
Agitato-Duetto- Humoresque- Studies. 1.00
Elegante-Bravura. (ThirdGrade). . .75
ALBERT RENAUD
HENRI BERTINI llla-b. Op. 145. Technical Advance¬
132a-b. Legato and Staccato. 40 ment. 20 Studies (Grades 3-4).
Pianoforte Studies by Bertini. Se¬ 2 Books, each .75
lected, Arranged and Augmented
with Studies in the Style of Bertini ARNOLDO SARTORIO
by James H. Rogers (Grades 2-3). 119. Op. 393. 34 Progressive Exer¬
2 Books, each .60 cises for the very first beginners. .60
120. Op. 394. 12 Very Easy Lessons. .60
ERNEST A. DICKS
125. Six Special Studies. Staccato— THOMAS TAPPER
Cantabile (Melody Playing)—Part- 122. Form and Analysis. Supple¬
Playing—Octaves—Double Notes- mentary Material to “ First Year
Grace and Delicacy (Third Grade) .75 Analysis.”.75
HENRY M. DUNHAM PIANOFORTE SOLO
126. Legato Fingering and Phrasing.
20 Studies (Third Grade).76 J. S. BACH
85. First Year Bach. 20 Composi¬
CORNELIUS GURLITT tions. Selected, Arranged and
127. Op. 185. Seven Special Studies. Edited by Arthur Foote.75
Gavotte (Octaves) — Capriccietto ARTHUR DANA
(Thirds) - Scherzetto (Double 121. Op. 30. The Seasons. 12 Child¬
Notes)—Nocturne (Arpeggios)— ren’s Pieces.75
Impromptu (Left Hand Alone)—
Barcarolle (Trills)—Scherzo (Stac ANICE TERHUNE
cato)—(Third Grade).76 99. The Children’s Kaleidoscope.
16 Very first Pieces with Rhymes. .60
FRANK LYNES TRYGVE TORJUSSEN
124. Independence. 16 Melodious 129. From Fjord and Mountain.
Studies for the Development of Norwegian Suite No. 2.75
Finger Equality. (Second Grade). .76
A. LOESCHHORN PIANOFORTE, SIX HANDS
130a-b. Studies in Mechanism. 60
Studies selected from the works of EDMUND PARLOW
A. Loeschhorn. Augmented, Re¬ 118a-b. Cloyer Leaves. A collection of
vised and Edited by Otto Thiimer. Melodious Pieces.
(Grades 2-3) 2 Books, each .75 Book 1.75 Book II 1.00

Cl I? NJ T "El 1> 1? p1 Portrait Catalogue of

jWljli 1 W IaIjIj Schmidt’s Educational Series
■ ■—
—■****■
With
Wltfl
Biographical
RinrironhiVol
Notes
Mntoo

The ARTHUR P. SCHMIDT Cb

BOSTON. LEIPZIG, NEW YORK,
120 Boy Iston Street. 8 West 40th Street.
 adlSt. 3 Revised Edition 3
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Preparatory Exercises
>0
CHARLES DENNEE
Op. 37
b . Practice the following exercises for acquiring the correct up and down
motion of the hand from the wrist, keeping the muscles of the wrist and
forearm supple.
Strike and lift with quick motions making equal points of repose on key
and after lift.
Be very careful to avoid fatigue or strain in practicing octaves.
R.H.

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Practice these exercises in every major and minor key.

Also practice all the major and minor scales (each hand separately),
slowly at first and gradually increasing the speed.
9214-41 Copyright 1911 by Arthur P.Schmidt
Copyright 1917 by The ArthurP. Schmidt C'

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Play each octave with a slight wrist action, giving the notes practically their full value. Later this
study may be practised legato, with different modes of phrasing.
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*} Practice also in broken octaves. 15 15 in R.H. 515 1 in L.H.

When facility and sureness have been attained, this study maybe practiced in the following rhythms

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9214- 41 Copyright 1904 by Arthur P. Schmidt
 13

cft.fi 8. 9214 -41

 Albert Biehl, op.i4o,N£7

Practice with a light wrist staccato touch, hand close to the keys

This study may be used later for the practice of legato and staccato combined

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9214-41 Copyright 1892 by Arthur P. Schmidt
 15
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Moderato risoluto Cornelius Gurlitt op. 2oi,Nm

arranged by CHARLES I)ENXEE

J «l j J ^ 1 te*K

Practice with a strong wrist stroke, the forearm assisting in the production of a full tone
Copyright 1894 by Arthur P. Schmidt
A-#?8: 8314-41 Copyright 1911 by Arthur P. Schmidt
 20

Con raoto Frank Lynes

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AP8. 9214
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Elfentanz
Elfin Dance
Bernhard Wolff, Op.243,N2i
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Allegro Moderato
Arthur Foote

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A.PS. 9214-41
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W. A. Mozart
arranged by CHARLES DENNEE
Allegro Moderato

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Fritz Spindler, op.391, N25
arranged by CHARLES DENNEE

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A PS. 9214
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36

Allegro moderate Albert Biehl, op.i40,N£io

i * mi mm 1 «iMimi ™ iMMmm
F-Vactice also in the following rhythms _ and

£&.-PS. 9214-41 Copyright 1892 by Arthur P. Schmidt

 37

This study may also be practiced in broken octaves when sufficient facility has been attained.
■A.-PS. 9214-41
38

Allemande
J
Allegro moderato (M.M. = ioo)
Bernhard Wolff, Op.243 ns2

■A.-PS. 9214-41 Copyright 1905 by Arthur K Schmidt

 39

Fine

cft.-PS. 9214-41
D.C al Fine
 J. S. Bach
arranged by CHARLES DENNEE
Moderato

A/PS. 9214-41 Copyright 1911 by Arthur P. Schmidt

 41

ift.-PS. 9214-41
 TECHNIC AND MELODY
A Fundamental Course for the Pianoforte
by CORNELIUS GURLITT
Three Books Op. 228 Each 75 Cents
(Schmidt’s Educationial Series No. 106 a—c)
Practical simple and essentially musical.
The grading of the material is so arranged that there
is no break in its easy continuity.
All necessary assistance in the principles of music are
given irx the text.
The compositions for two and for four hands are tho¬
roughly prepared for in the Technical Studies.
An abundance of text makes the application of the material
simple and full of interest.
Lists of supplementary pieces, carefully graded, are given
in each book.
This Course is being used with unfailing success by thou¬
sands of teachers and students.
Sent free: “How to use Technic and Melody”
An interesting and instructive booklet for all piano tea¬
chers, containing the author’s direct intentions for using^the
three volumes of "TECHNIC AND MELODY" and general
useful hints on pianoforte instruction. It is supplemented
with lists of graded teaching pieces, especially selected for
use with this or any other method.
:: PIANOFORTE STUDIES BY GEORG EGGELING ::
Eighteen Melodious Octave Studies
of Medium Difficulty Op. 90 :: Price $1.00
(Schmidt’s Educational Series No. 75)
These studies, of medium grade difficulty, serve admir¬
ably as preparation for the more advanced octave studies
of KULLAK and others.
While especially designed for octave practice, the musical
character of these studies gives them additional value, par¬
ticularly to the pupil who needs not only technical training,
but opportunity for study in the art of interpretation.
Fifty Melodious Etudes
in all the Major and Minor Keys
Two Books :: Op. 122 :: Each 75 Cents
(Schmidt’s Educational Series 110 a—b)
Each of these Etudes has a distinct purpose. To mention
a few in order will show the character of the collection as
a whole. They are: MELODY STUDIES, SIMPLE CHORD
STUDIES, BROKEN SCALEGROUPS, BROKEN CHORDS
ALTERNATING BETWEEN THE HANDS, INNER
VOICE MELODY, SPECIFIC RHYTHM, EAST WRIST
STUDIES, THE SCALE AS A WHOLE, DOUBLE NOTES
AND SYNCOPATIONS, and Type forms like the WALTZ,
MAZURKA, and MARCH. '
Every one of these is taken up as a fundamental MUSICAL
problem and the treatment is from the MUSICAL side. While
chords are freely employed, the octave is very sparingly used.
Twenty=Five Etudes (without octaves)
for Technical and Musical Development
Two Books :: Op. 170 :: Each 75 Cents
(Schmidt’s Educational Series No. 16 a—b)
Studies in RHYTHM AND PHRASING, TRILL STU¬
DIES (No. 14 is a fine example), MELODY STUDIES, FOUR
NOTES AGAINST THREE, THE TURN, INNER VOICE
MELODY, CHORD STUDIES (with application to both
hands equally), STUDY OF DOUBLE THIRDS (equally for
both hands), WRIST STUDIES, THE APPOGIATURA,
STUDY OF PEDAL EFFECT,and VELOCITY PASSAGES.
The ARTHUR P. SCHMIDTCo,
No. 63.
Key Circle Exercises
for the Pianoforte
by
Frank Lynes
Three Books ::::::: Each 75 Cents
The the teacher who desires material which is so con¬
structed that it serves more than a single purpose, "KEY
CIRCLE EXERCISES,” for the piano, will be found espe¬
cially valuable. While contributing to the teaching repertoire
a distinctly useful group of technical studies, this work is
also of value in affording indispensable practice in MEMORY
TRAINING,SIGHTREADING,TRANSPOSITION, PRIN¬
CIPLES OF MODULATION, PROGRESSION AND RE¬
SOLUTION OF HARMONIC COMBINATIONS.
The books contain a comprehensive course of study in
scale playing, chords, arpeggios and broken chords, double
notes, and various touches, trill, hand expansion, part-playing
(including the scales in canon form, etc.).
Send for descriptive Circular
Op. 176. PLEASURE AND PROGRESS
35 Descriptive Etudes for the Earlier Grades
(Schmidt’s Educational Series No. 60 a—b)
Book I :: Book II :: Each 75 Cents
Fingering, phrasing and all details necessary for enhan¬
cing the value of this work to teachers have been most care¬
fully added. Attention has also been given to variety of keys
and time signatures.
They are progressively arranged and cover the intermediate
first and second grades.
At the Brook (Finger Equality in both hands). TheSpinn=
ing Wheel (Legato playing-triplets), Dress Parade March
(Scale passages for L. H.-rhythm). Echoes from Capri, Taran-
telle (Velocity), At the Spring (Accent, etc.). Birds in the
trees (Trills), Playing Tag (Legato and Staccato), The Shep=
herd’s Song (Broken Chords), Rippling Waves (Melody),
The Chase (Contrast of forte and piano), Folk Song (Melody
and detached chords). Berceuse (Sustained Melody), Forest
Sounds (Crossing the hands), Elfin Dance (Staccato).
SEVEN ETUDES
for the Development of the Hands in Extended Positions
Op. 172 :: Price 75 Cents
This set of Etudes has a specific purpose; “The Deve=
lopment of the Hands in Extended Positions’’.
The following description of each Etude will show the
extent of the application of the ..Extended Position” principle.
No. i. MELODY. Long, sustained chords, in both hands
as accompaniment.
No. 2. INNER VOICE MELODY, with extended chords
in the left hand and triplet accompaniment above the melody
for the right hand.
No. 3. BROKEN CHORDS (arpeggiated) in the left hand
with broadly sustained melody in chords in the right hand.
No. 4. MELODY STUDY (Melody in Soprano, and later in an
inner voice). Accompanying figures as extended broken chords.
No. 5. IN MARCH RHYTHM. Strong and well-sustained
theme.
No. 6. INNER VOICE MELODY with extended broken
chords in the right hand. A most excellent melody study
for the left hand.
No. 7. MELODY. DIVIDED BETWEEN THE HANDS.
The extended positions are confined chiefly to the left hand.
An excellent recital number.
Besides the specific purpose to which each of these studies
is devoted, all are most excellently adapted to the general
study of the pedal.
BOSTON :: §
SKSS**- Llndenstras“,6 f
 THE PUPIL’S LIBRARY
A PROGRESSIVE COLLECTION OF INSTRUCTIVE
AND MELODIOUS PIANOFORTE PIECES
FIRST SERIES SECOND SERIES
Thirty-five easiest pieces Thirty-two easy pieces
(Schmidt’s Educational Senes No. 43 a-b) (Schmidt’s Educational Series No. 44 a-b)
THIRD SERIES
Twenty-four pieces in the Medium Grades
(Schmidt’s Educational Series No. 45 a-b)
Price, 60 Cents each Volume
These collections of instructive and melodious compositions provide material for the fiist three grades in piano
playing. The compositions have been carefully chosen from the works of the most successful American and foreign
composers of attractive educational music.

THE PUPIL'S DUET ALBUM

FIRST SCRIES

SIXTEEN PIANOFORTE DUETS IN THE EASIER GRADES

by
Dannie, Foote, Franke, Curlttt, Lynes, Orth, Sartorlo and others.

(Schmidt’s Educational Series No. 46 a-b) Book I, Book U-Price, 60 Cents each

THE PUPIL’S FIRST ETUDE ALBUM

Fifty-three Etudei
(Schmidt’s Educational Series No. 70)

THE PUPIL S SECOND ETUDE ALBUM

Thirty-four Etudes
(Schmidt’s Educational Series No. 71)
SELECTED AND ARRANGED IN PROGRESSIVE ORDER
by
FERDINAND MEYER
Price, 75 Cents each
These books of carefully graded Etudes have been compiled with a view to presenting, in the clearest manner
possible, all the technical, rhythmical and notational problems encountered in modern pianoforte music in the earlier
grades. The selections, which are short and interesting to the pupil, are selected from the works of the foremost
American and foreign study writers.

Complete list of Contents sent free upon application

me ARTHUR R SCHMIDTCo.,
BOSTON, LEIPZIG-, NEW YORK,
120 BoyIston Street. Lindenstrasse46. 8 West 40thStreet.
 Pianoforte
Compositions by Charles Dennee
Qj .. --.—— -1

PIANOFORTE SOLOS. PIANOFORTE SOLOS.

Op. 6. Mazurka. (3 c) ... Op. 30. Mountain Scenes. (Edition Schmidt No. 61.)
Op. 7, No. 1. Je pense a toi. Song without words (3 a) Complete. (3 c — 4 c).1.25
„ 2. Slumber Song. (3 a). No. 1. In the Canon.30
Op. 8. Suite Moderne. 2. Arbutus.30
No. 1. Prelude. (4 a) . .50 3. Sprites of the Glen.50
„ 2. Novellette. (3 c) .40 4. The Placid Lake.30
„ 3. Danse Orientale. (3 c) .40 5. Forest Sounds.40
„ 4. Romanza. (4 a) .25 6. The Rainbow.30
„ 5. Finale. Etude Caracteristique. (4 b) .50 7. The Burro-Ride.40
Op. 9, No. 1. Danse Moderne. (3 c). .40 8. Dance of the Gnomes. .40
„ 2. Deuxieme Mazurka. (3 c) . . . .40 9. Around the Campfire.50
Op. 10. Trois Morceaux. Op. 31. Three Compositions.
No. 1. Serenade. (3 b). .40 No. 1. Hide and Seek. (2 b).40
„ 2. Gavotte. (3 b). .40 U „ 2. Marche Mignonne. (2 b).40
„ 3. Album Leaf. (3 c). .40 •e* „ 3. Elfin Revelry. (2 c).40
Op. 12. Les Bijoux. Op. 32. Three Characteristic Pieces.
No. 1. Petite Valse. (2 b). .25 No. 1. Le Jongleur. (The Juggler.) (3 a) . . . .40
„ 2. Marche Turque. (2 b). .25 „ 2. Episode de Bal. (3 a).50
„ 3. Rondo Villageois. (2 b). . . . .40 „ 3. Danse Napolitaine. (3 b).50
„ 4. Air Varie. (3 a). .40 Op. 33. L'lrresistible. Valse de Concert. (4 b).75
Op. 13. Consolation (Nocturne). (3 b). .40 Op. 34. Springtime in the Forest. (4 a).75
Op. 35. Charm of the Night. (Esprit du Soir.) Serenade (3 b) .50
Op. 15. Album Leaves. 6 Characteristic Pieces.
No. 1. Prelude. (3 b). .25 Op. 36. Four Sonatinas.
2. Gavotte. (3 b). .25 No. 1. Sonatina in C. (2 a) .50
3. Serenade. (3d). 25 „ 2. Sonatina in G. (2 a) .50
4. Bourree. (3 b). .40 „ 3. Sonatina in Eb. (2 b) .50
5. Valse. (3 a). .40 „ 4. Sonatina in Bb. (2 c) .75
6. Scherzino (3 c).40 Handel’s celebrated Largo. Arranged for piano solo. (3 b) .40
Complete..1.50
Op. 16, No. 1. Russian Dance. (3 c) .40 PIANOFORTE DUETS.
„ 2. Pas de Seul a la Gavotte. (3 b) .50 Op. 12, No. 3. Rondo villageois.50
„ 3. Danse gracieuse. (3 b) . .40 Op. 18. Children’s Festival. Ten little duets on 5 notes.
Op. 23. Suite de Ballet. Complete (Schmidt’s Educational Series No. 6) .75
No. 1. Minuet. (3 b). .50 No. 1. March.30
„ 2. Valse Gracieuse
‘ (3 b).75 „ 2. First Waltz.30
„ 3. Intermezzo. (3 a) .50 „ 3. Second Waltz.30
„ 4. Tarantelle. (3 b) . . .75 „ 4. Tambourine Dance.30
„ 5. Danse Humoristique. (3 c) .50 „ 5. Minuet 1
40
Op. 26, No. 2. Le Papillon. (3 c). .50 „ 6. Sorrow ) .
Op. 27. Children’s Delight. Eight easy, progressive and „ 7. Holiday Song.30
instructive pieces for first grade pupils. „ 8. Happy Thoughts.30
No. 1. Song of the Mill, (lb). .25 „ 9. Graceful Dance.30
2. Echoes of the Past. Gavotte. (1 b)‘ . . .25 „ 10. Processional March.30
3. At the Fair. (1 c). .25
4. Twilight Reveries. (1 c) .25 TWO PIANOS 8 HANDS.
5. The Jolly Little Peasant. Waltz. (lc) .25 Op. 12, No. 3. Rondo villageois.1.00
6. The Hobby-Horse Ride. 1 b) . .25
7. Funeral March of a Toy oldier (lc) .25 PIANOFORTE STUDIES.
8. Cradle Song. (1 c) . . .25 Op. 26. Five Etudes for cultivation of style. Complete 1.50
Op. 28. Children’s Delight. Eight easy, progressive and Progressive Technique. A complete Technical School
instructive pieces for secondid grade
e pupils. combining all forms of Scales, Arpeggios etc. . 1.50
No. 1. Punch and Judy. Waltz. (2 a) . . . .40 Progressive Studies in Octave Playing (with special pre¬
2. A Winter Frolic. (2 a). .40 paratory exercises). (Schmidt’s Educational
3. Happy Thoughts Mazurka. (2 b). . .40 Series No. 37).1.00
4. Chase of the Butterflies. (2 a) . . . . .40 10 Selected Studies for the development of expression and
5. Around the Maypole. (2 b). .40 technique by Edmund Neupert. Arranged and
6. Columbine. Minuet. (2 b). .25 edited by Charles Dennee.1.00
7. Castanet Dance. (2 c). .40 Octave Studies by Jean Vogt. Op. 145. Revised, adapted
8. Rondo. The Young Huntsman. (2 c) .40 and arranged by Charles Dennee.75
The grading is from la easiest to 6c most difficult, with subdivisions of the grades as follows: la, lb, 2a, 2b, 3a, b, c, etc.

me AR/TPHtm eo„
BOSTON, LEIPZIG-, NEW YORK,
120BoylstoivSt. 8West40thSt.
 Schmidt s Educational Series.
Violin Violoncello Organ <» Vocal.
VIOLIN.
v°' ALTHAUS, BASIL. Vol.
DANCLA, CHARLES.
5a-c. Op. 65. Legato and Staccato Studies. 36. Op. 191. Spring Flowers. 6 Compositions
Part 1. Exercises in the first position 0.60 for Violin and Piano.0.90
Part 2. Exercises in the first to fourth 42. Op. 194. 12 Melodious Studies (With ac¬
positions.0.60 companiment of a second violin) . .0.75
Part 3. Scale Studies in two octaves
HERMANN, FRIEDRICH.
and exercises in all positions 0.60 ^ga
Op. 29. 36 Exercises and Etudes.
BIEHL, ALBERT. Book 1. 12 Exercises for Beginners
54. Op. 178. First Recreations. 5 Composi¬ (First Position).0 60
tions for Violin and Pianoforte. (First Book 2. 12 Easy Etudes (First and
Position).0.60 Third Positions).0.60
B0HM, Carl. Book 3. 12 Special Studies (First to
Seventh Positions) . . . .0.60
23a-b. Op. 366. From many Lands. 12 Com¬
positions for Violin and Pianoforte. HERMANN, TH.
2 Books. each 0.75 28a-b. Op. 100. 12 Melodious Etudes (First Po¬
lOa-b. Op. 367. 40 Progressive Studies (First Po¬ sition) with accompaniment of a second
sition). 2 Parts. each 0.60 violin. 2 Books. each 0.60
CUTTER, BENJAMIN. HOFMANN, RICHARD.
62. 5 Characteristic pieces for Violin and Piano¬ 32a-b, 14 Etudes (with accompaniment of a second
forte (First Position).0.75 violin). 2 Books.each 0.60

VIOLONCELLO.
14. SCHRODER, CARL. Op. 87. 18 Very Easy Studies (with second ’cello ad lib.) 0.75

ORGAN.
56. DUNHAM, HENRY, M. Bach’s smaller Organ Works (8 Short Preludes and Fugues and other Pieces
Adapted to the Modern Organ, with registration, pedalling etc.).1.00
33. TRUETTE, EVERETT E. The Organist’s First Etude Album.0.90
34. TRUETTE, EVERETT E. 20 Preludes and Postludes (A Sequel to the Organist’s First Etude Album) 0.90
65a-b. STEANE, BRUCE. Short Compositions for the Church Service.
Book I, A Book of Short Voluntaries.0.75
Book II. Offertories and Other Pieces.0.75

VOCAL.
22. STURM, WILH. Op. 83. 12 Vocalises for Soprano or Tenor 0.75

ARTHUR P. SCHMIDT
BOSTON LEIPZIG NEW YORK
120 Boylston Street. 11 West 36th Street.

No. 55. Printed In Germany.

 FIRST YEAR HARMONY
(100 FIRST LESSONS)
By THOMAS TAPPER
Price $ 1.00
A simple presentation of the fundamental principles of Harmony. It is especially designed for self study as well
as for use in classes. It provides one year’s work and gives distinct training in Tone-perception, Ear training,
Harmonizing a bass, Harmonizing a melody and Melodic Composition.

THE ELEMENTS OF HARMONY

By STEPHEN A. EMERY
Price $ 1.00
Used by leading teachers and conservatories throughout the country.

A KEY TO “ELEMENTS OF HARMONY” By frank lynes

Price 60 Cents

SUPPLEMENTARY EXERCISES TO “ELEMENTS OF HARMONY”

Price 50 Cents
Exercises, chants and chorals appropriately figured, which may be used as a sequence to any harmonic treatise.

MODERN HARMONY
IN ITS THEORY AND PRACTICE
By ARTHUR FOOTE and WALTER R. SPALDING
Price | 1.50

A KEY TO THE 501 EXERCISES IN “MODERN HARMONY”

Price 75 Cents

TONAL COUNTERPOINT
STUDIES IN PART-WRITING
By WALTER R. SPALDING
Professor of Music in Harvard University
Price $ 2.00

PRIMER OF MUSICAL FORMS

A Systematic view of the typical forms of modern music.

By W. S. B. MATTHEWS
Price 80 Cents

SOME PRACTICAL THINGS IN PIANO PLAYING

By ARTHUR FOOTE
Price 50 Cents

ARTHUR P. SCHMIDT
BOSTON LEIPZIG NEW YORK
120 Boylston Street Lindenstrasse 16 11 West 36th Street

No. 48. Printed in Germany.