pattern

melodici da sviluppare sui modi

in tutte le tonalità Alberto Parmegiani

                              
primo pattern

  
 = 180

                                
da suonare sull'ottava superiore

                           
 
pattern 2

  
9

                              
  
13

                                
pattern 3
18

                         
      
22

       
   
     
Pattern 4 - accordo Amaj#11

           
 
26

          
              
Pattern 5 - accordo Dm9

  

30

                     
        
Pattern 6 - accordo A7b9
34
     
          
      
       
Pattern 7 - accordo Am7b5


 
38