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Blade Runner (1982) (1981-2-23) (Rev. 1981-5-15) (Scan)
Blade Runner (1982) (1981-2-23) (Rev. 1981-5-15) (Scan)
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FADE IN:
nn
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irt!1F R
IJ11f F\=r.1
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Don't move.
Trn\r
Sorry
iie tries nct to nove, but finally his lips can't heip
a sheepish smije.
. LEON
f already had I.Q. test. this year...
but I don't think I never had a...
HOLDEN
Reaction time is a factor in this sc
please pay artention. Answer as quickly
as you can.
LE.N
ur... sure...
HOLDEN
One one eight seven ac Hun.ter,,'asser.. _
LEON
Oh... that's ihe hoteI.
HOLDEN
What.?
T rn r.1
iihere I 1ive.
HflT nrNl
Nice place ?
LEON
yean. f quess. is
Huh? Sure.
that.. part of tae cest ?
HoLden smiles a patronisinc srnile.
HOLDF\:
Warning you ug, -.jtd-urs all.
LEON
oh.
f t's not i'i:i',-',' ,:,^ firy'thrnq thc hctel
HOLDEN
You're in a desert, walking along
in the sand when
LEON
fs this the test now ?
IIOLDEN
Yes. Yourre in a desert, walkinq
:Inna 4J.
in gr1€ sanC
fha a--J ..L^-
when all of a sudden
you lookdcvrn and. see a..,. -
LEON
'w?rat one ?
LEON
What desert ?
EOLDEN
Doesn't make any Ci3ference what
d,esert. . it 's completely hypothetical .
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3.
CONTINUED: (2)
LEON
A tortoise . Iflrat' s that ?
HOLDEN
Know what a turtle is?
LEON
0f course.
HOLDEN
Sa.sle Eh j.ng.
LEON
I never seen a turtle.
He sees Holden's patience is wearing thin
LEON
But I understand whac you oean.
HOLDEN
flio the
You reach down and
tortoise over on its bick. Leon.
Keeping an eye on his subj ect, Holden notes the dials
in the Voight-Karnpff . One of the needles guivers
a1.'-Lr1..
e I J-5rr L r.Y .
T.EON
You make these ouestions. Mr.
Holden, o! they 'r^rice 'em dovrn
for you?
C0NTINUED: (3)
Holden looks hard at Leon, piercing look.
Leon is flushed wich anger, breathing hard, it's a
bad momenc, he urighc erupE.
Suddenly Holden grins disan:ingly.
HOLDEN
They're just questions, Leon.
In answer to your query, they're
written down for me. It's a
tesE, designed to provoke an
emotional response.
Leon is glaring now, the blush subsides, his anger
slightly defused.
Holden smiles cheerfully, very smooth.
HOLDEN
' Shall we continue?
Leon nods, still frowning, suspiciously.
HOLDEN
Describe in single words. Only
the good chings thac cone into
your mind. Abouc your uother.
LEON
My...
Leon looks shocked, surprised. But the needles in
the compucer barely rDove. Holden goes for the in-
side of his coaE. But big Leon is faster. iiis
Iaser burns a hole che size of a nickel throueh
liolcien's scomach. UnIike a bullec, a laser cluses
i^
.r-'rucl.- L .
lrv .i*r^^r rt goes chrough liolden 's shouicjer and
?
/ FnrtF?rfrrh\
(uun I J.r\uL.lJl
2/23/8L 6.
COI{TI}UED:
Lights fron the blirnp flash along the street and wipe
across the crorvds of pedescrians as the VOICE TRACK
CONTINUES T0 BLARE from above.
A portable nooCle bar is crowded with customers, sit-
rina
Lirr5 Ai c-aat
\Jl,l D elrl-riJ ^ >
^'i.,--i-a
!ui ui.l6 -rgif
l-i f-ooci ouE of bowis.
DECKARD is standing near the noodle bar waiti-ng for a
seat. i{e's in his thirties , wiry, athleEic , runPled,
used, unshaven. He's holding a newsPaP€I, rnade of
tissue paper, open while he glances at the blinp
passing NOISILY
\1
overnead. Then he notices the
A
uvur\ l.r-t\i'll.i'!\
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--.:
. nrrlar
\Ji \Jgl I : Fr.r-
lrni riiro
il\J lu-rI5 rri
sp L\?v :f i-l15er
noers e -'
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A
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'AIVL
LILJI'A !
CCNTIIWED: 5
Deckard shakes
€.'--^-^D . his head "r'ro" and repeats his four
r'.LllxEt
GAFF
(in Japanese)
'r-,ck f6s will be required to
accoEpany I!,e, si=. x:'r:'r
Deckard doesn'E understand Japanese,
+t--f
thinks the man
wcrtluJ ^ 6'
^ DE,dL.
^^^-
DECI.,:AR.D
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rralrl- J\/s- LUri,.i t ^-'l
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2/23 I 8L 8.
CONTII.IUED : (2) S
(in ,"0!*5f"r
t-t* If you do not comPly with an
official request, I will be
obliged to exert my authority. t(*rk
Deckard is ignoring Gaff but the Counteraan leans in
Deckard's face and Eranslates.
fi{E COUNTER}.IAN
He say, you go with hin.
Deckard turns and finds Gaff waving a badge in his face.
GAFF
(in Japanese)
:lr/r* To defv dulv constiCuted
aut! b1ie
ffi
Deckard doesn'c understand a word.
THE COUNTER}'IAN
He SOy, you under arrest, Deckard,
D+,ckard turns back to his food
DECI(ARD
Tel1 him he's got the r^rrong guy.
(curning Eo Gaff
IoudIy)
You goE che rrong guy, pal.
GAFF
(in japanese)
ink* livgng guY . mv as s . You're
knovrn as The BoogeYnan in everv
THE COUNTERMfu\
He say, Boogeytan.
Deckard f linches at the word "BoogeyrrED, " but goes on
orFino Rrri now We knOw, and he knOwS it'S ngt a
"-t-
nisuake
GAFF
(in Japanese)
You '., re a Blade F.unner in the
*J<i: .-...
t our >ec-*or ano a:;e: Ene s lauqilEe:
ai tne steei snoo Eaev caLleci vou
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He say, Brade Runner. He s3Y,
Mistah Nightime.
DECKARD
Tell hin I'rn eating.
GAFF
(to the CounEe::nan
in JaPanese)
Jr*i:k Please telI this nogorious
gencleman that I arn actinq as an
ffiCaotain Brvanc and
Capcain Brvanc nas oroereo ne Eo
brine Mr. DeckarC tro neadouarEers
even ir I have to serve nrn J.LKe
so Elucn susnl . ii 'i
^
AilCFFM
I.-?11 . Dj,J(.agj - NIGI{T
i\.LLrIir
DECI(ARD V/O
For a1l practical PurPoses, EheY
rere people.
Except Ehey had iahibired life
sptns. They etere geoecicali'Y
designed to last only about four
)ears. A.Bd Ehey were. illegal oa
esrth excepc by special perair.
/.nlr?antFh -l
vvi\t J-I\\Jgu:
\.'
Deckard is sitting in che passenger seat, eaEing while
he watches the maze of suspension bridges, platfor-ns
and catwalks swim by below. The tops of larger build-
ings emblazoned with flurorescenE numerals and scrarvls
of neon ads.
CUT TO:
ll kp ch'l r
lor I.;tlorcemenE
wanE sK].n l oDs
I guess vou'd preier that. hunh?-
#
rnaE wnv vou cul_E /
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11.
AnltF?anrF^
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GAFF
(in Japanese)
Exa:tIv! I^,hatta iglk! ,If,T wpsl't
up ror pronoLr-on ,j, o DUE En].s DaDy
Ln a noE sDrn ano leave your olnner
aj-l over trne stass I
The ,ot*,"ffirn" center of a busy
sEreeE and then turrrs right
INr. - NrcHT
PoLTCE HQ CoNCoURSE 10
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2/23/BL 1)
CONTI}IUED: It
BRYA}IT
They jumped a shuttle offworld.
Kil1ed rhe crew and passengers.
Deckard reacts. This .'^- I
J.DII, rL ..^..^1
IJ> IJ4I .
BRYANT
We for.ndthe shurtle floaring off
the coasE cwo weeks ago. So we
know they're aror.nd.
DECKARD
Embarrassing.
BryanE is pouring bourbon inro a thick shot g1ass. He
passes the anber tuobler to Deckard who takes it and
holds it to. che Lighr.
BRYANT
No, sir ! llot fucking emba:=assing
Because nobody's ever gonna
f ind out they' re dovrn here because
you 're gonrla spoc ' em an' you're
air 'em out.
gonna
Deckard dowrs his drinlc and slides che emDry back.
DECI(ARD
Not me, Bryant. I don't wcrk for
you an)@ore. Give it Eo liolden,
he's good.
Deckard turns to go.
BRYAI,IT
r did.
Deckard freezes and turns back.
DECIGRD
And?
BRYANT
He can breat.he okay. . , as long as
nobody unolugs hin.
Deckard is impressed.
BRYANT
Nct .gCcci €rt;u9.i1 . li'J t as
-^^A ao _,'Uu. T ..-..-l J
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3/9/81 l-3'
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" ' : COsTI I{L'ED | (2) 11
sRY.A]\T (COriT'D)
This is a bad one, the uorst ).et.
I need che o1d Elaie Runnet, i
need your nagic.
Deckerd aeets BryanE's pleaciing e)'es f or a beat.
DECT}J{D
I L'as quit when I '*-all:ed in
here
t^..-^\
\l., our> c7
'7 I'A Er*,iCe aS C,uiE nOW.
See 1.8,_ Bryant
'f
Deckard turns to go.
Bryant's pleading look Eurns abruptly cold and harc.
BRYAI'iT
Stop the fuck right r,'here you aret
. Deckard freezes at the hard tcne.
.
': BRYAIS
.- You- ,know
ar- the s core , pa I . Lhen
you're noE a cop, you're liccle
DeoDle.
DEC}J^R.D
Forgot Ehere for e Einute about
che litc1e peopie . lio choices
I guess.
BR.YA-IfT
No choice, pal.
CUT TC
trre are loolii::g at Lhe brigi:', :lgage of a I'iAl@ lf{i h a r',iite tiled
r@-l w-ith a v,ri'te floor... aJ) asca-.ci-r r'.i-thcu" bi':cC. Tl:e n-akai re-n
is very atirtetic. ii:s face reveals ncdr-r:E as lre exes.rtes one pnysical
cencrs--raeror afcer arrc-,he:. . . . one harrcal plrs:''€s, E1n::s--ic ccl--c:-'jc:is
etc. An accciqxnl'j-r:g sor:ndLrack &cnes bringll' anC iiTile r're rj-gh-.
p-.cil i1p 3 leu.; key *;::d-s s;ch as "grr.igratiDn, "j-:rc.s,tive:rd "Man na.de
i,rruir" it r- it;t lrxlri'l:i::nt that we absorb 'Jre 'v,gris. . cirey an-e muasic
:, ,..;Itic:: -J.e :j:j';3 e-xe::Clses. "he
F.fter a nEfient a se-ries o! .l-ines cross t]re sgsr a:C +:.ilr tagre cli:*.llshes
and we real.i-.e h'e aie l-c:].:i:r: a: a n:nitc::.
I4
iliT. BR\ANT ' S oFFrcE (DAY)
DEC}(ARD
These are old slave tapes, show me something
- new.
The naked man continues to exercise as Br1'ant continues.
't BRYA}TT
No sign of them then three nights ago they
tried to break into the Tyrel1 Corpcration,
one got fried. going ihrougir an eiectro-fie1o
but we lost the others. Going on the possibibilicy
they might try to infiltrate as employees, we
sent Holden in to run Voight Kan"rpf f test.s on
new workers. Guess he 'found hinrself one.
The screen chanoe-s- Qow Ratt.,r in:,-'in cLoth is ba-,tering a meta)- post
''l
with his riri;.''-;;.-';;i;;";i ii='tili
ini-.icates a rotar lack or pai.n.
He continues to pummel the post mercilessly hris hand.s becoming bloody.
?he only sound is Batty humming Beethoven's 9th.
Deckard begins to look iaterested,
DECKARD
Who's this ?
BRYAI']T
ftts a Nexus 6. Roy Batty. Incept
oate 20L6, ccnbat mociel ootinun self
sufficiency. Probably the 1eader.
DECI(ARD
I,Ihy would
they come dorrn here ? They
coulda hid out ?
BR,YANT
You teIl me FaI, thai' s ',,,,hat you t re
here for.
DEC}L\iiD
::rey rtus'- v.'ant some-uning crettl, ir,po:tant
LU .i.rb^
+A er'FL
L-ulning
^^-- bacl-. here. l^ihat i.O the
rest look lille ?
gV^l: AltV!Y
^^!r.rryrTl-Ilr-
BRYANT
The liexus 5 was designed to copy human
beings in every way except theii emotions.
But the makers reckoneC that after a few
years they might Cevelop their owrl
emotional r€sE,oos€s hate, love, f ear ,
anger, envy. So they built in
a fail safe device.
vvrr
\rrrlT \rrll.n
I f trv!u t3
^n
DIiCT.ARD
Ya blew it, huh ?
HOLDEN
Ten 4ays ago Security at the
Tvrel1 Corp fini.s three intruoers
rn the records room. Kills one,
two get awa]t, ckay ?
Deckard nods.
HOLDEN
They do a routj-ne autopsy on the
one that. got aired and.. whaCdya know?
A skin job, one of the ones that
busted out,l Top drawer replicant. .
combat tvpe.. Nexus six.
DECKARD
Pretty sexy, the sixes.
HOLDEN
Sexy,l Three hours into the aut.opsy
they still think they're cuiting
up a human. No marks, nothing.
Deckard looks impressed. Satisfied, IioLden conlinues.
HOLDEN
f decided to check out all new e:nployees
at Tyre11. I test 26 bori.ng jerks until
in comes this guy Leon Sonebooy, nothing
specJ.al but very big. . .
(pause)
Anralav. . . .
DECKARD
You Voiqht-Kampff him ?
CO]iTTNUED
3/9/st 20
r."".131?lI,
It's all over, it's a wiPe out,
they ' re almos t us , Deck , t,heY rre
a disease, they're. . . .
DECKARD
Take it easy, take it easy....
Tyrell Corp's got one. I'm gonna
Vee Kay it tomorrow.
HOLDEN
Push it: Push that buttonJ
Deckard pushes.
DECKARD
What's it for?
HOLDEN
Pai.nl
vv4 ma\
Lv
^trm
EXT. CTTYSCAPE MORNING 1A
t:
A bieak morninq.
vvl
rnn
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\
RACEAIL (os )
Of course not.
DECI(ARD (os)
Expensi','e ?
_
x4\\-.cu.t-Er,ir
-affitff (OS)
j
Tl'|? ltw?rTT
;3ag!!
IeI n=r?-F
V-- M tlVr--:'r 4l
-Ar4.
.-riq r
\-U I It/
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\
RACEAEI .:'
May f ask a personal question?
DECKARD
Go ahead,.
6iA-r
-?
I
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J/ / /
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R.CCHiEL
But in your Position that is a risk. :*
RACHAEL
I"1r. Deckard. Dr . EI don TYrel1 .
TYR.ELL
I want to see it work on a Person.
I want to see a negative before I
provide you with a positive.
oo
4 /n /^r
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CONTINUED: (2) 24
F
DECIGI.D
lfl:aE ' s chac gonna prove ?
TYRELL
Indulge me.
DECKARD
On you?
Tyrell indicaEes Rachael.
T.t/DtrT
4 4tW!! T
Try her.
Deckard looks aE Rachael. She's a beauty alright He
shruss.
DECI(ARD
It' s too brigirt in here.
Tyrell hits a burron.
Tbre windows darken, a polaroid effect Ehat seens to
give Tyrell che power Eurn ojf che sun.
.Eo
Deckard is placing the Voight Kar,rpff case on a rable
The Voight Kampff opens like a burrerfly as che room
ciarkens
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DECIGP.D
You have a lj.ttle boy. He shorvs
you his buccerfly collection, plus
che killing jar.
Again Ehe gauges register, buc noE so far.
RACHAIL
I'd take hi_tr to che doccor.
DECKARD
You're lratching TV and suddenly
you noEice a wasp crawling on
your wrist.
.I RACI{AEL
I'd kill ic.
Both needles go to red. Deckard makes a note, takes a
sip of coffee and continues.
DECKATD
In a magazine you come across a
fui-l-page phoro of a nude girl.
RACHAEL
Is chis resting whether I'm a
replicant or a lesbian?
DECIARD
You show the picture to your
husband. He li_kes ir and hanes
ir on rhe wall. The girl is lying
on a bearskin rug.
R^ -itAEL
I wouldn't lec n.
DECKARD
l^Ihy not?
RAC}IAEL
I should be enough for hin.
Deckard frornnrs, Ehen smiles. His smile looks a rittle
like a grimace or che oEher way arounci.
DECKARD
Last_question. You're waEching
an old movie. It shorvs a banquet
in progres s , che gues trs are en3 c 1i rrg
rard oys Eers .
T
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^ (2) 25
a RACIiAEL
v5rr.
BoEh needles swing swifcly.
DECI"?,RD
The entree consists of boiled
dog stuffed wicir rice.
Needles rnove Iess.
DECIGRD
. (continuing)
The raw oysters are less acceptable
Eo you ri'ran a dish of boiled dog.
Decilard switches off his beam.
TYRELL
Well, Mt. Deckard?
Deckard is looking at Tyrerl and wincing indecisively.
He dc,esn'r ger it. A::e they playing with hio?
TYR-ELL
( continuirrg)
Perhaps soxoe privacy will loosen
your tongue , I1r. Deckard.
He turns ro Rachael.
TYRELL
Would you step out for a few momenis,
Rachael ?
.' DECXARD
She really doesn't know ?
TYRELL
She's beginning to suspect, I think.
DECKARD
Suspecti liow can she not know
she is.
TYRELL
I.lellr w€ began to recognise in them
a stranqe obsession.
?yrel1 is pacing now, lecturing.
TYRELL
After all, they are emot:.onaIIy
inexperienceo with only a few
years inr,nich to store up the
experiences v;hich you and f take
for granted. If we gift them
with a past... we create a
cushion or pillow for their
enotions. . and \,ve can
control then better.
DECKAR.D
They want memories?
TYRELL
f t's tle dark corne.rs , the little
glaces '-hat makes you
bhad.ovry'
interesting, Deckard. . . . . gusty
emotions on a wet road on an
autumn night.. the change of
seasons the sweet quilt
afler mastu=bation
AArrfi?
UVI\ITI\Ur.?tFFr]J
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28/29
a."t CoNTTNUED (1 )
DEC}''ARD
Jesus Chi,ist,TyrelIl
i-
Tyrel1 looks startled.
DECKARD
Where do you get them, the
memories ?
Decirard
''i
and Gaff a=e scanciing in front of the horel,
nnk'i n o i r- r
^\re
g-
)l)1.ta1
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30.
INT. - NIGiiT
HOTEL CORS.IDOF. 28
..q
A dingy, Erash-filled corridor.
An leads Deckard and Gaff Eo a door. Ttre 01C
OLD l"lAN
Man is wearing an oxygen tank taking occasional hits
of air from a mask. He unlocks the door.
Deckard and Gaff encer wearily, hands inside their
coaE,s on their weaDons .
CUT TO:
AY'T FA
UU I IV:
A'Ih FA
UUT J.U:
NTIT
vva TA.
av,
CUT TO:
p.''
EXT. STRSF? - }JiGH:
A blimp is C:ifting silent:y over u:'!e city reflec--ed in a:r el'ebafl
^.r while v/e hear the SOUNDS OF THE STREET.
" The eyeball belongs to BATTY who is standing on the sidewalk.
He resembles a tradition, the gym instructor, short, cropped hair
with the body of a drill sergeant but the eyes are gray and chilling.
Roy Batty is a presence of force with a Lazy, but asute sense of
what goes on around him.
lie lowers his attention from the skv to Leon.
Leon approaches hj.ru.
BATrf
Did you get your precious photos?
LEON
Somebody was there.
BATTY
Police.
LEON
.l-usc men.
EATT(
- Police meri.
' Leon Looks sullen He Coesn't know.
Batty is lookrng at the storefront across ti:e street, the.one r-hat
sa:'s liANllftsAj. Cl{E-y^i over the door-
E:ffrr i^C.icates the s-,-cre to Leon wi..h a head movenent.
CIJT TC
r}IT. CITET^7' S- NIGI{T
SHCP 39
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IIIigsy
2l23t8L 34.
COi{TINUED: 39
,G'
The forceps and the ciny item in the fprccnq .nrnp nuc
of the solution frozen solid.
A SPEAKER on the waII CRACKLES and FARTS STATIC.
I.]ALL SPEAKER.
Mr. Chew.
WALL SPEAKER
.... .talk to you. . . Nexus S:-x. . .
desLms.
Chew frowns and tulTrs fronr his work diserrrrltled.
CHEW
Busv !
CHEW
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a, j__ - hlS
.._- hanO OUC. :ttS
--e--_ r iCV.
BATTY
Fiery t.te insel s f eil . . . )-rc as --;:e:/
feri oeep --iru;roer roiiec a:cund t'iteir
shores;
:ld:::Ia:t,
bu::::'':1,: wtE.; :::e ir:es ci C=c.
Chew ls tug e:'ei,. htat is thls sh:---?
3ett!' :eaches c'.:! a:g p.J:s n:s .ra::is oi tn= :cllar cf Chew's
fr:r coa:.
r /. ,a.
1 1 ^| ,' xJ-
Jv/
-;
aa
:::]::}:UFD
-q 39
BATTY
euestions:
xj(rtxRrJIf,Iipppp.Bat,ty puj.1s :he coat apart,
the bac.k seam and faff i away like a banana peel.it splits a.Long
Chew is 5pd6lonrw i-^-5Jr.,
trotralry sca'red, tctally cold ani tot,ally
cc-operatlve:"t"
- Okayl Answersl
CHEI^i
chew is.oointing to the wal1 pegs where nore fur coats hanq.
SATTY
.-rsayir\J.j..rgy.
lVo'r-nhn i narr I anaorri ,.rr use iifg...
incept dates. ..
| _ _- _ a r- i q a \
\ -rJ |JCqJ_ L-Ly )
4
T sg.iarL,,
Arrnna . I h,.--r
ur-l]]e, !L-r
:ila: S tUii .
eyes j Just elres,l Gene-'j-c Cesig::^s,
j ust eyes ,!
B_at:y looks a;ounC the room at il:e tank
of e:/es, tne pict,ures of eyes, t-h.e muscle charts
oi-
".rar.
tsAT?Y
Ahi i ihnrrah+ saF
hancs :;:3:i"o:i:3::. i.Sl: :
noses. , .
:. .
. /tJri^t
!:.9 Yt
(desperat,e )
.jus t eyes . Gi;lee ccat , okav ?
6\ 37
? co:i?::iuED (2)
tsATry
Ah, chew
( sguish, sguish)
If only you cculd see the
I have seen wrth your eyes.*:::gs
Squish,! Sguishj The squishes are Batty,s feet stepping
eyeballs as he paces in front of Chew. in
CHEW
Pleasel Cc-cc-colCi
BATTY
(prosecu:i;tg actorney)
Questions j
, CIIET,J
D-Cunno ansrrrers,l p-pJ-ease I
BATTY
who coes"
CBET{
Tyro,! Knows eve5lthingi
BATTY
The TlrelJ- Corporatj,on?
c:IEW
tsig bossi eig Geniusl Design
)rou,r brain.
BA:TY
Ail l Smart ,l
cHSW
V-very cold, p_pLease
BAf TT
Not ar easy nan tc see, I'd,
guess. Sec,.:.rity. . . . .
C:]EIf
Sebas--ian take 1rou,l Gimmee
coat.
BATTY
L::c, who is Sebastian?
Chew j-s biue anC hys:ericai.
;-l-j-f-; i. S-sebast:_an.
D'l a: q.s
1/1.a,iF.1,
r/ JJt e- 33
\
-
A^\:6-\.:'=1
Vv
lil
\J / 39
BATTY
Ah: How woulo I iini, hi:r...
.rr tebastian? '
Chew iooks iike ireart att,ack citry. is i+- going to 90 on forever?
n?ltTt avrlrn
bva
:.: r-.-r,r ?
-\
-L'. . r L-,VL')
-^
DeakarC gets out of tre car hearil,:' ar:C hea& fcr frcni ccor.
"5e
- tn'trti
vga ffl
rv
A1
':t I
:\r 7'f =r-aLQ YTF^"l'
lecka::c cce.s fori:is blasf , g€t-s i-- ou-- .ol::-ck arri wirj^ris.
Paciaei is tl..ere, i:r the slradcx,vs.
D€i<a:C's biaster is eointed. at her. Q.re nore secorC.....
Deat<a.ri, Icners *.5e blas'ie:. !{e's shajci.i:g a'l'l 6f a stlci,en.
l1f\t -3lh.E-Lr
7l-
r ru aa-r
JgJ-J-J.
.+4
^r=ar:pi -vl -c :ro ai crnr-r :rA =.-r-rr-r:riac hi e ,i.+rr
--.ires ouE, xrs w=liec, it o:-.es ED -Jle :-icor scattglg i:is car:s.
?=a!ao'i ^.'^i.< :t- -.^=
b-g -=-le
\4S.
-J
RAC{A5L
iar rein rnrr
-
TSC:GRD
Itrat ,1" - neeC heip fo=?
Decjca:j -d<es -j,e ffi. j=crr r -,' ins s-i:s=s tro c=n che ico=.
' R:.C:IlE
I coir t ?-:sw why he toJ-d you ;i':at, he Cid.
Frlm
ulai-'vi.,jl.L/
iJj...l.| i! /j,J-rl.
t /! A /^r
\/ I9 / v-
Xl
-/ -1/
13 i
a
r-Nl.
nS F--'\ |
LiL^s:.i.D'S
-^ ^ .\?;-Ri:E.T
- NIG.fl
he place is a lress.Deckard,'./alks in learri::q the Ccor oDen.
RAGNE,
iie wcr:.ldnt'. see ne.
Eckard gces into tne )ci-;chen, c3nes out qdet a tcsvel dqlrg
his hat- He',aLlcs to L\e cccktail c"hinei ard, por:rs iur*ej:
a drir:k.
DEC}ARD
f'm gorrr:,a have a drj.*.
RAGfiE,
You ti:j-rk f 'n a repiicant, don't
you ?
MGRD
You rgnsnper wren :rou !.€re ajrqlt six anC you
arrc -vour SreE:rg slr=k :lEc an aey' :rrilcr:g....
tbougr r:e E Sere$= "rj:rruw ?
RACIA;L
v&,at? Y-yes. . ..
DESK;R,D
Ycu urere goj::g to play
Dcc-_cr. I{e snc.;ed,
you his, then ycrl cnicker,€o ard ran out.
RACitr.E,
Rrr{.
She tcoks r:p anC he's stari:rg at her, but, she Coesn't sesa
-;c :rc.tiee
/aal\'1rnrTn\
\ vvrr r-rvdl
- !^a /61
^^\fn:1
!v:\- !.'e*
-5, 41
-J
+-\
DES;:D
Renernber the br.:sh ou-.siae \rorg wirdow
with the spj-aer i.n' ii.
Padael loks up at hirn.
DEC<AP
Geen boqy, orange legs. .. you watclred
her buil,d a veb aLl s.lrner.
RAGNEL
Yes.
RACAE,
I.b.. I... f .... ion't.
Decka::i j-s :low r:astry, downrigi:t bitter.
EEG(l.rc
!::planes. Thql are not !vu: :itscories,
-.*--
ii^anr ulAq- s fa-^l : l- 5 Sj-\,L-J: r,^--
3rEY v=-j-r,fl; -!;=,,L- ^ar.-^^- ve:g.:
-)
oio lrlece.
Sacrael ioesne sav a-:lt}j:rg, she can't.
EEC^"3,D
iie's ve:rz prsuo
j^r
oi -;rgn. ?Ie ran tb=r
ia'.t t <-:Frnor rc
Racrael just s'iEres a-. hiT, st:ff1ed ard. bael-y holi-irrg on.
DECI<APD
Sf il'] don't belisre rap ?
hr-nF
Tr
t-ror-^
,t -l\rU1,
P:gh',. I race i'- afl u?. Ys.:'re nct
a repiic:-nt,. It *as a nas;r ;cke. Go hcne.
.a
1- /,/ 1J
1-l
1/)^--.
J/
2'1
r1
\
= CCi.lTIliuED 43
.
DESARD
Gc on. E€at it.. Sorry. BaC joke.
OMTT 4;
oMrT 47
oMrT 48
- :-'
ExT. A}T A3fu\DONED BUII.DiNG NIGI{T 49
lle reaches down and picks up che bag she left !n Ehe
l-f' g,;r tl .
SEBASTIAN
You forgoc your bag.
He's hoLding it up.
She eyes him from a distafice... unsure of hin. Then
she moves tovrard hi-B tentati'/eIy.
Sebastian smiles awls^rardly and holds out the bae.
PRIS
I'm lost.
SEBASTIA}i
Don't worry, I won'E hurt you.
tsorh of tirerr are si'l ent Peooie are noc SebasEian's
forte... usuaily ire's Eoo shy, bu: this girl is shyer
still. Plus Ehey're about cne same age... it gives
him courage.
SEBASTIAN
I,lhat's your name ?
. PRIS
rr].s
(CONTINUED)
2123/6L 17.
CONTINUED: (2) 50
9 SEBASTIAii
Mine's J.F. Sebastian.
PRIS
Hi.
So pleased with Ehe r^lay that wenc, he forgets for a
while what comes nexE.
SEBASTIAN
0h... where were you going?
She shrugs. That leaves hirn a loc of responsibilicy.
He throws her side-Iong glances, but she's noc helprng.
SEBASTLA,N
Home ?
PRIS
I don't have one.
SEBAST]AN
tlF
vta.
SEBASTIAN
We sure did.
She giggles and laughs.
PRIS
r'm hungry , J. F.
SEBASTIAN
I 've got
..i-
s cuf f ins icle , :/ou wanna
I,L/Ulg J_Il .
PRIS
I was hoping you'd say tha!.
Sebastian's grey face flushes with pleasure. I{e tut:ns
and inserts a key in Ehe ornate iron mesh door and
swings it open.
/.TTT TN.
:c
CtrP,}. qTTtrN
Wa:h 7 ''i irro ha-a 11
-ei.
r1,. :''! n7.a
- ----t - -.:^h
11 dnF F^t.?
aav
-4Y.ab
CUT TO
//
Y\rh ar F-
J.l\r . \-ALr: .i:!r:V.-,-U.( - -llI(Jt:l1 ()Hu',i'l
-\'6
_-\_. \-V-._
^^;=71-\/1p \.i,1-JfF
Sebas::an is unLocking nis door. iie c?ens ',-ie cccr ang ushe:s
Pris in--o --he apartmeet.
iNT. SE3AS?Ii}J ! S AP.I.R?:.1=NT-NIGiif
S.::asriar ilicks on t--.e ii.;r-,:3vea1iiq -Jie:j_gr....a'r :-, eL:q-:,:
nCUi;]'l ::- .:n.i r!r:r-a CC;1-ue:l:S.
.=-..-..:.
' j\ taree ja--,-- ;:;n l.eiser li:ihe1n figure and a teddy bear dressed
as i;a?cieon:-rrnrch :,n1--c vlew fron a i03ri,'ay. An alarn, soiinds.
5 EtsA ST ].T.N
:'oc .aco / ;icne i ie i n, h;n e 3(;a j-n :
9EAR'
GooC eveninc i.g,
hl^a t,,'::-n arrf e
^rr+
?he Dear and Kaiser lr'rl-heln sta;e woodenf)' at Pris for a moment,
turn away disap.oearing into the g1oor,1.
"hen
S=BASTI.4N
Thotr I -c T\. =-1'4,rAe \a-a
...-:
t n-:
XF A nK
(mu tte=ing )
Home again, home aqain, jiggiCy jiq.
t--
?ris :.s cei.igi:cec. Sre si.:i?s off ne: topccat, reveaii::g
a sha.-=e to pop el:es. --
SEtsASTIAN
thociFoe hi-q5''l v c\i
-. _-r.r __
i{here are vour fol-ks ?
PR,IS
I.'m sor-- o f an orph an .
SEBASTI.iN
I'irat abou', fr:-eni's?
PR.IS
I have sorre, but I nave io find --irer:r
Itll le-' -J:en ktor,v tr'itsto i at:t trcmorrcw.
SESASTiAN
oh:
?here fs a siie:lca. He s.,eals a gl_ance a.i her.
S:B.1.STi;N
i{eLl..... f can s1eep on t:re couch.
PRIS
I.ia'-ch -,-h e :ed bugrs ion ' t bi te :
)/)1./9.1
Ll tJl v5
qJ
INT. - NIGHT
DECKARD'S APAR.T}GNT 52
A blurry phocograph, unciear, FILLS Ti{E SCR,-E:::.
F
The photograoh incensified. The foregror:nd BLURS AND
SIIAR?ENS. Ic's t,he "man" in Leon's room with che
wardrobe behind hin. The head is curned away and
downward, Ehe face unreadable.
Anocher change ! A dranatic one. The picture is
suddenly three dimensional.
Now we see that Deckard is studying the picture in a
viewer controlling che effeccs with punch controls.
The ashtray next to ir'ir ir fuIl of butcs. The bottle
of vodka is nearly empty.
He sucks on his cisarette and eropEies che vodka botcle
into his glass and-goes back t.o ieering into che
viewer.
He punches up.
A EransparenE g:id wich vectors is superiruposed over
che phoE.o
E.
(c0NTINUED)
2123 l8)- ltt
CONTINUED:
\ DECKAR.D
Enhance.
The view squeezes in. The "spark" seeus to be cooing
frou about fifceen feet behind Ehe figure froo
within the wardrobe.
DECKARD
Seesaw.
DECI(AI,D
I don'E suDDose one of those males
has a tranives ti-,-e prob Lem
.
Pause.
DECh:ARI
lley I
Esper wakes up
ESPER
Yoe?
/ AArtF?trr rFn \
( uuN J. tr\ ui-u /
/ , tJl
,/ \ t\l
-t v^
nn \trY
\,VI\ rrt tFh
I tr\ULU (2)
\ DECiGT.D
I
I said, I don'E suppose one of
those males has a EransvesEice
Drob lem.
Pause
ESPER
Negative.
Deckard considers che siEuation for a few momencs,
Ehen frovrns thoughcfully and fishes his wallec ouE of
his pockeE. He produces E,he f lakes he f ound in t,he
hotel room.
Deckard lighcs a cigarecte.
t
.tllE l- l.d.NE .
ffi 5 3 0U',
Beek a r ds E an d s- in - -E-h e - sh owe+J*i+-ei6ar et-f;e-+t{-i#!n
|FiF.rrlouch.
FY?m rnA
|JUI TV:
CCNTINUED: 54
I^Iirapt
+ cou,nEer:'rnan slaps a serving of fish heads on
The
Eilcounter in front of a CHINESE sicting n ptar r /1
Deckard
Startled by t,he sor.:nd Deckard glances aE the bowl of
fish heads, then turns his attencion back co his
noodles.
BuE after two bites he froqrns and turns co look at
the fish heads again.
The Chinese is eating the flesh hungrily froo a head.
He cleans the skull and drops it on E.he plate.
Deckard sEares at the heads with their blank stares
that seerD to gaze at ete:rrity.
Deckard is thinking.
The Chinese is eating.
Deckard frorsns lost in furious thought. Suddenly he
reaches out and grabs a frsh head.
The Chinese goes bug-eyeC with indignation.
CIiINESE
(in Chinese)
l.ihat the heil are_-)le9 3ei!-8,, vou
ny eoooanln Grnner vou (Ln Engltsn) a
^^. -L I
srfu,ru DIIJ_ |
CHINESE
(in Chinese)
trfhat do vou expecc you gec fronr
i1 cn noza1 cFlrnl d/
\ !]'l :rliS.i-J->rr /
Elephant shit?
,.IFF NA
9Ut J.v:
-r\
1/).al/
rt /a1
iL
' T".-
a\-. .--\-':-.lJ ---t', - .ir.-i.-
b, lr:q;-::r: ::!: c: :-isa, ;€jjri lock3g i:si, '-le kji --:a;:.::ii eac
east ous. t,e !=e giicuq ir sj-:u-s-i=r clus-.€rs Lj-'<e Dcsen
giisc'lers''i,--il 91: s.
I
cBt'@Dllrq L4Irl
Not fish,.: Snake :
CS.GT >o
aFF-q
rvlj\-.,i4-5\^J-e:l- vs.it - NI\51u
EGGTSI'T (CS)
-<€naL liurber
.
99059715>-Z
-:F? '-1'':r'l i -zii -::a : ,a-r-:'i:.<
n*'
.11-er^.--....
Fnm
\-v .,l' :\J
EGFTII'N
./ +--.i q. j
--\
Frtri e
EGPC}I
a.s'? i tnf ?!-i-\ rt:rnt
-t
*i*
lJEA-\aIlaLJ
Eal neqr ?
FfT/tntflN
!'er1z far.
EECKArc
Ecvr ferv ?
EG'?G}T
Fg=ras:s l-ess u:an : Licr:cn--....
d\ bft stiX, :'rc=e ';:a: i c; renscer.
IEG.M
?i:aL hetps lnat ?
==:aber
3e E=1p=ia:: !r-:s:,es a ear:i alE -i;r 3r- o:- hjn, rsrci\rj::E Ebe errb
slqrly agaj:sE, "ie ::.e<-- :ro .4b,ge::5-
r/+trTr+afitn\
\wlr:-rlg,
)-l t)1,tR1
-Jt v-
nnl\rf r\1rTtrn.
\/\.l/lll,.LI\UL!/. 58
EEC:GID
In E"rc seccr:cs I'm col:)a br=kr
LL
wr.11lt- irrici
YVI+ rr.\-v-ii r t Jvl-E
si -ra !-i -- vL/ti
rr-, F.,rn
ga/.J
tetl re what I q,ar:na lcrc'tr-
Darre.o
tr.(SE TTAN
f see-
ffiFA
iJ.E
-\t-f1u
I,ho ?
Ert?ft,.TFr:\]\t
L{6
a:e $zgEsl LDr-i€ crr an u::lel sni:-a-.:-r:g: gl=jr hcpi:rg trc e:a.:=e
L.: - .-r 'l- t
ar.-
l-..5 wev \Ji.ju ^3
rgr - -IJ''Itr3--
Cl
:EGPTD
I,0E Cg !o! 5a1] ya:r ;:tT:k tc
\ *j r : .
EGM!q
rr -*j
nr \-J -- tJ. .aw€v-! - 5 c.-- ---\-J .
-, ->
AN
(cC i;;It'iJ{:'))
5;
/^. /41
J/
^ J\/.L
t\
,+Nffi\t's
!U\5--!9d OUA
DECGID (CS)
You ia.ry a snaice off an ryo*.an ?
The big guy tr::trrs to face his questioner. ais nane is TAEiEf LE^ITS
big arC bo ard lcx^pl-i:-e. iie lco}<s U*e he's locJcing ac. a ccck::oae:.
lBI=ta
B1ZZ OE, fcl'le -
EECGrc
You :ou g/er se. . . ?
grer see..: ..
At last he !j-:Cs tl:e photo of the :eclini;:g ..Arcran, sl'cn,s it, tD
EERRD
You grg seg',!lis q,crren ?
FFE'
D=] ?
:-.=._=..==-_-_:>, : ' j ^^--^ :^
-.: --
? += r -: j+^--^ q'-l--
.: vvg '
a :-s=1,.:)e 5->:r-
n:l ' r j=Ctr - '1 .i^
: .-- -,
a l:Cense
= =e 3:
.{1
-l1trF :'t --o F-.--
ie'J"ard sce?s bLc'u,n a!.2::, -cr.lts iu.s h:rris up, Fal.rs fcrrarC. sut=encierirrg.
l-L:v I IJ\!i:JJ
3/24/8L
'\-
r$\trn:?-\ I\ )\
- L,viY !-rgs '/
EIESGT
Take it easy :n!s-i=r, ion'tgec
' e<s|tec.
TAFFry
bbbcdy pusires nE erq.s:C.
lECSrc
Fcrr;et I
askeC- lV Edstake.
vdter ra:ier arre bEtdge-
Talikq! lco]<s a lj-ttle sta.nleC. I;'.ras that eaql ? !=': ici::C of
pfeesi:i, w'iti1i,hi5:sqg rpr,r -.:at he's fi:a.fy efiabhsieC hj-s autbn'ry
rrBFf
lb hari fee]jrtr;;.-ill=. ion't
take a Pr:sir, that'5 :'l"i -
EEC:GFD
t.lr tard feeJ=:5.
BIE
lt.r-q rL€'at.+a-rda-)
tcR::s,' tb :'nan's Car. Glve bin'
G:e G! tie i:guse, :a:ir ?
BAFEtrB,
'w1:at=ia e=ii-:g ?
EECIArc
Sckqr' &.1'-
gffir
You :sseC aba:t, a snake.....
BFFET
War.na see a sr:a-ke, !:ub?
.,- Br-rEf
Louis, shs,v tne ,=P ti,e s;r:ke,
'w'ii1ya?
(ccl.iTrNJED)
j/1 /aA /Q1
-a/ v- 59
ae 3a.r-erEs :eec,es u:rier clle :ar ari Frl-s oo-g a iarge snaice
tf:at wr:r,Jres iazr-Ly on the car. it is br;ghc FIa.
DEGARD
(eisapS:cu:=ec)
9fr:rg snake.
BFEE(
,.1rrnlf 1..;6 a1 i )
DEAGrc
GclC's oical'.
TBEr-Ef
A=gir'ra-f pai::t job'"es sritfry. Tircse
i:cki-r:o Eazou:n's i'- e=t;r/ qDrK.
EECGrc
Eol long ago .ri'i I'a Pa*.t i:?
BFE
? &-rnl f^r-rr'a a€ r:-rn-he
}tr{a ?
G:tt= ;lsne ?
3/21/31
a'
'\'trrl.
DECSrc
- Fecpie i':erve qraiiced. cu= o!. iiE
befcrg- - - hlt llg/er r"'i:en I qe,s
be-i.rg cheroi.ng-
Ra*:al ele=zes who, she see who it, :s- Says r:otling-
DEGG?D
ll; J ----: -'-= .:-;
---
-
pu:reC ya-
-1:a'1;pi s:'] : sal's rc=jilc.
w-ar:::a Ery
"q.l,tTcGrD
Fcr a lcrg;rcie:r' i: sesls Raciae- is::'! golrg io sa:'ai:1*l:-rgr.
:>-.L:::l .: i '^.: i5^'
.RAC4E
I'aq
rgI!rv:\_I rlli
:_c.--=.on
Jbv_. \
1
EESGRD
Di.&'-- f:S en:u.-{Ll- i 5c'ec :ves : ber.
''*!ty wast= i; ?
/-r^..1r1\:=-
\wl\-Jrg
\
/
,^.
^ ZLr/ O- //71
J/ hl
- ,--t\-':a
luv/.\ J.;{r9d
RACfff,.
(on rric-€eafll
lrct rry kj.nd of piace i'm a€raiC.
EECGRD
l€et. re iere-.:- lfe'l-1, go scr+lace
O.'e.O -Ll.- -La Jp.*'a Cs.ai--
Scr-detid.rg cate:.es
on the fiege 's eye- lie €rcn;'ns.
Orr stage, a si.:eke i:es c'rr,-geC irru the seerd egg.
F-,ryifr.?Ti-]
\r,v!\lgis
E'ECG.RD
Itd.|.l-iJce to henre a vord tritn yan
i€
4
*r1
Wgg-
A
-
Satcne star:ds aLrost six !eet. tajJ- i:: ig' iriqh h-Js ard' lcoks
dcl^rIl cu-l hin wj,tb i:ar:ghtry S.:5picr'nn... a guj. wi:O ]G:ol€ hc,t/
fa L:rrjta Aa=-r 'ait-=
Yeab? Y
TEEGrc
Itm witb the .lrceri-cesr FeCeracion of
va:rietir Artlsts...-
ge inics LP a itand, as i5 trc s-€!) ns =sn P:--.es-i:r-iE.
DEGFD
btlt-- rrEefr I'a i:oc .ge Ea
trEi<= yor: jcj::,-. . -*bat'' s i:oc :Ir-f cePaJl3,Em-
CONTINI]ED:
}.a,,,DECKARD
There's been reDorEs of Ehe
taking liberties with
ulanagelnenc
. the artisEs in this Place.
SALO}G
I don'E know nothing about it.
DECKAR,D
You haven'c felt yourself to be
exploited by the management in
any way?
L .
Deckard
'l
r;accnes ic unciuiaie ir"ILu tlic r'ra::nlLh ;i thi:
.'-].r^
4!H,!tLJ.
/ nnrl,TTNll.rtn\
v\Jlr L L,Lrv bv //
\
. /a, /a1
i/ 1t/ nL
\ €\T:);.;f
EEcjG.M
T< ih:i :rri\ar €er.r- rsa'l )
SAI,o}€
Of cgr-rrse he's r:ot real. You Li:i-.:k
i'c be rcE<::lc hese ji i caui,d :i€orc,
a rFal grake i
Ed<ari -eches srrE tr bltcb it- 3s has fi::ge=s rrake ccuLact,
t5ere's arl eie--c "st4)'- Ee' jeC<s hi-s hari baek fucE t|,e si:cci...
.i
Sa1cne is cc*:ie. The:e's rrct nuca tc t=ke off.
t=.k:-ng'o€ her
Ecka:d gets a gli4- of ::alcedness as she slips bei:jnd tl:e. seeen
arC trg:s on the sirc.
EEOGAD
Ear lcog ycu been Coing a s:ake ad, ?
gI!M'
lbat i.s it
w:tth izc:.. -. lacu lcoicj::g for
holes or what ?
Ee stafrs paciig .,be rccil l-iJce.'s he's i::si>ecti:gr the qall-s-
I )F! \arxr ,
EEEG.rc
LiLaIe dirty hcles they cri:.f in the ,"rall
so tlqf can: '.atc:: a leCy '.:nirss.
.lni, to his anaz€lltsln'-, lor cn the wail-, beirind Lle &esses, 1E
acE:-=-lly qccts one. Fe ilrF-es ccwn for a - k.
',11\r-\ -'
',!v-r - -*--,\ j
-'
3/24isl 55
:\. {')r
--1'clii-)
ug\.9r9ry t-l O4
srr!I€
if scmebiy ciC Ery to "-S)loit"
And. vri".at
Ee? Wrp dc i c;o tc ?
Deckard.rs Fe€iirg at' a gair of fat legs i:r -'he na\fr, lccun.
' . LlE 5.Ll1v
---_-
le-
- slc8'E
ArC vlrrc oo I co tc alFut vor.:. ?
CONTIIIL]ED: (3) 64
-\ DECKAS,D
One so far,
SALO}G
You're a dedicated man.
Her smil e is an invitaEion. She throws hin a Lowel
He catches it and she turns her back to him.
SALO}E
Dry me.
The evening doesn't have to be a total rsaste. Deckard
steps up behind her and starts patEing her down.
0n the dressing cable in front of them the python
noses through the cosneEics, longue flicking, trying
to get back Eo its mistress. Caught up in Ehe sensu-
ousness of the momenc, absently she reaches out Eo
stroke the snake.
Deckard works his rvay dor.ni her back, over her birns and
as he reaches her chighs, sics on the coE. Concen-
trating on her buns, he leans back for a handier per-
spect.ive. But jerks fo:r,sard like he'd been stung as
his ears are hi.r w-irh che BUZZ 0F RATTLES direcrly be-
h'ind him
/
\\-uttIJ.I\uf-ul
^ArrF?rntFh\
t^t laa
J/ Z1/ rL
^
b5
an
FArF? \fi:-n
LUL\I J.I,\ULJJ !
go.
Sb.e hi:s a -oassiSg bus so ha:d she's sireareC all over che.
side like a ul.rral arld ci:e bus squeals Eo a halc.
,re rain has sEoDDed and cu:aeC inco a quleE DRTZZLE,
tsrAf*. GL?GLI:'IG oowrr cne zugtrers.
Er:nci:edover, breaEhirg i:a=C, Deckard co'nes slor+ly
fonrarci. Tne crcwC sEa=Ea:rg trc gaEher. Sceething here
for everybody as ;hey're cqa';ng --roa all ciirections.
Decicari rDoves ci:rcuga chs:, endi:g up Ec Ene sicie o:-
tire b.r:s.
\--t
-tF-'-
i l\UrLJ
1
Sen he sees l:er. Rae:ael is sexd.:.;rg j:n the €crd, s'r:.riig at
rhc rfq.ari 7tsae
a!',lTT rr - . .'r
- o
t^9!fTF
-,aan :n,: i:-r :-a ir.<: S:nae .; q -'-- -'^--- :=-:]:q :-,: i :--11q
GJ ; =.=--; *:l' "--:b;=. - ^:
' .
-a\----\ LlVv.Lt./,)
l!LlvJ
a /at /6,
s/ zi/ 5L 70
:1 _\ vvlr:;r9J
-\T-,n =-
Firtr_
&a
qffi
Y-*d - iif61 n-ts
)ral=al t J^- *
-.J
-ea<>r; 'iq i1-s'i-: =:<? :ro mu-i o:- ar ailev- :1:i'ie-:-lv ne'ts
lE.j a- '-€.: a; . .,1 -r^ :'.ta ' :1 ,=r.,-
ar5(-5,in
Ery-
f i^'i- aqy i- ^4,1
'!:-rn,-'nin : -l h::rl.1 :.16 hi-r in1-r l-ha.:1J=tt
-?Tr rfl')
r( )'\f; \I =n!
\!v.rr :
"vvul
a /a a /a.
:/ ,:.'?/ U-
7l/:5
\-{Ji\
-th?-
I .r-1,\LlIj-/
\ *e sa:pe.r's f-es {e b:erk. 3ey sc.c,lr by- c-= j::e ald a\€ress
rc feelj:tgs a.bcn:t, the e...,.rer:ts j:l -;re atlerr.
LEON
Eow co&e you knew qihere Zhora qias
so qui.ck?
llis b.and is lightr.lng. Ic shoots out, grabs Deckard's
bair.
DECKASD
! piccures. SoureboCy
showeC
recognizeC ber. f went E.o see -
Decka=e is oai e. T:re swe atr is s cartrang co ftrr .
I*EON
Eow old axtr I?
DECKAX,D
f don' tr kaorr
q:ir ti -htens and r*isrs.
Tira o--.:-_-o
LEON
l,!v
b)-r
L..
L,, i--
_-L i
s^:e<) --_ .i-> ^ a-J
A:-.1 'l 'i
! U r0 ?
L 0L7 .
- -;
iiow lonq co i l:-ve?
DECKI.8.D
lour vea=s.
iie let's go.
LEOI{
Mo:e trian vou.
Daci:ari's l-.rees cciiie uD iasc. 'l-tc:^,'; ii.;t ccies dc;n
.i-..
:-: C r' .l i,= 2 '6 a:.15
- -
? FA$
*!U l\
?aini':l
.iu'e :a :elf , i'3n'C it
r.c
.h LEON
But that's horv iE i-s Eo be a slave.
The future is sealed off, he
grovels , he waj.ts.
Even hurt , Deckard is fast. He goes for his ankle gun
but Leon' J. 5vL
-AF iF
IL A,,,F Of hiS hand befOfe he Can even
rJ\rL
Id.IJE !L and Ehrows it down the alley.
Deckard hurls forward, knocking hin off balance, and
scrambles to geE away. Leon grabs him by che fooE,
drags hiar back ano jerks hln off che ground.
LEON
Sex, reproduction, S€curiEy, che
sinple chings. But no way Eo
satisfy them. To be homesick
with no place Eo go. Potencial
rvr'rrx F^ Tara
wJ- Lrl, llL,/ w4) Ll, i-i>g ! b .
"r !v LJ Of-
little oversights in the Nexus
Six.
He sl:ms Deckard into che wall.
LEON
r reII vou. noEhing i-< worse than
4L
RaChael iS Siafing
s- !1.5 ate t[e
g sliu hnrlrr
UVg-Y n€
V- T oan
lE\/ll t ^ r..-*
> ^ -l
L gr:ttELi ^- ,.1
4lts
shaken aE what she has done.
/ AAril?rttFF
( uul\ I tr\L i:u /\
)/11ta1
-t-JtvL 77.
Fn\r?rFtFA /a\
UUI\I!r\U!.U: \J/ 72
?t Deckard looks up at her, his eyes sl.roLlen in'-c slits,
his nose and mouth bloociy. He sees how shaken she is
Rachael turns and looks aE hiE'r. Their eyes meet.
She drops the blaster.
Deckard gets painfully Eo his feet, picks up the
blast,er and starts co reload it. He doesn'E make Ehe
srme mistake twice. He slances at her.
Aga:-n their eyes meet.
CUT TO:
DECKAR.D
I'u going home.
BRYANT
Home A ki11er like you! I
I
figured you'd be uP all nighc
slaughtering phonies. Four to
Bo, Ehought you'd just leave
tem dead in the alleys for us
to
t-^CC
pick up. Hawl Haw! Come oD,
\J4I .J. .
DECKARD
Thrao There's three to go.
BRYA}IT
Huh?
DECI(ARD
There's three left
BRYANT
. ThaE tit j ob lr'ou vee kaYed
Four
at the Tyrell Corp... disappeared.
. She didn't even know she was skin
till you puE Ehe machine on her.
Some_ kinda brairr. planc, says Tyrell.
CUT TO:
^A\lfTt.'l:!'n
l-Vll:L1.9-v
DECKARD
I get 'em bad. rtrs part of the
busines s,
Deckard holds out his hancs. They're shaking.
Rachael gJ.ves Deckard a long hard look.
RACHAEL
I 'n. not in the bus i-nes s .
Deckard meets her lookr understands he cannot comfort her so
easy, she wili not be one of the boys with him.
RACFAEL
f a:n the business.
the :s grin and angry ani shaking.
You can ires cne ciock- TICKING.
CUT TO
.r cc:i Tr::uED 77 i
DeckarC in the QackgrcunC, loes on Crying. He's rrai'.eC except
for a towel arount his riaist.
Rachael takes . drink. lier face is eni-gnatic. She's watching.
Deckard is unaware of her eyes on the back of his neck.
She's looking at the ripple of rnuscle around his shoulders.
CUT TO
DeckarC g':ves her a look, turns back to the mirror. Puts a *-owei
over hi-s heac.
RACIIAEL
h'cul-o you Ccne huntlng. ? :j
Rachael waits a lonq tense mcnent for an ansvrer.
\'?a DECTAR.D
f)enk: rF 1-ar ah aq
LVqU-rur q: cna+.
-JVL
n-
(Jll n't s fc:eheai, ioo.rs at t,he waLl-
rtF.('K;Hr)
| - I dn '
', lcok at them.
r-rr
Tn
rrle ;-'1
+l^^
narrway,
'1 ..-
Rachael :-s h:rF''l rr hra:firina
nr-raDn
ysv4\.r1\v l^
\v.
I didn't want to.
It must coine as a trernenious relief to her. she st,ands in the shadows
grater€ul for the smallest farrours. She waits a momen+-, hearing the
clock ticking, hearing the distant noises of an apartment houie,
then she sperks a g:ri i^. .
i<AC;IAEL
That test of ycurs. . T;:e \rcight
Kar.pff test
/Cnt:'r'l
\ev-\r
t.ll:rn\
-L-r\.!v_'
rrl\\r'n-\."ail
!\,. -\ - L,A 77
?
She DJ.u:t.s ceiore cci:rpj-eti:rg '.hc c-uesiicn. it's a b:ggi;
h I t ET
.,* - ^tt
I\9Vr:L:..94.1:/
naaa.i'L,"'i'--"'t
did vou ever take it Yourself ?
lanD.
Sh."- sees a piccure of Deckard's wife and son on a
:'2h lo
..
She loo*s aE ic for a long noineni as though she rnigh:
hp 'ie=''l nrrq
J v--
LUT IU.
Prj.s wani,e:s in, scuivi:rq the arrav of h:s ar'-!1r i -lor ! Cha -r:! c
ne: eye :c :he ste:o=L"re nea: se:ls'-iaii. a rori"
cj
=ui= rea:--y. l-anisca-:es / ;lou;:a::s e:c.
S:e ;cucnes a butcct, a ciue jias:: eruD--s.
r r.-t ;
nlr I
FqFi-a?\rt
tiratcha doi::'
?RIS
T t;-r c,-,r'r-i,
_v _ L J t
-: ., : .i-
peek i ng.
s etsAs T iA k'
oh.
.,- -n
! -.t .
-- l-::'--a
"vav I
E'>-211 3 { :
\t ' .::sf ::':ed, Se:s:t:er s:ares at ier' f f an i-.;:'c'."3;3n: :: :-:j:s:: je,
! : ioo):s even betier nou. oloer and even se)::er.
Fh?\tl
*\:c,11) .l I.aiY
Vnrr lnnl' 'naiior
DPTq
Just better.
S EBASTII'1.1
fhl
1v+ '.e].
LJ>ll
i na\
llrq /
ifeI1... beautiful .
PRIS
mL -
-'1. ^
llrdlIJ1S.
PRTS
I'.llratrs that's?
SEBASTIAN
My'Elands. They grow oId too fast.
P RTS
Ls that wh1'you're sti1l or earth?
S EBAST I.\N
Yeah. Couldnl t pass Lhe medicaL. Anir"'ay
I kinda like :t here.
A moment.
';-
'__ pRrs
Ani I i lxe )'cu :USr the i,.r.)y yiu oce-.
Hi Ro\'.
Sebastian whips round. He is f Lan-ked a hair's b:'ea:h i.\^'av D\' Bat-uv
The shock arnrost ).noci:s rrim cf: his cnair.
i -
a
.il
PR] S
?hi.s is n)' frien.C L hc>
i-o] J i -- +'-^.. !
-s-a!.ry _\tJ|t.l C\rUt.lL.
BATTY
Canrt thank you enough, Mr. Sebastian.
Sebas t j. an, stil1 uneasy beg.ins to _cmi1e.
ttl
T
BATTY
you certainll, have a nice place.
EE/.l1|nv lco:"s arounC aCrr -i ri+'ru4j
nn'l v an J'iu
Sebasi i qr' m,rn-bies some-.iingl that
sounds l-i.<e "Thank ;;;;:
PRTS
Sebastian ioesn,t go out -_co nuch.
t '
ItA11:
- --ar'
f like a man who s:ays put. Ar admirable
,-rr.,-jr9
{-h i n^ *a pe arie t.o sustain
Le 1^^
in these times. you live herlycurself
a]I bv
Voursel5 , Aa J./tJ
sv 1rn'r 2:
SEBAS?TAN
Voe
. (after a ncnent)
How abcut some breakfast, f \,-as just
nnina rirg iF^ *^i--
:JU LL, maKe solne .
rr
vv4i l.n ry!
tv
s /aq /--
1/ <t /.1vL
J/.,)t/
co
Rachae I i c ci
e- **i
v v41r5-- stone silent at 'rhe pia::o, starlng at a
nin*rrr o of De cl:arC anC hls Fa-,,her a'lcve',he I:e1-ooa::df
ShaUOv,'S bfUSh aenoss he-- t
*,lgtl )eC-f afit is
t"-lll:.?: the:^e.
vr:et e t n-.rcsa to
ulvrs
..c-.
vv ..=- ,
'l A^r-.i r^ F- "v' -e
--uur-:ii5 r,o see rthaI', S got her
-"- aitent,icn.
DECTAF.D
I'le and ny Dad.
R,ACIIAIL
Do 3rou Love hin?
DEC}.A:.D
He's deac
Rachae'l inoi cate s the prc'vure of De ckard ' s v,'if e.
DECKF-F.D
rl a i- E t
RACI{.l^; i,
Do you love :ier ?
DSCi(i.".D
She lef t rf,€ .
( pause )
.,rerrvi.'.tc-+ af5,.,n=1
v:_r.v:...:_L:. ,i
,'janteo ihe aocC liie
--^^rr^--
r.l1Ui:.-9..1_
ou di d.n' *"? f
DeckarC changes the subject.
DFCiiAP.D
i cireai*, rnusic.
Rachael ans',1'ers his ccfiliteF*.
CCiTi.lilglr- 'n..r
,J tnrr,^hi n
,,..,uuri;-:rE *uh€ keyS and filllfg
thg
I
FAAi
luo;l aorup-"ly l,a=
with mus!c.
^.ra*..*+r-_t'.=-.,
P.ACT.q:J,
( cor:tir,'-re c)
dont *, i:iov; if I 'voot *'h€Tl . . . or
?v-e"l
_ v44
't rs niece.
-J
Qhp q--.:;q
vllvu vv-v rinpsn't finish .rhe inou3fi*rr go€S cn i.lai'ing tof e lcng
lllO lT:€ t:*r, .
DSCKARD
Ynrrn]
4vu yLaJarr rJla!.
f i np .
DEC}GRD
Yeah
RAC}IAEL
H At.a ./
llut\
RACtrA,EL
I can't rely on rii' nemory to...
He s:ops her with another kiss.
DECKARD
C^.'
Ja,Y ,.L^r
ttrlcti T
r ^^..
sd,)i.
2l23l8L
CON?IN-'ED: (3) 36
'il- She nods. His voice inrih.fa
Irr!-Iirbbv,
'l nt.:
R,
hFFtt hh
UI.tJI\311,
^
, Kiss me.
RACT]AEL
Kiss me.
A-^i-
6!i4.rrr.
RACT{AEL
T r'A!!
r w<lt:u
"-*? Y!rs.
His mouth goes Eo her neck, he: ea:. !U-s teeth evol(e
a
.:
shiver ano a gasp as rhey cake her fLesh. Her breach
:D- ^^-.:-^
uL/ui..J-rlE Z^--^-
!d5 LEJ. .
RACHAEL
Put your hands on me.
lie rakes his fingers Ehrough her hair and pulls. her
into him. His oE,her hand moldinq and Pressrng ner,
working around her body uD and uider i n rn rha 67 j 17- ^.' 4!r9V eaI9 VaIvg.\-w
of her ciress.
( c0i{'I li'luED )
-1-.'-F /'/ \
LJ;.- ),'-L" ir/
\ I
- nF
^U ^Ar'
LL lr.a.:1J
Olr Yo:h
u^ta
l1e 'S r.i --i nr
XLSSLng he:r- h>r-rl r ee -:- r- q-i5-^
Aoon She I 5
- L-'-:''rr'
ird: tJj')/ qrr'
'Lle EO ialk She t S
^.,-.i r^,l
5L,, EILI u=t-.
RACIi.I.EL
. DO whatever you want t.o me.
He ls and her J.egs can no longer hold her anC sne's sj.nti-ng to -"he
flcor in his arns moanj-ng, *Jreir words obscureC Dy k:sses.
UU]trt! rlrn
fV
^t
BF:-w
rb e eJ I j es ot.ipi--1 r-r ^n
J.) rho
!l;g guJLlv.j rrrlrlrirrr
rpe_..\' vi:=nc.
/1 ni hi
ti:P
q hlnriq
.r-r;-J
^Arr^\ , - v+ t
9ATTY
There's onJ_y trv'o o: us lef :.
Pri-s is shcckei. iier i.,'his_cer cc;.:.ies oua a hiss.
FRI S
Then v,'e r re st:r-Di.i and, we ' I I die.
sATTY
tiot !? t.rke: c.\\e L{ lLi,'t5.i
.:. here'i"'i3ll?'"I.* ors thin6s ot hc*r* ?
Seiastian i''al-):s into the room with a i.r:ay. !ie --ai'.es sone eggs and
lruts them i.nto a -qiass fiask full oi bubbl-ing waler that is s--anding
on a retort s:and over a bunsen bur:er on his \'.'ork b.=nch.
ije notices'\e rilcve on the chess set.
SE9.\ST I.\N
]\ia
rrv.
nL^
i IIr Knicrt takes '-he Queen, see ?
It t/on ' t AN
uv.
tsA?TY
--q Whv are vntt qi:rinc at uS
SEBASi'T-\N
you're -.1
JU>-
.--r
- >U... >t-/ i i ffar-onJ.
-wt
- BATTY
at Seba sti an ?
vv t\
.:
It-ld u makes vcu -,hink q-\ ioh;
e-ea c:i9tq.a.>r?
J
-91
Si3AST:.q}I
\rou I rg so r^-3^-!
'IEII,
3::rnr_ng rrom
SE9AST:.I.].J
r'llO L v-!i:*
v=ligrCL-l,U'-: Ci-= \:ou ?
BATTY
Nexr:s 5
FArtf f \-;'?t / 1\ j
t-v.r^LLrwts \4
SEB.lST:.\:{
I-know Decause i io gene:j.c iesi;: wo:l*
for the Tyrell Corgora:ion.
( proudiy )
' There's some of me in vou :
BATTY
We have a Lot in conunon.
FFhr^A?irt
D.r-ltA> I rcu\
9lhat do you mean ?
BATTY
we have sinilar prcblerns.
Lnno'l or: sorl Fo---=^i f rrFa
lar\
\ v- /
;
-:- l-- .-- -- --. - . -::.--:j: :::--- --.--
::ls voic3 :s t=er.rllinc.
SEBASTI-4}i
Show ne scrnetring,
BATTY
Like '"'hat ?
' . SEBASTIAT\
L.ike... anv*-:ri-::c?
Lj-ke a niliion -'hings, but he's too exci--ed, to think of o;:e.
tsATTY
We're not ccmDu-lers , Sabas t:ar , we 're
phvs i caI
tsAT?Y
Very good Pr:s. Now show hin ..'hv.
, |'iit-:out a ao;=r:s hesi--ation, p=.:-s .sarks cver to --he f lask,
sticks her i:anos into the boilingi water ani pulIs out one of the
"' e ggs and ha.nds i: io Sebastian.
'. Sebastian is ril'et-ei, his ey,3s wide z1i.rd as.rcl.:n-lcied, like he,d
j,ist seen Li:e oevil-. iie laughs nervousilu, glad i:;at t:e der;ii
is a fr-:-enc, 'lhe:l -drops che-egg whi,=-h :s su:s::l_1' burning his h=rc.
\--.r -
-"i':.) 11\
\J J
r>.ot 1 g I
(
siTT)'
.\ Yrttt el/u:
^^r.l.i ha'r
..=--- !rc
u-.
-
s i 3.r.s? i.:.,r-
f ion't k:lo\,'nuch abou-- bior'ec.:anics
. ?nrr Y .-'-^ ;il .,^..1-^ -' '-..:
.\v.y, : 11 il u:ir, ^.r!
VUe ^=
-_ -ue -\'L;J -g
m]' l eaoue.
BA:TY
If r.'e dcn't f rnd help soon, pr.is
basn't got long to live.
6ati).';al):s baci'.'.o the chess set.
tsA?TY
7q he c-nnA
v vvv )
SEBASTIAN
l.iro?
,.f
- B;TTY
]-our ocponeni.
SEtsASTIF.ii
Dr. Ti'rel.i.... tulore than l:ril.Liant.
He's a genius, lie's the Einstein
of CCD€-ut cs.
tsATTY
j.1a_vbe he can help us, Sebastian.
SEB;STTAi,'
I'd be ,-:app!'.to menllion l.- to hin.
BAT?Y
tse ret-,er i: f couic traik to hin in
Person. But no'. an easv r,an to
he ' S
f,ai
>ve
+n
- SEtsASTT;N
No.
li:-.*-1' Lea::-c f o::','ard ani 1oo):s right :nto sebastiar,'s ei'es.
BATTY
ir'i11 \;ou hei:: us ?
.
SEEASTI-lN
. f-..,I.. can't.
lfis g€-uS up a;rd vralks s iorrly c\^e.I^ tc tfre beurctr.
PFl S
Irie real)-5' need you Sebastian, you're
oiir best and onIv frrend.
1
AArtF?rrl!-n I .r
a \
\-u i\ t J. .\ ugJ \ /
PR,I S
I ion't t::ink crerets anoche; lrunan
being in this whole world wno would
7 , have he1Ped us -
/FA\tAerlrr-t\
\ \-Vl\ r Ii\ t-.LtJ,/
2173t8]-
Fn\lrlrtrrF^
\,UI\I !I,\ULU: 88
\ lInT l..\F rJ / a F.\]T | ,1 \
lIv,LtlLrr \\JVl\L U)
You're... ah. -^1,-'--
maK:ng me... Peeeee.
Looka the. . .
-L
4rr, L ^,,
rrdw, .' -L -
!J-5rlL...
''t
' you're making me piss, you. . . ass
ho1e.
Deckard looks uncomfortable and horrified.
DECKARD
Sorry.
HOLDEN
Eeeeeeee... harv, ahw, ha. liee...
he... Hic ycu with a... ah. Ah.
Snake. . . Oh Jesus ! Aaaah. Scark
Stark naked. . . Alx, ah oh ah. .
I love it.
DECIGT-D
I thought you'd go for the pa:E
about che big guy... Leon.
Hol_den's- eyes change mood irmediaEe!-y aE the thought
of Le.on but Ehe laushter has Eo conci.nue tike a wi.nd-
uP farr
tln Loy i-unnlng
-rr*'-.'-- \r!,,w!r.
J^.*
. r.lo'lIv he Can f alk again.
fi-^
HOLDEi']
You aired hiin.. . whaE's fr-:nny
about cirat. ?
DECKA.R.D
B.everge . i cnought you' d. . .
Hoiden interrupEs, no longe: amused.
HOLDEN
don't revenge a machine,
You
asshole! Your slicer cucs your
finger, wiradciya do? Punish ic?
llolden looks ac Decka=d and lets his wisdon sink in.
HOLDEN
You can't make a 'thing' ieel
sorry, Deck..
DECKARD
They're different, the new ones.
That bie one... he.. . it had
feelings.
Holden glares ac Deckarcl io: ''I
^ r. .'
a -"^.b !'n
^l:r t) i :-
/ ArrF + tF?Fi \
\\,Ut\l
^ .l.r\ULiJ,
A
/ | / \t /'1v-
bl 'A
|
-JJ ^
CONTINUED: (2)
5 HOLDEN
lfl:ac r a do ? Fuck iE ?
n F^tt nh
LUlvi.ru/
^
?rtF
r-i.\r . D!\r-.rI\- r OFFICE - DAJ
iFrrar-Ft - AFF?AF A^rt
39
/ Fn rrFttttF\\
\ uul,\ r Ii\ uLj-i /
)t)1,/9,1
-t -rt
v- 95
. name
'" diiSln;o ni!" this
fooc..
€na r- \
GAFF
(shrugs )
Maybe. Maybe not. Deckard's a
deep one. You gimrnee the
promotion, naybe I'11 finci her.
If I geE a pronotion...
BRYA}TT
(hrrr rrn I
DECiLA,RD
Leon.
ttA? hF\t
flULULI\
rhorr nrlf
r -- him i Jr Ec inf il;race
taTTatt I A7n . cbr.at dc esr ' t work !
T''lrov o^ nf.e- rh:r FvF
-J -
neei rrlp-
che Chinaman.
DECI(AR.D
Chew.
HOLDEN
that doesn't work!
R-rr:-r; i e .a'] 1 ,2if OFrri n- e:-aff - ne .r r-; c.'--eAn r 5
-"9
5 |J> Psrr'> E, ,
(coNTTNIJED)
95.
t/L0/8L
89
COi'lTi:iU-oD: (2)
Gaff is uacching, Eoo.
DECI(AR.D
, " Work ! tlhaddaYa nean 'work ' '
. HOLDEN
Don'c You see whac theY're after'
'*ho chiY're looking f or?
r^rn r-he screen DeCcard frowns and shakes hls
v{a g-le
ireaC '
DECI(AR.D
No. I,Ino
Bryanc ts ihe edge of hi.s seac '
"."
HOLDEN
CaA
uvg. I
Fr-F F
I.A F
Metaphysics.
F -1r lt+
D1LIAl\ .l.
God?
\
1\\rrTt?\rtl:r.a
-vf t r f -1 Itu
89A
Deckard is wa',ching the screen.
A bunch of iwarfs run past the car.
?ttB hF^rr r qh |
:r.\:. t:,L}\4j1u )^ r'tJ1 o>t\t
Deci:ari is in '-he Cark, suii.enlv a spinne= appea:s, flashingr
1 i ^hr- gr
ir:rr cu.r-u5s I Dgckard S Facg
The D.varfs run away.
A PA Systen blares out. -
:-
sP;IttER.
f.rris sector'das closed :c c=ounc tr.>ffin J E,L5-.-4V, . 1n mirrr+oc
4V Jtl4rtgLer
I,v-hat, FFE
b- e Jlr.-\rr
vs a'nina
qv4r1: tra-a E ):
rj=! ' Adat
''7
n-^"r
u5LjL.1l!,,
iF fnn
\ v.. i iic-nnn
+-. ee- vvrrr r^
Ev eC-innef)
r.
-
Iv-n-lrirn
.rv-Ar.ry. ','L=i
,riic'e :r-F jL/lj
q-E t/iarl q9j...:
rlninn )
t.
S?INNER,
Do-nrt be a snart ass.
AF^-tr hA
L/.Agf\A]I,JJ
This is Deckari.. BIade p.unner. i'in
fi'! oF r-.A
e..u aa-ir+-^-t
l:rv jl- !vr El
S?I}:}]I.R,
Fo] n' nn . ahoalri
gajgu.\+.Iq. na . ..'.
loai-:-'l ar.qa'^^^
vs1:!.1=J i-J.
. SPTNNiR
AIri ght irou ' re ci ea; . Keec uD the
good woik
re^'!-:e^-
* yq.,-..es a nuibe= cf v.d. Dhcne_ l-;a!is.
^.r-^;^- - ----L--
r\-
ul !'^
--jle^ \ -JPr:Cl,::. screen (nct t:le Escer _,F cah.,t
aPpearsz pllS,..'eriag the -vvv- _G3_66-1
rv-=="; u:. r^.^:
Schl-ech: ^-- j
Suiienly
calf
DP.. SCHi,ECHT
Gut,en AbenC.
r,/.gLtL!|'.lX.U
^--tt- --
Dr . ifern.rnn Sctrlecht.
Ja.
LJJV LJV
J/,J/ J-
>6
gVr\ f L /.V t9
^/^,\'hT\r:ia.l
' t)on'r:rF h:< ql-n'.roi hic 1^>ts:o ir rran{- 6c |h o ''l pnc
'
nD
Vi\. 9 -!tT Far.lrn .
c VIi!!9I14
Yes. :'.-
7 . hF^rri
iJ.LLn^f\.l1,tJ
FR
nD catlf
=-alt?
Four, incluCing Dr. ryrell and
^'t 3
-.,^/ >g .l-- .
lU
DECILAi.D
.Tho rtihore )
h-^?tt \
U.ALnf\l1',IJ^
Qah>eri rn ?
.. SCHLECI]?
. J. F. Sebas'.ian.
Ye-.s
. DECKARD
f want you to autnorise access :o
)'our ce=sonnel fiies. ?ur_ i-l' on
Esoer
el/rllT
v 9.1!J-
Dr-.j'n
slt -
l{cw ? Do Io', know r^'hat tir,re it i_s
DECi<AR.D
J.F. Sebastian en_olcynent, anC
personai info:=nation.
SCHIECP.T.
Punc:: in :/ou: Ispe: c3ce pleasa.
.Scl:lech-- out anc punches i.-: Esper.
DECKAR,D
C,rni:g :n. iii 3nt )cc .
4>J!-J
-)/ J:Lr/= lc1
-' )9
n 1(T
ia
nr
V!
\- nr'l TT
T\'1m. n=-]{f,,Phrq
4 tr i c:P
FSPER
. /x t\
I':1r,r lrc i-h i < )
DECIII.PC
An oic frienc of his.
?:is iooks icr a nonen-- t::en Du:s ccwn :ne Dhone
.: DECi(AFO
. fia; ' s no way -.o --:eai a f=:e:ri
- As the viC pnone goes blank one o: the Cwarfs jl:r,ps on r.o the
I'rrari l /r3 !1aalr:-i
aaVVU V- 9994g-s Jc -a?
Vg-
Deckard sr-a!-.s uD the ca.r, screetches forward and r-he Cwarf "
'r
:ails of: on'uo tie sr.:eef. -
?arh h-^-r r nA I F
J.t\L. ,1J.1\-.i\J"-l'., D \rrf.
Ins--antl1' D:c.<a:; :e?:a:',9 '-- agal;,. Pr-is cr) the screen. Pec[ETd
cf at-'e 'i-ha 'i '3^rr.c
Drei c irczor n !:- -:
-:ryo
_...__b.
afltF Ti^,
A / 1 /^a
'/ -v ^ v-
\
EXT. TYR,!I,L COR.P. - SLT}ISET
.-:
1 ./''i
-,'_t/
- ., sa
i'l
SPtrAiCR
clraeo.. olriJlce. ... seis.
tsattry reaches out :q>atiertly ard tekes a c=rd, ::rser.s it.
I:e rrcice stop, the Llghts go out, '.he e.levator sta*s r+ again.
F^;sF+i ?:F-i-r > €.-nrr ''lmlr
Jg.-Ja>*.=i.l =n u-vq5
-j-:aa I)c,i,uY c. ..i.gLri\.
-a-ii.iY
PgalG,
Cor;an h:rr7i.-a,i ryl t-al,: r^-r--n-:-in^
H:rPcse. of- visit Pleeeg.
q=';Fe--':n ''i m'rC :- ?:--t na--:.C-itr
Fqi
J.c-.#JrJ+u\
-ffiiri
TYRELL
Note to pantry nilk still
TFcir ,ire.in
to hot.
?nn nnf
Jvvr\/l.,|/V ^=
\Ji f >3ll :J.lil \7i-rr'1.
vlaf\ Lt...-e*i. co.l'l
ei-xtv six thousand Prosser
9i anC
Ankopitch traCe at,..,
SPEAKER
Quinziene BIue ent=:z- A M=. J.F.
Sebastian, one-six-€o'o.r-one-seven.
TryPTT T.
Ar. this hour !
SPEAXER.
Prr.rnnqc n= .rri q'i : - - Ot.een
E -- --_
--O
Blshop six. Checkl
TYR.SLL
Check nonsense I I'lait a
ruinu,tel Wait a rrisu+-e:
Trrrell
I j isii is" frc'-i-'
-r
r-.iw:],I:l: , -^L^
:g l-D out. of bed. anC walks to i:i-s boarC.
NTR.ELT
9i;irrr'1 ar.e
.*di C11ICUS. T{niryF+
IL.-:..- l='roc 6rraan
r.svv...
' Hal TeII hjn :o go hcrne-
T1'rell snirks.
SPEAK=R.
E'i ehzln --r R-i -a Catra- M:-o I
CUT TO:
.-
iNT. ELil/ATCR NTGHT 92D
SPEAK33,
t(niah+- -;Vac 4.roar
- -----.
Sebas:iaa doesi,' -- i:esi=ate -
SEBAS?:AN
Ri chnn 1.rr i(i 1,ra eapo- H: ra I
-.?rTr rn^
994 IV.
.
1/11 /41
Jl
-
t / v1
hFr7---i
IOI.
r6\trlrT\ftl?t-,
UVlt I LLa9-Y
.
.
21231 8L ro2.
CONTII]UED : 93
Trrra''l
4-t !s!r
'l i!ec 76aah-'-a Enn a. F-..o'l \^11 nrr'J 1 -'r=- hr.
rgeCI'liilE :C: taSSe.,i.eG
^J Ce.Li 9U.,i-]. -;a, nan?S
over his bed.
BatEy's eyes are like little coals glowing.
Warned by Ehe look, Tyrell abandons che bell puII and
reaches under the sheeEs for sornething.
BATTY
To act without unciersEanding
could lead Eo the very thing
the acc seeks Eo avoid.
What's in Batty's eyes conpletes the warning.
Tyrell decides to heed it. If he's scared lhough, he
does a good job of concealing it.
TYRELL
I'm surprised you didn't come
here sooner.
Batty moves closer to the bed and the dogs slink away,
s careo -rootrhies S .
BATTY
It's noc an easy cning Eo neeE
vour Maker.
. TYR.ELL
for you?
And what can He do
Batiy sits on r-he end of Tyrell's bed.
BATTY
Can ghg Maker repair whar lie makes?
TYRELL
Ir/ould you like Eo be modlf:-ed?
BATTY
i{ad nrnC sonechine a l-rtcle more
radical.
TYR.EI,L
r.7L-rr^ rL^ --Oblen?
lY!14 t- D t-llg PL
BATTY
Death.
n':.tLL
I'm afraid Ehac's a ii;:l-e ouE o:
my...
/ lrF \
^A\tFrf 1II\ UDJ"
( UUI\
?.123tEL 103.
CONTIIiUED: (2) 93
\5 Baciy leans close across che sheeEs and cuEs in in an
urgenc whisPer.
. BATTY
I want nore life, fucker
Sebastain looks ala::ured.
Tyrell faces Batry wich admirable cool. After a cense
pause, the old man slides alray from Baccy and out of
bed. He'S Wearine si-rrb q lonp ni
a :v!r6 tt!5!riaL+ olri
Jr:!iL -r and he IOOkS a (
TYRTLL
Because
.i *
by che second day of
attg gu q' L:vlt
^..L lLL Y I
r:ndergone reversion mutaclcn
give rise Eo revertant colonies --
''1.'1.^
rrr<.e ! d. Ls 1-eav-ng
^ -.,-'- - a
^ s^.:l-nK:-ng
-1-.'- ^ sii:f, .
3ATT:'
Then a reDressor proiein thac
b locks che operaE j-ng ce i Is .
(Coi'ITTNUED)
)/)7/a.1
bI bJl V1
tuq.
COIITINUED: (3) 93
I TYR.ELL
Wouldn' ! obstrucE replication,
but it does give rise Eo an error
. in replicacion so chac che neruly
fo:rored DiiA strand carries a
mutacion and you've goE a virus
again. .. but all this is academic. ..
you are made as well as we could
make vou.
BATTY
But noE co lasc?
Batcy's expression doesn'E reveal whether Tyrell has
allayed his suspicions as Tylell approaches Batry
(sitting on che edge of ti:e beci) and pucs a facherly
hand on Baccy' s shoulder.
TYRELL
light ihat burns Ewice as
The
brighc bu:=rs half as long. And
you have burneci so very, g.
brighcly, Roy.
Batcy looks up
:r.i -L
-r ac "Facher" Tyrell, Tyrei.l is swellj.no
wL.LLl ---',la
l/lJ.Lrg.
TYRILL
The best of all possible repl:-canEs.
'i^ie're prouci
of our orociigal son. ..
glad you've recu:rreci. You' re quice
a sri zo
E---t,
rooKs ciow-n
Da;tr\' 1^^1." ..:^--
in a succien,
.:- l-.:^-
uncharacte::scicaiiv
--- ^l-
\ -l
-,
G.iCiil ]rell's skr!-l eai<s Lie i;g -'coo.
o4T 94:
o4T
EaaT i.itllFYlP - I\TTC;F 95A'
lae tj:ry e.lsra-cr wirizzes io-"n '.he huge nightLine g,ranic.
TfI. EETIATCR. - NIGg' 95B '
:.i
.!iG:]-
-'q--
5 --L
:Ia.Si:, gle 5u:=g sclJ;^cje sL
=n.:
tL4
i..U 6-1 cr-ia- +^+ Ft^a
::13
<'to::ror t-a(^v1 a- -s"sE3r -o;s.
s{9*U>-
S?g}IG
h-- ::u-:.:igre Fcuee. i8 Rea.
-"n:r .,r:rfO C=r-trF<
-:n
FnrmfirI
tin.,.. ae.......
-'TC3: 3acrry siaFs ons of Se:estian's ::rarr.' csis iTc 5e siot
: rrrae{- i ne*=nl-'l r
''l
- ---.. /.
r5-a 1i.i+a a ti.a oiarr={--1r hrrrrc .=r-:i.
.Laig llujr€ uiJ ^5€
l,r! t 4: g4Evqw! !r$r€ qY-''r.
A-!-!.'^..^1..
\-dJ -J-u US r !' L-lg Deg:aS
l^^-:-^ !^
CO C-Il5
^r.:-!^ , '-:2- aS:e=
^^5^- :eaC\' .
CUT TO
A
r >lrdL,rrw.,
^L-:^,-, haIllay clut.,ered with debris.. spooky.
Nobhing moves.
?hen we catch $e siEht cf sonething. Dec]:arC i He enters the
flat against a wall , weapon up.
rrq.rJ-wdy, pressed
L-11,,-.,
)eckard incres the door open, blaster reail' . He looks arou:r.d warilg
s --ucv:;i g che apa:--meni . iie sees no th: ::c ncving .
Iie levers hls bl-aste=, arrn extenceC 5ul-l_ out ccp-stl'fe, a,S he ventures
ceeper in:o ::le apar--nenr..
Sudoenii; a noj-se behind him nakes hin spin, blaster poincec.
A mouse runs acrcss the floor.
t^^* Lg^-g'^
hFFlt l Fh
ur: t-l\-fl
' Please !
.f
4 Ja-lr
uvl. l-
?.^--
Itl_J
wc,lll-. . .
BOl,j! The thirc hi-; ce:ches her in che bach oi the r)eck
a-c shq spins a;ay' fron Deckard. . . a;rd chat's i.t', she
goes do''.'n in a L:mp heap, iea',-ing Deck:rc stancilas tnere
blcody and scupified.
/ /2v/ /e1
1/ eL
Decl:ard f:civns, Iie s',-arts towarC the ooorr r€ach:.ng in i-'is poc):et
as he goes ind -oul1:-ng out a cesseite,
o}lrr rb e
Noth:-ng e1se.
The lift is almost to Sebas+-ian's floor
Deckard retreats has--ily into Sebastian's apar-sxrent.
CUT TO
oliiT
INT. SE3ASTI.}.N ' S APAR?}{ENT NIGHT rv1
Deckard st.ees into --he roort with prisr .bocll,, :.n i,t.
Iie bears *-he eievaior stop. Then foot.s:e-Ds.
Deckard considers."
The fcotste-os are 9e',-tr;rgr clcser.
DeckarC .,^'alks sileniil' '-orcard :he other door l-eading into the
next room ano sieps tnrough it.
?he fooisteirs keep coming.
And the breathing has starteC. Asti:nat.ic, rasping.
rtl r?r rFa\
vv4 av
l^\MTrTi "
v.ir4 ;t 108
INT. BILLIAR.D ROCI.: NIGTiT i,
Deckard siii,es a=cund the docr and puts hj-s back to the',''allr
blaster reai,y
il_5
T r..n c:: . a
rr\-. J::.a)a-i.r .) .*.:j1.\-,.--..T :.] :G;T
i0
Deci:ari cones runnlng intc tre !_occy (hani hel-c):.:rougl .1;e
brlliard roon and in:o:.i-re d:rken=d. area the ot.:er side c_=
the billi:rS :oc:. an: sr::ris brea--hinc heaviri' Ein ainei
to.,;a=is the 1cbbr..
iNT. LO3BY NIGit? II
Batty's shado,i aDDears in the ioo::-wav (Deckard's pov) he
sta:es at Pris' ceao boiv.
His body walks into :he shadorv.
Deckard fi.res, bu*- Bat:l' is f as--er, he iucks back anc disappears
Deckari''s bullet snashes into the dresser in Cle bedroon, tire
mirror explodes.
'Deckard l:rtns in+,o ihe bitliard rooxi.l.
INT. - NIGH?
BILLT.iP.D ROOI"I 11
He ducks back behind the wal1.
sudcenly a hand comes tearing through the wall, and .oulls
Deckaro's hanc ihrcuqr.
Sirs-,emacrcaliy, Bat.t:' breaks twc cf DeckarC's f i::_3ers -
BAT?Y
For pris. . . for Zhora
Proud of yourself Li-,tLe nan... .
As Dgckarc screa-s. DC.---'' 'F-'', DUCS'!'^^ q:r!-
-sl:e 9Un laC.<:-:: )gci:arcts brcken
h:nr:-.tGrrrr _,.-r-=a-.,r2
rrqrrg ,:u>:.1.€S j.t baCk -.nfOUgh -rhe hO]-g.
Bar-t]"s heao Peers thrcugh tire hole, and Deckaris fires at hirn
grazLng the sii.e of h:s face anc c'r cwing off ils ear.
DeCi',a:i S-La=tq -r:nni r- /'-enr ha"l d ) -L-Ouch :-he -.-.rns lOOkf f C
t^- q'.i
; v- ec1_-ie .
=>
B;TTY ( CS )
hIAf
lrLJ \- iraF!r
Ve,I\' g:.ilu
6- +-^ €{
5J(J:
^qa-r.i LU !I;e -^ On
an unarmeo cppo:enr.. f though+-
you v,'ere su_c-Lcs=i to be gcoi. .
arent you ',he nan.
CUT TC
rNT. DAR.K ROOI,I - NIGHT L\.
Iie loo}:s around for some tape and starts to \rrap his brcl;en
:.,i --^--
!.,i-lluc:5.
Qrr.-iAanl rr ,
vsese.--r- w4 -,h
'.ri s^l a
i :eSCUnCinO r:-aSh Ea-:-r. 1q ho:ri -a-\?il aS -h
; j- -6,1:r6''t^
- EJvU:iU!iiv vr CJ-i ,q - e) - tj=qU i-U:lt=J v;vr.
tl:e marble a.trove ehe basin.
Deckari ge'-s up and nakes a run for the ooor at -uhe end cf
:'le roo:r., a.s Ba=+-.r, aninal like, starts si::ping --he water
vus
^!t+ aj !L^ L--.,:-
tJ- i:t= Jc>:lI.
Deckari. puJ-Is anC tugs d'i- the Ccor, irantic with f ear.
The other Coor opens and Batty rr'alks i!), as Dec]:arC manages
Le Ah^n
fn
u:Jen nrs
L.'^
oOOf
-l .
T lt6
J-I\:. A^Fh
L!U)EI
^? - ir.J-ul-1 i t1
T\nroi,hundred ob jec'-s (pigeons) burst, out of the roon into
Decl-.ard's face as he runs int.o rhe closed of: room.
.s no ..\,ay ouL rlxcep.t by the .-.
Tlie:.-e - - docl
Proce=cg --? tea'r cc;;a.
BATTY
Ilow v:here e.e j'cu going ?
Fnn r rr =Frrfr
L1)
,fino anc rain. Decka:c oashes or.--o tire roof ani iooks f ran--icaiiv
over his sncuioer. Barty isn'-- i: sigirt yei-. I-.e 1o:r-s arouno
desperately. The roof is a desert no shelter. Deckard iocks
across at ',^he next buildinc.
Sudienly a =oo:top door opens anC Bai:1t steps out.
Deckard looks back at the nexc building. Is it pcssible ? A long
janp. But what choice
Decr si on I i ne. lec-kara dec j.Ces tc co. iie ru:rs ir:ectf y :C'r;E,iiS
Battr', turns , pumping Iike crazy, gJing f or i:ne gap.
t^ f j?f1 mal
u9f fv
)l')1./9,1 1.r
-i -Jl vt ;J.+-
'l ??
- NIG{T
E)TT. TIIE SECOND ROOF
Deckard hangs cnto the conice in che wind and rain.
Cne hand is aloosE useless, che oEher's straineci :o
the limiE. I{e iooks oor^nr. A long, Iong fall Eo :he
a+^rt-
6! vsrs. 'l
Then one of hts haris cranDs badly. lie has Eo work che
f ingers oDen rv'iEh ef f orc.
lle looks ac Deckari asain.
Qa-rrr .r-r':.^ '^aai: !-i.ra tte-Ja aq-.j-ra qLij.(-:!:V, --J
J4LbY w(1-NJ U4l-!l !.,j-Vg ,vc.:u5, 5ii:-;iL5 ^r..'^1.1., dnLi
leaps as we:
1.TTT
vv* TN.
4v,
il$. ROOF -
- NIGIiT
LOW ANGI.E L25
Frcn below we see ;he ciny'figure cf Earcy as ile Le:::
easii.y acros s ::re ga? be tr"'eer: tne c-'vo Ioornlng skysc:af ers
--'l
ctlttl wE a
r'Tl'T
vva Tn
rv. .
2/23leL L25 .
a' DECKARD
Asshole !
/nn\?rFT\rtTTl\
\ levt\ L LLr J:-Y./
2l?3 ,'8L !?6 .
LU!\!J-JU:!
^Arrat\tt-t1^a i LZO
.L
cc:;f I l.,'ED :
-/)
Deckarc is .\A'a:cit:.n: nc!ic;11ess -
CUT TO:
Tire citl'
1 i ^!. +g.
's down --here. 3nci-ess arc gra:.' i:1, t.::e f rrsr
44srr
.:26
lr^r\:mT
\,r{t:-L\v-u l\.?i.tn r30
'1 F-r-
GAFF
I admire you more and mcre.
Dcnkarrl arelraioe
e.g.g-=-
3:finrra
!f q 9E o
r:ie
--4J
o\rac
g_\ r-''l
U-VJe.,^,co Ths \r:l'l a!'ir
5..1 L
-q =J
is
.i
encless. Gafi smi-les like a bearrer. Pu--s che rao 5ack
n hic nn^lro+
GAFF
I guess you're huh.
"h:ough,
Deckard doesn't answer.
cA: f
. I'JipeC ou: . Fini shed .
iriashed uD
GAa5"
f t's hard to be sure v;hc's wno a.L'ouni
here.
Deckard keeps walking.
GA!5'
CarnaIl l,
GASF
Iiere.
Iie throws the gun across tne gaP tro Decxari,.
Deckard Coesn't trv to catch it. ir, lanris at his feeE.
Gaff cismisses the reiection with a suck on h:.s teeth.
GAFF
Laa
? WL)LlI :-l+
J. L.ll I
..^.i!
Wda s ulr\,
1^^-
I',r.]lrv . r? tra'rr,lnll-
wvu-qJl s
Ena''! TrA T'./ ''l i;-'lo rpnrrnh:
:vvi s5vg:Is.
=-arrnF I -s5
:-- -.,-'
:ni .ra--
: ho-''t .\r:--: he-e
--- -\o
mL^,. {..-! a-=3 1^^
^!^e^ ^! ^^^L ^!'^^- --i
. GAFF
Tf I Ie {-nn h:A F'ha ,ln* | rl- r':q,1- - Clr !
4s s!,v- sqr' >llE LfUll 4q--e, Ell.
GASF
Bu..- who does.
Everybody kncws the answer to thal. one.
The rrlexican sh:ucrs.
''l ir.rh{'
I Tho ie hrichrar
I
t_
the Eun glearns cn the rr.;et Eocf
Deckard turns ano riaiks.
reLJ
,'n^
^?1nri :V
l:3
IJI
] NT . DE i.iY
CiiRD ' S CORIi DOR - T72
Deci:.ard's rlET Cr.lCK al-ons iie corrico: as he
h I .l
i.
t.
1l)',./9.1
-l LJI vL
INT. - DAY
BEDROOM T35
The bedroom is dark.
Deckard opens the door.
He sees something on the bed. Motionless. A body?
Deckard enters.
The CT,OCK TICKS . The BABY SQUAILS in the distance.
Deckard goes cIcse.
Rachael is on the bed. Complecely xoocionless.
Deckard leans over her, very close, Eo see if shets
breathing.
A long nonent.
, Then the Eension goes out of him. She's alive. He
turzrs away from her wiEh a ne\.r urgency.
Iie pulLs :he blaster fron his holsrer and goes ro che
dresser. He opens a drawer and pulls ouE a box of
arruro. Opens iu.
KAC'tilJK! ile slams a ssrrrirloa in rh.e gun.
KACI1UK ! Another.
On the bed Rachael sti-rs, opens her eyes. KACHUK!
She sees an omj-nous sight. Deckard is loading his gun
in the shadows near the dresser, his back to her.
KACHUK! He slams the last cartridge in.
t DECKARD
(' oo you love ure ?
CI]T TO:
a /4^ / a.
rJJ.
?rt- n{a qr!t
.L.\r. JLvls^.A.y
^-a-r.-nla J U.-15. - J.iLI I <X