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Alfonsina Storni: "I'm Going To Sleep Too" by PérezSantiago
Alfonsina Storni: "I'm Going To Sleep Too" by PérezSantiago
Alfonsina Storni: "I'm Going To Sleep Too" by PérezSantiago
She goes to the post office and sends the poem to "La Nación" newspaper. She stays
awake the whole Monday night because of her moral confusion. Probably screams of
rebelliousness and words of submission were heard. She talks to herself. She writes a letter to the
only son she had, Alejandro, 26 years old.
She goes out and heads to the sea at 1:00 am. Her biographers assured she jumped into
the sea from a breakwater. The myth, however, more poetic and with more spirituality, was that
she slowly walked into the water.
Hours later, two young workers who were strolling down La Perla beach found her body.
She was Alfonsina Storni, one of the most important poets of the century.
Alfonsina Storni was immortalised in the song "Alfonsina y el mar" (Alfonsina and The
Sea) by Luna and Ramírez.
At age 19, She already writes, recites and publishes in magazines. And then came
love. It is said that in a literary soiree in Santa Fe, Alfonsina had an affair and from the affair she
had a son, Alejandro, in 1912. From the birth another verse appeared: I am like a she-wolf, I walk
alone, and I laugh...the son and then I, and then...what ever!
In spite of the years Alejandro´s father name remains unknown, he was a journalist,
older, and married.
Alfonsina, a single mother and a feminist, moves to Buenos Aires. In 1920, she wins the
First Municipal Prize of Poetry and the Second National Prize of Literature for "Languidness". In
1925, "Ochre" is published, In 1926 "Poems of Love", 1934 "Seven Wells World" and in 1938 "
Mask and Shamrock", which is the last book.
Alfonsina Storni, brave speaker for women’s rights and a driving force of the Writers
Society of Argentina, she had many friends. She asked Leopoldo Lugones if he could read some of
her verses in 1915: She wrote; " This I am asking you for a reason, it is because my book is due to
be published soon. I know that I am going to be labelled as an immoral".
In 1919 Amado Nervo arrives to Argentina as an ambassador for his country and goes to
the same meetings Alfonsina does. She dedicates him a copy of "The Uneasiness of the Rosebush".
In the dedication she called him "Divine Poet".
She met Horacio Quiroga, a storywriter, in 1922. She liked Quiroga. Obviously. He was a
mixture of insolent and a tragic beast, a real magnet for women. His biographers say that he was a
womaniser. Smear? Read this letter of Quiroga: "There is a girl in Buenos Aires, an admirable 16
year old creature, to whom I recall well since I once dinned at her place, spending the long hour
looking for with my foot what, oh, Lord! I had agreed to find, with someone else’s acquiescence. I
even put my hand under the table to arrange my napkin, and put it right in her knee for a moment,
just for a moment".
They were seen together. The photographs show them happy. Her friend Nora
Lange says that she witnessed an erotic game for children: Quiroga holds in the air a chain clock
they both had to kiss in the opposite faces; in the right moment Quiroga raised the clock. Naughty
boy.
One day the Chilean Gabriela Mistral called her on the phone. She wanted to meet her.
When Gabriela saw her she was surprised: "The head is extraordinary, not for cheated features
but for her silver hair, which frames a 25 year-old visage". The Vicuna poetess insists "I haven not
seen a hair more beautiful than that, it is strange like moonlight at noon would be. It was golden,
and some sweetness remained in the white clusters. The blue eyes, the retroussé nose, very funny
and the rose skin, give her a child thing which challenges the astute conversation and mature
woman".
She met Federico García Lorca in the famous café Tortoni, when he went to Buenos Aires to direct
his play "Wedding of Blood", between 1933 and 1934. She dedicated him a poem, "Portrait of
García Lorca": In comes a Greek / because of his distant eyes (…). Out goes his throat / outside/
asking / for the moon knife / sharpen water (…) Let the head fly, / the head alone / wounded by
sea waves / black ones…".
In the summer of 1935, she knew the terrible news: she had breast cancer. She was
operated on, but the cancer continued. She suffered depressions. Since then she called the
sea in her poems and talks about the embrace of the sea and the crystal house awaiting for her
there in the bottom, in the Madre pore avenue. The suicide floats in the environment. In 1937,
Horacio Quiroga also gets sick of cancer. One midnight he took cyanide. Alfonsina Storni said good-
bye with moving verses: "Dying like you, Horacio, in your full senses, like in your stories, It is not
bad". Then Leopoldo Lugones poisoned himself.
Storni, Dragon of fire, he begged the sea, his rage, his fierceness:
Oh sea, give me your tremendous rage,
I spent a life forgiving
Cause I understood, sea, I gave myself away:
"Mercy, mercy for the most offensive".
Give me your salt, your iodine, your fierceness,
Sea Breeze! Oh, tempest, oh anger!
Poor me, I am a sharp rock,
And I die, sea, I succumb in poverty
Finally, the sea asked for her. And, in the place were she went down ready for everything,
a Monday night, there is a statue in her honour, overlooking the sea.