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Oral folklore traces Silambam back several thousand years to the siddhar (enlightened

sage) Agastya. While on his way to Vellimalai, Agastya discussed Hindu philosophy with an old man
he met, said to be the god Murugan in disguise. The old man taught him of kundalini yoga and how
to focus prana through the body's nadi (channels). Agastya practiced this method of meditation and
eventually compiled three texts on palm leaves based on the god's teachings. One of these texts
was the Kampu Sutra (Staff Classic) which was said to record advanced fighting theories in verse.
These poems and the art they described were allegedly passed on to other Siddha of the Agastmuni
akhara (Agastya school) and eventually formed the basis of Silambam, siddha medicine, and also
influenced the southern style of kalaripayattu.
References in the Silappadikkaram and other works of Sangam literature shows that silambam has
been practiced as far back as the 4th century BC.[3] The bamboo staff - along with swords, pearls
and armor - was in great demand with foreign traders,[4][5] particularly those from Southeast
Asia where silambam greatly influenced many fighting systems. The Indian community of the Malay
Peninsula is known to have practiced silambam as far back as the period of Melaka's sounding in
the 15th century, and likely much earlier.
The soldiers of Kings Puli Thevar, Dheeran Chinnamalai had Silambam army named "thadii
pattalam", Veerapandiya Kattabomman and Chinna Maruthu and Periya Maruthu (1760–1799) relied
mainly on their Silambam prowess in their warfare against the British Army.[4] Indian martial
arts suffered a decline after the British colonists banned Silambam along with various other systems.
They also introduced modern western military training which favoured fire-arms over traditional
weaponry. During this time, Silambam became more common in Southeast Asia than its
native India where it was banned by the British rulers.[6] The ban was lifted after India achieved
independence. Today, Silambam is the most famous and widely practiced Indian martial art in
Malaysia where demonstrations are held for cultural shows.

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