Scribd Logo
Upload

Welcome to Scribd!

  • 13 views

    Comments On The Paper Presented by Graziano Gasparini CIHE Boletín

    Uploaded by

    Li Cárdenas Noa
    Smith 1971 Comments on the paper presented by Graziano Gasparini

    Copyright:

    © All Rights Reserved
    Download as PDF or read online from Scribd
    Flag for inappropriate content

    You might also like

    Comments On The Paper Presented by Graziano Gasparini CIHE Boletín

    Uploaded by

    Li Cárdenas Noa
    13 views6 pages
    Smith 1971 Comments on the paper presented by Graziano Gasparini

    Original Title

    Comments on the paper presented by Graziano Gasparini CIHE Boletín

    Copyright

    © © All Rights Reserved

    Available Formats

    PDF or read online from Scribd

    Did you find this document useful?

    Is this content inappropriate?

    Report this Document
    Smith 1971 Comments on the paper presented by Graziano Gasparini

    Copyright:

    © All Rights Reserved
    Download as PDF or read online from Scribd
    Flag for inappropriate content
    Download as pdf
    13 views6 pages

    Comments On The Paper Presented by Graziano Gasparini CIHE Boletín

    Uploaded by

    Li Cárdenas Noa
    Smith 1971 Comments on the paper presented by Graziano Gasparini

    Copyright:

    © All Rights Reserved
    Download as PDF or read online from Scribd
    Flag for inappropriate content
    Download as pdf
    of 6
    BOLETIN CENTRO DE INVESTIGACIONES HISTORICAS Y ESTETICAS C ON fae LD @ Antonio Bonet Cores 9 INTEGRACION DE LA CULTURA INDIGENA EN EL ARTE HISPANOAMERICANO- GGracins Geipaini W-LA. ARQUITECTURA COLONIAL COMO PRODUCTO DE LA INTERACCION DE GRUPOS José de Mes Tere Gishert 32. 10 INDIGENA EN EL ARTE HISPANOAMERICANO. Robert C, Smith 39 COMMENTS ON THE PAPER PRESENTED [BY GRAZIANO GASPARINI Sontago Sebuin 48 LA HUELLA ITALIANA EN LA ARQUITECTURA ‘COLONIAL DE COLOMBIA Y ECUADOR Sidney D. Morkmon 18 PUEBLOS DE BSPANOLES Y PUEBLOS DE INDIOS EN EL REINO DE GUATEMALA LHéctoy Velarke 9% TRASCENDENCIA DEL GESU DE ROMA George Kubler 118 PERIOD, STYLE AND MEANING IN ANCIENT [AMERICAN ART UNA DEFORMADA VISION DE LO Dario Raie Gomes 136 epnto 4 rconacerse oy en o eects ESpabola Lee 5 i To BY GRAZIANO GASPARI fee iE Sec ie an ee cS wih plese and profit | shoul like w fay at hee ‘how mich Tepe et the lino ine pe Fat survey ofall of is tering pies IT scetod the pope come, en of te tr eset. The at 's Pot Gauri dei of he “perl” cam mde by any Spanish inet foe cial ace te of Spans Americ is Spo arcu, te aduerted proc ofthe dec potion af ie bul ‘ng rion of the Old Weld othe New. Tobi his ge istdmencn achat, Bascal fle fm ta of Syriac ‘he Spanish popes ba at bow dif ot what wie cae an ‘pect ways be does oo ell ux A hese ine, hos a hace te ver, he dens theta cm of ean Aen, Tm ee Tstrans tae thee et 4 ein band of Ameria seciterte, He Gos 0 bu the apd “ramene hae dstinges which he comin Aorine atempe 9 epoduc imposed Span moll, fever alee the seta pce a volume ofthese sue Spee moses ‘With ti sxemen I ages, but Ihave to question Mz, Gaui’ teamone of it ftp and 1 50 for the following rss. Io secking to eblsh i ——SS ay out complex athe pox nice sll! ad ina oi me ikaw win peg MO roe and constal Peru. These 2 Re A i mee amet ote scp ec cr td owen noc always pea argentina, Uruguay, Chile, the ae i eT ee sell ndian ba ent td whee in ee Ao cw te ny age of fone bing be Fal times were predominately Spanish, “ ee ain ds a ey Bug (ope OU word a fa ull muri sad se Oy piel Ine ce of con Be tr bel come an in pr cocmvenedy te to ge anu of we, in some sa 25 alg aoe throes ay bal Tite tween ma ws whee te Of Wadd dhe New one thse laitatons are admiced ‘We have pot ofthis i ems w me, in our own fvinnneat It we compare + fine eighteenth century cling» Aampis, Mayland, with one in Abingdon, agai, we find he same materials of brick and aig wel scoring © 4 comsmon Brsh model in ale ‘ha ial Sale Th wo ings could ely ‘td tl eet he Abiplon 1a Bent we a ae conto by ener dence that the Por a one tly aime son eel ne eigen ey np of se aon — of picely ing. te even i the inter county. Frm the King ons he Tenine te late ae mae Wythe Jet mina th el sone ‘ete the ie ements be recoledin dering The sow the churches dominating the open sere ne ‘rsiras coniing the stooe conn call Plomnhe ‘where royal justice was adminatret allot the Por sce ear. The facades of thee chutes aw alt len, based ona heme of retangla doe below ‘vo rectangular windows surmount by an as Ht severe ttangulepedimene. The same designs oun i Chapels all oer the Porugese coupe sa nthe ‘en dco he Jou a Bg, ee 1595, 1s was a fomala so commen in Potupicse expe rence ha became s Ba wage propery ia Linn fic, appening inthe eye ches held sabes ty sims pings and aces, and sce i the background ofa eli ofS Jerme a is devo in the Fist tie ofthe coils ofthe cach of Sax Mara Se Bem ote Liston. ‘The Brian cloial «was were sepa of the Porsguce in tet eof sre et ely ound > ‘yen mea, onan tins lel bulking, an fe seat foo le igheencentry dawing of Cr ‘Goce in Bahia, ow atthe New York Publi iby. oval grove volved wee united the soc groups Poa opacins of Reif and the or of a fh ake soap in the Penamby mort coca church, lon sine The dig es i el rovers chaaceritic ea, i ot iy gino Hr bats a Po nay. Te face of dis eh mt com. Te ee of sey lng ic wing. Th eer ths i a se oer acon te suse

    You might also like