Blush

For Large Ensemble And Electronics

By Ashley Rose Fure

2007
 Instrumentation

Flute (Doubling Piccolo)

Oboe
Bb Clarinet
Bassoon

Horn in F

Trumpet in C

Trombone

Percussion I

Percussion II

Piano

Violin I

Violin II

Viola

Cello

Double Bass

Live Electronics Triggered via Midi Keyboard

 Performance Notes
general
Score is in C with the following exceptions:

1) Crotales sound 2 octaves higher than written

2) Double bass sounds one octave lower than written
3) Piccolo sounds one octave higher than written.

Quarter Tones are notated as follows:

I Three-Quarters Flat
B One-Quarter Flat
µ One-Quarter Sharp
˜ Three-Quarters Sharp

Arrows indicate gradual changes from one state to the next.

With the exception of directly repeated pitches, accidentals apply only to the
notes they immediately precede.

Percussion
Player 1 Setup:

Bass Drum
Large gong
Large Suspended Cymbal
2 octaves crotales
1 short, medium-link chain

Player 2 Setup:

Large Tam-Tam
Small Suspended Cymbal
Medium Gong
Snare Drum (snares on)
1 Large Wooden Bowl, filled with a mixture of large, diverse grains (walnuts and
chestnuts still in their shells, dried peas, bits of metal: look for diversity of
timbre and ability to project)

Brush Swirls: Swirl brush in elliptical swoops across the face of the bass drum
to create a thick, continuous stream of white noise. Notated rhythms indicate
slight articulations through change of slide direction. Drum should never be
struck.

Brass Swirls: Draw a brass beater over the face of the snare drum in irregular,
anxious, elliptical swirls. Notated rhythms indicate slight articulations through
change of slide direction. drum should never be struck.

Chain Buzz Rolls: lightly touch several links of chain to the cymbal while
rolling, producing a harsh buzz.

Add Beater Buzz: Lightly touch a metal beater to the cymbal as it resonates,
adding a soft buzz to the sound.

Grain Noise:, stir fingers rapidly through the grain mixture to produce a rich
texture of clinking, broken noise (this technique is notated by a tremolo).

Strings

Split Bridge: Press bow on bridge such that hair

simultaneously hits sub and sul pont regions. Bow slowly to produce a mixture of
white noise and flickering, high partials.

Crackle: Mute strings with left hand. Hold bow in

ordinary region. With heavy pressure, slowly rock the bow in a tight, figure eight
pattern over all four strings. Do not move the bow horizontally or vertically.
The resultant sound should crackle with labored creaks like the felling of tree.

Vertical Bowing: With very light pressure, draw the bow vertically between
the extreme tasto and the sul tasto regions. Rhythms indicate change of bow
direction (up/down). The bow should pass completely from E.T. to S.T. throughout
each rhythmic duration (occasionally further movement toward the sul pont
region is requested; this is always indicated visually on the score). thus a whole
note indicates a very slow passage down the fingerboard, while sixteenth notes
produce a flurry of light, chattering bow movement. Notated harmonics should be
fingered with the left hand. While not meant to sound as stable, clear pitches,
these fingerings will affect the resultant timbre and should be respected. The
Vertical Bowing technique should produce a fluid, morphing stream of flickering
high partials and soft white noise. ratio of partials to noise will fluctuate with
bow position.

Horizontal Bowing: indicates a return to ordinary, horizontal bowing. note:

this symbol does not indicate a return to ordinary pressure.
Overpressure: Indicated with X-noteheads, use heavy pressure and slow bow
movement to distort the notated pitch.
Harmonic Vamp (H.V.): Quickly flutter natural harmonics on the indicated open
string. Any order is acceptable.

Harmonic notation: Diamond-shaped noteheads indicate the node, (not the

resultant pitch) of the desired partial. String and partial numbers are given in
the following manner: II-6 reads “the sixth partial of the second string.” Note:
For double bass, the indication “C+” accompanies the string and partial number
when the harmonic spectrum of the c-extension is required.

E.T.: Extreme Sul Tasto

M.S.P: Molto Sul Pont

Norm: Indicates a return to normal bow pressure.

Ord: Indicates a return to normal bow placement.

Winds

Air sounds: White noise breath sounds are written with triangular noteheads on
a three line staff, indicating high, middle, and low Registers. Breath should be
exhaled unless specific inhale instructions appear, represented by an upward
arrow above the notehead (return to exhale is indicated with a downward arrow).
Fingerings should be chosen for maximum audibility and registral flexibility.

Consonants and vowels: When placed beneath an air notehead, these sounds
should be forcefully whispered through the instrument. Transitions between
different phonemes should fluidly elide.

Multiphonics: Fingerings for all Flute Multiphonics can be found in Robert Dick’s
“The Other Flute.” Fingerings for all Oboe Multiphonics can be found in Libby van
Cleves “Oboe Unbound.” Fingerings for all Clarinet Multiphonics can be found
in Phillip Rehfeldt's, “New Directions for Clarinet.”

Flutter Tongue

Accented inhale: slightly voiced

Overblow

Jet Whistle

Key Click
Brass

Air sounds: White noise breath sounds are written with triangular noteheads on
a three line staff, indicating high, middle, and low Registers. Breath should be
exhaled unless specific inhale instructions appear, represented by an upward
arrow above the notehead (return to exhale is indicated with a downward arrow).
Fingerings should be chosen for maximum audibility and registral flexibility. All
players are free to remove the mouthpiece if they so desire to aid the projection
of air sounds.

Consonants and vowels: When placed beneath an air notehead, these sounds
should be forcefully whispered through the instrument. Transitions between
different phonemes should elide fluidly.

Mutes: Trombone requires the harmon and whispa mutes. Trumpet requires the
harmon and bucket mutes.

Flutter Tongue

Accented inhale: slightly voiced

piano
The pianist will need the following objects for the execution of this part:

1) 1 thick glass tile (roughly 4 inches by 4 inches, 1 centimeter thick).

2) 1 ceramic tile (roughly 4 inches by 4 inches, glazed on top, rough on

bottom).

3) 1 long, thin, flat piece of metal (roughly one foot long and one inch
wide. As this object is identical in size and shape to a standard 12-inch
ruler, it is referred to below as “Metal Ruler”).

4) One sheet of wax paper.

5) One stiff plastic plectrum (such as a credit card).

High Spin: Depress pedal and slowly spin the glass tile facedown against the
strings of the region E3-E4 (each piano will have a different “sweet spot” that
speaks best for this technique). Pressure should be light and spin motion as
continuous as possible. The resultant sound should contain fragile bursts of
fused partials that blossom out of thick white noise.
Low Spin: Using the rough side of the ceramic tile, repeat the ‘high spin’
technique over the lowest octave of the piano. This should produce a harsher,
drier noise with occasional bursts of pitched screech.

Metal slide: Rest the metal ruler horizontally on the strings so that it roughly
covers the octave from C4 to C5. For “Metal Slides,” quickly slide it sideways
using heavy pressure to produce a loud, harsh, multiphonic screech. For “Long
Metal Slide,” repeat this action with a more deliberate, sustained motion. The
sustain pedal should always be depressed during this technique. Audible
glissandi must be vigilantly avoided.

Tile Slide: Slide the glass tile sideways over the piano strings in an abrupt,
sudden motion.

Add Buzz: place the wax paper over the strings while they resonate to add a
snare-like rattle to the sound.

Card Rip: Scrape the credit card across the very end of the strings farthest from
the keyboard in the highest octave the piano. This should produce a fast, brittle,
ripping sound with little to no pitch content.

Harmonics: the struck key is notated with a diamond notehead; the desired pitch is
notated with a regular notehead; the partial number is indicated above the first
iteration of the note. If a certain harmonic does not speak well on the piano in
use, it can be played with a different fundamental, provided that the resultant
pitch is the same.

Harmonic Glissandi: Strike the note in the indicated rhythm while slowly sliding
one hand up and down the strings with light, harmonic pressure to produce a slow
glissando up and down the harmonic spectrum.

Pizz: Lightly pluck the indicated string with the flesh of the fingertip producing
a warm, reverberant pizzicato.

FN Pizz: Pluck the indicated string with the fingernail producing a sharp,
metallic pizzicato.

Snap Pluck: Pluck two adjacent strings with so much force that they rattle
against each other as they resonate.

Electronics
The electronics for blush are available as a stand-alone Max/MSP-Runtime patch.
All electronic events are triggered through MAX via midi keyboard. The midi
operator should sit onstage in full view of the conductor.

The patch produces four channels of audio to be projected through four

speakers arranged on stage in a semicircle behind the ensemble, facing the
audience.

Speaker 2 Speaker 3

Speaker 1 speaker 4

Ensemble
.
.
Audience
 q = 44

‰ —J — — j
3

&c ! ! —
Air 5

÷
Fl. — —.
F p ƒp Fp
[s] [sh] [s]
n.

Oboe &c ! ! !

‰ —J ± — — .. ±.
&c ! J — — —
3

÷
Air
B b Cl.

ƒp Í P
[s] [sh] [s] [f]
n. n.

?c ! ! !
Bsn.

— ±
&c ! ± " —. j
Air 3

÷
— — ±
3

Hn.

Fp F
[f]

ƒp
[s] [sh] [s]
n. n.

— "
&c ! ! Ó — —
3

÷
Air
C Tpt. —
ƒp f
[f]

P
[sh] [s]
n.

?c ! ! !
Tbn.

Crotales
&c ! ! !

Perc. 1

ã c Ó. j j
Tile Swirl

œ ˙ œ œ. ˙ .. œ
aux
gng

Í Fp # Fp
cym
bass
n.

j
Brushes Brush

ã c ! ! $ œæ œ œ œæ œæ œæ œ œ œ œJ
aux 3 Swirl
sn

>
Perc 2 gng
cym

P F p F
tt

&c ! ! !

Pno.

?c ! ! ! ÷

Vln. I &c ! ! !

Vln. II &c ! ! !

Vla. Bc ! ! !

?c ! ! !
Cello

?c ! ! !
D.B.

? c ! Ó. œ !
Midi
 4

— — — .. — j . — —.
— — —
3 5

÷ — — — j ‰. Œ Ó
3 Switch to Piccolo

Fl. — — R — — &

F p f ƒ F Í Fp
[f] [s] [sh] [f] [s] [sh]
[sh] [f]
n. n. n.

Ob. & ! ! !

— —. — —.
5

÷ Ó Œ —. — " — — — j Œ
— — — — — ——
3 3

B b Cl.

p p P
[f]

ƒp P
[f]

F
[s] [sh] [s] [tch] [sh] [s] [sh] [f]
3
n. n.

? ! ! !
Bsn.

— — — j
3

÷ ! ‰ — — — — —. ±
5 3

Hn. — — —
P Fp P
[f] [s]

Í ƒp ƒ
[tch] [sh] [tch] [s]
[sh]

— — ".
5

÷ — j .
— — — ± Ó
3 3

C Tpt. — — — —. — ±
Í P
[tch]

ƒp
[f] [s] [sh][s] [f]
n.

? ! ! ‰ —j —. — j
Air
÷
3

Tbn. — — [tch] —
# Fp P
[f] [sh]

Crot.
& ! ! !
Perc. 1

ã ˙ j j
œ œ. œ œ. œ.
aux 3 3
gng
œ ˙ ˙ œ œ œ œ œ œ
Fp Í Fp Í Fp P #
cym
bass

~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~
œ œ œœœ ˙. œ ‰
grain swirl

ã œ œ œ œ
J
œ
J J !
aux
Perc. 2 sn
gng

Í F
cym
tt 5 3
n.

& ! ! !
F
Pno. n. F
T T T.
Metal

Œ.
High

÷ ‰ œ œ Œ
Slide

J
Spin

J
° *

r
Fluctuate Irregularly

& Ó. ‰.
III-7

m‚ O Ȯ Ȯ œ‚ m ‚ . ‚
with Fundamental

Vln. I
# F
Fluctuate Irregularly

& ! ‰ j j
IV-6 with Fundamental Stable Harmonic

b‚ ‚ ‚ œ‚ .. Ȯ .. ‚
Vln. II

# F

Vla. B ! ! !

? ! ! ! ÷
Vc.

? ! ! ! ÷
D.B.

? ! ! Ó. mœ
Midi

2
 7

Fl. & ! ! !

Ob. & ! ! !

÷ ! ! Ó. ‰ j
B b Cl. —
[sh]
n.

? ! ! !
Bsn.

÷ — Œ Ó ! Ó ‰ —.
Hn.
n. [s]
n.

C Tpt. ÷ ! ! !

÷ ± j Œ. Œ. j Œ
— — ± ± — —
3

Tbn.

ƒp F
n. [f] [sh] [f]
n. n.
7

Crot.
& ! ! !
Perc. 1

㠜. j j
˙ .. œ.
aux 3
gng
œ ˙ œ œ œ ˙ œ œ
P p ƒp Í
cym

Fp
bass

ã ! ! !
aux
Perc. 2 sn
gng
cym
tt

& ! ! !

Pno.
Low
n.
f
j
Spin

÷ ‰ T T. T T
°
7

Vln. I &‚ Œ Ó ! !
n.

& Ó ! !
O
Vln. II
n.

Vla. B ! ! !

Bow Bridge

÷ Ó ˙ ˙. œ ˙ œ œ. œ
(White Noise)

Vc. J
n. f poss. 3

Bow Bridge

÷ ‰ œ œ ˙ œ œ ˙ œ œ ˙ ˙ œ
(White Noise)
D.B. J
n. f poss. 3

? ! ! !
Midi

3
 mœ œ œ œ œ. µœ ˙
10
Piccolo

Fl. &Ó 85
p #
3 5
n.

bœ.
Ob. & ! Ó ‰ 85
n.

.. µœ.
— — —— —
85
3

B b Cl. ÷ —. — — & Ó ‰
ƒp Fp Í ƒp
[s] [sh] [tch] n.

mœ.
n.

? ! Ó ‰ 85
Bsn.
n.

10 3

j
÷ " " — — — — ±
85
3 3

Hn. —. — — —. — — —
Fp Í
[s]

P Fp
[f]

F
[f] [sh] [sh] [tch] [sh]

— ±
C Tpt. ÷ ! Œ Œ J 85
F
3
[f]
n.

— — j — — ± —
85
5

÷ Œ. J —. — — —
3

Tbn. —.
Fp F
[f] [sh] [sh] [f]

p
[sh]
n. 3

10 [s]

Crot.
& ! ! 85
Perc. 1

㠜 j 85
œ. œ. œ. œ œ.
aux 3
gng
œ ˙ œ œ œ
Fp P Fp Fp
cym
bass

ã ! ! 85
aux
Perc. 2 sn
gng
cym
tt

10

& ! ! 85

Pno.
P
T.
n. High

÷ T Œ Ó Œ 85
Spin

*°

m˙ m˙.
10 Molto Sul Pont Ord.

‚ ‚
85
Con Sordino I-4

Vln. I &Ó
n.
3
p % P

&Ó ‰ m m Oœ .. B B Oœ n n Ȯ .. 85
Vln. II
n. # F
µ˙.
B ! Π85
Con Sordino

Vla.
n. P

÷ œ Ó. ? Œ 85
IV-4
Vc. O.
F
n. n.

O.
I-6

D.B. ÷ ˙. Œ ? Œ 85
n. n. F
10

? œ Ó. ! 5
Midi 8

4
 A
˙
12

~~~~~~~~~~~~
& 85 c > ‰. j
Key Clicks (Any Pitches)

> Œ Ó ÷ Ó —.
With Air
Fl.
æJ æR —
P # ƒ poss.
Í
[f] [sh]
n.

˙ œ
& 85 J c ! !
P
Ob.
n.

˙ ~~~~~~~~~~~~~
& 85 c > ‰.
Key Clicks

> Œ Ó Ó ±
(Any Pitches)

÷
With Air
B b Cl.
P æJ æR
# ƒ poss. [s]
n.

˙ œ
? 85 J c ! !
P
Bsn.
n.
12

÷ 85 $ ± — c æ—J ‰ Œ Ó Ó ‰ j
Hn. æR — —. —
ƒp Fp
[f] [f] [sh]
[s]
n.

÷ 85 —
5

—. j c —æj ‰ Œ Ó !
C Tpt. —æ
Í
[s]

ƒp
[sh] [f]

ƒp
÷ 85 — . — —. — — c æ—J ‰ Œ Ó !
Tbn. æ æJ
ƒp
[sh] [f]

12
ƒp

Crot.
& 85 ! c ! !
Perc. 1

ã 85 ˙ j c œ Œ Ó Ó œ.
j
aux
gng
œ œ
ƒ P ƒp
cym
bass
n.
n.

ã 85 Ó
Mallets, L.V., Hold buzz

®œ œ œ c œ Œ Ó !
aux Add Chain Buzz
Perc. 2 sn
gng

P F
cym
tt

12

5 ! c ! !
&8

Pno. f Tile Metal

T >T j
Slide Slide

÷ 85 J c œ ‰ Ó. !
>
*

˙
12 harmonic Vamp (H.V.)

~~~~~~~~~~~~
œO OO O c œ ‰ .
& 85
(Any Order)

J R Œ Ó !
I
Vln. I
# ƒp
harmonic Vamp (H.V.)

O Oœ .. œ. Oœ OO O ~~~~~~~~~~~
& 85 œJ c œ ‰. Œ Ó !
(Any Order)
II
Vln. II
J R
Fp Í # ƒp
harmonic Vamp (H.V.)

˙ ~~~~~~~~~~
B 85 œOOOO c œ ‰. Œ Ó !
(Any Order)
II
Vla. J R
# ƒp
harmonic Vamp (H.V.)

? 85 œO O OO ~~~~~~~~~~
c œR ‰ .
(Any Order)

J Œ Ó !
I
÷
Vc. O
# ƒp

? 85 O ‚
J c ! ! ÷
D.B.
n.

12

? 85 ! c ! !
Midi

5
 œ ˙
15

.. —. j ~~~~~~~~~~~~~~~~~~~~~
÷ — — — "
Key Clicks

J
3

— — — ‰ &‰
> >. ‰ Œ.
With Air

Fl. J æJ æ
Í Í f poss.
[s] [f] [sh] n.
n. n.

~~~~~~~~~~~~~~~~~~~~ ~~~~~~~~~~~~~~~~~~~~~ œ
Key Key

& $ æ>J . >. > >. Ó ..

(Any Pitches)

‰ Œ Œ ‰ ‰ J
Clicks Clicks

Ob. æ æJ æ
ƒ poss. n. n. Í Í n.

÷ —
5

—. " j Œ ‰ µœ ˙ Œ !
3

B b Cl. — — & J
p
ƒ
[sh] [tch] [s] n. n.
n.

~~~~~~~~~~~~~~~~~~
Key

? $ >J . > >

(Any Pitches)

æJ ‰ Œ ! !
Clicks

Bsn. æ æ
ƒ poss. n.
15

r — — j
3

÷ — — —. — — ‰. — — j Œ Ó
3

— —.
3

Hn. J — — — &

Í F ƒp
[s] [sh] [f] [s] [sh] [f]
n.
n.

j
÷ Œ $ —. —. ‰ Œ !
Put in Bucket Mute

C Tpt. — ± &
ƒp f ƒ
[sh]
[sh]
n. n. n.

÷ Ó —. — — —
. — — ± 3

$ —J
. — —
3
j
Tbn. — — — — —
ƒp f P ƒp Fp ƒp
[s] [s] [f] [s] [sh] [s] [sh] [tch]
[sh]
n.
15

Crot.
& ! ! !
Perc. 1

ã œ œ. j j j
œ ˙ .. œ.
aux 3 3
gng
œ œ œ œ œ œ ˙ œ œ
Í Fp Fp Í ƒp Fp
cym
bass

~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~
œ >œ >œ œ ‰
Brushes
˙ ˙
grain swirl

ã Œ $ œæ œæœæ œæ œæ. œ œ œœœ ‰ Œ ‰ J

aux 3
Perc. 2
> >
sn
gng

F f p f
cym
tt 5
n.

15

& ! ! !

Pno.
P f
j
High

T.
Metal

T
Slide Spin

÷ ! ‰ œ
°
H.V.

Oœ OO O ˙~~~~~~~~~~~~~~~~~~~~~ µ µ Oœ Oœ .. b >Oœ Oœ
15

Oœ ..
Sul Pont

œ.
Senza

! Œ. ‰ J
Sordino I

Vln. I & J
Fp Fp Fp n. Fp F
mœ
b Oœ Ȯ
Sul Pont Ord.

! ‰ ˙ Œ Ó Œ
& J
P
Vln. II
n. n. n.

O ~~~~~~~~~~~~~~~~~~~~~~~
œO O O ˙
Senza

B ! Œ. Ó. ‚
Sordino II III-4

J
F
Vla.
n. n. n.

mœ
Molto Sul Pont

œ. œ. œ. œ.
Bow Bridge

÷ ‰ œ œ œ œ œ œ œ ˙ œ œ ‰ ?
(White Noise)
Vc. J J J
fposs. 3 3 n.

Bow Bridge

÷ ˙ œ œ œ. œ ˙ œ ˙ œ œ. œ ˙
(White Noise)

D.B. J J
f poss.
3 3 3 3

15

? mœ Ó. ‰ œ Ó. !
Midi J

6
 ˙ µœ œ Bœ œ µœ œ.
18

Bœ mœ µœ œ. 78 J c !
Fl. & ÷
p 3
F 3
n.

˙ Bœ œ µœ œ 78 ˙ .
double-tongue

& c
~~~~~~~~~~~~~~~~~~~~~~~ ‰ Ó
n. with air

" "
J tktkt.......... .
Ob.
P
3

f poss.
n.

µw .
& 78 ˙ ‰ c ! ÷
B b Cl.
n. p n.

?µw 78 ˙ . ‰ c !
P
Bsn.
n.
n.

+
18

78 œ . Œ. —
Hn. &Œ ˙. ÷ J c —æ Œ Ó
n. F n. n.
[s]
ƒp

œ ˙ 78 œ .
Remove

&Œ ‰ Ó c !
Bucket

J ÷
Mute Mute
C Tpt.
n. P n.

÷ — Œ Ó 78 ‰ j — c æ— Œ Ó
Tbn. — ± æJ
ƒp
[f]
[sh]
n.
n. n.
18

Crot.
& ! 78 ! c !
Perc. 1

j 78
ã œ. œ œ. œ œ c !
aux 3

œ ˙ œ œ œ œ œ
>
gng

Fp Í P f
cym

F
bass

Violent
Strike with

7 ®œ œ œ c ® œr . ‰
Scrape with

ã ‰ $ œœ ‰ ®œœ œ $ œ Œ Ó
Beater

œ 8 ˙.
Beater

œ œ.
aux
Perc. 2 sn

>
gng

F F f
cym
tt

18

! 78 ! c !
&

Pno.

T 78 T Ó ‰ c !
÷ ?

mœ ˙. œm œ œ œ œm œ
Ord.

Bœ. œ
18 Molto

b ˙˙ ˙
sul Pont

& 78 c ‰. Ó.
%
Vln. I
n. p fÍ
w ˙. Molto
sul Pont œm œ œm œ œb œ
78
Poco Vib.

Vln. II & c ‰. Ó.
p # fÍ
Oœ Oœ ..
> O
µ Oœ Oœ µ Oœ µ œ 7
Ȯ µ Oœ œ Oœ œ
~~~~~
H.V.

B ‚. œO OO O c œ $ ‰
Pizz III-3

Œ Œ
III-7

J 8 O. mO
III 5

J R
Vla.
P f Í F f poss.
# fÍ
3

w ˙.
~~~~~~~~ rK 5
$ . m O ‰ Oj .
H.V.

? 78
Poco Vib. Pizz III-7 III-5

œO OO O c œ $ ‰ ‰ Œ ÷
Ord. III

J R
Vc.
P f poss.
# fÍ Pizz II-7

~~~~~~~
H.V. IV-7 IV-6

78 Ó $ m Or $ m O . mO Œ j
5

÷ ˙ Ó Œ œO OO O c œ $ ‰ ‰
?
œœ ÷
III 3

J R
D.B.
n.
n. fÍ f poss. F
18

? ! 7 Ó. œ c !
Midi 8 J

7
 B
nœ. Bœ
21

— Bœ œ
— — — Œ
5

÷ Ó .. . J J
Fl. J —. — — — — & ‰ ‰
ƒp Í Fp Í ƒp % p
[sh] [f] [sh] [s] [tch] [tch] 5
n. n.

µœ ˙. µœ
& ! Ó. ‰ J
f
Ob.
n. n.

µ˙.
— — — —
5

B b Cl. ÷ Ó .. J —. — — —
. — — &
f
ƒp Í Fp Í ƒp
[sh] [f] [sh] [s] [tch] [tch]
n.
n.

? ! ! !
Bsn.

21

— — — —.
5

Hn. ÷ Ó .. J —. — — —
. — — — — — —. ‰ &

ƒp Í Fp Í ƒp F
[sh] [f] [sh] [s] [tch] [tch] [s] [f]
n. n.

— — — — —
5
Senza

÷ Ó .. J — — —
. — $ — — —.
Sordino

—. — —
5

C Tpt. &

ƒp Í Fp Í ƒp Í Í Fp
[sh] [f] [sh] [s] [tch] [tch] [sh] [s] [f]
n. n.

— — — — —.
5

Tbn. ÷ Ó .. J —. — — —
. — — — — —. ‰
ƒp Í Fp Í ƒp F
[sh] [f] [sh] [s] [tch] [tch] [s] [f]
n. n.
21

Crot.
& ! ! !
Perc. 1
P
㠌. j j j
œ œ Óœ . œ ‰.
Brushes

œ. œ œ.
3 3
œ œ
aux
gng
œ ˙ œ œ œ œ œ ˙
Í Fp Fp F Í
cym
bass

ã Ó. ‰.
Brushes

œ œ œ œ œ. Œ Œ œ œ œœ Ó
Bow
˙
aux

æ
Perc. 2 sn
gng

P F F
cym

P f
tt 5
n.

21

& ! ! !

Pno.

? ! ! !

µœ
21 No Vib.

µO. Oœ ..
$ µ œJ . œ. Ó. J
Ord.

Vln. I & ! Œ ‰ ‰
n. Fp n.
n.

µO. Oœ ..
$ µ œJ .
Ord.

& ! Œ µ B Oœ œO Ó. ‰ mœ
No Vib.

Vln. II µœ J
Fp
n.

—o .
n. n.
Arco Natural

œ
Molto Sul Pont

$ J
Harmonic

B ! Œ Ó
j
Ó Œ ‰ J
gliss IV
œ
Vla. o
n. F n.

Arco

÷ Ó ˙ œ œ œ œ ˙ œ ? Œ µ˙.
Bow Bridge

J J
(White Noise)
Vc.
#
f
3 3 n. n.
n. poss. n.
Arco

÷ Œ. œ œ œ œ. œ ˙ œ œ œ œ. œ œ. œ œ ?‰ . Bœ
Bow Bridge

J J
(White Noise)
D.B.
R
n. f poss. 3 n.
#
21

? Ó. mœ ! !
Midi

8
 24

µœ µœ
3

R Bœ µ˙ Bœ ˙ Bœ w
& ‰. Œ ‰ J
p
Fl.
F n. P

w œ $ œ ˙ mœ w
& ‰ J
P F
Ob.
n. f n.

œ Key Clicks
~~~~~~~~~~~~ œ w
‰. > >. ‰ Ó. ‰ J
With Air

B b Cl. & æR æ
n.
Í f n. P
w ˙
? Œ. Bœ w
J
F
Bsn.
P
n. n.
n.
24

Hn. &Œ B˙. ˙ Ó !

n. p n.

&Œ m˙. ˙ Ó !
Put in Harmon Mute

C Tpt.
n. p n.

Tbn. ÷ ! ! ?
µw
n.
F
24

Crot.
& ! ! !
Perc. 1
ΠF
j ‰ ®œ œ œ Ó
ã œœ œ œ œ œ œ œÓ . œ . œ œ.
aux 3 3
gng
œ œ œ œ œ œ œ œ œ w
Fp Í Fp Í ƒp
cym

Í Í
bass

mallets

$ œ ® œj ..
Scrape

Ó ‰ ® œœœ ‰ œ œ œ œ œœœ $ œ œ $ œ Œ $ œœ œ Œ
mallets 5

ã œ œ.
aux With Beater

R
Perc. 2
>
sn

>
gng

p Fp
cym

F
tt

24

& ! ! !

Pno.

? ! ! !

œ B˙. ˙
Poco Vib. Fluctuate Irregularly
24

m ‚œ ..
with Fundamental

‚œ
No Vib. I-7

& Ó Ó J
F
Vln. I
f p n.
Over- n. ƒp poss.
n >œ œ >œ . œ.
Press-

¿ œ
Molto Sul Pont

Oœ ..
ure

µ µ Oœ
Poco Vib. Norm Ord.

&w œ. J œ. ‰
Vln. II
F # ß ß ƒ Fp P n.

w ˙ ~~~~~~ IV H.V.
Sul Tasto III H.V.

B Ó Œ ‰ œO O O O œ ~~~~~~~~~~~~~~
Ord.

J œO O OO œ
Vla.
F Í f
>Í
n.

~~~~~~~~~~~~~~~~
n.

O . O O O ~~~~~~~~~~~~~~~~~~
œ. O
~~~~~~~~~~~~~~~~ H.V. œ O œO œ O
$ œJ
I III H.V.

?Œ
I

‰ ! $ œO O OO $.
H.V.

. œ >Í
JÍ
Vc.
F f f
>
n. n. n.

~~~~~~~~~~~~~~~~
I H.V.

~~~~~~~~~~~~~~~~ >œ œO O O O >

III H.V.

?w ˙ Ó OOO œ. œ
œO ... RÔ
>
D.B.
f >
Í Í Í
n.

24

? ! ! Ó. œ
Midi

9
 C
œ œ œ œ œ œ
27
(µ œ )
˙.
Fl. & 85 J c Ó ‰ J
n. P n.

˙. Bœ œ œ " (n œ )

Ob. & 85 J c Ó. ‰ œ
J
n.
F n.

˙. Bœ œ œ " (n œ )
˙.
B b Cl. & 85 J c Œ
n.
F n. # n.

µœ œ œ " (m œ )
? ˙. 85 J c Ó
Bsn. m˙
n.
P n. #
27

& Ó .. j 85 j c !
µœ œ œ "
Hn.
( nœ )
Harmon
Mute
n. F
œ œ œ "
85
Stem Out

& Ó .. c !
(µ œ )
C Tpt. J J
n. F

? ˙ .. µœ œ œ "
85
( œ)
J J c !
Put in Whispa Mute

P
Tbn.
n.

27

Crot.
& ! 85 ! c !
Perc. 1

85 ˙ ®œœœ c œ Œ Ó
Mallets

ã w
aux
gng
cym

f
bass

ã ‰ œ œ œ œ. œœœæ 85 $ œæ œ œ œæ œæ œ œ œœœœ c !
5 3 3
aux 3
Perc. 2
œ œœœ
sn
gng

%
cym

P
tt

27

"
Card Rip

& ! 85 ! ÷ c Ó .. J
Ï
Pno. ƒ
? ! 85 ! c Œ
with buzz

m˙.
° &m ˙ . *°
27

Ȯ n Ȯ Oœ Oœ Oœ r
II

85
µO
c ‰.
III-5
µ œ )
& J m‚ O.
(
Vln. I
n. F n. f poss. n.

Ȯ O Oœ Oœ
85 œ
µO
&Ó J
µ œ) c !
(
Vln. II
n. F

m m Ȯ œO Oœ Oœ .
$ ‚R O
˜O )

85
II-4
œ
B Ó J c ‰
(˜

P
Vla.
n. F n. n.

? œJ µ µ Ȯ Oœ Oœ Oœ mO ‚ O
I-4

85
œ )
Œ. J c Ó
(m

F
Vc.
n. n. 3
n. P
II H.V.

~~~~~
III H.V.

? œO.OO O ~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~ j
85
IV H.V.

œO OOœO. œ œ $ O OO O c mœ. Bœ œ œ. mœ
H.V.

œ. œ ˙ œ >
D.B.

> J J f
27 Í >Í Ï poss.
? ! 5 ! c !
Midi 8

10
 30
tongue Switch to C Flute

& ¿j ‰ Ó . ! ! ! 85
ram

Fl.
F
bœ œ œ œ œ œ ˙ 3

& œ œœ œœ J œœn. ˙˙ nœ ˙ w ! 85
Ob.
3
f P F n.

B b Cl. & Ó. ÷
— ± Ó & ! ! 85
# Í
[f] [sh]

µœ œ w
n.

? Œ Ó Ó ‰. R ! 85
Bsn. œ
n.
n. P n.
30

Hn. & ! ! ! ! 85

+ o + + o +o +
&Œ ˙. w ! ! 85
Stem In

C Tpt.
n. P p n.

B˙ w
? 85
Whispa Mute Remove

! Ó !
Mute
Tbn.
n. P n.

30

Crot.
& ! ! ! ! 85
Perc. 1

ã ! ! ! ! 85
aux
gng
cym
bass

Violent

85
Scrape with

ã ! ! Ó ‰. ‰
Beater

œ œ œ.
aux 5 6 3
Perc. 2 sn
gng
œœœ œ œ œ œ œ œ œ œ œ œ
ƒ
cym
tt
n. n.

30

"
÷ Ó. & ! ! ! 85

Pno.

? ! ! ! ! 85
*

30

Vln. I & ! ! ! ! 85

m w>
Sul Pont Sul Tasto

œ
No Vib. Poco Vib.

& Œ Ó ! ! 85
Í
Vln. II
ƒ n.

O.P.

‰ B œj j3
85
Sul Pont

B ! Ó Œ ˙ œ ¿ ¿. B¿ ¿ ¿ ¿ ¿ ¿ ¿ ¿ ¿ ¿ ¿ Œ Œ
5 6

Vla.
n. Fp ƒ n.

‚.
? Ȯ Œ. ¿. B¿ ¿. 85
O.P.

‰ Ó ˙ Bœ ˙ œ ¿ ¿¿¿ ¿¿¿ ¿ ¿ ¿ ¿ ‰
Sul Pont
Vc. J J
n. P n.
n. Fp ƒ 3 5
n.

? O ‚. œ.
85
I-6 O.P.

œ Œ Ó ‰ ‰
Sul Pont 6 5 5

D.B. m˙ œ ¿ ¿. ¿ ¿ ¿¿¿¿¿ ¿ ¿ ¿ ¿ ¿
n. n. F n.
p ƒ n.

30

? ! ! mœ Ó. ! 5
Midi 8

11
 D
µœ œ.
34

& 85 78 ΠR
C Flute

! ‰. c !
ƒ
Fl.
n.

œ œ. œ. œ œ. œ
Ob. & 85 ! 78 Œ ‰. R c J J
Fp ƒ P ƒ P

B b Cl. & 85 ! 78 ‰ ‰ m œR œ œ ‰ c !
F
3
n.

mœ ˙
? 85 ! 78 ˜ œ mœ ‰ c !
Bsn. J
Fp P
3
n.
34

& 85 ! 78 c !
B ˙ ..
Hn.

F n.
Remove

& 85 78 ‰ ‰ œR œ œ.
Mute

C Tpt. ! c !
Fp
3

n.

? 85 78 µ ˙ Œ.
Senza Sordino

Tbn. ! c !
Fp n.
34

Crot.
& 85 ! 78 ! c
œ
Œ Ó
>
Perc. 1 F
Chain

ã 85 Ó œ œ. 78 ˙æ
Scrape

Œ $ œœ c !
Buzz Roll
aux
gng
cym

Ï Fp F
bass

n.

j
ã 85 Ó ® œ œ œ 78 œ r
Scrape

‰ œ Ó c !
Sticks
aux 3

J œ
Perc. 2 sn
gng

P f P F
cym
tt

œ
n m œœ m œœ œ œ œ
34

œ œ œ mœ
FN Pizz

5 ! 78 Ó Œ $ c $ Œ
&8
ƒ f poss.
3

Pno.

? 85 78 mœ œ nœ
FN Pizz

! ! & c $ Œ Œ
° *°

m >œœ œœ œœ >¿¿ >¿¿

O.P.
34

.
& 85 ! 78 ‰ ‰ m œœ œœ . c !
Vln. I R
3
ƒ poss. Fp ƒ

& 85 78 ‰ œ‰ $ µ Or Oj .
Ord. Arco

! ‰ c !
œO .. œ .
Pizz

R µœ œ.
>
Vln. II

ƒposs. Fp F
3

Ord.

B 85 ! 78 Ó ‰ c !
Pizz

Vla. bœ œ
j
ƒ poss.

? 85 78 b œ b œjŒ
Ord.

! Ó c !
Pizz

Vc. J
ƒ poss.

? 85 ! 78 ! c !
D.B.

34

œ mœ
? 85 ! 7 Ó.
8 $ R c Ó ‰ J Œ
Midi

12
 œ w ˙ ..
37

& Ó. 78 85
Fl.
n. P F
µw bœ ˙. ˙ ..
œœ ˙˙ . 78 ˙˙ ....
Ob. & ‰
J
. 85
ƒp n. % F n.

Bœ w ..
& Ó. 78 B ˙ 85
B b Cl.
n.
P F

? 78 µ œ . Bœ œ. bœ œ
Bsn. ! ! J J 85
P F n.
37

& Ó .. j 78 85
mœ w m ˙ ..
Hn.

f
n. F
µœ w 78 µ ˙ .. 85
Senza

& Ó ..
Sordino

C Tpt. J
n. % P

? Ó .. µœ w 78 µ ˙ .. 85
Tbn. J
n. F f
37

Crot.
& ! ! 78 ! 85
Perc. 1

78 85
Soft Mallet
aux
gng
ã œ Œ Ó ! !
%
cym
bass

78 Ó ‰. œ œ œ œ œ 85
mallets

ã ! !
aux 3
Perc. 2 sn
gng

P F
cym
tt

37
œ œ œ. œ
78 85
&$ Ó ! !

Pno.

! ! 78 ! 85
&
*

œ œ. bœ œ mœ œ. µœ
Ord.

B >¿ ¿ B >œ m œ œ œ µœ œ.
Poco Vib.

µœ œ. œ.
37 O.P. Norm
Sul Pont

&Ó ‰ J œ 78 85
Vln. I
n. Í3 F 3
f n.

mœ œ œ.
>œ œ 7 œ œ 5
3

& ! Π8 j 8
µœ. Bœ œ. bœ >œ
Vln. II
f S
Í Fp P
n.

œO OO
B œo 78 Ó 85
Arco IV H.V. I

Œ Œ ‰ O O O ~~~ ‰ . Œ Ó Œ J
H.V.

œO œ
Vla.
F J R n.

ƒp
œO OO
n.
I

? 78 Ó 85
Œ Œ ‰ O OOO ~~~~ ‰ . Œ Ó Œ
Arco IV H.V.

J
IV-4 H.V.

Vc. ‚ œ œ
F J R n.

ƒp
œO OO
n. I
Ord.

? Pizz 78 Ó 85
O OOO ~~~~ ‰ .
H.V.

Ó ‰ Œ Ó Œ
Arco IV

J
œ œ œ
D.B.

# J R n.

37 n. ƒp
? ! ! 7 ! 5
Midi 8 8

13
 40 Jet
œ
~~~~~~~~~
Whistle

r
& 85 78 Π$ >J .
Key Clicks

! c Ó Œ ‰. — Œ ‰ c
With Air
Fl. æ
# F f poss.
double-tongue

& 85 ! c ! 78 Œ $ " ~~~~~~~~~~~~~ ‰ c

with air

Ob. "
J . tktkt..........
f poss.
With Air ~~~~~~~~~

& 85 78 Œ
Key Clicks

B b Cl. ! c ! $ >J . Œ ‰ c
æ
fposs.
double-tongue

? 85 ! c ! 78 Œ $ ~~~~~~~~~~~~~ ‰ c
with air

".
J tktkt.........."
Bsn.

40 f poss.

Hn. & 85 ! c ! 78 ! c

C Tpt. & 85 ! c ! 78 ! c

? 85 ! c ! 78 ! c
Tbn.

40

œ 7 œ
& 85 $ m œ . Œ $ œR c Ó. ‰. Ó ‰ c
Bow

Crot.
mœ. R 8
F f p F
Perc. 1

ã 85 78 Ó .
Brushes
aux
gng ! c ! $ œœ c
f
cym
bass

ã 85 ‰ ® œ. Œ œ œœ c ! 78 Œ $ œæj . Œ. c
Brushes
aux

R
Perc. 2 sn
gng

f f F f
cym
tt

' m œ.
m z b œœœœœ œœœœœ
40

b œ. nœ.
58 $ œ . œ . Œ $ c ! 78 ! c
Ord.

&
ƒ Ï f
Pno.
œœ .. m m œœ .. Ï
5 78 ˙ ..
Ord.

&8 $ Œ ‰ c w c
Slow Metal Slide
÷
° *°

—o Oœ .. œ .
40 Natural No Vib.

œo 78 R
Harmonic

& 85 ! c Ó. ‰. $ ‰ $ Œ. c
gliss III

Vln. I R
p ƒ f
Harmonic o
gliss III —
Natural

R 78 ‚r mO.
Vln. II & 85 ! c Ó. ‰. $ ‰ $m œ . œ . Œ ‰ c
p ƒ f
~~~~~~~ —o Oœ .. œ .
Natural

œ
Harmonic

B 85 R ‰ . ‰ $ ‚ 8 R r 7
gliss IV

Vla. Œ ‰ c Ó Œ $ ‰ $ Œ ‰ c
Fp Natural p ƒ f
~~~~~~~~ gliss II —
Harmonic
o
? 85 œR ‰ . r
Vc. Œ ‰ c Ó Œ ‰ $ R 78 ‚ $ Œ Ó c
Fp p ƒ
—o
~~~~~~~~
Natural

? 85 œ ‰ . ‚ 7 R
Harmonic

Œ ‰ c Ó Œ ‰ $ R 8 $ Œ Ó c
gliss I

D.B. R
Fp p ƒ
40

œ
? 85 ! c ! 7 Ó.
8 $ R c
Midi

14
 43 E
Bœ 5 ˙ Bœ œ œ µœ mœ œ
& c Ó. Œ J 8 J 78 ! c Œ ‰. R J 78
Fl.
# p # % F
3 3 3

˙.
85 78 78
Irregular vibrato

& c ‰ B œj œ j j ! c Œ
œ œ µœ œ. Bœ ˙ œ
3

P
Ob.
n.
n. F n.

B˙.
Irregular vibrato

mœ œ nœ ˙ ˙ œ
B b Cl. &c ‰ J J 85 J 78 ! c Œ 78
# 3
n. n. p
B˙.
Irregular vibrato

? c ‰ œJ œ m œJ ˙ 85
˙ œ
J 78 ! c Π78
p
Bsn.
P
3
n. n.
n.
43

& c µw 85 ˙ j 78 ! c Œ. œ ˙ 78
Warm
Hn. œ J
n. p n.
n. P

C Tpt. &c ! 85 ! 78 ! c Œ. µœ
J
˙ 78
n. F

?c w 85 ˙ œ 78 ! c ! 78
Warm

Tbn. J
n. P n.

43

&c ! 85 ! 78 Ó ‰ œ c œ Œ Ó 78
Bow

Crot.

Perc. 1
# f

ã c ˙. Œ 85 ! 78 ! c ! 78
Swirl
aux

>
gng
cym
bass
n.

ã c œ Œ Ó 85 Ó 78 œ . Ó c œ Ó. 78
Soft Mallet Bow
œ
aux

J
Perc. 2 sn
gng

F p f P
cym
tt

43

&c ! 85 ! 78 ! c ! 78

Pno. p F

÷ c ! 85 Ó œ 78 œ Œ Ó c ! 78
Metal

J J
Slide

œo œo œ µœ œ µœ œ nœ
43

j
Vln. I &c ! 85 Ó b œO 78 O
œ ‰ Ó c ‰ J J 78
ƒp P F
3 3
n. n.

j ‚ œ ‚ œ ‚ œm ‚ œ ‚ œm ‚ m‚
I-6 I-7

c œ
I-4

Vln. II &c ! 85 Ó œO
78 O
œ Ó ‰ J 78
n. ƒp n.
n.
Sul Pont
P 5

Ord.
5 3

w
Irregular vibrato

j
Vla. Bc ! 85 Ó m m œO
78 O
œ
Ó ‰ c 78
n. ƒp n. n. #
Poco Vib.

?c 85 ˙ j 78 78
Sul Pont Ord.

! c µ ww
Warm

bw œ
Irregular vibrato
Vc.
P n.
n. n. F
Warm +
Ó.
Poco Vib.
Sul Pont Ord.

?c œ 85 78 ! c mw 78
Irregular vibrato

j
˙ ˙ mœ ˙ œ
D.B.
n. f
F
3 n.
43 n.
œ
? c ! 5 ! 7 ! c Ó. 7
Midi 8 8 8

15
 q = 50
µœ. œ.
47

œ œ œ. ± —.
Fl. & 78 c ! ÷ Œ 7
— 8
n.
[s] [sh]
n.

˙ .. c ˙
Ob. & 78 Ó ! 78

F n.

˙ .. ˙
B b Cl. & 78 c Ó ! 78

P n.

˙ .. ˙
? 78 c Ó ! 78
Bsn.

47
P n.

& 78 ˙ .. c œ Ó. Ó. ‰ —æ
j 78
Air
Hn. ÷

F n. P [f]

& 78 ˜ ˙ .. c œ Œ Ó Ó. ‰ j 78
Air

C Tpt. ÷
—æ
f n. P [f]

? 78 ! c ! Ó. ‰ j 78
Air
÷
Tbn. —æ
P [f]

47

Crot.
& 78 ! c ! ! 78

Perc. 1

Kr On Bass Drum
Sticks Drop Chain (Quietly Remove Chain)

ã 78 Ó . œ œ 78
Brushes

$. œ c œ Œ Ó Œ ˙æ œæ.
aux

> >>
gng

f F f
cym
bass

n.

ã 78 c w 78
w
glass on Glass

!
aux
Perc. 2 sn
gng

f poss.
cym
tt

47

7 ! c ! ! 78
&8

Pno. f

÷ 78 ! ? c Ó ! 78
˙˙
m ˙˙
° *
œ. µœ ˙ œ
47

Vln. I & 78 J c ! ! 78
n.

‚ ‚ œ ‚ ‚ m ‚ ‚ ‚ œ ‚ œ ‚ ‚J
I-3

Vln. II & 78 c ! ! 78
f
3 5
n.

˙ .. ˙
Vla. B 78 c Ó ! 78
p n.

? 78 µ ˙ .. c ˙˙ .. Œ ! 78
Vc. ˙ ..
f n.

? 78 m ˙ .. c ˙. Œ ! 78
D.B.
ƒ n.
47

? 78 ! c ! ! 7
8
Midi

16
 µ˙ nœ ˙ œ.
50

.
÷ 78 — — — — — — — — — — ®— — c —
3

—— J ‰ Œ 42ˆ16
3 J c
5

Fl. &
f P
[hoh] [sh] 3
[s] [f] [s]

ƒposs.
[f] [s] [f] [s] [t] [k] [t] [k]

Bw ˙ œ.
Ob. & 78 ! c 42ˆ16
3 J c
% P
B˙. ˙ œ.
B b Cl. & 78 ! c Œ 42ˆ16
3 J c
% p

? 78 ! c ! 42ˆ16
3 ! c
Bsn.

50

Hn. ÷ 78 —æ Ó ‰ & c w 42ˆ16

3
˙
j
œ. c
ƒp
[sh]
n.
# F

÷ 78 —æ j
C Tpt. Ó ‰ & c w 42ˆ16
3 ˙ œ. c
% P
ƒp
[sh]
n.

÷ 78 —æ Ó ‰ ? c mw 42ˆ16
3 ˙ œ. c
Tbn. J
p f
ƒp
[sh]
n.
50

Crot.
& 78 ! c ! 42ˆ16
3 ! c
Perc. 1

ã 78 œ œ œ . œ. œ œ. œ c ! 42ˆ16
3 Ó c
Brushes
œ
aux
gng

>>> > > œœœœœ

ƒ
cym
bass

œ. œ œ œ.
ã 78 42ˆ16
3 ˙æ
œœœ œ œ œ œ c !
mallets
c
J
aux
Perc. 2
œ œœœ
sn
gng

#
cym
tt 5

50

7 ! c ! 42ˆ16
3 ! c
&8

Pno.
ƒ

? 78 c œ 42ˆ16
3
Pizz

! Œ Ó ! c
œ
°
50 VB hushed, Frantic

Oœ Ȯ 3 µ µ Ȯ B B Oœ
HB

& 78 m ‚‚ ‚‚ ‚‚ ‚‚ ‚‚ ‚‚ ‚‚ ‚‚ ‚‚ ‚‚ ‚‚ ‚ ‚ ‚ ‚ ‚ c Œ. 42ˆ16
6 5 3 3

J ‰ $ c
II-4

Vln. I ‚‚‚‚‚
II-6
f poss. n. ƒ 3
n.

VB

µ œœ .. ˙˙ .. 3 ˙˙ œœ ..
HB
hushed, Frantic

& 78 $ m ‚‚ ‚‚ ‚‚ ‚‚ ‚‚ ‚‚ ‚‚ ‚‚ ‚‚ ‚‚ ‚‚ ‚‚ ‚‚ c $ J 42ˆ16 J c
III-4 3 3 5

#
Vln. II
f poss. F
IV-7

o
II œ
..
No Vib.

m‚
Natural

B 78 42ˆ16
3
Harmonic

! c Œ Ó ! c
gliss
Vla.
f poss.

w ˙ œ.
No Vib.

? 78 ! c Bw 42ˆ16
3 ˙ œ. c
J
#
Vc.
F

? 78 j
! c µ ww 42ˆ16
3 ˙ œœ .. c
No Vib.

D.B. ˙
P ƒ
50

? 78 ! & c Ó. 2 3
4ˆ16 ! c
Midi mœ

17
 F
Bw œ B˙. w
53

&c J ‰ m˙. w
Fl.
Subito % n. p

Bw w ˙ b œœ .
.
Ob. &c ‰ œ.
Subito % n.

w œ
J µœ œ bœ. j nœ œ.
5

&c ‰ Œ Œ
Legato, Lyrical

B b Cl. J µœ œ. nœ
% # F p
f
n.
Subito

œ œ œ ˙ œ Bœ ˙
? c Ó. µœ ˙
Legato, Lyrical

Bsn.
# F f
3
P
53

Hn. & c ˙ .. ‰ w w
Subito # n. #

C Tpt. &c w ˙ ‰ œ. œ ˙.
Subito % n.
%

? c mw ˙. ‰ mœ w
Tbn. J
Subito p n. p
53

Crot.
&c ! ! !
Perc. 1

ã c ! ! Œ ˙.
Bow
aux
gng

F
cym
bass

n.

ã c œœ Œ Ó ! !
aux
Perc. 2 sn
gng

F
cym
tt

53

&c ! ! !

Pno. Ï
? cwithw buzz ! !
w
&

˜˙ ˙ œ ˙ ˙
Legato, Lyrical

œ œ µ˙ œ nœ
53

Vln. I &c
f F
3 3
n.

Molto Sul Pont Sul Pont

ww ˙. µ˙. œœ ww
Sul Tasto

Vln. II &c
Subito %

œ
Molto Sul Pont
˙ œ j œ œ œ
Bc Œ ‰ J ‰ œ. Œ Ó
Ord.
Vla. mœ
n. P n. P n.

w ˙ ˙ œœ ˙.
Sul Pont Ord.

?c w ˙ ˙ Bœ œ ˙.
Vc. J
Subito #
Sul Pont

?c w
Sul Tasto Molto Sul Pont

D.B. w ˙˙ .. µœ œ µ˙. ˙. µ œœ
Subito p
53

& c ! ! Ó.
Midi œ

18
 w œ Bœ. ˙ w œ
56

&w œ
J ‰ $ J 45 c
%
Fl.
n.
f
ww ˙˙ . Bœ w œ
. J
Ob. &w ˙. ‰ 45 c
P n.
f

bœ œ œ œ œ. µœ w w œ
& œj 45 c
3

B b Cl.
F p f
B˙ œ mœ w œ
?œ µœ œ ˙ Bœ œ
45 c
Bsn.
3
f P f
56

Hn. &w w 45 w œ c
f

C Tpt. &w w 45 w œ c
f

?m w w 45 w œ c
Tbn.
f
56

Crot.
& ! ! 45 ! c
Perc. 1

j
! ! 45 Ó ‰ œæ ˙æ c
mallets

ã
aux
gng
cym

% P
bass

ã Œ ˙. Ó 45 œJ ‰ Ó Œ. j c
Bow Scrape
œ œæ
aux
Perc. 2
œ
sn
gng

F p F F
cym
tt
n.

56

& ! ! 45 ! c

Pno.

? ! ! 45 ! ÷ c

œ œ µ˙ nœ œ Bœ ˙ œ mœ ˙ ˙ nœ œ
œ
56

& J 45 c
Vln. I
f
3 3 3
n.
Ord.

œœ ˙. µ˙. œ. µœ. µ œœ ˙˙ ww œœ
Sul Pont

Vln. II & J 45 c
f
œ. µ >œ ˙ .
Fluctuate Irregularly

œ
Molto Sul Pont

Ȯ ..
with Fundamental
Ord. I-7
m ‚œ
B Ó ‰ J ‰ J 45 Ó & c
Vla.
n. f n.
f poss. n.

˙. œ ˙ ˙ w œ
Ord.

? ˙. 45 w
Sul Pont

Vc.
Bœ B˙ ˙ œ c
f

?w w 45 µ w w œœ c
Ord. Sul Tasto Sul Pont

D.B. µw w
f
56

! ! 5 Ó.
Midi & 4 Œ mœ
c

19
 G
59
w> ˙. ˙.
µ˙.
Fl. &c Œ Œ
F n.
n.
P

m w> ˙.
Ob. &c Π!
n.

n w> ˙.
B b Cl. &c m µ œœ ww
œ w
# P
w> ˙. n.

?c Π!
Bsn.
F n.
59

Hn. &c ! ! !

& c mw ˙.
Legato, Lyrical

C Tpt. Œ Ó µ˙
P n. n.

?c ! ! !
Tbn.

59

Crot.
&c ! ! !
Perc. 1
~~~~~~~~~~~~~~~~~~~~~~
ã c ˙æ. Œ ! !
Add Chain Buzz
aux

#
gng
cym
bass

ã c œæj ‰ Œ Ó ! !
aux
Perc. 2 sn
gng

f
cym
tt

59

&c ! ! !

Pno. ƒ Metal
Slide

÷ c œ Œ Ó ? ! !
>
*° *

>
Ord.

m m ww ˙˙ ..
59 Sul Pont
Sul Tasto

&c Π!
f F
Vln. I
n.

O .. µ µ Ȯ m m Oœ Oœ .. B B Oœ µ µ Ȯ n n Oœ œœ .. œ.
Vln. II &c Œ $ m œJ J ‰ Ó
n. Fp 3
f 3
n.

w> w
Sul Pont Ord. Sul Tasto

Vla. &c !
f n.

Legato, Lyrical
µœ
?c œ œ ˙ Bœ œ. nœ ˙ œ
Poco Vib.

Vc. ! ‰ J
P f F
3

?c ! ! !
D.B.

59

& c œ Ó. ! œ Ó.
Midi

20
 œ
62

œ Bw œ
& Œ Ó Œ Ó
p
Fl.
n. n. n.

Ob. & ! mw œ Œ Ó
n. P n.

! µw œ Œ Ó
B b Cl. &
n. % n.

? ! µw œ Œ Ó
Bsn.
n. P n.
62

Hn. & ! ?
w œ Œ Ó &
n. F n.

œ ˙ œ
µœ ˙
3

&œ nœ ˙ µœ ˙ nœ
3

C Tpt.
F P F P p
3

? ! Œ Ó
mw œ
Tbn.

62
n. F n.

Crot.
& ! ! !
Perc. 1

ã $ œJ . œ. Ó Œ
beater scrape Bow
œ œ œ
J
œ œ ˙.
aux
gng

f
cym
bass
5 3 n.

ã ! ! !
aux
Perc. 2 sn
gng
cym
tt

62

& ! ! !

Pno.

? ! ! ! ÷

62

! Œ Ó
III-4 Ord.
& .
Vln. I
m OO . m‚ ‚ ‚ ‚
Í ƒ P ƒp ƒ
IV-7
n.

! w œ Œ Ó
Vln. II &
n.
F n.

! w œ Œ Ó
Ord.

Vla. & mw œ
F
B˙ Bœ œ nœ œ ˙
n. n.

œ œ
? Bœ ˙ ˙ mœ
Vc. &
f F p
3 3 3

? µw mœ µœ nœ ˙ œ Bœ ˙ œ mœ
Ord. 5
Legato, Lyrical
D.B.
w œ J
n. f F f P
62

& mœ Ó. œ Ó. !
Midi

21
 µ˙ œ œ. œ. œ ˙ œ œ. œ œ
65

& J 78 Ó ‰ c
Fl.
f Fp Fp P F
3
n.

µœ œ œ. œ. œ ˙ œ œ. œ 78 œ
Ob. &Œ J Ó ‰ c
# Fp Fp
3
P F n.

µœ œ. œ œ œ œ. Bœ œ œ. œ
œ Bœ Bœ Bœ. bœ œ bœ bœ œ Bœ œ
& J 78 J J J c
B b Cl.
Í f Fp
3

µœ œ œ. œ. œ ˙ œ œ. œ œ
?Œ J 78 Ó ‰ c
Bsn.
Fp Fp P F
3
n. n.
65

&Ó j œ. j 78
œ bœ bœ nœ j c
5

Hn. Bœ. bœ J bœ œ µœ œ Bœ
F f P F
Harmon

mœ µœ ˙ 78 œ j j
Mute

& µœ nœ œ µœ. n˙ mœ œ Bœ œ mœ c
C Tpt. J J
f F P
3 3

? ! ! 78 ! c
Tbn.

65

m œ>œ Œ Ó ! 78 ! c
Crot.
&
Perc. 1 F

aux
gng
ã ! ! 78 ! c
cym
bass

Œ Ó ! 78 ! c
Soft Mallet

㠜
aux
Perc. 2 sn

>f
gng
cym
tt

65

! ! 78 ! c
&

Pno. f p f
Metal

78 ˙ .
Slow Metal Slide

÷ œ Œ Ó ! œ ? c
Slide

J
*° *
° *
65

& ! ! 78 ! c
Vln. I

'
˙ œ œ. œ. œ ˙ œ œ. œ ˙
Con Sordino

& ˙ œ œ. œ. œ ˙ œ œ. œ 78 ˙ Œ. c
Vln. II J
n.
ƒp ƒp 3
Fp F n.

'˙ œœ m œœ .. œœ .. œœ ..
Con Sordino

m˙ m œœ ˙˙ m œœ m œœ 78 ˙˙ Œ. c
Vla. & J
ƒp ƒp Fp F
3
n. n.

˙ œœ œœ .. œœ .. µ œœ ˙˙ µ œœ œœ .. µ œœ 78 µ œœ
Con Sordino

Vc. & µ˙ J
‰ Ó ? c
n. ƒp ƒp 3
Fp F n.

? œ. ‰ Ó ! 78 ! c
D.B.
n.

65

! ! 7 Ó ‰ c
Midi & 8 mœ

22
 œ.
H
Bœ nœ
68

µœ. ˙. J
&c Ó ‰ Œ Œ
P
Fl.
ƒp ƒ
n.
n. n.

æ µœ ˙. œ œœ ˙˙
Ob. & c œæ œœ œœ .. œ œæ œ ‰ bœ
J
˙
f ƒ p ƒ n.

ww m œœ ˙˙ .
.
B b Cl. &c æ j ‰
w
‰ œ ˙.
Bœ. œ œ. J
ƒ F n.
p ƒ n.
p P
> œ. œ ˙ œ ˙
? c Bæœ . Bœ œ Bœ œ. Bœ œ
Legato, Lyrical

Bsn. æ æ J æJ æ Œ B

ƒ f Fp ƒ
3
n. P
68

&c j j j ‰ Œ ‰ µœ. œ Œ Ó
nœ. œæ œæ. œ œ
Hn.

Fp ƒ Fp n.
n. P n.

$ œ. œ. µœ œ
&c æj
Œ
J
œ Œ Ó
mœ. œæ.
C Tpt.
mœ mœ œ
> ƒ
Fp ƒ Í n. n. n.

?c Œ Ó
j j Bœ. œ œ œæ œæ œ . œæ œ
œ. ˜ œæ œæ ˜ œ .
Tbn.

F̃p ƒ P Fp f # F n.
68

Crot.
&c ! ! !
Perc. 1
Chain

j $ Ͼj . j j
Buzz Roll

ã c œ
œ Œ Ó œæ œæ. ‰ Œ ˙æ œæ œæ. œæ
5 5
aux
gng
cym

ƒ
bass

Violent
Scrape with

ã c œ Œ j j
Beater

œ. œæ. œæ ˙æ
aux 5 3 3 3 5
Perc. 2 sn
gng
œœœ œœœ œœ œœœœ œ œ œ œ œ
ƒ Ï
cym
tt

'
œœm œœœœm m œœ / / b b œmœœœœœœœ œœœœ œœœœ œœœœ œœœœ œœœœ ... œœœœ œœœœ œœœœ
68

‰. bœbœœœœœ œ b m œœœœ b œœœœ m œœœœ m œœœœ œœœœ ...

.
n œ œ œ œ œ œ. œ œ œ
&c Œ Œ
5 3 3

Pno. ƒ '
nœ n œœ nœ n œœ œœ œœœ ...
?c
˙. & Œ m œœœ œœ m œœœ œœ œœ Œ ‰m m m œœœ œ
œœ œœœ œ
œœ
œ
œœ œœœ œ
œœ
m ˙˙ .. J J J
˙. 5 3

>
Pedal Freely 3 5

µ >œ .
Molto Sul Pont

µ µ Oœ µ µ Ȯ
68

µO "" .. m Ȯ Oœ O .
Ord.

˙ Oœ
Vln. I &c Ó ‰ µ œJ ‰ œ.
n. ƒp ƒ n. Í ƒ # ƒp
Oœ .. Ow w b Ȯ Oœ O .
Senza Sordino

œ. Oœ
Ord.

&c Ó ‰
ƒ #
Vln. II
n.
ƒp
m µ œ>œ œœ µ ˙˙
Pitch Bends

µO. Ȯ µ œœ ˙ ˙
Senza Sordino

‰ µ œ. ‰ J
Ord.

Vla. &c Ó
ƒ ƒ
3
n. n.
n.

b œœ œœ .. µœ ˙.
Senza Sordino

?c ‰ ? µ œœ
Sul Pont

‰& J
Ord. O.P. Norm

j j
Norm O.P.

µœ ¿ ¿ œ. J
˜œ. ˜¿ ¿. ˜œ
Vc.

ƒp f P ƒ p ƒp ƒ n.

?c j j ¿ µœ. œ.
Ord. Norm

µ¿ œ µ¿ ˙ œ ‰ Œ
O.P. Norm O.P. Norm
O.P.

œ. ¿ ¿. œ J
œ. ¿ ¿. œ
D.B.

ƒp f P S p ƒp n.

68

& c œ Ó. ! !
Midi

23
 œ œ ˙ w ˙ œ
71

‰ ‰
& 85 J c
f
Fl.
n. P
˙˙ bœ. ˙.
. ˙. b µ œœ ˙˙
&˙ ‰ µ b œœ . ˙. ‰ œ 85 ˙ ‰ c
J
Ob.
F p ƒ p f n.

œœ
Bœ
j
˙ B˙ b œœ .. ˙˙
B b Cl. & œ ‰ ‰ m œœ ˙˙ ˙˙ ‰ nœ. 85 ˙ ‰ c
J p f
n. p F n.

œ Bœ œ nœ ,
B œ. µœ œ J µœ. nœ œ.
bœ œ Bœ œ œ 85 œ . bœ c
3

Bsn. J
f F P
3

71

Hn. & ! ! 85 ! c

C Tpt. & ! ! 85 ! c

? ! ! 85 ! c
Tbn.

71

Crot.
& ! ! 85 ! c
Perc. 1

ã ˙æ. Œ ! 85 ! c
aux
gng
cym
bass

ã ! ! 85 ! c
aux
Perc. 2 sn
gng
cym
tt

'
œœœœ œœœœ œœœœ œœœœ ... //
71

œ œ œ œ ..
& Π! 85 ! c

'
Pno.

m m œœ œœœ œ
œœ
œœ Œ ! 85 ! ? c
&m œ œ
3

>
71

Ȯ Oœ m Oœ Oœ Ȯ .... m Oœ Ȯ ˙ Oœ œ
Vln. I & J J 85 c
f Í ƒp ƒp
P
3

Ȯ Oœ Oœ Oœ b Oœ Ȯ .. Ȯ ˙ b Oœ œ
Vln. II & J ‰. R 85 c
f 3
P n.
ƒp ƒ

&Œ B˙. µ˙. Bw µw 85 ! c

Molto Sul Pont

Vla.
n.
F # ƒp ƒp ƒp Natural

œ µœ œ nœ.
n. Harmonic

œ œ œ ˙ bœ µœ œ.
o
gliss
(œ )
?˙ µ˙ B $ 85 ? c
II

Vc. J ‚
Í
3 3
f p S
f
n.

? ! ! 85 ! c
D.B.

71

! ! 5 ! c
Midi & 8

24
 I
,
74

Fl. & c˜w w ˜w w

% p n.

Ob. & c µw w µw w
% p
µw w µw w
B b Cl. &c
% P p P

œ ˙ Bœ œ bœ
Legato, Lyrical

Bc œ Œ Ó ! ? ‰
mœ Bœ µœ œ.
3

Bsn. mœ
F p f
3
n.
74

Hn. &c w w w w
% P

C Tpt. &c w w w w
% P p P
, œ ˙ µ˙
? c µw w µ˙. µœ
Tbn.
% p n.
5

74

Crot.
&c ! ! ! !
Perc. 1

ã c ! ! Ó. œ ˙. Œ
aux Bow
gng

# F
cym
bass

j ‰ œ ˙.
Soft Mallet Scrape

ã c œ Ó ‰ ! Ó
Bow Bow
œ
aux

J œ
Perc. 2 sn
gng
œ
F ƒ # F #
cym
tt

74

&c ! ! ! !

Pno. Ï harmonic
# f
snap pizz glissando

?c ! ‰ " " " " " " " " " " " " " " " " " " ‰
with buzz 5 5 5 5

m m ww ‰ mO
& O O O mœ
° 5 5
J
74

w w w w
Molto Sul Pont

Vln. I &c
% p P

mO O mO O
I-6

&c
P
Vln. II
% # #

&c
Ord. Sul Pont Sul Tasto

mw w mw w
Vla.

% P F
? c µ ˜ ww ww ww ww
Molto Sul Pont
Ord.

Vc.
% f P f

?c
Ord.

D.B. mw w w w
% F P
74

& c mœ Ó. ! ! !
Midi

25
 78

Œ ±
Fl. &w w w ÷
". ——
p % n. [s] [sh] [s][f]

, p Ï
Ob. &w w w œ Œ Ó
#
,
n. n.

w w w œ
B b Cl. & Œ Ó
p P n.

?µ˙ œ œ µœ ˙ nœ ˙ œ
Bsn. mœ. J Œ Ó !
P F
3 3
3
n.
78

, ±
3

& ˙. j Œ ÷ Ó —
5

Hn.
œ. mœ œ nœ µœ ˙ ˙.
F p ƒp
[s] [sh]
n. n. n.

, ±
3

C Tpt. &w w ˙. Œ ÷ Ó —
n. P n.
[s]
n. ƒp
[sh]

?w w ˙. ±
3

Tbn. Œ ÷ Ó —
P #
ƒp
n. [s] [sh]
n.
78

Crot.
& ! ! ! !
Perc. 1

ã Ó ˙ œ Œ Ó ! !
aux
gng

F
cym
bass
n.

ã ˙. Œ ! ! !
aux
Perc. 2 sn

F
gng
cym
tt

78

& ! ! ! ! ÷

# ß
Pno.

?‰ " " " " " " " " " " " " " " " " " " " " " " " " " " " " " Ó.
5 5 5 5 3 3 3

mœ O O O O O
J
5
78

w w w ˙.
Ord. Sul Tasto

Vln. I & Œ
# P n.

O O O O.
Vln. II & Œ
P # p n.

Œ
Sul Tasto

&
Sul Pont

w w w ˙.
Vla.

p F p P n.

?µ ˜ ww ww ww ˙˙ .. Œ
Vc.
P f
n.

? Œ
Molto Sul Pont

D.B. w w w ˙.
f n.
78

& ! ! ! !
Midi

26
 82 J

Fl. ÷ — Ó. & ! ! !
[ta]

Ob. & ! ! ! !

Ó. ! ! !
tongue

&
ram
B b Cl.
¿
ƒ
? ! ! ! !
Bsn.

82

÷ ¿ Ó. ! ! !
lip smack

Hn.
ƒ

÷ ¿ Ó. ! ! !
lip smack

C Tpt.
ƒ

÷ ¿ Ó. ! ! !
lip smack

Tbn.
ƒ
82

Crot.
& ! ! ! !
Perc. 1

aux
gng
cym ã ! ! ! !
bass

œ. ˙ ..
glass on Glass
˙ œ œ œ w w œ
ã J
aux
Perc. 2 sn
gng

ƒp poss. f ƒp F f
cym
tt

82

"
Card Rip

÷ Œ Ó ! ! & !
Ï
Pno.

? ! ! ! !
*° *
82
Bow Bridge

! ! ! Œ ‰ – ¬
(White Noise)

Vln. I & ÷
J
n.

Vln. II & ! ! ! ! ÷

Vla. & ! ! ! ! B

? ! ! ! !
Vc.

? ! ! ! !
D.B.

82

& ! ! ! !
Midi

27
 86
tongue

& ! ! $ r‰ Œ Ó !
ram

Fl.
¿
f

Ob. & ! ! ! !

tongue

& ! ! $ r‰ Œ Ó !
ram
B b Cl.
¿
f
? ! ! ! !
Bsn.

86

÷ ! ! $ ¿r‰ Œ Ó !
lip smack

Hn. &
f

÷ ! ! $ ¿r‰ Œ Ó !
lip smack

C Tpt. &
f
s.v.

÷ ! Ó ‰ —. ——‰ Œ Ó ? !
>
Tbn.

p ƒ
[s] [huh]
86

Crot.
& ! ! ! !

~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~
Perc. 1 n.
crumple

$ œJ . ˙.
paper bag

! ! w ‰ œ.
Tile Swirl

ã Ó
aux
gng

f %
cym
bass

w œ w œ >œ ‰ Œ Ó !
ã
aux
Perc. 2 sn
gng

ç
cym
tt 5

86

& ! ! ! !

Pno.

? ! ! ! !

86 VB hushed, Frantic

‚ ‚ ‚ ‚ ‚ ‚‚‚ ‚ ‚ ‚ ‚ ‚ ‚ ‚÷ $ T. T.
II-4

& ‰. T.
5 3 5

÷ ¬ Œ Œ
crackle

m ‚‚ ‚‚ m ‚‚ ‚‚ ‚‚ ‚‚ ‚ ‚ ‚ ‚ ‚ ‚ ‚ ‚ ‚‚‚ ‚ ‚ ‚ ‚ J
II-5
Vln. I &
f poss. n.
IV-4
P f n.

m ‚‚ m ‚‚ ‚‚ ‚‚ ‚‚ ‚‚ ‚‚ ‚‚ ‚‚ ‚‚ ‚‚ ‚‚ ‚‚ ‚‚ ‚‚ ‚‚ ‚‚ ‚‚ ‚‚
VB hushed, Frantic

÷ $ –. ¬ & ‰. ÷ Ó TT T Ó
Bow Bridge crackle
I-6

R
(White Noise)
&
Vln. II J J
f poss. P p ƒ
II-4 5 3 3 3
5
n.
VB

m ‚ .. OO ..
E.T. hushed, Frantic

B $ m ‚J ‚‚‚ ‚ O ‚‚ Ó
HB 1/4 hair
III-5

Ó
I-6 II-3

m ‚‚ ‚‚ ‚‚ ‚ ‚ ‚ ‚ O ‚‚
3 grain
M.S.P. 3

‹ Å
Vla.
II-7 n. fposs. IV-7 5
p

? ! ! ! !
Vc.

? ! ! ! !
D.B.

86

& ! ! ! !
Midi

28
 90

Fl. & ! ! ! !

Ob. & ! ! ! !

B b Cl. & ! ! ! !

? ! ! ! !
Bsn.

90

Hn. & ! ! ! !

C Tpt. & ! ! ! !

? ! ! ! !
Tbn.

90

Crot.
& ! ! ! !
Perc. 1

ã ˙. œ . œœ ˙ . ˙.
aux 5 3 5 3
gng
˙ œ œœœ ˙ œ œ œœœ œœœ œ œ œ
P
cym
bass

! ‰ œ œ œ œ œ œ. œœ œ . Œ Ó
Brush Swirls

ã œ œ œ ˙
aux

J J œ
Perc. 2 sn
gng

p
cym
tt 5 5
n. n.

90

& ! ! ! !

Pno.

? ! ! ! !

90

Vln. I & ! ! ! !

Vln. II & ! ! ! !

B Π! ! !
Å.
Vla.
n.

Bow Bridge

? ! Ó Œ ‰ – – –. – – –. – ¬ – ¬
(White Noise)
÷
5

Vc. J
F
3
n. poss.

?
Bow Bridge

! ! Œ ¬. – –. ¬ – –
(White Noise)

D.B. ÷
n. f poss.
90

& ! ! ! !
Midi

29
 94

& ! ! Ó ‰ j mœ œ m ˙˙ ÷ 78
5

Fl. — ". mO O — m—
n. p [s]

& ! ! ! ! 78
Ob.

& ! ! ! ! 78
B b Cl.

? ! ! ! ! 78
Bsn.

94

& ! ! ! ! 78
Hn.

& ! ! ! ! 78
C Tpt.

? ! ! ! ! 78
Tbn.

94

Crot.
& ! ! ! ! 78

Perc. 1

ã œ œ. Œ ! ! 78
œ. œ ˙.
aux
gng
cym
bass
œ œ œ
n.

Perc. 2
aux
sn
gng ã ! ! ! ! 78
cym
tt

94

! ! ! ! 78
&

Pno.

? ! ! ! ! 78

94
HB

O.
SB: X

‰ m ‚j ‚ œ ‚ 78
X

&Ó Œ
II-4

OO m m ‚‚ OO .. m‚ O. œ m‚
III-6 5

Vln. I
m ‚
III-7 n. F poss.
j j X
HB

‚ ‚. O.
SB: X

&Ó Œ ‰ m ‚‚ O O ‚ O ‚ 78
3

O O m‚ O ‚ m‚. O. m‚
II-4
Vln. II
III-6
n. F poss.
SB:

78
X

B ! Œ OO OO ‚‚ ‚‚ OO ‚‚ . ‚‚ OO . Œ
5
III-6
Vla.
. .
F poss.
I-6
n. n.

÷ – Œ Ó ? ! ! ! &
78
Vc.
n.

÷ ¬. ¬ ¬ –. ‰ Ó ? ! 78
5

D.B. &
P n.

94

! ! ! ! 7
Midi & 8

30
 K
˙
98

÷ 78 — — — — — — —æj > > Œ

5

& c ! ! Ó Œ
Fl.
— æ æ >
S [s][s][s][s][ho] 3 [sh]
3
n.

œ œ œ
& 78 $ " .
double-tongue

~~~~~~~~~~~~~~~~ c œœ Œ Ó ! Ó Ó
with air

" m œœ
J
Ob.
J tktkt..........
p ƒp
3

f poss.
œœœ œœœ
n.

B b Cl. & 78 Ó . mœ c œ Ó. ! !
J
p ƒp
m> > > >
n.

? 78 $ m > > > > >>>>>>>>> > > > > > > ‰ c ! ! !
Bsn.
3

fposs.
5
7
98

j
& 78 Ó . c œ œ¿‰ Ó ! !
lip smack

Hn. µœ
p F ç

& 78 Ó . ˜œ c œ œ¿‰ Ó ! !
lip smack

C Tpt. J
p F ç
mœ œ œ¿
lip smack

? 78 Ó . J c ‰ Ó ! !
Tbn.
p F ç
98

& 78 ! c ! ! Ó ‰ œ.
Bow
Crot.

Perc. 1 p f
abruptly

ã 78 $ œ . œœœ c œ œ œ *$ ‰ Ó
Soft Mallet beater scrape, mute

! !
extremely violent

® æ æJ æR
aux

J Ó
gng
cym

P Ï
bass
3
n.

f grain swirl ~~~~~~~~~~~

r
7 œ œ œ œ œ œ. œ. œ ˙ œ œ. œ ˙ ˙ œ
slate on slate

$
ã 8 œ œœ œ œ œ œ Œ c Œ J J J
aux
Perc. 2
æ æ æ æJ
sn

Brushes æ
gng

ç f F ß
cym
3 3 3

Í
poco

f
tt
3 n.

98

7 ! c ! ! !
&8

Pno.

? 78 ! c ! ! !

98

& 78 OO Œ ‰ c ! ! Ó Œ µ µ Ȯ
3

Vln. I
n. n.

.
Vln. II & 78 OO . ‰ c ! ! !
n.

‚ ‚ ‚ ‚ ‚ ‚ ‚‚‚‚
VB hushed, Frantic

B 78 m ‚‚ ‚‚ ‚‚ ‚‚ ‚ ‚ ‚ ‚ ‚ ‚ ‚ ‚ ‚ ‚ ‚‚ ‚‚ ‰ c ! ! !
II-6 I-4

Vla.

p
III-6 3

F
5 3

µ œœ c œœ œœ $ ‰ Ó
& 78 Ó . ! !
Molto Sul Pont

Vc. J R
n. f

˜ µ œœ œ
c œ
œœ
& 78 Ó .
Molto Sul Pont

D.B. J R$‰ Ó ! !
n.
f
98

7 ! c ! ! !
Midi & 8

31
 ˙. Bœ w
102
5

— — . b >> b > >

5

Fl. & — — > > [s]— [f] !

P Í f
[sh]
[sh]

˙ œ œ. ˙. œ œ
µœ. ˙.
bœ. ˙. b > >>b >> > > > > > >>b > > > >n > > > > >n > !
7

&
6
5

Ob.
5

˙˙ .. œœ .. fposs.
5
5

æ æ
! Œ n >>> æ— . >>>>— ‰ Ó.
3

& m˙. œ. — —æ
3

B b Cl.
æ —æ
n. ƒ F n.

? ! ! > >>> > n> !

Bsn. b> b>

f poss.
5 3
102

! ! —. >
— — —±
>
— — !
Hn. & ÷
J J
5

f poss.
[sh] [s] 3
[ho] [s] [sh]

—— —
3 5

! ! — —— — — —. !
3

C Tpt. & ÷
— —
[sh] [s] [f][sh] [s] [f] [sh] [s] [f]

f poss.
[ho]

? ! ! — —— —— j !
J —
5

÷
Tbn. ±æ æ —
f poss.
[ho] [s]
3

102 [f] [s] [sh] [sh]

&˙ Ó ‰ j Œ. ! !
Crot.
œ œ.
Perc. 1 p f
beater scrape,

! Ó. œæ. œ œ œœ œæ. Œ Ó !
extremely violent

ã
aux
gng

Ï
cym
bass
n. n.

~~~~~~~~~~~~~~~~~~~~
œ.
slate on slate

˙.
grain swirl

‰ Ó ! Œ Œ œ ˙ œ œ
ã J
aux
Perc. 2 sn

f
gng

ç
cym
tt 3
n.

102

& ! ! ! !

Pno.

? ! ! ! !

œœ
102
Pizz

Vln. I & wO w ! ! Œ Ó
f n. ƒ

œœ
Pizz

Vln. II & ! ! ! Œ Ó
ƒ

‰ m ‚j ‚ j m œœ
Pizz

B ! ! n‚ ‰ $m‚ ‰ ‚ ‚ Œ Ó
IV-7 IV-4 III-7
5

Vla.
R
f poss. 3
ƒ
œ
Pizz IV-4 II-6 III-4 III-6 IV-7

! ! ‰ m‚ ‚. ‚‰ j Œ bœ Ó
Ord. 3

?
Vc. & ‚ ‚ ‚ m‚
÷

f poss. ƒ
IV-6

bœ
Pizz IV-3 (C+)

‚$ ‰ m‚ Œ.
IV-7 III-5

! ! ? ‰ œ Ó
m m ‚‚
Ord.

& bœ
(C+) III-4 III-7 5

÷
(C+) 3

D.B. m‚. ‚ b‚ œ
f poss. IV-7 ƒ
3
102

& ! ! ! !
Midi

32
 106

Fl. & ! ! !

Ob. & ! ! !

B b Cl. & ! ! !

? ! ! !
Bsn.

106

Hn. ÷ ! ! !

C Tpt. ÷ ! ! !

Tbn. ÷ ! ! !

106

Crot.
& ! ! !
Perc. 1
Tile Swirl
aux
gng
cym ã ! Ó. œ w
P
bass
n.

˙ .. œ ˙ ˙. œ œ. Œ Ó
ã J
aux
Perc. 2 sn
gng

ç
cym
tt 5

106

& ! ! !

Pno.

? ! ! !

106
Arco SB: X

& Ó .. j
m ‚‚ OO ‚‚ ‚‚ ‚‚ .. ‚‚ ‚‚ ‚‚ ‰ Œ Ó
II-5
Vln. I
IV-7 n. f poss.
Arco SB: X

! Œ ‚‚ m ‚‚ ‰ Œ Ó
III-6

& m OO OO
5

Vln. II

fposs.
IV-5
n.
Arco SB:

B ! Ó ‚ O ‚ ‚ ‰ Œ Ó
3

m‚ O ‚ m‚
III-3
Vla.
IV-7
n. fposs.
Arco
Bow Bridge

÷ Œ ˙. w œ >œ ‰ Ó.
(White Noise)

Vc.
n. F
Air Bow Bridge

÷ Ó .. œ w œ >œ ‰ Ó.
(White Noise)

D.B. J
n. F
106

& ! ! Ó ‰ œ Œ
Midi J

33
 109
L

& ! 78 ! c !
Fl.

& ! 78 ! c !
Ob.

& ! 78 ! c !
B b Cl.

? ! 78 ! c !
Bsn.

109

÷ ! 78 Œ ‰ $ —r — . c !
Hn.

# f #
[f]

÷ ! 78 Ó ‰ j j c —j ‰ Œ Ó
Put in Bucket Mute

C Tpt. — —
# Fp
[f]
n.

Tbn. ÷ ! 78 Ó . $ —R c — Œ Ó
# Fp
[f] [sh]

109 n.

Crot.
& ! 78 ! c !
Perc. 1

7 c œ Œ Ó
Scrape

ã ˙ œ. œ 8 ˙ ..
aux
gng
œ œ
P
cym
bass
n.

78 Π>
Brushes

‰.
hard mallets

ã ! œ œ œ œ œ. œ œœ c Œ $ œ œ‰ Ó
aux
Perc. 2 sn
gng

P F
cym
tt

109

! 78 ! c !
&

Pno.

? ! 78 ! c !

'
œ mœ œ œ œµœ œ.
Molto Sul Pont

œœ
109

& ! 78 Œ ‰ ® c !
Vln. I
p P
m œm œ œ
Molto Sul Pont

& ! 78 Ó Œ c !
Vln. II
p
3

B ! 78 ! c !
Vla.

78
Pizz

÷ ! ? ! c m œœ . œœ Ó .
Warm
&
Vc.
.
f
78 œœ
Œ.
Pizz

÷ ! ? ! c mœ. j
warm

D.B.
œ J
f
109

! 7 ! c !
Midi & 8

34
 112

Fl. & ! ! ! !

Ob. & ! ! ! !

B b Cl. & ! ! ! !

? ! ! ! !
Bsn.

112

Hn. ÷ ! ! ! !

C Tpt. ÷ ! ! ! !

j
÷ ! Ó Œ ‰ $ —r — . — — —. — ± — — Œ
3

Tbn.

Fp p F
[s] [sh] [f] [s] [sh] [f]
n.
n.
112

Crot.
& ! ! ! !
Perc. 1

‰.
hard mallets

Œ Ó Ó. ˙æ ˙æ. Œ
Soft Mallet

ã œ œ œ œœ œ . œæ œæ
aux

>
gng

% p Fpp p
cym
bass
n.

! !
Bow

ã w w
aux
Perc. 2 sn
gng

# F
cym
tt

112

& ! ! ! !

Pno. n. f P
? ! ! ÷ ? j
T .. m œœ
Low

T
Spin

° œ
œ
w w ˙.
Practice Mute
Ord.
112

w w ˙.
Vln. I & Π!
n. F n.

b ww ww ˙˙ ..
Practice Mute
Ord.

Vln. II & Π!
n. P n.

m m ww ww ˙˙ ..
Practice Mute

Vla. B Π!
n.
F n.

Senza VB E.T.
Arco Sordino

m ˙˙ .. ww
Practice Mute

&Œ Ó. ?
M.S.P.

m ‚‚ OO
III-5

Vc.
n. # n.
Arco
IV-7 n. F
VB E.T.

? ! ! O O
III-3 M.S.P.

D.B. O O
P
IV-4
(C+) n.
112

& ! ! œ Ó. !
Midi

35
 M
µœ ˜˙ œ œ. µœ ˜œ
116

& ! ! Œ J Œ ‰ J
Fl.
P
3
n. n.

˜œ w w
Ob. & ! Ó Œ
n. %

œ w w
B b Cl. & ! Ó Œ
n.
#

? ! Ó. Bœ w w
Bsn.
n. F
116

÷ ! & Ó.
Hn.
œ+ w w
n. p
Bucket

÷ ! Ó Œ
Mute

C Tpt. & œ w w
n. P

Ó. µœ w w
Put in Whispa Mute Whispa Mute

Tbn. ÷ ! ?

n. F
116

Crot.
& ! ! ! !
Perc. 1

ã Ó Ó ! ! !
aux
gng
cym
bass

Soft Mallet

ã œ Œ Ó ! ! !
aux
Perc. 2 sn
gng

#
cym
tt

116

& ! ! ! !

Pno.

? ! ! ! !
*

116 Senza
Sordino µœ µ˙ µœ

Vln. I & ! ! ! Œ
F
3
n.

Senza

! Ó Œ µ œœ ww ww
Sordino

Vln. II &
n. p

µ µ Oœ Oœ
Senza

µO Ȯ
‰ µ œJ
Sordino

Vla. B ! ! !
F
3
n.

mœ w w
HB

? œ
Arco

Œ Ó Ó Œ
Pizz

Vc.
œ
F n. P
Pizz

? b œœœ Œ Ó Ó Œ
HB Arco

D.B.
œ mœ w w
F n. f
116

œ
Midi & mœ Ó. Ó. ! !

36
 ˙
Tape Interlude
µœ
120
C. 65"

Fl. & Ó !
P
3
n.

˙.
Ob. & Π!
n.

˙.
B b Cl. & Π!
n.

? ˙. Œ !
Bsn.
n.
120

Hn. & ˙. Œ !
n.

Remove Put in Harmon Mute

Mute

C Tpt. & ˙. Œ !
n.

Remove

? ˙. Œ !
Mute

Tbn.
n.
120

Crot.
& ! !
Perc. 1

aux
gng
cym ã ! !
bass

ã ! !
aux
Perc. 2 sn
gng
cym
tt

120

& ! !

Pno.

? ! !

120 œ. nœ

& J Ó !
Vln. I
n.

˙.
Vln. II &˙ . Œ !
n.

Oœ .. B B Oœ œœ
Vla. B J Π!
n.

? ˙. Œ !
Vc.
n.

? Π!
D.B. ˙.
n.
120

& ! !
Midi

37
 q = 56 N
œ ˙. Bœ b˙.
122

Fl. &Ó Œ Œ
n. P # P n.

& ! µ˙. Œ !
>
Ob.
F n.

B b Cl. & ! B >˙ . Œ !

p n.

? >˙ .
Bsn. ! Π!
P
122 n.

& ! Π!
µ˙.
Hn.

P n.
Harmon

˙.
Remove

& ! Π!
Mute Mute
C Tpt.
F n.

? ! ! !
Tbn.

122

Crot.
& ! ! !
Perc. 1

aux
gng
cym ã ! œ Ó. !
F
bass

ã ! Ó. !
Soft Mallet
œ
aux
Perc. 2 sn
gng

P
cym
tt

122

"
Card Rip

& ! ÷ Ó. & !
ƒ #
Pno. High
Spin ƒ
? ! œœ
FN Pizz
Ó. ÷
T

œ w
Sul Pont

œ w
122
Arco

! Ó ‰ J
Pizz

& µœ
p
Vln. I
ƒ n.

m m œœ ww
Sul Pont
Arco

! Bœ Œ Œ ‰ J
Pizz

&
P
Vln. II
ƒ
n.

m œœ ww
Sul Pont

B ! Œ Œ ‰ J
Pizz Arco

Vla. µœ &
ƒ n. f

? ‰ & m œœ ww
Pizz Arco Sul Pont

! Ó
IV-7

Vc. m‚ J
n. F
Pizz

? ! Œ Ó !
IV-6

D.B. m‚
ƒposs.
122

œ mœ œ
& Œ Œ ‰. R Ó. !
Midi

38
 125

! Ó ‰ œ. w w
&
%
Fl.

mœ ˙ œ
n.

Ob. & ! Œ ‰ J Œ Ó !
n. f n.

œ w
B b Cl. & ! Ó Œ !
n. f n.

? ! Ó ‰ œ. w w
Bsn.
n. F
125

Hn. & ! ! ! ! ÷

Senza Sordino

C Tpt. & ! Ó ‰ mœ. w w

n. #

? ! Ó ‰ ˜œ.
Tbn. w w
n.
F
125

Œ. j
Bow

! bœ Œ Œ Ó !
Strike
Crot.
& œ œ
Perc. 1
p F

! ! Ó.
Bow

㠜 w
aux
gng

P
cym
bass

n.

ã ! ! ! !
aux
Perc. 2 sn
gng
cym
tt

125

. œ œ.
‰ mœ mœ mœ mœ mœ. mœ œ mœ Œ
FN Pizz

& ! Ó J J
f
3

Pno.

T
Low

÷ Ó ? ! !
Spin

T T
*°

w
w Oœ Oœ ˜ m Oœ .. B B Ȯ >
B B Oœ "" m m Oœ ..
125

µ B Oœ m n Oœ Oœ
Sul Tasto
Ord.

Vln. I & Ó Œ J
Fp F
3
n. n. n.

ww Oœ Oœ ˜ m Oœ .. B B Ȯ >
µ µ Oœ m n Oœ Oœ B B Oœ "" m m Oœ ..
Sul Tasto

& Ó Œ J
Ord.
Vln. II
Fp F
3
n. n. n.

ww Ord. m œœ .. ww ww
Ó ‰
Sul Tasto

Vla. &
n. n. P

& ww Ó ‰ µ œœ .. ww ww
Sul Tasto Ord.

Vc.
n.
n. P

? ! ! ! !
D.B.

125

mœ
Midi & Ó. ‰. R ! ! !

39
 O
˙.
129
q = 50

& Œ ! ˙ ˙
3

Fl. bw œ
n. n. f % #

& ! ! mw
Ob.
w
n. P %

B b Cl. & ! ! Bw œ Œ Ó
n. # n.

? ˙. Œ ! ‰ Ó
Bsn. mw œ.
F
n. n.
129 n.

÷ Ó. — ± — —. ‰ ‰ Ó
3

&
œ.
Hn.
mw
F
[s] [sh]

P
n. n. n.
n.

±.
C Tpt. & ˙. Œ ÷ Œ & w w
n. [s]
n. f n.
n. p n. F

? Œ ‰ —. " ‰ ? µw œ Œ Ó
Tbn. ˙. ÷ J —
n. [f]
Í
[sh] n. P n.
n. n.
129

Œ.
Bow

& ! ! ! œ ˙
J
Crot.

Perc. 1 n.

Tile Swirl

ã Œ ˙. Ó !
aux 3 3
gng
cym ˙ œ ˙ œ ˙
Í
bass

n. n.

㠌.
œ
Brush Swirls
œ ˙
J
œ œ ˙ Œ Œ Ó !
aux
Perc. 2 sn
gng
œ
f
cym

P
tt
n. n.

œœ . œ .
129

œ œ .. m œœ œ . œ œœ œœ . ˙
! !
FN Pizz

&
ƒ
œ. œ.
Pno.
œ œœ œ ˙ œ
? ! !
FN Pizz
mœ. œœ J
*°
3

w
Poco Vib.

mw
129

& ! ! Bw
Vln. I
n. F % P

m ww
Poco Vib.

Vln. II & ! ! !
n. f
˙˙ .. w
Poco Vib.

Vla. & Π! !
n. n. P

µ ˙.
Vc. &˙ . Œ ! ! ! ?

n.

? ! ! œ. ‰ Ó
Arco

D.B. w
n. f n.

129

œ mœ
& ! Ó. Ó. !
Midi

40
 133

nœ ˙ w
Fl. &˙ œ
J µœ. w œ. J
% P % p
œ. w w w
Ob. &˙ œ
J
F P

Bœ. w œ. mœ ˙ w
&Ó ‰ J
B b Cl.
n. p % #

? ! ! Œ. j
Bsn. ˜œ ˙ w
f
n.
133

Hn. &Ó ‰ œ. w œ. j
œ ˙ w
# % F
n.

&˙ œ mœ. w œ. mœ ˙ w
C Tpt. J J
% p % P

?Ó µœ. w ˙
Tbn. ‰ Ó !
n. # n.
133

Crot.
&œ Ó œ œ Œ Ó ! !
P n. F
Perc. 1

aux
gng
cym ã ! ! ! !
bass

ã ! ! ! !
aux
Perc. 2 sn
gng
cym
tt

œ œ
3

mœ mœ mœ
133

mœ œ. J
&Œ ‰ $ . ÔR Œ. nœ $œ œ ˙. !
nœ nœ

œ. nœ œœ œœ . œ
Pno.

? $m >œ œ œ >œ œ m˙
$ œJ . œ ! ‰ m œJ œ . mœ œ
J
*° 3 3

˙ œ mœ. ww ˙˙
˙ œ m œ.
133

& J Ó !
Vln. I
% p n.

˙˙ œœ œ ˙ w
J m œœ .. ww œœ ..
Molto Sul Pont

Vln. II & J
% P % P
˙.
Vla. & Œ ! Œ ‰ µ œJ ˙ w
n. n.
P

?Ó ˙ w ˙.
Poco Vib.

Vc. Π! &
n. F n.

?Ó Œ !
Poco Vib.

D.B. ˜˙ w ˙.
ƒ
n. n.

133

& ! ! ! !
Midi

41
 137 P
œ. œ ˙ w
& J ! !
Fl.
% n.

˙.
Ob. & œ w ˙ Ó !
% f n.

˙.
B b Cl. & µœ w ˙ Ó !
% F n.

Bœ w ˙
? Ó !
Bsn. ˙.
% p n.
137

Hn. & Ó !
˙. œ w ˙
% F n.

C Tpt. & ˙. Œ ! ! !
n.

? Ó. µœ w ˙ Ó !
Tbn.
n. F n.
137

Crot.
& ! ! ! !
Perc. 1

aux
gng
cym ã ! ! ! !
bass

ã ! ! ! !
aux
Perc. 2 sn
gng
cym
tt

>œ œ œ .
137

œ œ . œ m >œ œœ ˙ œ œ Ord.

&$ $ Œ Ó ‰
warm

j j
œ m œr 3 œ œ. œ œ. œ
Pno. f
˙ >œ œ œ . œœ ˙ œ œ œœ œ œ. œ
? Π$ J !
*° 3
*°

b œœ ˙˙ ww
137

&Œ ‰ J ! !
Vln. I
n. P n.

œ ˙ µw
Ord.

œ. mœ ˙ w
Sul Tasto

Vln. II & J ! !
n. F n.

. m m œœ ˙˙ ww
Vla. &œ J ! !
n. f
n.

Vc. &Œ ‰ œ ˙
J
w ! !
n. F n.

? ! ! ! !
D.B.

137

œ
! ! Ó ‰ J Œ !
Midi &

42
 141
Bœ ˙ w w U
w
& ! Œ. J
P
Fl.
n. n.

U
& ! Œ. Bœ ˙ Bw w w
Ob. J
n. P n.

œ ˙ w w U
w
& ! Œ. J
B b Cl.
n.
p n.

µœ ˙ w w U
w
? ! Œ. J
p
Bsn.
n. n.
141

j U
Hn. & ! Ó .. œ w w w
n.
P n.

U
& ! Ó .. ˜œ w w w
C Tpt. J
n. f n.

˜œ w w U
w
? ! Ó .. J
Tbn.
n. F n.

141

Crot.
& ! ! ! ! !
Perc. 1

Ó.
Bow
aux
gng
ã ! œ ˙. œ ˙. Œ !
p ƒ poss. p
cym

ƒ poss.
bass

! Œ Ó !
Bow

ã ˙.
aux
Perc. 2 sn
gng
˙ ˙ ˙
p ƒ poss. p ƒ poss.
cym
tt

141

U
&
˙. œ œ w w w w
Pno.

? ! ! ! ! !
*
U
µ ww ww ww w
w
141

Vln. I & !
n. p n.

U
µ µ ww ww ww w
w
& !
#
Vln. II
n.
n.

µw w w U
w
Vla. & !
n. P n.

U
Vc. & ! ?
w w w ˙.
n. ƒ n.

? U
!
D.B. w w w w
Ï
n. n.
141

& ! ! ! ! !
Midi

43