ioe pe Tireltericy 1 GOTTA FEELING POKERFACE DON’T STOP BELIEVIN’ Eee4 Tira te | GOTTA FEELING POKERFACE DON’T STOP BELIEVIN’ EeeBAD BOYS Atexandra Burke feat. Flo-Rida 4 BROKEN STRINGS james Morrison feat. Nelly Furtado 12 THE CLIMB joe McElderry 18 CRY ME OUT Pixie Lott 23 DON’T STOP BELIEVIN’ Journey 28 FIGHT FOR THIS LOVE Cheryl Cole 48 FIREFLIES owiCcity 34 HALO Beyoncé 42 . 1 GOTTA FEELING. the Black Eyed Peas 64 PM YOURS Jason Mraz 55 LITTLE LIGN MAN Mumford &Sons 74 MANY OF HORROR (WHEN WE COLLIDE) Biffy Clyro 96 NEW YORK paloma faith 84 POKER FACE Lady Gaga 90 SHE SAID pianB 110 STARRY EYED Ellie Goulding 118 SWEET DISPOSITION the Temper Trap 103 TRY SLEEPING WITH fi BROKEN HEART Alicia keys 124 USE SOMEBODY kings Of Leon 132 WHATCHA SAY Jason Derillo 138°Bad Boys Words & Music by Alex James, James Busbee, Larry Summerville, ‘Lauren Evans & Melvin Watson J=132 BS 2 Copyright 2009 Wameichappet North Amatica Limes (50%) ‘bot muse Publishing Lnted (16.07% )Unwesal Musk Publishing MGB Limiod (16.6%) ‘AI Righis Reserved ltamaonsl Copyright Soci, 41, Some peo 2. Some think ple it's and have been it’s noth-ing more "Cause some - how I'm T don't need no bat Pm far but they're straight all of my life, than what you see._ even ween half - way half - way wrong and. right swrong and. rightplay ~ ing with Bom DPC ab Cm a ie ar a don't know why. Yeah, the bad boys____ = ways catch ~ ing aoe oe BB Fm ab ee fe" iy eee yer (Oona oy ooh ah) I said the bad = = al - ways spin - ning —— ooh ah) © E-ven though. |Fm Cm Bm & i ‘2 | |__ know. they're no good for__ me, it'sthe risk 1 take for the chem- With the ‘ooh ah.) ay, T know you want me, shaw-ty,'cause 'm a bad boy. Hey,_sh-shaw-ty, can’t help it she so so ad- 7dic - tedto themrough-er fel - las. Withe-ven theal - pha-bet she on - lysings the crooked let - ters. Let mam-ma_ the risks for that chem-is - try she like’em tough-er than leath - er , _ —— es Soo = es eS Se Not e-ven a pause, i's more ike a mama beat out most dec - i - mal reg - "lr ae = ee Se 2 pe é eS eS ro e e- ¢- — - f os f e Fe i Bebe : F ;world, It’s not the mews’ it’s what 1 know them bad boys catch your eyes. Look at her, why would I go in dis-guise? You'll have them, shaw-ty, don’t wor-ry you fly. Yeah, the are al - ways catch - ing— for me— isthe risk 1 take. for the chem - is - ty. 10Bb Cm be ge i eye (Ooh ay,Broken Strings Words & Music by James Morrison, Fraser T. Smith & Nina Woodford Original key: Bo minor J=112 Bm’ Bm? i He (Male) L.Let me hold____you for the last time, T's the last (FQ) — we do - ing? We are tum - But you broke — {© Copyiht 2008 Chrys Muse Limied (66:5) SonyATV Music Publishing (38.2%) ‘al Rights Reserved lemons opyiaht Secured 12maj? Bsus Bm ee ie When Iflove you ings so unc (3) an-y - thing @) us, Run-ning back—through the fire, es ———— T can't e- ven con-vince my ~ Em? Bm D ie es = ing it's the voice of some-one_—_else.__ 2 SS = ing the ver-y —st__train when its {19° 13I ty to hold on,— but it hurts too nmch— 1 ty to hold on,— but it hurts too mich. ty to for-give,. but its not. € - nough to make it all O. K. You can't play— ~ ome try to for-give,. but it’s not__ @ - nough to make it all O. K___. ‘You can’t play Ss bro-ken strings You can’t feel______ that your heart Sh. 7 bbro-ken strings. _—»-You can't’ feel any ~ thing 4tell you some-thing that ain't a | Gmaj? Bm fe i i] How can I give an- y= How can I give an- y > 1.a (Female) 2.Oh, what are_ Gmaj? Bm? Bio when there’s noth - ing It's like chas 16Fem? io ‘You can’t play ‘Ob, you know that T Oh, oh, oh, if ia — than be - fore — 4 litte less than be - fore (Both) Let me hold 7The Climb Words & Music by Jessica Alexander & Jon Mabe Original key: B major 6 1. 1 can al-mostsee it, ‘hat dream I'm dream - ing. But 2. The strug-gles I'm fac ing, the chanc-es I'm tak-ing, Fsust Disust c there's a voice in - side my head say-ing “You'll nev-er reach. it” Ev-ty step I'm tak - ing, some times might knock me down but, no, I’m not break - ing. 1” may not know it Fsus? Disust every move I make feels _—lost with no di - ree - tion, ‘my faith is sha-ken, But ‘but these are the mo-ments that I'm gon-na re-mem-ber most, yeah. Just got -ta keep go-ing. And {© Copyright 2008 Mabe I Big Muskfuse OF Stag ThroeMopeless Rose Musk Vata Mui!Dinay Muse Publehing (50%), USA. ‘Slag Troe uso nnd (60%) [NI Rghs Reserved nvonatenal Copyght Secwed 18 | | |Am Em ig BS BB 1 got-takeep try-ing. my head_ held. high | I got-ta be strong. Just_ keep. push - ing on. "Cause... : fe ‘There's al-waysgon-na be an-oth - er mountain, Tm al-waysgon-na wan-na make it move. Al-waysgon-na be an up - hill bat - tle. Some-timesT'm gon-na have_ to lose ie Ain't a- bout bow fast Ain’t about what's wait-ing on the oth - erts the climb. ‘There’sal-waysgon-na be an-oth - er moun-tain, Tm al-waysgon-na wan-na make it move, 20Al-waysgon-na be an up - hill bat - tl. Some-times I’m gon-na have to an-oth - er _moun-tain, I'm al-ways gon-na wan-na make it Al-ways gon-na be anup-hill bat-tle, _Some-timesI’m gon-nahave. to. lose. — Ain't a-bout what's waitsingon the oth-er side, 2 Ain’ta-bout how fast I move)(Lead vocal ad lib.) -waysgon-na be an-oth - er moun-tain, Gadio Em Tm al-waysgon-na wan-na make Asust D A fe Eel Al-ways gon-nabe an up-hill bat-tle, Some-times I'm gon-na have.to lose. Ain’ta-bouthow fast I_ get there.) Grades) st > Ain'ta-bout what's wait-ing on the oth-er side. 22 It’s the climb..Cry Me Out. Words & Music by Pixie Lott, Mads Hauge, Phil Thornalley & Colin Campsie 1-60 Amaj? Fem a got your e-mails. You just don’t get fe-males,now, _ do— sn I found out how you messed me a-bout I was ” bro © Copyright 2008 Universal Muse Publishing MCB Lined (9%4)Sony/ATV Musi Publishing (UK) Lind (105). "A gs Reserved troatons Copy Secu, 23cin? Bn’ Amaj! cM tee isl — What’sin the heart is not on your head. an-y - where then I _be-lieved you. Now, I don'tneed you no. more. ee eee ‘Male,you're too late and you weren't worth the wait, now, were. you? pic on your phone proves you weren'ta-lone, She _waswith you,________yeah, SS out of myhandssince you blewyour last chance when you played I could-n't care "bout who, what or where, we're { ]Daj? DE E aR ie tears that'll fall mean noth-ing at all. © - ver your-self_____ Ba by, you i fe May-bethere’s no You can keep talk-ing but, ba- by, I'm walk-ing a - way. Dmaj? cfm? Dmaj? chm? 2 i i ie Gon-nahavetocry me out. Gon-nahaveto cry me out. Boy, there ain'tno doubt: gon-nahave o ery me out. * 25pmaj7 chm? You can keep tal-king but, ba- by, I'm walking a - f way. rt You'll have to 26You'llhave to fall meannoth-ing at all. It’s time_to__get_ 0 ~ ver your-se | te fe May-bethere’s m0 Dmaj! DE. E Eg zy Repeat nd fade ‘You can keep talking but, ba- by, I'mwalk-ing a - way. You'lthave to 27Don’t Stop Believin’ Words & Music by Steve Perry, Neal Schon & Jonathan Cain SE B . chm? i tt gae 1, Just a small town girl, __ 3.Walk- ing hard to get my fill. Ey-"ty-bod-y © Copyright 1881 Wood High Nghimere MuskAed Muse Publishing Company Incoporle (5% \Lacoy Bousevad MusietSoniATV sie Pushing (UK) Lied (25% ‘NI Rights Resor. itemaonal Copyight Secired 28A I Ce . a She took the mid-night train_ go - ing Pay - ing an-y-thing to roll the dice— just cit-y doy, some will lose, bom and raised in South De ~ trot, some were bom to sing the blues._ A ant To Coda ¢ SHE" a mid-night train go - ing nev- er ends it goes 29chat A eo E A Ee Ee fi ee fe Guitar ad lib, S . ef the smell of wine and cheap A ifs] Hf ms a 9 For a smile. they cau share the night. It goes on and on and on____and on.__ 30B/A A B/A Amaj? BE E fee aal ip ‘En eB img up and down the liv-ing just to bou - le-vard... Their = ing in the night find e-mo ~ tion. : where in the night. A ‘st = DS. al Cola 31BA BE le up and down the bow - le - vard__ Their liv-ing just to find = mo = tion, 32Hold on to that feel - 5 B Gt A gi Ey fa" HE repeat a fade a D> Ss ae Street ~ light peo - ple, Oh. 33 | |1, You would. not 2.°Cause P'd___get Fireflies Words & Music by Adam Young be-lieve your eyes if ten mil-lion fire - flies thou - sand hugs from ten thou-sand lightning bugs {© Copright 2009 Ocean City Patk, USA Universal Muse Lies | Rote Reserve, Intron Copygnt Sacuted, 34 | |Jit upthe worl as I fell a - sleep. *Cause they'd fill the 0 pen air asthey tried toteach. me howto dance; 2 foxtrot a-bovemy head, and leave. tear-drops ev-'ry ~ where, You'dthink me rade. but would just stand and a sock— hop be-neathmy bed, a dis - co ball that’s just hang-ing by Td like to make. my-self be-lieve— that pla-net earth = = say that 'd rather stay a - F 35Ab B ‘m AP e 2 & @ 2 = wake when I'm_ a-sleep. ’Cause ev-'ry-thing is nev-er as__. it seems. Td like to make — my-self be-lieve_ ‘that planet earth It's hard to say_that’d rath-er stay a - wakewhenI'm. a - sleep,ev-'ry-thingis nev-er as___ it seems__ Leave my door o-pen just crack (Please take me a-way from a oa aa hhere)'cause I feel like such an in-som - ni - ac, (Please take me away from 7BD ab & hhore.)when I’m. ti-red to fall B Bb ab im oe ae | —~ To ten mil - tion fre ~ Vm weird ‘cause I hate good byes. mist - y eyes as they said fare But Til know where sev ral are real bi - zarre,. Yeause L_ 38Bb B ab i : ie : fae NC, saved a few and 1 keepthem in a jar. Ab BP 5 AP Bp e & a to make — my-self be-lieve__ that pla-net earth P-VIp 7 q ra ab Be Cm a Ep Eb ie = hard to saythatI’d rather stay a - wakewhenl’'m— a - sleep.ab Cm BP Hike to make my - self be = lieve _ that pla - net Barth Ui + “all “HU EP ab Bb Cm = ee hard to say that I'd rath-er stay - wake when 'm_ a ~ 40sleep. I'd like : that pla - net arth Is hard to say that I'd rath-er stay a - -wakewhen I'm a sleep. Be- cause my dreams are burst-ing atthe seams sphauss B SeWords & Music by Ryan Tedder, Beyoncé Knowles & Evan Bogart Halo .© Copy 2008 EM Apt Music Incoporata/Sony/AT Muss Publihingl® Day Pubahingiiite 2 Liv Pubthing, USA, ‘Sony Msi Pushing (UI) Lined (25%YENI Mule Pubiching Lined (15% aba Must Publ Unie (3%), ‘Al Fes Reseree,itretonal Copan Secured. 428b throughout 1, Re-mem-berthose walls I built? Well,ba - by they're tum-bl-ing down, 2.Hit me like a ray of sun ‘bum-ing through my dark-est night. ma | ney at ven pu wp 8 abn hey it venne aso ‘crete guy goede Twente kim ed to yor igi I found a way to let you in, _ but I nev-er real-ly had I sworeD'd nev-er fall a ~ gain, __ but this don’t e -ven feel like > == === = | ee a — Stand-ing in the ight of your ha Gra-vi-ty can't for~ get_____ 43ev-'ry nile I had youbreak ing. It’s the risk that I'm tak ~ ing T ain’tnev-er gon-na shut you out Ev-ry-whereI’mlook - ing now T'msur-round-ed by your. em-brace. Fin Bo Ba-by, I cansee your haGay DR = It's writ-ten all__ 0 - ver your face. Ba-by I can feel your ha Pray itwon'tfade a - way (I can feel your Ha - Io, Ha - lo hha - to), (1 can see your ha - lo, ha - Io) (1 can feel your Ha - Io, Ha = Lo. ha - lo, ha - lo) (can seo your ha - lo, ha lo) aa iE] Ha - Io, Ha - to, ha - lo, ha Io) (I can feel your ha - lo, ha - lo) (Lean see your > = 7 Bm Fim To Coda i = eco Ha - lo Ha - ha- lo, ba - lo) (can feelyour ha - lo, ha - Io) 46ad DS. al Coda | | | Drums 47Fight For This Love Words & Music by Steve Kipner, Wayne Wilkins & Andre Merritt J=124 8vb tll * Too much of an- y-thing can make you E -ven the good can be Makes it hard to know which road to © Copyright 2009 Universal Muse PbsishingInemaioal Lined Sore Grall, USAEassie Pubching LntodSiow The SpeskerMs Lyra Publishing, USA Unreal Muse Publehing Lind (1.66% VEMI Mule Pushing Lmiod (22.0% Sony/ATY Music Pushing (UK Lined (3.0%) UniersRCA thle itd (18.6%). _Aighsin Germany printed by Univers Ruste PUBL GH At Rights Record. ntatonal Copyright Socirad ARB.G { aa f knowing too much it better is it worse, are we sit-ting in reverse? I's just like we're go - ing back —s ae 1 want this to go. Driv- in’ fast, but let’s go slow, What I don’t wan-na dois crash. Just know that you're notin this thing a - lone__ ‘There's al-ways a placein me that you can call Let's just go back, back, back, back, ¥An- y-thing that’s worth hav = i fight - ing for. Quit-ting’s out of the ques - 50im Bm? Em . Am BE got te fight some more fight, D Bn? Em iy TR to coda» HH fight for this love if it’s worth hav-ing it’s worth fight - ing for 5. fight, fight,All you can do is make the DAS. al Coda of it now. Can't. be a- fail of the dark, Just know that you're not. Sa ee ew ee . 52so fast we just need__ slow down_ and just roll An = y thing that’s worth hav - snough worth — fight - ing for, Quit-ting’s out of the —ques- 53D a # ha # ag fight, fight, fight, fight for this love We got-ta fight, fight, fight, fight, fight for this love We got-ta fight, fight, fight, fight, fight for this love if it's worth in ue Repeat aio fade 54I’m Yours Words & Music by Jason Mraz Original key: B major oe ‘Moderately slow, with a Reggae feel (JJ = Jd) you done done. me in; you bet I felt. it, I tried to be chill,. but you're so hot that I melt ed. © copyright 2008 Goo Eyed Muse, [A Rigs Reseed ternational Copyigh Secures 55cool done run out, I'll be giv-ing it my best - est, and nothing's gon-na stop me but di-vine in-ter-ven- tion, T Am at reck-on it's a-gain my tum 56and, damn,-you're free, O-pen up your plans= rz Se] Look in - to your heart and you'll. find Lis-ten to the mu-sic of the mo-ment; peo-ple dance. and___ sing. We're just one big fam - i - ly, and it's our god - for-sak-en right to be foved,— loved, loved, loved, 58Seat sing... c op Am G mol i te a é Se] é oe Skooch on 0 = ver clos- er ooo oo ES aaa = a) a wn uy au a a 59pyre F ® i 1 = a == Fee Fe —=— dear, and I will nib-ble your car. pyre T've been spend-ing way too long check-ing my tongue in the mir- ror and bend-ing o-ver back-wards justto try to see it clear-er, But 60,& * | | Sy and so I drew a new face and I laughed my breath fogged. up the glass, guess what'll rid your - self of van - i - ties and just g0 i SS = = ¥ oo z — ee ee what we aim — to do. 617 7 O-pen up your mind and see like me. -pen up your plans won't hes it tate 0 more, Look in- to your heart. and you'll find that the sky tt ce mt wait rm 2 ‘and, damn, you're free.-please don't please don’t please don’... ‘There's no need need io com = pli : cate, rm yous. Seatsing.. __ is short__ This is, this is, this is our fate, short. This is our fate, Pm yours) a Repeat and fade ae 5 63 || Gotta Feeling Words & Music by Will Adams, Jaime Gomez, Allan Pineda, Stacy Ferguson, David Guetta & Frederic Riesterer Moderately fast TeTETE? Ba RR fe p58 RUPE <<< EB jaa] VPrP PPE Ss mE I got-ta feel BR RR BR’ = aaa e (© Copyright 2008 Chery Lane Hai nto (S1.268:)Precent Tae Publehing (46.24% YEM! ise Publsing Lito 2 5%). "AL Rigs Reserve, intraoral Copy Secured, 64= see yo a oe that to - night's. gon-na be a good that to -night’s_ A feel night | FLT 651 ae that to - night's gon-na be a good, To-night’s the night. Let's live . I got my mon-ey. Let's spend it up. ic fe Bo Go out and smash it, Like, oh_my God, jump off that so - fa, 66ra re ae ’ = == FE tee ZF + 3 Let’s get, get off. 1 know that we'll have a bali if we get a4 = SSS SF = SS . 733 IFA = = ona let go, Let's go way out, spaced. out and los stressed. out, 1 wan- 13 = ing all con-trol.(Ch ~ ch ~ ch - ch.) c ie = h — =: Fill up my cup. ‘7 Look at her danc- ing;Let’s paint the town, We'll shut it down, Let’s bum the roof and then we'll do it i, let's let's doit, tet’s do it__ and. do t Let's live it up, and Le’s do it 68doit, “cause T got-ta feel - that to-night’s. good gon-na be. Prprprgyr that to - night's night, gon-na be. prpr pike To-night’s the night.: I got my mon- gy. Lel’s spend it up. Go out and smash it (Pm paid) (Let’s spend it up.) (Smash it) Like, oh_my God. Jump off that so ~ fa, Let’s get, get (Like, oh my God.) (C’- mon!) Ma-zel tov! Look at her danc~ ing; (L-chay- im!) just take it 7 Let's paint the town, We'll shut it down, move it) (Paint the town) (We'll shut it down.) anand then we'll do it a-gain_______Let’s do it, fio | ae do ie beet ie it, and do it, Let's live it up, and Here we come, here we go. We got- ta rock.i _ Ee Easy come, eas-y go. Now we on top, Feel the shot, bod - y_ rock, Rock it, don’t stop. "Round and ‘round, up and down, ay ‘Tues - day, Wednes - day and Thurs - day. Fi - Do it) Sat-ur-day to Sun - day. Get, get, get, get, get with us. ‘You know what we say, (Do it) a say:day. P- DP - P - Par-ty ev-"ty day, And I'm feel - ing | | | hoo) 7 : night, that to -night’s_ B c wf ey to - night's gon-na be a —good,_. ft. I. — good —night__ A feel good| Little Lion Man | Words & Music by Marcus Mumford 3 2008 Universal Musi Pulising Lined A ighie in Garmany amir by Universal Music Pb Gb "AL Rights Reserved rmslona! Copy Senied‘your-self,my man you'll nev-er be what isin your _hear.____ ‘Weep, lit - tle li-on man, you're not as brave as youwere at the Rate your-self and rake your- self, Bomajr F/A Gm F ni the cou-rage you havefix-ing all ay pomajr 8 the prob-lems that BPs F g ® was nat 7. your fault, but mine, I Dm if real - ly f*¥ed it upDm BY/D | Dm BYD Dm ie i a 2, Trem-ble for your-self, my man, you know that you have seen this all be aDm BYD a st ii) y ‘Trem-ble little your Your grace is wast - ed in your face, your pbmaj7 F/A Gm F im — fe i bbold-ness stands a-lone a-mong the wreck. Caust ‘Bomaj RA Gn FE ue ea ff & eam from your moth-er orelse spendyourdays bit - ing_ yourown 1BDm BPs F ap fault, your Dm Bhs FE Dm BPs F Hf HE Be your heart on — the fine Treal-ly fed it up this time, __ did-n't1—my_ Dm iat g And it was your heart on the line. Treal-ly ed it up this time,- 19a a et didnt 1 Didn't 1 my ROaus FE BYEHe F B But it was F Dm BPS zi NC. En He cee fe rot your fault, but mine. And it was your heart on — the line. 82was not your fault, but mine. your heart on real- ly f¥ed it up Did-n't 1 my. dear, gaNew York Words & Music by 2loma Faith & Jodi Marr Original key: G# minor J 7 (swung 2s) Am EnyG Dre Dmyr Am Em/G pt i pyre DiayF (Both times) Am Emy/G a gE 2° only Am Eny/G He i ig ddays were longand the nights so cold, the pa-ges tumed and the tale un- folds, he'd left me for (2.) wolves they howled. for my lost soul, I fell down a deep black hole,he'd left me for (Both times) Dyrt Day EnyG a ag She stood so tall and she nev-er slept,there was not one mo- ment he could re - gret,_ She poured the drinks and she pouted thepow - er, _dia-mond girl who could talk for hours,_ ‘© Copyrgt 2000 Sal ank Music Publishing Limited! Universo Muse Publishing Lines (0%) acststred in Germany by Unreal Music Publ GBH Joa Mar MusictSoryATV Weslo Publishing (U0 Lined (0%) A Rigi Reserved. nerationl Capt Sacred 84 he'd he'da Eo ge hhand one day and told me fhe was leav - ing, me dis be - liev - on my own, he told me hhe was leay - ing and 1 was. plead - ing Hernamewas New York,F ET EyGt Am G c ew « @ ee £ : 7 New York,- she had took hi heart. a-way,—— ohmy. — Hernamewas New... York, au iL —S, pois-oned his__—_sweet_mind___——— dge-dd dj}don’t want to hear it, Your new laugh-ter fines, don’t wan-na hear. it, The i” C 2 LJ 2 F Am e ig tg new - found friends she in - tro-duced__ don't wan-na know them T just ato F hms ca ta ~ oo New. York, a wan-na be with you. Please don’t make. me go. 87: ¥ ; Fh J er ee : bo. os ce = ~ ol : oh my. Her name was New York, a Ji} 1} — ET EYyGt Am G F is & PS pois- oned your sweet mind. Hernamewas New York, dyed l Dd, pasos 88= — fet Ft fe a oh my. Hername was New— heart. a Way,—— pi fas a —, =| # EyGt ce a ee tee he == x — = sweet mind ‘She pois - oned yout da 2 = = oned your sweet mind.. ij FA heel —— =e = ze == ° | | \ | Le | je : — aa ae Am Em/G pyre Dmy/F Am Em/G pyre fe fe fl * g t=¥ ——ae eft & e ) yee ae SE fp}Poker Face Words & Music by Stefani Germanotta & Nadir Khayat d=119 (Mub, muh, mub, mah.) (Muh, mub, mub, (Mut, muh, mub, mah.) {© copyight 2008 SonyiATV Music Pubsing, ‘A Rights Resered.nraslonsl Copygnt Secures 90Sa Feugsvs ee Foeee ers ze mah1.I wan-na hold'em like they 2.1 wan-na roll with him, @ —— peeves do in Tex-as, please hot pair we will be. Fold ’em, let "em hit me, raise it, "A. little gam-bl - ing is Se ae oe ——$$= Poe ve eee ba - by stay with me.(I love it) fan when you're with me.(I love it) ‘af ter he's been hooked 1 bba-by, when it's Jove, if it’s not rough it Luck and im - to Rus-sian Rou-lette is Pit pay the one that's on is hea is-n't fun es eS ei and ition play the cards with spades to start, not the same with - out & BOM oh) PM get him hot, show him what I've got—oh, oo Gh)T'I get him hot, show him what I've got. Can't read my,— can’t read my, no he can’t read- a my riyat Fe hn B Eyre te a aM it (She's got me like no-bod-¥.) _Can’t read) my,— can’t read my— no he can’t tead-a my - FF (She's got_me like no-bod~ y.) 92-po-po-ker face.-(Muh, muh, muh, mah.) Po-po-po-po-ker face,po - po-po-ker face(Mub, mub, muh, Peele A, (Spoken) T yon't tll you that I love you iss oF (Muh, muh, muh, mah.) rug. you, ‘cause I'm bluff in’ with my muffin’ T'm not by- ing, I'm just stun- nin’ with my love glue-gunn- in’, 93(Mah.) a i (freely) promise this; check this hand, ‘cause I'm marvellous! Fat FR Gtm ie i? fe" (She's E Eyre Feat EE a ia (She's = 94, Can’t read my,— can’t read my, no he can’t read-a my got me like no-bod-y.) Can't read my,— can’t read my, F sus toa chick in the ca = sim, tke your bank be-fore I pay you out. I promise tis, Play 3 times Fe ey got me like no-bod- y.)Gtm E art B is) : = po- po-Ker fave, po - po - po-ker Po- po- po po-ker face, po - FayAt Fe Gim E E/Ee . = i a i ’o OF =po-po-ker face Po- po- po-po-ker face, po - po-po-ker face— (She's got_me like no-bod- y.) - (Muh, muh, muh, PBoeer B Pijat Feo Gm lea ig = F Po-po-po-po-ker face, po - po-po-ker tree!” P ELI” [ po-po-po-po-ker face, po- mah.) (Mut, mab, muh, mab.) E EFt B Fiat Fe HS ae 8 onc Bere) ClGep esa a some: LT Fae (Mub, muh, muh, mab.) (Mub, mub, mub,mah.) 7 POLol|Many Of Horror (When We Collide) Words & Music by Simon Neil Original key: Do major J=85 ‘You say “I love you, boy”. A i] Ses But I knowyou ie. I trustyou all the same, $5 I don'tknow — why,. {© Copyigh 2009 Unversal sic Pbling Lime. ‘A his in Germany adrinisred by Unreal Mise Put Gos ‘A Rights Resorvod.matonal Copyright Secure. 96Our bro-ken fair - y - tale, T still be - lieve. IWsyouandme till theend of time. OF |Sy 2 col-lide, wecome to-geth-er. If__we don’t we'll al-waysbe a = G PHL take a bruise, I know you're worth it. When you hit’ me, hit me hard, tf 2 Sit-ting ina wish-ing_ hole. Hop-ing it stays dry. 98Feet cast in stone. I've got Gill-i-gan’s eyes. Bm bg aero we col-lide, we come to-geth-er. If we don’t, we'll al-ways be a-at fapop sepa SS Til take a bruise, Tknow you're worth it. Bm G A tS # ey Whenyou hit me, hit me hard, let-ting us go against Fim GA mabe of hor ror. 100Em _D Bm = fie Our fu - ture is for. I still be - lieve. 101It's youand me till the end of time. we don't, we'll al-ways be a ~ part take a bruise, know you're worth it When you hit me, hit me hard. 102Sweet Disposition Words & Music by Lorenzo Silitto & Abby Mandagi 1. Sweet © cong 2009 nagom Muse ‘Rips Reset, ntatonl Cony Secured 4103 | |Cont. sim 104105' | mo- ment. a love, 106Just stay__ D Bm? Gmaj? While our ——blood’s. still young, 1078 Bm? Bsus Ee and won't stop Gmaj? i it's 0+my Gmap Bsus! a) Won't stop ti its 0 - our rights, cour wrongs.) — (A = ver. mo - ment. a love, =, — stop till DO ed ee Fights, our wrongs) (Aight, our wrongs) pe é = =| = se FI =e! i + ¥ = — = ae oo os vs iShe Said Words & Music by Benjamin Ballance-Drew, Eric Appapoulay, Casell & Tom Goss Original key: Eb minor dasa J)=1) NC. 1,3. She said “I love you boy, I 2.But I love you boy, I (© copy 2010 Universal Muse Publishing Lined ‘Atel n Geman waisted by Univers Msc Publ Gb "AI Rips Reseed. lematonal Copy Secured 110 She said “I love you ba- by,She said “I love you more than words cam say."_ She said “I love you ba To Coda 1. mM“What you're say-ing girl, it How can you be in love with me?_ We on-ly just 112the start When I first some-thing start-ed bum-ing 13and close. the door.” DS. al Coda —= So now I'm up in the courts, "Cause she like the sound of my mu - sic, = plead-ing which makes her —— my case from the wit-ness box. fan of my mu - sic, ’S'why ‘Love Goes Down’ makes her ‘lose Yeause she can’t sep-a-ratethe man from the mu - sic. = S Ss PEs x SS == = ae SS = ? : ; oS ; eR SS SS SS SS SS eS Se Tell = ing the judge and the jar - y=: the samo thing that T said to thecops | @ on the day that 1 And I'm say - ing all this got ar-rest ~ in the ed stand 4 Tm in ~ no- cent” while my gitl_ cries 1 tears pro-test - ed, in the gal-ler-y.She just feels re - ject - ed, Jhad her heart bro-Ken by some-one she's obsessed with, | ‘This has got big ~ger than I ev - er could have planned, 2 | like that song by the Zu- tons, "Val-er- ie’ “Cept the jury don’t look like they're buy-ing it, B this is mak - ing me ner- vous. Ams crossed, screwed face, like I'm ty-ing it, fixed on me like I’m mur-der-ous 1s——— ‘They wan-na send me down, ‘and throw a-way the key. e-ven though I told them she... DAS, al Coda 116said“Then why the hell you gotta treat me this way?”__ | You don’t know what love Ht ent tae 7Starry Eyed Words & Music by Elie Goulding & Jonny Lattimer J=150 Fm BbyBP pyab yb piyab Be star - ah-ab-ah, bit, hit me with light - ning. ‘2 copyaht 2010 Glo Talent Poblanng (50% Wamernappl Mure LIne (0%) A Rigs Roser, tratonal Copyright Serie 118BBP pba’ for an- y- one— ‘and ca-rou-sels.. bob =e ee == f=. Sj ——- = ee Take = me in and Pil throw out my—— heart. Fall head first like pe - per planes and play- = rey | » ny 1 | od dd ed a = + Cm? ‘me, it's like you hit me with fight - 19tand my bod-y goes. ev'ry -bod-y’s__ star - 1y eyed i alliS Ep Bim ge ( = j—S=4 | =3 SS SSS whoa-ah-ah-ah- ah, ob, oh, ob, oh. Whoa, ob, oh, — ——¥ f == SSS SS aan Next thing, SSS Se S| ee aaa ves guy = S| = jan es = 4 4 aT SST Cm? Fm i ie pabb= ——EEe : = = SI ee SS we're touch - ing—— Next thing, ' oe touch - ae \Next thing, ‘Next thing, = ey Next thing, ie Co me with light - ning, ev'ry -bod-y's____ star - ry eyed. and ev-'ry-bod-y Bm ab a Pe 0 ie ev-'ty-bod-y's__. star - ry eyed, and my bod-y goes.. 122Whoa, oh, (vocal ad lib.) 'f- ev-'ry -bod-y's__ star - ry eyed, 123 and my bod-y goes.—Try Sleeping With A Broken Heart Words & Music by Jeff Bhasker, Alicia Keys & Pattick Reynolds Heavily J= 84. Nc. Be Ee 1.B-ven if youwere a mil - lion miles a- way, Way Above MusicL.etow Protons InsportadPiin Pal What Up, USA, 2 copyiht 2000 SonyiTV Mune Publishing (UK) ited 20% Muse Puech (ines (15%)Copyt Conra (%) ‘A Rights Resered rman Copyright Secured 124fe F BP aa ae i And @-ven at the bot-tom of the sea, I could still hear in - side my cc BYD c ByD CB FooGm’ FA BRYA fi Eat t a @ ei i | <——~ & Gm Csust c Fo Gm’ A Bb FA Pe laa f@ fie @ iz T’m gon-na find a way to make— . To-night. 125aust c E Gn AoA faa ie @ = ie T'm gon-na find a way to make T'm gon-na hold Bb P ia ti # ia! o ” 2.Have you ev-er tried sleep- in? with a bro-ken heart? Well, youcouldtry sleep - in’ 126= st = SS ee oa own me, no-bod-y ev-er shut it down like. Youwore the crown, youmade my bod-y feel heav-en bound.— ‘Why don’t you | Tthought you told me you'd nev-er Teave_ me? in the sky could see your face, and I know right where I fit t : | 127FA : BP ig ie — it’s*boutto fall apart arr 128 — — +t = ; ¢ = ass 3 in you know that al = ways be in —- @ SSS K a a ——_. = =o + | 2 oo — a a i FS Ds alCoda Cust F Gm’ F/A Bb FA BE et pe = = "T4 ~ =, | Gre _f.2 === ee love with you, right til. the end. Oh, 50 to-night. | \. re =e = = Pee 4 =e et BE | | SS hold on to a bro - ken dream,c BD C/E F Gm FA Gm Ei is i i i iz ie Se PH just hold on - ‘And I could find = a. way to make. FAB FIC By ore. F Gm? FA BE FYA. Gm Coust & & im ag a" T'm gon-na find a way to make Fo Gm? F/A Bb BA Gm Cost c i ae iy Be fee’ Tay I'm gon-na find a—— way to make. 129F Got FA BP F/A Gm Const c aie © kt gr Hi wi Tm gon-na hold. onto Tm gon-na find a___ way Li B & fis F Gm? FA Bb F/A Gm Coust F B FA 130F Py c Byp Bb FawyAW/A F i iia i Bae Ee Renken a Wa net Repeat and fade 131Use Somebody | Words & Music by Caleb Followill, Nathan Followill, Jared Followill & Matthew Followill J=136 C/E Fmaj? im! ie fl oh, (© Copyright 2008 Falowi MusiaMcha Soot Muse "McFeatessMusiiCotes Tea Or Me Pubtcing (crnctred by Bug Kasi ined) (45%) |AIRIphs Rocered tinal Copyigh Secured 98 Of Combustion (adiistrad by Bug Mui Music Of Windowe) SEY 1321.T've been roam-ing a - round, KC Emouns) FS ES” & HEE —— —— al- ways look-ing down ___ @)— and all you know. and how— you speak, Gye ohillo yom give tity ap ene a tt i sleep. co Emours) tnt fat | Paint ed fac - es fill the plac Count-less lov - ers, un der- cov Wag - ing wars____ to shake the poet. F at hl a You know. that I could use some - bod = y. aa You know. that I could use some - bod - y. = 1 hope it's gon-na make iSee You know. that I could You know. that I could T hope it’s gon-na 2.Some one like you. Some-one like some-one like me. Sr = oy 2° Some - one like me_Some-bod - y. 135 DAS. al Codax —— Fis it out, let ee pe oe poe f ——s pe it out, le a Dg Fmap ‘Am? 136Some-one like you. I’ve been roam-ing a- round, © CE Fmapadass al - ways look - ing down 137Whatcha Say Words & Music by Imogen Heap, Jonathan Rotem, | Kisean Anderson & Jason Deriilo | Original key: B major J=75 NC, ——————— ‘Mm, what-cha say, ‘mm, that you on - ly meant well? Wall, ofcourse you did, ‘Mm, what-cha say, mm, thatit’s all for © Cont 2000 Imager Songs Lined (50%SonyiATV Muse Pubihing (UK) Lined (25% Universal Msc Pblehing Lind (1.256) ving MusiiRondor Mus tao (275%). ‘At ighisin Germany administered by Unveres! Muse PUB nb ‘Aight Resorod Ileatonl Copy Secured 138E c Am & st a. a tat was so wrong— for so long. Only tty-na please my - self (My - self)_ Girl, | 2. How — could live _withmy - self kknow-ing that I let ourlove — go?_(Love go.) And ‘was caught — up. im her lust when don’t real-lywantno-one else. So, | what'd T do_—withone chance. I just got-ta Iet__ you know, fA a Am # ie ca i no, I know Ishould-ve treat-ed you bet - ter, but me and you weremeantto last for - ev 1 know. what 1 did was-n't clev - er, _but me_and you weremeantto_be_to - geth Am Sati So let me in, giveme an-oth-er chance to real-ly be your So let me in, giveme an-oth-er chance to real-ly be your 139F @ ay al a = | T just did-n't know what to do Butwhen | roof caved in and the truth came. out Gaon a eeu by ie soe be AS) ene y eng ie yan meme ea ‘mm, that you on=lymeant —well?. Well,ofcourse you did. Mm, what-cha say, all for is. 140‘mm, thatyou only meant well?_______Well,of course you did. Em ? F Am i ee cis lel + HR “all ‘Mm, what-cha say? Wha wha wha wha what did she say? Am G & ee | | > 1 0 | Git, tellmewhat-cha say TL (Say 1) I don’t. want you toleave me though you caught me chest ~ in’ | fT S|, Tell me,tell mewhat-cha say I, (Say 1) I real-ly needyou in my lifeteause things ain't. right, girl. fi ValF c Am G fe He i a Tell me, tell me what-cha say (Say 1) I don’t. want you to leave me — though you caught me cheat- in’. ‘Fell mestell me what-cha say I, (Say L) I real-ly needyou in my life_’cause thingsain't right...Cause when the roof caved in and the truth came. out I just 142oy a an Mm, what-cha say, mm, that you on - ly meant Well, of course you did. —— — ‘Mm, what-cha say, thatit's all forthe best? Of courseit is. = Am fz ia ia Mm, what-cha say, ‘mm, thatyou on-lymeant well? Well,ofeourse you did. Wha wha wha wha what did she say? 29456739 143 |=i =D) Be ecut ee tn ene an ee Tey Dal) a) [een eee ee Nelly Furtado THE CLIMB joe Mcélderry CRY ME OUT Pixie Lott Pele) ee) =) AY Journey FIGHT FOR THIS, LOVE Cheryl Cole FIREFLIES owicity HALO Beyoncé 1 GOTTA FEELING the Black aye pot PM YOURS jason Mraz Us ee) event corre cee f la hate alte mie = a) pee) 8 Ts) ee csaycel arom bed) aera ete POKER FACE Lacy Gaga a1) Ue taal ah a d=" es Goulding SWEET DISPOSITION the are) mia) =) 11) 4] bala Meee pr) a1") == [0] «) @aeeto rainy WHATCHA SAY Jason Deriilo § AVERT aera Pau tsa center pnts eee} UNCOOL!Twenty huge. hit songs arranged. for piano, voice EVereicabliccte BAD BOYS Alexandra Burke feat. Flo-Rida Paya t a) d= Ba) fe tent Cen on CG GV LReed ise 9 1 |= eet ing Ct ee Roles Pals) mete] oto Porm) it ee) een helo FIREFLIES ow City p ba a Metron ete 8 rs Bel aed)! ecole NEW YORK raloma faith — bao | ee SHE SAID Pian STARRY EYED ae feos ba 9 Peet The Temper Trap TRY SLEEPING WITH A BROKEN HEART Aicia Keys USE SOMEBODY kings Of Leon WHATCHA SAY jason Deriilo s 1a De Aa ences aad pat of The Music Sales Group