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    BlueConcept GigiGryce PDF

    Uploaded by

    Afonso Pinto Jr
    This document contains a musical transcription of a saxophone solo by Gigi Gryce from the album "When Farmer Met Gryce". The transcription is in musical notation format and contains the solo played at 235 bpm over a blues progression. It is transcribed by Charles McNeal and includes indications for dynamics, articulations, and phrasing.

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    BlueConcept GigiGryce PDF

    Uploaded by

    Afonso Pinto Jr
    55 views3 pages
    This document contains a musical transcription of a saxophone solo by Gigi Gryce from the album "When Farmer Met Gryce". The transcription is in musical notation format and contains the solo played at 235 bpm over a blues progression. It is transcribed by Charles McNeal and includes indications for dynamics, articulations, and phrasing.

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    -BlueConcept_GigiGryce_.pdf

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    This document contains a musical transcription of a saxophone solo by Gigi Gryce from the album "When Farmer Met Gryce". The transcription is in musical notation format and contains the solo played at 235 bpm over a blues progression. It is transcribed by Charles McNeal and includes indications for dynamics, articulations, and phrasing.

    Copyright:

    © All Rights Reserved
    Download as PDF, TXT or read online from Scribd
    Flag for inappropriate content
    Download as pdf or txt
    55 views3 pages

    BlueConcept GigiGryce PDF

    Uploaded by

    Afonso Pinto Jr
    This document contains a musical transcription of a saxophone solo by Gigi Gryce from the album "When Farmer Met Gryce". The transcription is in musical notation format and contains the solo played at 235 bpm over a blues progression. It is transcribed by Charles McNeal and includes indications for dynamics, articulations, and phrasing.

    Copyright:

    © All Rights Reserved
    Download as PDF, TXT or read online from Scribd
    Flag for inappropriate content
    Download as pdf or txt
    of 3

    Alto Sax

    235 bpm
    Blue Concept
    Gigi Gryce solo from the CD "When Farmer Met Gryce"
    Transcribed by
    Charles McNeal


    "Blues"        
     4                      
                             
    3

    3
                             
                              
                             
          

                                
                             
    3

                            
    2012
                            
    3

                             


    3

         
                         

                              
    3

                                    
          
                        
                            
       
                       
            
    2
    2012
                                  Piano Solo

     8                                
    3

     
     10                      
        
    3

                   7 4
                                   
    3

                3

    3
    2012

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