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The Churinga or Bull Roarers of The Arunta and Other Tribes
The Churinga or Bull Roarers of The Arunta and Other Tribes
The Churinga or Bull Roarers of The Arunta and Other Tribes
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FIG. 2 0 . - -W00DEN CHURINGA OR SACRED STICKS OF THE URABUNNA,
LURITCHA AND ARUNTA TRIBES.
I, Chimbaliri of the Urabunna tribe ; 2, Churinga of bell-bird totem, Luritcha
tribe; 3, Churinga of frog totem, Arunta tribe; 4, Churinga of lizard
totem, Arunta tribe; 5, Churinga of emu totem, Arunta tribe; 6, Very old
Churinga of lizard totem, Arunta tribe; 7» Churinga wrapped in bark as
it is when carried about.
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I3O NATIVE TRIBES OF CENTRAL AUSTRALIA CH. v
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FIG. 21.—STONE CHURINGA OF THE ARUNTA, KAITISH AND WARRAMUNGA TRIBES.
l> la, Churinga enclosed in human hair string and carried about together, Arunta tribe;
2, Churinga of euro totem, Arunta tribe; 3, Churinga of water totem, Arunta tribe ;
4, Churinga of witchetty grub totem, Arunta tribe; 5, Churinga of Hakea tree totem,
Arunta tribe ; 6, 7, Churinga and feather covering of the Warramunga tribe; 8, 9,
Churinga of the Kaitish tribe.
K 2
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132 NATIVE TRIBES OF CENTRAL AUSTRALIA CHAP.
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v
T H E CHURINGA OF T H E ARUNTA T R I B E 133
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134 NATIVE TRIBES OF CENTRAL AUSTRALIA CHAP.
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v
THE CHURINGA OF THE ARUNTA TRIBE 135
associated not only with the living members of the tribe, but
also with the dead ones. Indeed, many of the Churinga are
those of special men of the Alcheringa, who, as tradition relates,
wandered about and descended at these spots into the earth
where their Churinga, the very ones which are now within the
storehouse, remained associated with their spirit part. Each
Churinga is so closely bound up with the spirit individual
that it is regarded as its representative in the Ertnatulunga,
and those of dead men are supposed to be endowed with the
attributes of their owner and to actually impart these to the
person who, for the time being, may, as when a fight takes
place, be fortunate enough to carry it about with him.1 The
Churinga is supposed to endow the possessor with courage
and accuracy of aim, and also to deprive his opponent of
these qualities. So firm is their belief in this that if two men
were fighting and one of them knew that the other carried a
Churinga whilst he did not, he would certainly lose heart at
once and without doubt be beaten.
The Ertnatiilunga may be regarded as the early rudiment
of a city or house of refuge. Everything in its immediate
vicinity is sacred and must on no account be hurt; a man
who was being pursued by others would not be touched so
long as he remained at this spot. During the Engwura
ceremony, when temporary storehouses were made to hold
the large number of Churinga which were brought in to the
ceremonial ground, and when, as always happens when men
from different parts are assembled in large number, there
arose any small quarrel, no display of arms was allowed
anywhere near to the stores of Churinga. If the men wanted
to quarrel they had to go right away from the Churinga
stores.
The loss of Churinga is the most serious evil which could
befall a group, but, though it might have been expected that
1
A remarkable custom with regard to stone Churinga may be noticed here.
When a man is ill he will sometimes have a stone Churinga belonging to his totem,
brought from the storehouse. With the flint flake of his spear-thrower he will scrape
off some of the edge of the Churinga, mix the dust with water and drink it, the
mixture being supposed to be very strengthening. The idea evidently is that in
some way he absorbs part of the essence of the stone, thereby gaining strength, as
it is endowed with the attributes of the individual whom it represents.
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136 NATIVE TRIBES OF CENTRAL AUSTRALIA CHAP.
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v THE CHURINGA OF THE ARUNTA TRIBE 137
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138 NATIVE TRIBES OF CENTRAL AUSTRALIA CHAP.
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v THE CHURINGA OF THE ARUNTA TRIBE 139
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140 NATIVE TRIBES OF CENTRAL AUSTRALIA CHAP.
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V THE CHURINGA OF THE ARUNTA TRIBE 141
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142 NATIVE T R I B E S OF CENTRAL AUSTRALIA CHAP.
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V THE CHURINGA OF THE ARUNTA TRIBE 143
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144 NATIVE TRIBES OF CENTRAL AUSTRALIA CHAP.
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Y THE CHURINGA OF THE ARUNTA TRIBE 145
device will mean one thing to a native of one totem and quite
another thing to a man who belongs to another totem, and as
a man's knowledge is strictly confined to the designs of his
own totem, it is quite unsafe to ask, say, an emu man to
describe to you the markings on a wild cat Churinga, or
vice versd.
The whole design consists, with few exceptions, of a con-
ventional arrangement of circular, semi-circular, spiral, curved
and straight lines together often with dots. The most frequent
design met with is that of a series of concentric circles or a
close set spiral, the sets of circles or the spirals varying in
number from two or three to as many as twenty, or even
more; and these, when present, usually indicate the most
important object which it is intended to represent in the
whole design. In one Churinga each will represent a tree, on
another a frog, on another a kangaroo and so on, so that it
will easily be realised that to obtain a true interpretation of
any one Churinga, it is absolutely essential to obtain the
information from some one to whom it is personally known,
and such an one can only be an old man of the particular local
totemic group to which it belongs ; it is only the old men
who continually see and examine the Churinga of the group,
which are very rarely indeed seen by any one who does not belong
to the latter. Time after time, when 4d\zErtnatulunga is visited,
the Churinga are rubbed over and carefully explained by the
old men to the younger ones, who in course of time come to
know all about them that the old men can impart, and so the
knowledge of whom the Churinga have belonged to, and
what the design on each one means, is handed on from
generation to generation.
We will now explain the meaning of the designs on a few of
the Churinga, as these will serve to illustrate and to give some
general idea of them. The descriptions now given were
obtained from the special individual in charge of whom the
Churinga was, which is described in each instance.
Figure A. represents the Churinga nanja of a dead man of
the frog totem. On either side of the Churinga, which is a
wooden one 39 cm. in length, are three large series of
concentric circles (<z), which represent three large and
L
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146 NATIVE TRIBES OF CENTRAL AUSTRALIA CHAP.
Fig.A.
totem to which the owner of the totem belonged ; the straight
lines (6) passing out from them on one side of the Churinga
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THE CHUR1NGA OF THE ARUNTA TRIBE 147
represent their large roots, and the two series of curved lines
at one end (c) their smaller roots. These trees are intimately
associated with the frog totem, as out of them frogs are
supposed to come, which is doubtless an allusion to the fact
that in the cavities of old gum-trees one species of frog is
often found, and can be always heard croaking before the
advent of rain. The smaller series of concentric circles on the
same side of the Churinga (d) represent smaller gum-trees, the
lines attached to them being their roots, and the dotted lines
(e) along the edge are the tracks of the frogs as they hop
about in the sand of the river bed. On the opposite side of the
Churinga the large series of double concentric circles represent
small frogs which have come out of the trees, and the lines
connecting them are their
limbs. This device of small
concentric circles united by
lines is a very common one
on frog Churinga.
Figure B. represents the
Churinga nanja of the cele-
brated Ilatirpa of the Yarumpa
or honey-ant totem, and is in
the storehouse at Ilyaba. The
series of circles {a) with a
hole bored in the middle of
them represent the eye. The
circles \b) represent the in-
testines, (c) the painting on
the stomach, and (d) the pos-
terior part of the man. On
the reverse side the circles (g)
represent the intestines of the
Alatirpa, a little bird which
is regarded as the mate of the
Yarumpa.
Figure C. represents the
Churinga of an Achilpa or
wild cat man. The three series of circles (a) represent Un-
jiamba or Hakea trees, while the circles of spots (b) represent
L 2
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148 NATIVE TRIBES OF CENTRAL AUSTRALIA CHAP
the tracks of the men dancing round them. The lines (d)
represent the Wanpa sticks, which are beaten together to keep
time to the dancing; and the dots (e) represent again the
tracks of dancing men. This Churinga is in the store-house
at Imanda, and was used during the Engwura ceremony.
Rg.D.
Figure D. represents the Churinga of an Udnirringita
or witchetty grub man, and is in the Emily Gap store-house.
The curved lines (a) represent a large grub, (6) represents a
lot of grubs in a hole which is scooped out in the ground,
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THE CHURINGA OF THE ARUNTA TRIBE 149
and (c) represents a man sitting down and squeezing the dirt
out of the animals preparatory to cooking them. On the
reverse side, (d) represents a grub, (e) the eggs of various
sizes, and (/") marks on the body of the grub.
Figure E. represents one side of the Churinga nanja of
the elder of the two women who accompanied the Ulpmirka
men of the Ukakia or plum-tree totem (Santaluni sp.) in the
Fiy.E.
Alcheringa, and were taken away to the north by a celebrated
individual called Kukaitcha. The three series of concentric
circles (a) represent frogs, the two outer rows of dots
represent the tracks of the women. The lines across the
Churinga (6) represent bark of gum-trees, and the curved
lines at one end (c) represent an old woman collecting frogs.
Figure F. represents one side of the Churinga nanja of
the younger of the same two women. Here the
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NATIVE TRIBES OF CENTRAL AUSTRALIA CHAP.
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v THE CHURINGA OF THE ARUNTA TRIBE 151
on some the lines are clearly cut, and, considering the hard-
ness of the material and the crudity of the tool used, the
result is surprisingly good so far as the regularity of the
design is concerned ; but in all cases the design is a purely
conventional one, and never attempts to indicate in form
the specific object which it is supposed to represent, or
rather to indicate. The most important feature is almost
always indicated by a series of concentric circles or by spiral
lines, while tracks of men and animals seem to be repre-
sented by dots arranged in circular or straight lines. Indi-
vidual men and women appear to be uniformly represented
by semi-circular lines, and may be said, speaking generally, to
be regarded as subordinate to the animal or plant indi-
cated in the design by complete circles or spirals, though, as
will be noted, the latter is not by any means of necessity the
totem of the individual to whom the Churinga belongs.
When dealing later on with the decorative art of the natives
we shall refer further to these designs ; meanwhile it may be
pointed out here that the concentric circles appear to have
been derived from what was originally a spiral, and not vice
versa. Whence the Central natives derived a style of
decoration of their sacred objects which is so entirely different
from that of the tribes living both on the east coast and to the
west of them, it is difficult to understand. One thing is
certain, and that is that wherever they derived it from they
have had it for long ages, as it is associated with their oldest
traditions. The entirely different scheme of ornamentation
found amongst the tribes of the eastern and south-eastern
coasts, of the centre and of the west, points to the fact that
these three large groups, each of which consists of many
tribes, must have diverged from one another at an early date,
and that each one has since pursued its own path of
development practically uninfluenced by the others. In
connection with this it may be noted that, though as yet but
little is known concerning the West Australian natives, the
initiation rites of the Eastern coastal tribes, whilst they agree
in all important points amongst themselves, are markedly
different from those of the Central tribes, including amongst
these those of the internal parts of Queensland and New
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152 NATIVE TRIBES OF CENTRAL AUSTRALIA CHAP.
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v THE CHURINGA OF THE ARUNTA TRIBE 153
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154 NATIVE TRIBES OF CENTRAL AUSTRALIA CHAP.
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v THE CHURINGA OF THE ARUNTA TRIBE 155
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156 NATIVE TRIBES OF CENTRAL AUSTRALIA CHAP.
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v T H E CHURINGA OF T H E ARUNTA TRIBE 157
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158 NATIVE T R I B E S OF CENTRAL AUSTRALIA CHAP.
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v THE CHURINGA OF THE ARUNTA TRIBE 159
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160 NATIVE TRIBES OF CENTRAL AUSTRALIA CHAP.
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v THE CHURINGA OF THE ARUNTA TRIBE 161
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i62 NATIVE TRIBES OF CENTRAL AUSTRALIA CH. v
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FIG. 23.—CHURINGA WHICH HAVE JUST BEEN RETURNED AFTER HAVING BEEN
BORROWED. DURING THE PERFORMANCE OF CEREMONIES THEY ARE
PLACED ON THE SMALL PLATFORM BUILT IN THE TREE.
M 2
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164 NATIVE TRIBES OF CENTRAL AUSTRALIA CHAP.
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v THE CHURINGA OF THE ARUNTA TRIBE 165
the emotion felt when they once more see their Churinga.
The latter were then placed on the lap of the leader of the
Inwurra, and then the Alatunja sitting immediately opposite
to him, as well as the old men on each side of him, leaned
across and rubbed their foreheads against the stomachs of
the front row of the Inwurra party. This was done to show
that they were friends, and were not angry with the visitors
because they had kept the Churinga for such a long time.
The leader of the Inwurra party now began to unwind the
Imitnya, which were quite newly made of opossum fur, and
in which the Churinga were swathed, forming altogether a
torpedo-shaped bundle about four feet in length. Every now
and then they paused and repeated the rubbing of the stom-
achs with their foreheads, until, finally, when the Imitnya
and a number of Uliara, or human hair girdles, lying under
them, had all been removed, the Churinga were displayed.
Then, one by one, they were handed over to the Alatunja,
who carefully examined each one, and rubbed it over his
stomach and thighs, and over those of the men of his
group, and then placed it on one of the shields in front
of him.
This performance occupied a considerable time, and it was
conducted with great solemnity. Then the leader of the
Inwurra addressed the Alatunja and his men, saying in effect,
11
We return your great Churinga, which have made us glad.
We bring you a present of these Imitnya and Uliara, and we
are sorry that we could not bring more, but the Anthinna
(opossum) is scarce and hair does not grow quickly." This
was somewhat modest, as there must have been, at the least,
fifty large new Imitnya or opossum fur-string bands, besides
a great number of Uliara.
The Alatunja replied, " It is good, yes, we are glad you
kept our Churinga so well ; they are all here. We accept
your present and offer you these Imitnya in return ; we are
sorry we cannot give you more." Then he handed the
Imitnya, about fifteen in number, which were placed on one
of the shields, to the leader of the Inwurra, and taking up the
ekulla or cake of grass seed, he divided it into two with a
Churinga, and, giving one half each to the leader and another
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166 NATIVE TRIBES OF CENTRAL AUSTRALIA CH. v
old man of the latter's party, said, " Eat, feed your men with
our ekulla"
After the old men of the local party had spent a long time
in carefully examining the Churinga, the ceremony came to
an end, and the Alatunja told the old men, in whispers, that
he was about to perform the ceremony of Intichiuma of the
emu totem. This is not, however, of necessity performed
when the Churinga are returned, and is described in the
chapter dealing with the Intichiuma ceremonies of various
totems.
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