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  • Radio-Active Michael Brecker 'Modern Times'

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    Ann Christin Næss
    1K views2 pages
    This document appears to be sheet music for an instrumental piece titled "Modern Times" featuring a tenor saxophone solo. It contains musical notation written in a specialized symbolic language. The sheet music is divided into sections marked by measure numbers and includes indications for tempo, instrumentation, and expression.

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    This document appears to be sheet music for an instrumental piece titled "Modern Times" featuring a tenor saxophone solo. It contains musical notation written in a specialized symbolic language. The sheet music is divided into sections marked by measure numbers and includes indications for tempo, instrumentation, and expression.

    Copyright:

    Attribution Non-Commercial (BY-NC)
    Download as PDF, TXT or read online from Scribd
    Flag for inappropriate content
    Download as pdf or txt
    1K views2 pages

    Radio-Active Michael Brecker 'Modern Times'

    Uploaded by

    Ann Christin Næss
    This document appears to be sheet music for an instrumental piece titled "Modern Times" featuring a tenor saxophone solo. It contains musical notation written in a specialized symbolic language. The sheet music is divided into sections marked by measure numbers and includes indications for tempo, instrumentation, and expression.

    Copyright:

    Attribution Non-Commercial (BY-NC)
    Download as PDF, TXT or read online from Scribd
    Flag for inappropriate content
    Download as pdf or txt
    of 2

    CD: Modern Times RaDio-active Michael Brecker tenorsolo

    For Eb instruments

       3     3        


                
     3

    4
                 
    
    3
      
             
    
      
     3 3

            


    
      
        
    7

       
    3 3

                    
    10
      
                 
       
    
    3

           

         
        
               
    13
    
           

    3

          


     
         
     
                     
    16

        
    3
       
           
                              
      
    19

           

     
                     
      
      
    22

      
    3

     3     
             
    25

             

    Transcribed by Ann Christin Næss


    2

                       


        
    28

     

                   
          
    31
      
       
     
            
    34 3
                   
        
    3

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