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    HECTOR JAVIER NIÑO GOMEZ
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    18 views32 pages

    Carol Kaye - Electric Bass Lines Nro 4 PDF

    Uploaded by

    HECTOR JAVIER NIÑO GOMEZ

    Copyright:

    © All Rights Reserved
    Download as PDF or read online from Scribd
    Flag for inappropriate content
    Download as pdf
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    TABLE OF CONTENTS INTRODUCTION 6. ee ee ee ae BOOTS ere mam BEERS BACK INMYARMS ws eee ee ee OUTOFMYHEAD «6. ee eee eee GOOD VIBRATIONS 2.7. - 7 eee IF [COULD BULLD MY WHOLE WORLD. . « WICHITA LINEMAN 2 22 ee eee 1 CHOSE TO SING THEBLUES 9... 1. +s YOU MADR ME SO VERY HAPPY . 2... + + DON'T CHANGE ONME eee eee UNDERSTANDING «6-2 eee eee 1WAS MADE TOLOVE HER... ee ee FEELSOBAD .. epee eee reece WILLIE re FEELIN ALRIGHT 6 ee eee ee eee ‘copyright 1921 by GWYN PUBLISHING COMPANY Inermational Capsright Secured Maden U.S.A” AU Rights Reserved 2 4 16 18 2 25 30 INTRODUCTION ‘This folio represents various types af tunes, mostly in the Soul style of music, of my original bass lines from the indicated hit records, They represent much of what is being written today in the studios for Elec:ric Bass players although some of the tes had no bass lines writen and were improvised lines on my part at the time of recording them (irom 1965 through 1971). The rest had skeleton parts written which I had to "improve" upon to help make the recording feel good. Today's musician is called upon to read more and more and so I felt that this book was necessary for practice. The hit records are all familiar and the parts will be good for sight~ reading practice as well as study in continuity. It would be a good idea to purchase these rec- ords to play along with, The tempo indications are approximate as the band rushes and drags in spots, feel was the ummost important thing. The bass doesn't sound yery distinet on the earlier xecordings as on the later ones, but one can play along with these and benefit by it. Lately, it has been pleasurable to hear so many fine bass players play so tastefully in all of the new great Rock groups. One of which is John Clayton, Ray Brown's protege wio 1 am proud to say, mine also. He assisted me in the music preparation of this book and my heartielt thanks go to him for the arduous work he has done. We both hope you Tike this book and that it will be a challenge and a pleasure to play. Thanks also to Valda Hammick of Australia. Sincerely, Cord Kaye John Clayton, 1972 combo winner of the Carol Kaye Pacific Coast Jazz Festival contest (The John Clayton Trio), Worked with Louis Bellson, Herb Ellis, Craig Hundley, and Monte Alexander. BOOTS Original Bass Line ag reeorded with Nancy Sinatra at United Recorders (approximately 1987) ‘ Repeat 3 times 4 = 108 : L ‘ee Fade BACK IN MY ARMS Original Bass Line as recorded with ‘The Supremes at Steiner's Studio (approximately 1967) = 124 c c sinile oi simile Repeat for fade Mondobajo.blogspot.com TF CMaj7 OUT OF MY HEAD 108 Original Bass Line as recorded with The Lettermen at Capitol Records (1966) cm ° com c cr Mondobaijo.blogspot.com e Gt Dm or c AT Dm at c Am? Dm ce ¢ c G c simile GOOD VIBRATIONS Note: Written in time. nh Original Bass Line as recorded with Beach Boys at Western (1967) 150 ua - == - Be ew we == = Walking Pattern Key of Ab Key of Bb Revs * suits Slower IF I COULD BUILD MY WHOLE WORLD Original Bass Line as recorded with Marvin Gaye and Tammi Terrell at Columbia (1967) de tas © Dm s c F ll olf AN _ simile a Fade © Mondobaje.blogspat.com WICHITA LINEMAN Original Bass Line as recorded with Glen Campbell at Capitol Records (1968) dear F Bos FE as ‘BbMaj7 ls of z : > iB Asus ale ) ) simile a I CHOSE TO SING THE BLUES Original Bass Line as recorded with Ray Charles at RPM Studios (1967) d= 128 wb savannas pacing eetmemicaeaastatl Gb7 DbT Db7 simile _ Fade Mondlobaja.blogspot.cam 16 YOU MADE ME SO VERY HAPPY Original Bass Line as recorded with Brenda Holloway at Steiner's Sound (1967) F800 7 D aT amt Am D, Sif m AbMai7 FL fo mo mondobajo.blogspot.com — 18, DON’T CHANGE ON ME Original Bass Line as recorded with Ray Charles at RPM Studios (1971) Note: Most glios markings are 1 fret grace note slides, Dm Bb Cus ir] Dm Bb Csus ao. Fade UNDERSTANDING Original Bass Line as recorded with Ray Charles at RPM Studios (1969) Note: Glisses are usually }i tone grace note slides. denon a Ab 21 Fade 22, I WAS MADE TO LOVE HER Original Bass Line as recorded with Stevie Wonder at Steiner's Studio (approximately 1967) #5 106 simile 24 Se tl 25 FEEL SO BAD Original Bass Line as recorded with Ray Charles at RPM Studios (1971) at by _ simile fy open 268 mondobajo.blogspot.com Eb? AbT mb AbT simile 28 WILLIE" Original Basg Line as recorded with Mel Torme at Capitol Records (1969) Blues Style d= 80 BD simile Fade Bb, Ab Ab Gb 30 FEELIN’ ALRIGHT Original Bass Line as recorded with Joe Cocker at Sunset Sound Studios (1968) de86 15 or simile mondobajo. blogspot.com 32 = —

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