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Regina Duggan 202022477: Assessment 1. Literary Form and Original Message of Jonah
Regina Duggan 202022477: Assessment 1. Literary Form and Original Message of Jonah
Regina Duggan 202022477: Assessment 1. Literary Form and Original Message of Jonah
Introduction
There have been many varied evaluations regarding the literary form and original
message of Jonah. This essay will contend that the Book of Jonah is a didactic
narrative, conveying the original message that God is merciful and compassionate
towards all people. This will be argued initially through a discussion of the literary form,
which contends that the short proclamation of the book, is overshadowed by a much
stronger story using narrative structure and techniques, and is therefore not a prophetic
book nor a midrash as some scholars suggest. An analysis into the story itself, reveals
turmoil and discourse between two peoples, but all believed by God to be worthy of
saving. In adapting this text to a Religious Education setting, the teacher needs to
elevate the lesson from a simple telling of the narrative that the student experiences in
the junior years, to encourage deeper discussion and understanding of the text and how
Literary Form
There is much disagreement and discussion in regards to the literary form of the Book
of Jonah. It is not “more akin to parable or folk tale than prophecy” 1 or a “whimsical,
ironic, and amusing fable”2 of which Beavis and Gilmour articulate. Rather, it is more in
the vein of Boda, who states that “Jonah is a prophetic narrative” 3 full of imagination,
which initiates an emotional response from the reader. This is particularly evident in
1
John J. Collins, Introduction to the Hebrew Bible (Minneapolis: Fortress Press, 2014).
2
Renesa M A. Beavis and M J. Gilmour, Dictionary of the Bible and Western Culture (Sheffield: Sheffield
Phoenix Press, 2012).
3
Mark J. Boda and J Gordon. McConville, Dictionary of the Old Testament Prophets (InterVarsity Press,
2012), 465.
Regina Duggan 202022477 2
Jonah 1, as the author tells us a tale of defiance, of a debate of morals – “they do not
want to accept the fact that Jonah must die for them [the sailors] to be saved” 4, and the
consuming of Jonah by a large fish, which conjures up images of a whale. The book
also has the structure and techniques of a narrative, such as “irony, humour, [and]
contend that it is a narrative, I do not believe that the work is prophetic. As Van Der
Woude states, Jonah’s message to the Ninevites was the ”shortest sermon in world
history…an extraordinary event that has left no trace in the Assyrian records” 6. Barton
and Muddiman also proclaim his prophecy to be “the shortest…oracle ever” 7. Rather
than prophetic then, the long narrative arc, paired with the comparatively diminished
narrative, asking the reader to learn a particular moral message, by revealing to them
through the story that God is all powerful and compassionate. This notion of the
Original Message
In order to understand the original message of the Book of Jonah, one must consider
the time in history in which it is believed to have been written. Many scholars such as
Freedman suggest, “there are no simple answers and much critical debate” 8 about its
4
Steven M. Bob, Jonah and the Meaning of Our Lives: A Verse-by-Verse Contemporary Commentary
(Pennsylvania: The Jewish Publication Society, 2016).
5
John Barton and John Muddiman, The Oxford Bible Commentary (New York: Oxford University Press,
2001), 595.
6
A S. Van Der Woude, In Quest of the Past: Studies on Israelite Religion, Literature and Prophetism
(Netherlands: E J. Brill, 1990), 45.
7
Barton and Muddiman, The Oxford Bible Commentary, 595.
8
David Noel Freedman et al., The Anchor Bible Dictionary, Volume 3 (New York: Doubleday Publishing,
1992), 936.
Regina Duggan 202022477 3
origin, but the time in which the book was set, was by many scholarly accounts, no later
than the 6th century and no earlier than the 3rd century, as Coogan puts it in the Second
Temple period. He contends this is signified by the return of the Jews to Jerusalem after
their return from exile9. This is important because although the Jews had been led back
into their own country and the restoration had begun, there was still uneasiness
between the Jews and the Gentiles at the time. This lends itself to the argument that the
original message of the book is that “God wants to show mercy to all”10, Gentile and Jew
alike. God, at every chapter in the story, showed compassion and forgiveness
regardless of religious belief. When the sailors were fighting for their lives and
eventually threw Jonah overboard, God calmed the seas, showing “universal mercy and
love”11. “Jonah fled to the sea to escape him”12 and even though he had disobeyed God,
God delivered a large fish to rescue him. Again, showing compassion, the fish coughed
Jonah up onto dry ground and allowed him the opportunity to deliver the sermon to the
Ninevites. Then God “working in the world by showing [his] care for all peoples” 13 saved
the people of Ninevah from destruction. Jonah believed that the Gentiles were not worth
saving, but God’s message was that he “wants to save and has the freedom to do so” 14.
The Book of Jonah therefore is a moral lesson that “the Lord is the shepherd of all his
9
Michael D. Coogan et al., The New Oxford Annotated Bible, 4th Edition (New York: Oxford University
Press, 2010), 1301.
10
Boda and McConville, Dictionary of the Old Testament Prophets, 465.
11
James D. Douglas and Norman Hillyer, The Illustrated Bible Dictionary: Part 2 Goliath-Papyri (Australia:
Hodder and Stoughton, 1980), 808.
12
Michael D. Coogan et al., The New Oxford Annotated Bible, 1303.
13
Jerry L. Sumney, The Bible. An Introduction, Second Edition (Minneapolis: Fortress Press, 2014), 465.
14
Katharine J. Dell, “Reinventing the Wheel: The Shaping of the Book of Jonah,” in After the Exile: Essays
in Honour of Rex Mason, ed. John Barton et al. (Mason: Mercer University Press, 1996).
15
Barton and Muddiman, The Oxford Bible Commentary, 595.
Regina Duggan 202022477 4
own way. To allow them to provoke feelings and understandings of the story aside from
believing only what I teach, which is often biased because of what I was taught and
subsequently, thoughts and feelings I have derived from such teaching. As Hart
children, that adults are able to learn about the spirituality of the child” 16 and in allowing
this, he explains, wondering and wisdom can be developed. In introducing the story of
Jonah or any bible story, I would begin with a biblical image. This evokes wonderings
for a child. Grey and Ron suggest that we need to “encourage [students] to develop
more complex mental pictures, and prepare them for the multivocality of the text” 17,
which enables them to understand the visual before entering into the narrative. I am
teaching year 5 students and it would be important to ask them, while viewing an image,
questions such as, ‘What do I see?’, ‘I think?’, ‘I wonder?’ about this image. In the first
instance, what can a child see in the image that may give them a clue as to where the
story is set, and who the characters are or what the story may be about. In the instance
of year 5 students, it might be beneficial to have them talk about the image using the
questions in small groups. This allows children who may not understand the task to
listen to others and then form opinions based on these shared thoughts and ideas. It is
important to gather these responses to return to at a later time in the teaching of the
text. Asking children to then visualise the story with their eyes closed as it is being read,
allows them to picture it in their minds and bring it to life. If terms arise that they do not
16
Tobin Hart, The Secret Spiritual World of Children (California: New World Library, 2003).
17
Patrick Grey and Mark Roncace, Teaching the Bible Through Popular Culture and the Arts (Atlanta:
Society of Biblical Literature, 2007).
Regina Duggan 202022477 5
understand, you can explain appropriately. In Catholic education students are taught the
story of Jonah and the Whale from Foundation as a simple narrative, but as the
students get older, it is appropriate to teach them more about the origins of the times
and original message of which I have stated above. Ask students to then retell the story
from their gained understanding. They may use images or artwork depicting the story,
or use Godly play or group work where they act out the story using dialogue. You may
further engage them by “supporting them to make connections with self, others, ideas,
faith and cultures”18 asking, ‘how is this relevant to my life today’ and ‘how can I be
compassionate like God?’. It is then important to revisit the wonderings they voiced
when viewing the image, to see if these and any other questions, thoughts or new
wonderings are addressed. To conclude the three or four sessions needed to teach this
text, it is important to read the narrative again to bring the images and student
Conclusion
In the beginning of this essay, I set out to argue that The Book of Jonah is a didactic
narrative that conveys the message that God is compassionate and forgiving towards all
people, no matter their faith. This contention was argued through exploring the literary
form of the text, which lead to the conclusion that the short proclamation of Jonah to the
Ninevites, is overshadowed by the techniques and structure of the narrative that runs
throughout the book, therefore making it a didactic narrative. In analyzing the context
and background of the book, I came to the argument that it is a story of defiance and
moral judgement, that conveyed the ultimate message of the overall compassion, mercy
18
Catholic Education Melbourne, Foundation Statement: Pedagogy in a Catholic School, (Melbourne:
Catholic Education Melbourne, 2016).
Regina Duggan 202022477 6
and forgiveness of God. In relating the story into a religious education setting, I
concluded that it is important to begin with a visual in order to allow students to make
their own opinions through discussion with peers, to finally come to a deeper
understanding of the message of the text and how this relates to their own lived
experience.
Bibliography
Barton, John, and John Muddiman. The Oxford Bible Commentary. New York: Oxford
University Press, 2001.
Beavis, Renesa M A., and M J. Gilmour. Dictionary of the Bible and Western Culture.
Sheffield: Sheffield Phoenix Press, 2012.
Bob, Steven M. Jonah and the Meaning of Our Lives: A Verse-by-Verse Contemporary
Commentary. Pennsylvania: The Jewish Publication Society, 2016.
Regina Duggan 202022477 7
Boda, Mark J., and J. Gordon McConville. Dictionary of the Old Testament Prophets.
InterVarsity Press, 2012.
Collins, John J. Introduction to the Hebrew Bible. Minneapolis: Fortress Press, 2014.
Coogan, Michael D., Marc Z. Brettler, Carol A. Newson, and Pheme Perkins. The New
Oxford Annotated Bible. 4th Edition. New York: Oxford University Press, 2010.
Dell, Katharine J. “Reinventing the Wheel: The Shaping of the Book of Jonah.” In After
the Exile: Essays in Honour of Rex Mason, edited by John Barton et al. Mason:
Mercer University Press, 1996.
Douglas, James D. and Norman Hillyer. The Illustrated Bible Dictionary: Part 2 Goliath-
Papyri. Australia: Hodder and Stoughton, 1980.
Freedman, David Noel, Gary A. Herion, David F. Graf, and John David Pleins. The
Anchor Bible Dictionary. Volume 3. New York: Doubleday Publishing, 1992.
Grey, Patrick and Mark Roncace. Teaching the Bible Through Popular Culture and the
Arts. Atlanta: Society of Biblical Literature, 2007.
Hart, Tobin. The Secret Spiritual World of Children. California: New World Library, 2003.
Van Der Woude, AS. In Quest of the Past: Studies on Israelite Religion, Literature and
Prophetism. Netherlands: E J. Brill, 1990.