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  • Escalas Arpegios Grado y Extenciones

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    Jose Peña
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    The document provides information about scales and chord qualities in different keys. It includes: 1) Tables showing the notes in major, minor, dominant 7th, minor 7th, half-diminished 7th, and diminished 7th chords for various key signatures. 2) Explanations of chord symbol notation for major, minor, dominant, half-diminished, and diminished qualities. 3) Notes on chord extensions including 9ths, 11ths, 13ths that can enrich music, with different extensions used for major 7th, minor 7th, and dominant 7th chords.

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    escalas arpegios grado y extenciones

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    The document provides information about scales and chord qualities in different keys. It includes: 1) Tables showing the notes in major, minor, dominant 7th, minor 7th, half-diminished 7th, and diminished 7th chords for various key signatures. 2) Explanations of chord symbol notation for major, minor, dominant, half-diminished, and diminished qualities. 3) Notes on chord extensions including 9ths, 11ths, 13ths that can enrich music, with different extensions used for major 7th, minor 7th, and dominant 7th chords.

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    © All Rights Reserved
    Download as PDF, TXT or read online from Scribd
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    95 views4 pages

    Escalas Arpegios Grado y Extenciones

    Uploaded by

    Jose Peña
    The document provides information about scales and chord qualities in different keys. It includes: 1) Tables showing the notes in major, minor, dominant 7th, minor 7th, half-diminished 7th, and diminished 7th chords for various key signatures. 2) Explanations of chord symbol notation for major, minor, dominant, half-diminished, and diminished qualities. 3) Notes on chord extensions including 9ths, 11ths, 13ths that can enrich music, with different extensions used for major 7th, minor 7th, and dominant 7th chords.

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    of 4

    Escalas

    Grados
    Extensiones
    Nomenclatura
    Para principiantes he intermedios
    Distribución libre
    Tonalidad Imaj7 II m7 IIIm7 IV maj7 V7 VI m7 (R) VII m7b5 Escala
    C Cmaj7 Dm7 Em7 Fmaj7 G7 Am7 Bm7b5 Escala de C
    C-E-G-B D-F-A-C E-G-B-D F-A-C-E G-B-D-F A-C-E-G B-D-F-A C-D-E-F-G-A-B-C
    G Gmaj7 Am7 Bm7 Cmaj7 D7 Em7 F#m7b5 Escala de G
    G-B-D-F# A-C-E-G B-D-F#-A C-E-G-B D-F#-A-C E-G-B-D F#-A-C-E G-A-B-C-D-E-F#-G

    D Dmaj7 Em7 F#m7 Gmaj7 A7 Bm7 C#m7b5 Escala de D


    D-F#-A-C# E-G-B-D F#-A-C#-E G-B-D-F# A-C#-E-G B-D-F#-A C#-E-G-B D-E-F#-G-A-B-C#-D

    A Amaj7 Bm7 C#m7 Dmaj7 E7 F#m7 G#m7b5 Escala de A


    A-C#-E-G# B-D-F#-A C#-E-G#-B D-F#-A-C# E-G#-B-D F#-A-C#-E G#-B-D-F# A-B-C#-D-E-F#-G#-A

    E Emaj7 F#m7 G#m7 Amaj7 B7 C#m7 D#m7b5 Escala de E


    E-G#-B-D# F#-A-C#-E G#-B-D#-F# A-C#-E-G# B-D#-F#-A C#-E-G#-B D#-F#-A-C# E-F#-G#-A-B-C#-D#-E

    B Bmaj7 C#m7 D#m7 Emaj7 F#7 G#m7 A#m7b5 Escala de B


    B-D#-F#-A# C#-E-G#-B D#-F#-A#-C# E-G#-B-D# F#-A#-C#-E G#-B-D#-F# A#-C#-E-G# B-C#-D#-E-F#-G#-A#-B

    F Fmaj7 Gm7 Am7 Bbmaj7 C7 Dm7 Em7b5 Escala de F


    F-A-C-E G-Bb-D-F A-C-E-G Bb-D-F-A C-E-G-Bb D-F-A-C E-G-Bb-D F-G-A-Bb-C-D-E-F

    Bb Bbmaj7 Cm7 Dm7 Ebmaj7 F7 Gm7 Am7b5 Escala de Bb


    Bb-D-F-A C-Eb-G-Bb D-F-A-C Eb-G-Bb-D F-A-C-Eb G-Bb-D-F A-C-Eb-G Bb-C-D-Eb-F-G-A-Bb

    Eb Ebmaj7 Fm7 Gm7 Abmaj7 Bb7 Cm7 Dm7b5 Escala de Eb


    Eb-G-Bb-D F-Ab-C-Eb G-Bb-D-F Ab-C-Eb-G Bb-D-F-Ab C-Eb-G-Bb D-F-Ab-C Eb-F-G-AB-Bb-C-D-Eb

    Ab Abmaj7 Bbm7 Cm7 Dbmaj7 Eb7 Fm7 Gm7b5 Escala de Ab


    Ab-C-Eb-G Bb-Db-F-Ab C-Eb-G-Bb Db-F-Ab-C Eb-G-Bb-Db F-Ab-C-Eb G-Bb-Db-F Ab-Bb-C-Db-Eb-F-G-Ab

    Db Dbmaj7 Ebm7 Fm7 Gbmaj7 Ab7 Bbm7 Cm7b5 Escala de Db


    Db-F-Ab-C Eb-Gb-Bb-Db F-Ab-C-Eb Gb-Bb-Db-F Ab-C-Eb-Gb Bb-Db-F-Ab C-Eb-Gb-Bb Db-Eb-F-Gb-Ab-Bb-C-Db

    Gb Gbmaj7 Abm7 Bbm7 Cbmaj7 Db7 Ebm7 Fm7b5 Escala de Gb


    Gb-Bb-Db-F Ab-Cb-Eb-Gb Bb-Db-F-Ab Cb-Eb-Gb-Bb Db-F-Ab-Cb Eb-Gb-Bb-Db F-Ab-Cb-Eb Gb-Ab-Bb-Cb-Db-Eb-F-Gb
    F# F#maj7 G#m7 A#m7 Bmaj7 C#7 D#m7 E#m7b5 Escala de F#
    F#-A#-C#-E# G#-B-D#-F# A#-C#-E#-G# B-D#-F#-A# C#-E#-G#-B D#-F#-A#-C# E#-G#-B-D# F#-G#-A#-B-C#-D#-E#-F#
    Simbología

    El cuadro que está en rojo significa que es una tonalidad enarmónica

    (R) significa relativa menor de la tonalidad

    Cualidades básicas de los acordes

    Existen 5 tipos de cualidades

    Cualidades mayores Menores Dominantes Semidisminuidos o Disminuidos


    sensibles
    Simbología M , maj m X ,V 7 Ø O
    Nomenclatura R-3-5-7 R-b3-5-b7 R-3-5-b7 R-b3-b5-b7 R-b3-b5-bb7
    Ejemplo de acorde C C-E-G-B C-Eb-G-Bb C-E-G-Bb C-Eb-Gb-Bb C-Eb-Gb-A

    Notas extensionales

    Tónica 2 (9) 3 4 (11) 5 6 (13) 7 8va


    C D E F G A B C
    G A B C D E F# G
    D E F# G A B C# D
    A B C# D E F# G# A
    E F# G# A B C# D# E
    B C# D# E F# G# A# B
    F G A Bb C D E F
    Bb C D Eb F G A Bb
    Eb F G Ab Bb C D Eb
    Ab Bb C DB EB F G AB
    Db EB F Gb AB Bb C AB
    Gb Ab Bb Cb Db Eb F Gb
    F# G# A# B C# D# E# F#

    Las extensiones sirven para enriquecer la música y extenderla; la 7ma y 6tas no se consideran extensiones, se consideran extensiones de la 9na en adelante

    En los maj7 y m7 a la 6ta se le llamara 6ta y a los dominantes(V7) a la 6ta se le llamara 13, sus extensiones son:

    maj7: 9na y #11 dominantes (V7): 9, b9, #9, 11, 13, b13 nota: # significa subir un semitono

    m7: 9na y 11 Semidisminuidos (m7b5): 9, 11, 13, b13 b significa bajar un semitono bb significa bajar un tono

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