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After Seven In Beijing

 = 100
Andreas Varady
piano intro
C9 C9♯5
7
 8                        
       
8
bajo     

5
A C9 C9♯5 C9 C9♯5 3/4
 

      
            
        
piano y bajo similar 
B
13 B♭m9 B♭m9♯5 A7♭13 Fm7

                                

20
 Dsus Gsus♭9(Fm/G)
 
              
   
Puente
25 C9     C9♯5    
bajo
   






29 A2 C9 C9♯5 C9 C9♯5 3/4


 

      
            
        
piano y bajo similar  
B2
37 B♭m9 B♭m9♯5 A7♭13 Fm7

                                 

44
 Dsus Gsus♭9(Fm/G)

                 
     
49 C9 C9♯5 B♭m9
SOLOS
                                     

Antonio Gallardo djazzymas@gmail.com


54 B♭m9♯5 AΔ♭13

     

59 Fm7 Dsus

                            

63 Gsus♭9

              

Puente 2

65 C5 B♭sus C5 Fsus E♭sus C5 B♭sus C5 Fsus E♭sus

            

69 F5 E♭sus F5 B♭sus A♭sus Gsus♭9(Fm/G)

              

73 A los solos tema y vamp en A para final

                     

2 Antonio Gallardo djazzymas@gmail.com

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