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    Nicas Dream Belmondo

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    Tobias Weber
    This document is a transcription of the jazz solo "Nica's Dream" performed by Stephane Belmondo. The solo is played over a chord progression that cycles through C minor 7, B-flat minor 7, E-flat 7, A-flat major 7, and D altered 7 chords. The transcription notes the chord changes and includes notation for the solo, which features improvised lines that respond to and develop the harmonic rhythm set by the changing chords.

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    Nicas Dream Belmondo

    Uploaded by

    Tobias Weber
    150 views2 pages
    This document is a transcription of the jazz solo "Nica's Dream" performed by Stephane Belmondo. The solo is played over a chord progression that cycles through C minor 7, B-flat minor 7, E-flat 7, A-flat major 7, and D altered 7 chords. The transcription notes the chord changes and includes notation for the solo, which features improvised lines that respond to and develop the harmonic rhythm set by the changing chords.

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    nicas_dream_belmondo

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    This document is a transcription of the jazz solo "Nica's Dream" performed by Stephane Belmondo. The solo is played over a chord progression that cycles through C minor 7, B-flat minor 7, E-flat 7, A-flat major 7, and D altered 7 chords. The transcription notes the chord changes and includes notation for the solo, which features improvised lines that respond to and develop the harmonic rhythm set by the changing chords.

    Copyright:

    © All Rights Reserved
    Download as PDF, TXT or read online from Scribd
    Flag for inappropriate content
    Download as pdf or txt
    150 views2 pages

    Nicas Dream Belmondo

    Uploaded by

    Tobias Weber
    This document is a transcription of the jazz solo "Nica's Dream" performed by Stephane Belmondo. The solo is played over a chord progression that cycles through C minor 7, B-flat minor 7, E-flat 7, A-flat major 7, and D altered 7 chords. The transcription notes the chord changes and includes notation for the solo, which features improvised lines that respond to and develop the harmonic rhythm set by the changing chords.

    Copyright:

    © All Rights Reserved
    Download as PDF, TXT or read online from Scribd
    Flag for inappropriate content
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    of 2

    Nica's Dream

    Solo by Stephane Belmondo


    q=200 Solo break
        
         
      

        
    3 Cm(,7) Bbm(,7)
      
            

                 
    Cm(,7) Bbm7 Eb7
        
    7
         

    11 
    Bbm7
       Eb7 Abmaj7 D7alt
            
        
    3

                 


    15 G7#5 Cm(,7)

                

            
    Cm(,7) Bbm(,7)
           
    19

            

    Cm(,7)                
    Bbm7
       3  
    23

          

    26 Eb7 Bbm7 Eb7 Abmaj7 D7alt


      
             
       
        

            
    31 G7#5 Cm(,7)
     
                    
     
    35 Bb9sus Bb9sus Bb9sus(b9) Ebmaj7 Gm7b5 C7b9
           
     
                      
    F9 Bb9sus Bb7alt Ebmaj7 F#m7 B7
           
    39
                    

    transcribed by Tobias Weber


    2
          
    43 Bb9sus Bb9sus Bb9sus(b9) Ebmaj7
          
                 

         
    46 Gm7b5 C7b9 F9 Bb9sus Bb7alt Ebmaj7
                    
         
    50 G7alt Cm(,7) Bbm(,7)
     
                              

    
     
    54

    Cm(,7)
             
    Bbm7
         
              

    58 Eb7 Bbm7
         Eb7  
    Abmaj7
                        
       

           
    62 D7alt G7#5
       
          
    64 Cm(,7)

      
              
          

    transcribed by Tobias Weber

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