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Antigone Declassified READ
Antigone Declassified READ
STRUGGLE FOR E
(WE USED TO EAT
XISTENCE
LUNCH TOGETHER)
A CEN
SORED PLA
BY STUDEN Y
TS FROM JA
AND QUEE M A ICA HIGH
NS COLLEG SCHOOL
IATE HIGH
SCHOOL
IN T HE ACTOR
AT QUEENSBOROU ’S WORKSHOP
GH COMMU
NITY COLL
EGE
You are about to read a
piece of banned literature. 'HFODVVLÀHG
6WUXJJOH IRU ([LVWHQFH :H 8VHG WR (DW /XQFK 7RJHWKHU is the work
of students from Jamaica High School and Queens Collegiate
High School, produced as part of the Actor’s Workshop at
Queensborough Community College. A scathing indictment
of education reforms under New York City Mayor Michael
Bloomberg and Chancellor Joel Klein, the play was to be
performed in December 2010 at the Jamaica High School
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DQGFUHZHQWHUHGÀQDOUHKHDUVDOV1RZ'HFODVVLÀHG is being made
available in print for you to read, perform, and pass along.
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New York City mobilize to change the conditions of their lives.
Throughout 2009 and 2010, thousands of high school students
and their allies staged walkouts, rallies and demonstrations
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rely on for their daily commutes, and then as the Bloomberg
i
administration threatened to close 19 so-called “failing” schools
across the city. Student actions in the streets have saved student
MetroCards for the time being, and staved off several school
closures, even as more cuts loom on the horizon.
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their future, the youth of New York City are moving in rhythm
with other students across the country. The past two years have
also seen massive demonstrations against tuition hikes and other
austerity measures on college campuses, including building
occupations in New York and California, and takeovers of entire
university campuses on the island of Puerto Rico. These various
student struggles are all part of the same historical heartbeat,
defending educational institutions while transforming the nature
of education itself in the process.
ii
The text is laid out here for easy reproduction. This document
can easily be printed, photocopied, folded and stapled as a
booklet. It can be taken up by students, teachers, parents, youth
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for performances in different linguistic communities and
political circumstances. It can be performed in schools, parks
and community centers, or at the next demonstration against an
impending school closing.
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iii
DECLASSIFIED: STRUGGLE FOR EXISTENCE
(WE USED TO EAT LUNCH TOGETHER)
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CHARACTERS:
Mom
Antigone
Ismene
Newscast
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Student 1
Student 2
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Chancellor
Tireseus
Janitor 1
Janitor 2
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SCENE 1
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ANTIGONE: Yeah. They get all the good lunch times. Not to
mention better classrooms.
1
MOM: Well, eat some food. You’ll feel better. I’m making
stewed chicken.
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ISMENE: Besides the fact that now I have all these text books
I have to lug around. Oh, and I need you to sign this paper.
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ANTIGONE: It’s not fair. These new schools are getting all
the attention. It’s like we’ve been left out for the birds to
feed on.
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ANTIGONE: Again? But you worked the night shift last night.
MOM:/RRNDIWHU\RXUVLVWHU7KHUH·VSOHQW\RI IRRG&DOOLI
you need me. Bye.
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2
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SCENE 2
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ISMENE: What!
ISMENE: Can you stop talking like you’re in that stupid Greek
play and talk normal!
3
but won temporary reprieves because of a lawsuit brought
by the teachers’ union and the National Association for
the Advancement of Colored People. The schools face a
potential “phase-out,” a process in which the school stops
accepting students and loses one grade per year until it
ceases to exist. Simultaneously, new schools open in the
building.
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4
ISMENE: It’s not my school. What do I care?
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SCENE 3
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5
school and you’re not authorized to hang anything here.
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ANTIGONE: Nothing.
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6
know, maybe you can help me. I’m not allowed to hang any
in your part of the building. But since you both go to the
new school, maybe you could....
ANTIGONE:/RRNZHORVWRI RXUWHDFKHUVDQGZHGRQ·W
have enough resources to handle all the students we have.
It’s not our fault.
STUDENT 2: Whatever.
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ANTIGONE: Thanks.
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7
STUDENT 1: Yeah, why did they change that?
ANTIGONE: Yeah I think so. If I can get all these posters up.
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SCENE 4
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CHANCELLOR:,W·VDOOWKHVHOHWWHUV,·PJHWWLQJ/LVWHQWR
8
this....
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TIRESEUS:<RXWRRNDZD\RI WKHVFKRRO·VWHDFKLQJVWDII
which increased class sizes, and you gave half the space in
the building away to new smaller schools. Would you call
that fair treatment?
TIRESEUS: Or maybe you are failing the school. Why not give
them what they need to succeed?
9
you accountable? The gods have given us the use of
reason, but do we use it right? Do I? Do you?
CHANCELLOR:*HWRXWRI P\RIÀFH
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OFFICE ASSISTANT:,·PMXVWVD\LQJ
10
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SCENE 5
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11
SCENE 6
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don’t they. Why not schools?
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SCENE 7
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12
MOM: Antigone, Slow down! What’s this all about?
ANTIGONE:3OHDVHPRPMXVWOHWPHÀQLVK$Q\ZD\ZHJHW
suspended for hanging posters where I’m not supposed to.
ANTIGONE:0RP:LOO\RXSOHDVHMXVWOLVWHQ"
MOM: Now Antigone, what did I say about getting into more
trouble -- you’re headstrong and self willed and you
suffer for it.
13
ANTIGONE: Don’t worry mom, before I could stir up any
trouble, this letter came. So I guess it’s all over....
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may be young, but it’s the rightness that matters, not the
age.,VD\NHHSÀJKWLQJ
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14
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me with dinner tonight? I’ve been working so damn hard
these past few days.
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15
“ LISTEN TO ME
ARE THE FI
ANTIGONE, TH
GHTS WORT
OSE
H FIGHTING
THE ONES
AGAINST T
,
HE ODDS.
YOU MAY BE YO
UNG, BUT I
RIGHTNESS T’S THE
THAT MAT
TERS, NOT
THE AGE.
I SAY KEEP
FIGHTING.
”