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    Miguel López
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    This document contains musical notation for various scales and arpeggios. It includes the jazz minor scale, blues scale, minor pentatonic scale, augmented arpeggios, whole tone scale, and scales based on the keys of F and I minor. The notation uses symbols to represent the notes, rhythms, and sequencing of the different scale and arpeggio patterns.

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    Escalas Vol. 8.pdf

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    This document contains musical notation for various scales and arpeggios. It includes the jazz minor scale, blues scale, minor pentatonic scale, augmented arpeggios, whole tone scale, and scales based on the keys of F and I minor. The notation uses symbols to represent the notes, rhythms, and sequencing of the different scale and arpeggio patterns.

    Copyright:

    © All Rights Reserved
    Download as PDF, TXT or read online from Scribd
    Flag for inappropriate content
    Download as pdf or txt
    15 views2 pages

    Escalas Vol. 8 PDF

    Uploaded by

    Miguel López
    This document contains musical notation for various scales and arpeggios. It includes the jazz minor scale, blues scale, minor pentatonic scale, augmented arpeggios, whole tone scale, and scales based on the keys of F and I minor. The notation uses symbols to represent the notes, rhythms, and sequencing of the different scale and arpeggio patterns.

    Copyright:

    © All Rights Reserved
    Download as PDF, TXT or read online from Scribd
    Flag for inappropriate content
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    of 2

    Escalas Vol.

                 
           
    Jazz Melodica Menor

                  
            
              

                  
                    
    5 Blues Escala

       
      
        
    3 3

    3 3

           
           
    
    3 3 3 3 3
      
       
    3 3

                   
             3
    10 Pentatonica Menor

       
    3
       
    3

    3 3 3 3 3

                          
        3 3 3 3 3 3 3

    Arpegio Aumentado
         Arpegio Aumentado Partido  
             
      3 
          
    14

         3 
    3

        
    3
               
       3 3 3  
      

                            
                 
    19 Ecala por Tonos en terceras

     
               
        
     

           
    23
         
    3 3 3 3

                     
           3 3 3 3
    2

    26 Fa Mixolidia
                  
        
       
                       
     
          
    3 3 3 3 3 3 3 3

     
    Fa Pentatonica (modo mayor) - Escala China
    30
                3     3    
      
    3 3

               
    3 3 3 3

                  
    Fa Dorica

          
                                 
    34

           
    3 3 3 3 3 3 3 3

         


    Fa Hawaiian (Kumoi) o Menor Pentatonica I minor - V Sequenza

                       
      
    38
       
           
       
     
     
     
          
             
              
    43

                    
         

             
    47 I - V minor Sequenza
               
                    
         
         
             
              
         
    50

            
           
      

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