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  • Gracias A Yavheh-Bongós PDF

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    mateo
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    The document appears to be a musical score containing rhythmic notations represented by symbols. It is divided into sections labeled A, B, and C containing rhythmic patterns using repeating symbols. The score does not contain any lyrics or indication of the musical style, but seems to be providing instructions for percussion instruments.

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    Gracias a yavheh-Bongós.pdf

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    The document appears to be a musical score containing rhythmic notations represented by symbols. It is divided into sections labeled A, B, and C containing rhythmic patterns using repeating symbols. The score does not contain any lyrics or indication of the musical style, but seems to be providing instructions for percussion instruments.

    Copyright:

    © All Rights Reserved
    Download as PDF, TXT or read online from Scribd
    Flag for inappropriate content
    Download as pdf or txt
    30 views1 page

    Gracias A Yavheh-Bongós PDF

    Uploaded by

    mateo
    The document appears to be a musical score containing rhythmic notations represented by symbols. It is divided into sections labeled A, B, and C containing rhythmic patterns using repeating symbols. The score does not contain any lyrics or indication of the musical style, but seems to be providing instructions for percussion instruments.

    Copyright:

    © All Rights Reserved
    Download as PDF, TXT or read online from Scribd
    Flag for inappropriate content
    Download as pdf or txt
    of 1

    Bongós Gracias

    a yavhet
    salmo 136(135)
                                                   
    Mateo Rodriguez Kiko Arguello
     = 90

                                                      
    6

                                                  
    10
    A

                                               
    15

                                                 

    19

                                                  
    23
    B

                                                
    26

                                                    
    29
    C

    

                                                     
    34

                      

    38

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