Polegar ajudado

Alessandro Penezzi
Exemplo: Panaderos Flamencos
A E7
3       p  
4     p
  p
        
    1
 4
  5 4
Violão acústico 4
5

 7 7 7 7 6 6 6 6
4 4 4 4 5 5 5 5
0 0 0 0 0 0 0 0
repetir usando i/m
9 A            
i i i
  0         0
        
0   
     
  
4 p 
 5 p  
A
           
0 0 0 0 0 0 0 0 0 0 0 0

Viol.   7 7 7 7
4 4 4 4
0 0 0 0

13 E7           
                         4
          4
   
E7
           
0 0 0 0 0 0 0 0 0 0 0 0

Viol.  
6 6 6 6 
5 5 5 5
0 0 0 0

Exercício com escala cromática sobre a 6a corda

17            
i i i i
4                        
 4   
      
   4 1 2 3
1 2 3 1 2 3
p p p 4
 p          
0 0 0 0 0 0 0 0 0 0 0 0

Viol.  

0 1 2 3 4 5 6 7 8 9 10 11
 20            
                        
     
4
   3     2
 1 4 3 2 1 4 3 2 1
           
0 0 0 0 0 0 0 0 0 0 0 0

Viol.  

12 11 10 9 8 7 6 5 4 3 2 1

Exercício com escala cromática na 1a posição

23            
i i i i
                       
   
        
    3 4 0 1
1 2 3 0 1 2
0 p p p 4
 p           
0 0 0 0 0 0 0 0 0 0 0 0

Viol.   0 1
0 1 2 3 4
0 1 2 3 4

26            
                         
      
2
  1     0 4 3 2 1 0 4 3 2 1
           
0 0 0 0 0 0 0 0 0 0 0 0

Viol.  
2 1 0 
4 3 2 1 0
4 3 2 1

Exercício em Ré menor
     
29       4
1
   3                        
   4         
   3 0 2 3
0 2

           
1 1 1 1 1 1 3 3 3 3 3 3

Viol.   0 2 3 0 2 3
 0 2 3 0 2 3

2
 34            
0 1
                       
        
      3 0 2 3
0 1
           
0 0 0 0 0 0 1 1 1 1 1 1

Viol.  
0 2 3 0 2 3 
0 2 4 0 2 4

Trecho de Malagueña (E. Lecuona)

38            
 
                      
  
     
    4
2
  0
3 2 0 3
0 1
           
0 0 0 0 0 0 0 0 0 0 0 0

Viol.   

2 2 0 3 2 0
0 4 0 4 3 1

Trecho de Santa Morena (Jacob do bandolim) com 3a corda solta

42

                     
i 0
           
0           
    1 3
1
4 3 4
p
           

Viol.   0 0
2
0 0 0
2
0 0 0
3
0 0 0
3
0


4 4 5 5
5 5 6 6

Trecho de Santa Morena (Jacob do bandolim) com 3a corda presa

46
                  1
i
      1                
        
1 3
1
4 3 4
p
           

Viol.   2 2
2
2 2 2
2
2
 
 
3 3
3
3 3 3
3
3


4 4 5 5
5 5 6 6

3
 50

                 


Viol. 

68

             

Viol. 