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Project Muse 604443
Project Muse 604443
Project Muse 604443
Ellen Herman
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NARCISSISM AND ITS DISCONTENTS
Ellen Herman
Christopher Lasch began his famous 1979 lament, The Culture of Narcissism, by
defending history as “a political and psychological treasury from which we
draw the reserves . . . that we need to cope with the future.” It was the end
of the “me decade,” and, according to Lasch, disdain for the past was visible
everywhere. “The waning of the sense of historical time” was symptomatic
of a crisis that had traded the serious business of political engagement for
the trivialities of self-awareness and improvement. Therapeutic quests, from
the professionalization of mental health to social movements like feminism
and gay liberation, were disturbing signs of “diminishing expectations,” a
term that summarized Lasch’s declension narrative while suggesting that
self-absorption was a thinly disguised form of emotional impoverishment,
psychological desperation, and abandonment of the higher expectations that
had prevailed in the past. To celebrate authenticity and explore new realms of
personal expression was to embrace promises at once fraudulent and danger-
ous. The problem with Americans was that they had too many choices. With-
out the moral compass provided by a firm tether to posterity, Lasch argued,
abundance loosened restraint and demeaned social bonds between parents
and children, husbands and wives, teachers and students, and democratic
citizens and government. More was definitely less.
In her brilliant new book, Elizabeth Lunbeck takes on Lasch directly, along
with a gaggle of other mid-century social critics who were equally dismayed
by the excesses of modern mass consumption, the 1960s counterculture, and
the sexual revolution. Her goal is to reveal the serious historical misunder-
standings of psychoanalysis at the heart of the narcissism debate, along with
the gendered assumptions that infused and distorted its approach to human
development and well-being. The book does two things simultaneously: it
excavates the shaky foundations of social criticism in the 1970s, arguing that
such criticism ignored intellectual traditions that treated narcissism as neces-
sary to psychological health; and it retells the story of the “psychoanalytic
century.” Lunbeck’s exploration is original, bracing, and extremely illuminat-
Reviews in American History 43 (2015) 723–728 © 2015 by Johns Hopkins University Press
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conversation about narcissism in the 1970s, Lunbeck bluntly points out, sys-
tematically identified all things therapeutic with all things feminine, equating
states of need and dependence with women and accusing women of eroding
civic responsibility, compassion, and other public virtues that directed atten-
tion to the world beyond the self.
The sexist biases of 1970s social criticism had a long history. In a terrific
chapter on “self-love,” Lunbeck probes Freud’s famous infatuations and pas-
sionate intimacies with male colleagues, including Wilhelm Fliess, Sándor
Ferenczi, and Carl Jung. These extensively documented relationships illus-
trate that his own need for other men’s affection and approval was the kind
of dependence that really bothered Freud. Seeking gratification from other
men made self-love blur into homoeroticism and masturbation into explicit
homosexuality—transgressive associations that Freud described forthrightly
and that would also shadow narcissism throughout its twisted history. In
contrast, Freud’s relationship to the army of women who made his career
possible, from his wife Martha and daughter Anna to domestic servants and
close female colleagues, naturalized women’s caring labor so seamlessly
that there was no reason at all to contemplate his dependence on them or to
find it in any way troubling. It was simply expected that nurturing women
who cooked, cleaned, and raised his children would allow Freud to write,
travel, and treat patients. Even as these women toiled away, Freud mused
frequently about women’s passivity, dependence, and the narcissistic vanity
that prompted them to attract attention to themselves through clothing and
physical display. In the early twentieth century, the belief that women were
inclined, by nature, to both manifest and meet basic human needs was so
pervasive as to be unremarkable.
By the 1970s, however, this was no longer so. Feminists were systematically
probing the gender division of labor, contesting the attribution of distinctive
psychologies to men and women, and articulating bold new conceptions of
gender equality in law and in life. It is all the more surprising, therefore, that
so few feminists have weighed in on the “me decade” debate, especially con-
sidering that complaints about narcissism were also complaints about unruly
women whose determination to move beyond the family yielded little for
them and less for children. The ironic inversion through which Lasch made
masculine independence the precondition for social cohesion, while feminine
caretaking supposedly nourished irresponsibility and bad behavior, is not
lost on Lunbeck.
Lunbeck points out repeatedly that the kind of “self-sovereignty” that social
critics revered and mourned not only equated individuality with masculinity
but implied an individuality so radically separate as to be virtually autistic.
Theirs was “an unrealizable fantasy of independence and autonomy that
serves as foil to the modern’s purported neediness and enmeshment,” she
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changes and cultural shifts of the postwar era that animated social critics like
Lasch could, for Kohut and Kernberg, neither explain narcissism’s origins nor
suggest any meaningful cure.
Lunbeck joins other distinguished scholars who have seen in the Freudian
intellectual tradition a precious if paradoxical resource for feminism. From
Gayle Rubin’s 1975 “The Traffic in Women”1 and Nancy Chodorow’s The Re-
production of Mothering (1978) to Mari Jo Buhle’s Feminism and Its Discontents
(1998), leading feminist intellectuals have wrestled with Freud’s complex
legacy. In my view, it is Lunbeck who has heeded Christopher Lasch’s call to
treat history as a source of knowledge and faith, even as she has taken him
sharply to task for his nostalgic longings. For decades, feminist historians
have produced mountains of empirical evidence that cast grave doubt on the
existence of earlier social worlds in which relationships between men and
women were stable, reciprocal, and untroubled by the injustices of our own
sex/gender revolution.
The Americanization of Narcissism adds enormously to our understanding
of narcissism, psychoanalysis, and the style of social criticism that Lasch
represents. Lunbeck meticulously recovers an important historical debate,
compiling its details, as only the most gifted historians can, into insights that
are fascinating, important, and truly original. Hers is a fierce voice, deeply
engaged, never wistful. In the book’s conclusion, Lunbeck notes that, by the
1980s, the vast majority of teenagers reported agreeing with the statement, “I
am an important person,” whereas only a tiny minority had done so in the
1950s. Doing justice to history, for Lunbeck, requires that we consider such
facts thoughtfully, without treating signs of enhanced personal regard as proof
positive that social order is in decline. By making the case that self-love is
compatible with and, indeed, a necessary component of social concern, and by
showing that it has deep roots in psychoanalysis, Lunbeck offers an overdue
rejoinder to Lasch and anyone who defines historical consciousness as grief
for lost worlds that never were.
1. Gayle Rubin, “The Traffic in Women: Notes on the ‘Political Economy’ of Sex,” in
Toward an Anthropology of Women, ed. Rayna Reiter (1975), 157–210.