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DR 1
DR 1
DR 1
It has been a great start to the American Music History class. I only wish that we could
hear you (Professor Becker) lecture in person. I’ve heard so much about how engaging you are
and since I am enjoying the material so much, I would only enjoy it more in person. The names
of significant composers, compositions and events all tie back to information I have briefly
learned throughout my own educational experience and also the music I have heard in
performance but never to this much detail. What struck me the most going through the last three
lessons was attempting to place myself in the shoes of the people living during this time period.
Not only the composers but of an average, every day citizen. What would it have been like
starting life afresh in a place with very little conventional art? As a child? As a community
leader? As a young parent? Moreover, what would it have been like to be so far from home and
the familiar yet desire to assert your own individuality amongst so many who desired to do the
same? These questions have occurred to me before in the context of “young America” but not in
The second point that stood out to me was the form and function of distinctly American
music. This beautiful exploratory phase of development was only possible through some very
brave but amateur musicians who desired to pursue music to bring joy and through a passion for
creation. Despite the lack of a well-defined set of customs and rules, this sort of blank slate
opened up the opportunity for artistic expression and continued development to expand musical
training in the form of songbooks and public concerts, the very beginnings of which led to the