II



Andante ma adagio ( = 80)

     
                         
(sans lenteur)

 

      

      
                
 espr.

  
     
10

           
3

          
 


largamente


13


    
                
      
       
15
A

           
        
      
espr. assai e con suono

   
      

19


   
          

 

    
cresc.

         

     
 
 
25

  
                                
 espr.

    
 
31

 
3

                    
  
     


34 *edited



                         
  

 
  
largamente
37
        
                          
  

     

     
40
B


espr. assai e con suono

         
              
   
45

              


         
   
Cadence de Adagio

 
J. Ibert



49

  


     
       
espr.

      
  
Lento

        
    
51 Tempo


 

              
  


               
     
           
54 *edited




       
 

                    
   
            
58

 
 
   

   
  
 
      
  

62


vibrando