Si Dios Me Quita La Vida Full Score-1

Si Dios me quita la vida
Guitarron
Bolero Ranchero Luis Demetrio Traconis Molina
Trans: Nestor Hurtado
   
              
         
          
7
         
          
14
         
            
21

                 
28
 

        
           
35
          
     
42
  

         
 

 

 

 
49
            
56
©Nestor Hurtado
Trumpet in B  1
                    
     
   
            
6
                 
 
13
          
              
18
  
               
  
29

 
34
                      
 
           

          
41
 
  
3 3
            
47
        
 
57
  
©Nestor Hurtado
Trumpet in B  2

                        
  
          
6
 
    
     
13
  
 
                     
18
 
   
        
29
 
 
  
               
34

       
                 
41

 
3

3
           
47

57
        
    
©Nestor Hurtado
Trumpet in B  3

                            

 
      
6
  
    

     
13
       
  
 
                   
18
     
 
    
29
          

   
    
      
34
      
   
               
41 3 3
    
 
  
          
47
 
57
        
  
 
©Nestor Hurtado
Vihuela
B 7 E  dim
   
F C D m7 G7 C A m7
    
         

8 D m7 G7 C A m7 D m7 G7 C Em B7 Em G A7 D m7
  
E  dim
 
16 C Gm A7 Dm Dm C C Am D7
        
E  dim
 
      

25 F G7 G7 C Em B7 Em G A7 D m7
    

   
33 C Gm A7 Dm Dm C C Dm D7 G7 C
       
   
42 C E7 E7 Am Am D7 D7 G
     


50 C
    
 
 
 
 
 

   
59 C C
©Nestor Hurtado
Violin 1
       
    
             
               
     
7
   
      
  
15

 
                 

23

    
       

31

                
     
   


 
40

   
                              
48
   

    
  
52
 
                      
57
  
©Nestor Hurtado
Violin 2
        
      
      
             
         
7
        
  
           
 
16

 
 
      
   
24
   
     
    
33

   
    
        
 


41

   
                              
48
   

         
             
52
        
             
57
 
©Nestor Hurtado
Violin 3
   
    
     

     
 
     
               
7
      
    
       
15
   
                
23

    
     

32

    
                  
41
 


             
              
48
   


                                    
52
                   
57
    
©Nestor Hurtado
Voice

                   
Si Dios me qui ta la vi da an tes quea ti
                        
14 3 3

le voy a pe dir que con cen tre mi al maen la tu ya pa rae vi
                
19
 
                
tar que pue daen trar o tro que rer a sa bo

       
24
rear - lo quees tan mi o si Dios me qui ta la vi da an tes quea
                      
29 3 3

ti le voy a pe dir ser el an gel que cui de tus pa sos
                    
34
    
pues sio tros bra zos te dan

          
a quel ca lor que te di se ria tan
        
39
  
                
gran de mi ce lo queen el mis mo cie lo me vuel voa mo rir es tees so loun pen sa
    
43
  
              
  
mien to pues en tu mo men to de lo cu ra me con fie sas que cuen do me
        
47
                
be sas e res tan mi a co mo la pla ya del mar Si vuel voa mo rir
   
53
si Dios me qui ta la vi da an tes quea ti
©Nestor Hurtado

Si Dios Me Quita La Vida Full Score-1

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Si Dios Me Quita La Vida Full Score-1

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Si Dios Me Quita La Vida Full Score-1

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Si Dios me quita la vida

rear - lo quees tan mi o si Dios me qui ta la vi da an tes quea

si Dios me qui ta la vi da an tes quea ti

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