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George Simmel and Te Sociology of Music
George Simmel and Te Sociology of Music
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GEORG SIMMEL AND MUSIC 101
traditionally hypothesized adoption of an oppo- and operationalized for further testing and
sitional political position. examination. Additionally, this testing should
Naturally, but especially in view of the make use of samples and population which
limited nature of the data presented herein, allow for some determination of the sources
the usual caveats concerning further research and generability of the concept insofar as it
apply. It is especially necessary that the whole may be used to explain and predict the behavior
concept of ressentimnent be carefully analyzed of other social groups.
ABSTRACT
Simmel's first published study is examined for its current relevance to the sociological
study of music. It is found to be rich in suggestions for research while it does not present a
coherent theoretical scheme or program for the sociology of music. Simmel's empirical exam-
ples, however, suggest that key areas for this discipline are (1) the social meanings which
are represented and expressed in music, and (2) the position and function of music in society.
Implications for a theory of taste groups on the basis of. differential socializationi are suggested.