a. 2. 22, 24, 25. 238, 26. 26. 27, 28, 2. 30. 30a 306, 31 32 33, 34. 34, 35, 36. a The entire action takes place in the new Park Avenue office building OveatuRE Opsxinc — Act of World Wide Wicket Company, Inc. TABLE OF CONTENTS ACT ONE ONE, How To Succeen IN Business WitHoUT REALLY TRYING Harry To Keep His Dinner Wana, Geom, Montano (Entrince of Secreta} COFFEE BREAK . Frump ON Tae PHONE Tux Company Way Tue Company Wav (Reprise) ROSEMARY'S PHILOSOPHY. HEDY a ‘A Seceetany is Nor A To . Tae Executives’ Exar BEEN A Lonc Day ..... BEEN A Lonc Day (Reprise) oo Satunpay MoRnine Grano Ovo Iw Gaanp Own Ivy Vassar Hepy's WALK (Reprise) Oxwanp ano Urwaad Giusmue Panis ORIGINAL ‘Tue Company Way (A La Dance Band) : ‘Tk Execunwve LanpiNc eas Exevator DANCE. a ErHeKeaL GRANDEUR ROsEsARY Rw THe Gupan fUNK in : FivaLe— Act ONE ENtwacte Orsninc — Act Two Gwpersia, Daxuing I Have, Rerua > Harry To Kee His Dinwen Wane Kwrromama Love’ Frou A Heast Or Goro ‘Tue Lowen Date I Breve In You T. V. ANNOUNCEMENT | The Yo-Ho-Ho Heny’s: FANFARE ‘Tae Furst Clue Disaster. 1 Beuive IN You Rosemary) Doom BRoTHERNGOD OF MAN Moke Doon... HALLELUjAH Fivae Bows Bar Muse Page 102 102 107 10 it 120 121 122 13 126 127 138 139 447 148 148 149 150 131 163 166 168OVERTURE a By FRANK LOESSER Piano Coll, ‘Trbs,, BS. Al Moderato -in 2 bs ‘Tutti rida J Br Hp, Bels, Chimes Stren, ‘ © 1961, 1962 FRANK MUSIC CORP. International Copyright Secured Made in U.S.A. All Rights Reserved Any arrangement or adaptation or public performance of this composition without the cansent of the awnarModerate & Sera eT Vins, Saxes 3, fo, [EJ Atempo Vise, Snes $ Ja a](B) Moderate Swing ina poco ritard. Stres, WW. . . ‘Tots, WW, Has, © Fast Swing in 4 Gali, Trbs,Bar. Sax. St The Ber Sax.Sunes, Vibes i | ' i i ST Saxea Vibesis, Sexes,Vibes ©) tote. uns. unis. Cis.,Saxes, Vides WaT ad ‘pts, Hos, unis. Saxe, Vibes ‘Tpts, ins. unis, Troe, * Aple,tinunis, —— GlSazos Vibes He 5S. SST Srl) Fw sure Bes 3 boN fares, Celi, Bs. ‘Tyts., Sexes ap eee m SS SOF Shogo as, Wahid ————w § Teaser, Ba,1 No.1 OPENING - ACT ONE ‘Tempo dell innalzamento della tela-in 4 Leureaor) a Strgs. WW } by Piano Stes hold gairen. (Pade on entrance 7 of FINCH) No. 2 HOW TO SUCCEED IN BUSINESS WITHOUT REALLY TRYING Cue: FINCH:(2d fine) Lean! Gon brio-in 4 ww, Brass ft Hu( stopped) ad-vance from the mail13 dic - tate mem-o - ran ~ dums... at Recitativo — = =>, How to de-vel- op ex-ec-u-tive style... How to com-mute ina three-but-ton suit, 20 BIA tempo tg _—_Wah Mt wey ence tea SSS 2 7 Strgu, Gtr, Drams ——_—_————— lia stopped(Corvidom of the Werk Wide Wicket ‘Tpte, > SompsnyS cae! ob-serve per- son - nel... a - void pet -ty friends... lect whem to funch with...be- gin mak-ing con - tacts... TEI Second start cue: FINCH: The right 7 Br, company! i FINOH: This that I need... TEINOH bumpa into Brcatey.) |16 No.3 HAPPY TO KEEP HIS DINNER WARM Cue: SMITTY: The eugerest Deaver of them all. Freel ROSEMARY: New Ro-chelle... SMITTY: Huh? Piano Easy schottisehe New Ro ~ chelie... Thats the an are talk - ing a - bout? place where the _ man-sion mz Tr F bright, young man ‘I've picked out for mar ~ ry - ing f | But) une g +New Ro - chelle; (Gl tet time oniy) wife of my dar ~ tin = coon : cea Sirs se dowk onde) Tat Chu ROSEMARY Ta pared forexattly that sor of thing 7 ROSEMARY: ‘Tutti Strgs, = hap- py to keep his din - ner warm. Vins. Caon - ward— WM, Hap-py to Keep his Btrgs. = -ner warm. he comes wear-i - ly hole from down- mp ———— |», @ ten. Ione R = town. Ta be there waiting wn-til Ws wind is leas, —— While he looks ———— = oF ar Slee renee ‘a tompo so Bs.cl. E SS through me, — Fight through me: Waiting to say!'Good evening, dea, i Stren oe ts Sigs. HI om 5 Ne As Jie Tm preg oant; Whats new with yor adi gus Spa Hp. ip. aaa to be ~ long— in the au-ra air-ting bus-y is a 6 HpYibe, aS frown, Sich heaven wearing the wife 1 7 Js ~~, ns. op up = ward Pie FL | |20 TT ™o = = ‘Till he comes wear-i- ly home from down Stree. Strgs, oo aww Hap-py to keep his di No. 3a GOOD MORNING (Change of Seene and Entrance of Secretaries) Brisk Polka - in 2 Tutti = = Piano ov Repeat ad lib ‘Teba,Cellt24 No.4 COFFEE BREAK Gwe: FRUMP: (2nd ¢eme/ No coffee! Freely suurry: Ominous Cha-Cha Tempo cof-fee Collepe Piano cof-fee break, my cof-fee22 SMITTY: « with-in me dies it WOMEN: >= Some-thin Lies down and some-thing with-in me. dies! Men: ba ¢ @ three dai - ly shin - ing shrine lips, — Some-thing with-in me trgs., WW taste card - board be-tween my | | j8 ast VorcE) dies... No WOMEN: Lies down dnd some -thing with - in MEN: P: - (YY prreo a 7 Qube yaw Oey Tar Da © Bnd VOIOB: “2 ard VOIC} atn'VoICE: stnVOICE: 6th VOICE: cof-fee, no cof-fee, no coffee, m0 cof-fee, no. Piece. Stres. a nu ws VOIR: an VoIce: 5 coffee, no coffee, mo coffee. ‘That of- fice light does - nt have to be fluo- te Wenee = i j j i i ; i zzz ls EES TH get no pains —___ i That of -fice |chair does-nt have to be foam rub-ber, chem-i - cal sub-stance gets out the > be tutti fp — Like she RAL RUMP & SMITTY: T can't take my cof-fee break, — Gone is the sense of mfp |Ras. fen - ter ~ prise... WOMEN: | > All some-thing with-in eee en: bg: \v 5 7 oS & 2 cof-fee, no cof-fee, no cof-fee, coffee, no cof-fee, no coffee, m0 amgoof 114 poi, Cary |r & q )o eye no cof-fee, no cof-fee, 00 (Scream!) SF son my cof-fee break, — the soul no20 long-er tries... Some-where I dost me ~ tab- WOMEN: Oey de Cof - fee, cof- fee ‘of = fee, cof-fee MEN: b, — FRUNP & SMITTY: Some-thing with-in me.. Coffee or other = Wis Coffee or other - wise, b: aS ore Strgs., Suxes cot-fee or oth-er - Wise, Some-thing in-side of me atNo.4a FRUMP ON THE PHONE oe (Change of Scene) Cues SMITTY: A business man. In2 ‘Dpts, WW, - 7 z Piano % Ooi Sires, Ol He (Pade on tights) No.5 THE COMPANY WAY (Duet) Cau: TWIMBLE: .. Bold nition. In mtwinere,, Al Freely -In 4 When I joined this firm Piano to my -self, “Now, brash young manay B) Breezily,in tempo-In 2 stuck to that and I don't get FINCH (spoken! You play it safe! have-n't had one in year com - pa- ny way;— | pany puts me, there ruay D ‘TWIMBLE: 1 have no point of view, aS what is your point. of (view)? Sup - posing the com ~ Strgs. = Ww. (spoken) I wouldnt say! fepoken) - pa-ny thinks... What would you say ifs, stres, Ww, tibs. a com- pa-ny faces_30 smiles at On, it = ni-ture? stits u-tives, then goes back in place, The com-pa- ny Strgs. - tine! lapoken) ‘The tet Un-em-ploy-ment! an- y-thing youre a - gainst? Strgs, pias WW, be company fur - ww. ter-head is (So). (exe) When they wantbril - liant think-ing Brase, 4 Sings. % con = cern of mine. makes Brass, « Sires. Ff. op Watch that sug - ges - tions... gen-ius get suggest - ed to | | i i32 the com = pa= ny way;— com-pa-ny pol - i- cy Youll nev-er rise up— ww. Rs But there’s one thing clear;_ «= Who - ev-er. the com - pa-ny fi-res, to the (top)... | i | i33 lopoken) You cer-tain-ly found a Strge WW. WW Tb, bpeken), foung) Its co- zy! (swned Your com ~ pa - ny brain;_ Stres. wwe com-pa- ny washed. it and now I cant com ~ plain, ‘The com - pa- ny mag-84 Boy, what style, what punch! Ev'ry The com-pa-ny res - tau-rant? ww. N (epoken) day same lunch! ‘Their had-dock sand-wich; its de = li - cious! fapoken) eu aaa WW, Ts, Barly in the week! Strgs. pizz., WW, Tbs. =te f Brass, et P “gin” with Mis - ter Bratt. And do you play Still he Dlitz-es me in Brass 4 it nice - ly? evry game, like | ;36 fenaps seugers) that! "Cause play it the com - pa- ny way,— Ex- (spoken) ‘Why? ec-u-tive pol - <—— Jun - ior, Who - ev - er tho com - | i = y-where (in th37 fi - res, You will WaW. 678 Strg, co! Fined aft-er year nev-er take a risk - al nev-er take a risk - al Strgs., WW, P38 No.6 THE pe ee ‘WAY rise) Cue: FRUMP: From now on... In2 As before FRUMP: ru play it [janai § Piano ‘Where - c pa - ny pats me — there ALL ‘What - ev-er the com - pa-ny tells him, that hell ‘le may think, T think ww 2 e PP. Strgs,,Cls } ia9 D au. RUMP: _ beam-ing with com - pa- ny prides ~ ITyI™ igs F Tye con-qudered that Stas. WW. He a Vins, ed ~ ver am-bi - tious i the Frump he Lis T pledge "to the com ~ "pa-ay sweet con - form- i - Fi, Ob. ava Strgs.,Cls ALL : E) rruvp. I will some-day Strgs. Brass Sere Twen - ty - five employ - €, Stres.the med-al au: @ on-ly thing they'll ev-er pin on me, af ie they gaxes bi speak i fo f to Secor sec seeci eee com-pa- ny way;— Ex - ec-u-tive pol - i-cy is by him 0 - fea cn TFiF rauue: kay! TH never be pros - i-dent but theres one thing p, clears aoe 2 BP | | i i Jong "as my un - "clo can stand me, I sues * iAL WOMEN: know the FRUMP fen): Yin 0 procd pe Ho. lump an -y And if they choose to, a FRUMP (spoken!:. Tim happy! tHo.]} dump an-y man... But they will |42 FRUMP and COMPANY: ® 6 com - pa - ny man, Frump will play cHo. = pa - ny, Frump will play ° pa- ony, Fromp will 3H, i :No.7 ROSEMARY'S PHILOSOPHY ae Gwe: FINCH: Mr, Gatch is taking me to lunch Sadly -In 4 AFL Solo ‘i Piano VOICE: Nothing can stop you now ROSEMARY: = Hap-py (o keep his din-ner warm till he comes_wear-i - ly home, 7 ww iar 7 —= No.8 HEDY Cue: BIGGLEY: La Rue .., Hedy La Rue! > Piano PP ——_ (uigte wp) Slow deliberate blues epost a 1. at, Se. ae ee eee ‘Trbs.(eup mites) Bf ch (Fade when FRUMP preparee (0 speak)a No.9 A SECRETARY IS NOT A TOY Warning: JENKINS: Id sure like to determine them BRATT: Gentlemen! BRATT (spoken): (ourg) Gen-tle- men! Sf Tatti unis. Piano not AWW. 800 | fondle and dan-dle and play-ful-ly han-dle in search of some pu er- ile WW. cal. voce, aT si[t Tr r45 (BRart goes into hie office.) D sort Shoe Tempo -In 4 Serre ciguouerieatt Stres, ob, Tbe. RUMP: We wouldst have it JENKINS: 1s a company rule, any othor way, Mr. Bratt. Mr. Bratt. | : i46 YEW. ava, Br > do not go jump- ing for joy, boy. A stra. ‘Tyts2>] —a7 ‘oys sec - re-tar- y sec - re-tar-y ‘strgs. 4. GIRLS: Gi heart seroes) (add GIRLS) sors: ais x j : E good to the girl you em- ploy,48 aun fh mem-ber, no matter what neu - rot - ic trou-ble youve got, A : i siren ¥ ; : Timp. ALL sec - re - tary a ALL She's a high - ly spe-cial-ized key com-po-nent of Strgs.,Trbs, Bea. P49 op- er-a-tion-al w- ni-ty. A fine and sen~ si-tive mech- a - ni - sm to p Strgs,,Tobs., Ben. com- mu - ni - ty. | Weod Block: moth-er at home And you'll find noth-ing like her at F. A. ©. Schwarz! ‘Tbs,,Cell, Bs, Timp.Vigs.,Tpts,,Cls. e ree - tor set. sey sec - re-tar-y is not hap-pened to Char-tie Mo-Coy, boy. They iL WM, Stipe. Vins. colla vooe ‘THs, b. = x. (Ez te a z= =e Kel 2S SSS SS Sa # a o = fi - red him tke a shot. The day the fel-low for gat a Gin shot Vins. colla voce Gun sbot ? Fro FR? con?54 Dance BO tightly faster sec - re-tar- y is not. toy. = i z Os, pF UML et? —™ tuted Br. Solo iF F (ait whistle)52 o Evieidieirsigl: ‘pts. 2ylo. ave apyts..Xylo. 88 | Stra. BOYS laing!: sec- re-tar-y is not And ¥1,00., rts. r = i iBoys 53 Bl sa tin, i" (a ta Barber Shop) FRUNP: when you put her to uses Ob - serve,when you put her to use, That you — ww, Stree. Q a tempo WW, ca-boose. Yyte! raga 2 Vins atempo don't find the name LI-O-NEL on her tress f Strgs.only Bs, A sec - re-tar-y Hicalavooe wound by key, pulled by string, Her pad to write in ww, / I |54 SIRES not spend the night Lee RY GIRLS what you plan ee Wood Block= mem — ber this fore you jump for jay 1p @, Finger snap) (sing) ALL Sandpaper, SDestiok on stlek ALL sec - re-tar~ y tink - er : Ob ctla voce Vine ALL S ‘rutth “unis, ‘Tbs Cent, 3 Bs,, Ban, eee 7 ta No.9a THE EXECUTIVES’ EXIT Int In4 Tote. WH, wwe} a (Fade on lights) Piano “if meee ffern56 'No.10 BEEN A LONG DAY Cue: ROSEMARY:..0n where Tm huving dinner, SMITTY: (ox turn around) Huh? Oh! With a light swing-In 4 SMITTY: Vibes Well, The fin-ish of a long day's work... he be there they are, both of them, The see-re-tar-y and the clerk... y — a_i + 5, - be be | Hp-arpoge. I | | Bl Not ver-y well ac- quaint - ed, not ver-y much to sayiw 2 re F87 =o hear those two lit - tle minds tick-ing a - way. lee, Fly ————_—_ JW Vibes’ 9°) b, = =~ Now, Tie SS] —~ think-ing: ROSEMARY: Won-der if we take the same — bus., think-ing: FINou: There could be quite a thing be-tween88 DB she's think - ing: Now; ‘Tpt.,Cel., Vibes he’s think-ing: (awe) Well, its been59 @ been a long, been a long, been a long, been a long — it’s ‘Well, Well, its been a long been a tong, Been a long, been a long — long, been a long — day; Well, its been a ong, been a tong, been WW. Tbs. : é : think- ing: he were more of a 1,100, Vibes60 And hes think-ing: = tle flirt - ing wort ‘Tpt, Cel, Vibes nf And he’s think-ing: din-ner we could meet. fopoken) We both have got to eat. Bis, Hn,cr s. (spoken) ‘Thank you. (sneeze) (opoken) R Ge - sund -heit! ‘Well, it’s been a long Sires. pins. by z 8. Well, its been a long, been a long, been a long, been a long irene sri Well, its been a Tong, been a long, been a long, been a long — R Well, it’s been a long; been a ong, been a long, been a long — WW, Tre. . . = Senda Hey! Theresa2 yem— my Fri-day spe-cial at a dol-lar nine-ty veg!- ta- ble P (shuffte) And at the “Service for two, three fit - ty~ eleht; To make a Tpts, WW, Stree ‘Trbs, Ban., ‘Trbs., Celli ——_ Gelli, Base I | |Teceeaceeet Won - der - ful, think-ing: fe - male kind of trap could I spring? think-ing: might as well for-get the wholeNow, she's think - ing: thing. gpt,,Cel, Vibes nf hes think ing: pose I take his arm... Well, really, what's the harm? lunga w Well, its been a she sayst (epoken) Hun - gry? Well, is been a long ‘Well, its been a long Strgs. plzz. iaawome 7 Well, it's been a long, been a long, been a tong, been a _ long ieee ae Well, is been a long, been a tong, been a long, been a long— Well, it’s WW. Tbs. been a long, been a long, been a long, been a long z (Btevator doors open, CHORUS wing) Sopn = been 4 long, been a long, day. day. Well, its been a long, been a jong, been a long, been a long, a been & Jong, been_a_long— been a long, been a long — rae been a long, been a long—66 No.1 BEEN A LONG DAY (Reprise) ve PRUND: Everything that bappens all day at the oftlee. ‘Tempo as before -In 4 FRUMP. BIGGLEY: The kid could real - ly put me through Hell! kid could ¢ - ven name the + think-ing:think - ing: ‘Tpt,, Cel, Vibes nf ins the air, (Blevator doors open} (poten) HAL mise! Olay, youre promoted | | | | i ; i E6s long, been a long, been a long, been a long— day. = been a been a long,been a long, been a longybeen a long _—day. been a long,been a tong, been a long,been a long day. Well, it’s WW) —7 Brasg, WW > ie = > - oe (oeeaeeeel FRUMP: = ifs been a long, been a long, been a long, been a _long— > eae See ecco EEC R No.tla SATURDAY MORNING (Change of Scene) Piano :No.12 GRAND OLD IVY Cue; FINCH: Well be rooting for ‘em. BIGGLEY: Right? FINCH: Right! March Tempo 21GQ) or eae Ff Sveti Tbs round ~hog't 69BIGGLEY & FINCH: Stand —; rip! WW. ove Bar., Ho. Tbs.m = fall onthe And you're down there at the Down at the bot -tom of the heap, bot -tom of the heap, the ww ee Ts, Strgs. Down in the crud- dy, mud - dy mud is, chy so ver=y, ver-y deep, ttm? faia7i ba | | |2 & That's why they deep, why they ean Gelli, Bar., Bs. Grr-round - hog! callus, They call us Grr-round - hog! Grr-round - hog! Stand Grrround - hog! Grr-round - hog! eet ww, Barr T aie Sa Kaen at23 round hog! Stand Chip ~ munk!7% throng. vy Fahouted) round - hog! athe Chip Rrra tip the Chip WW. Whi eee f= (Cheerteader’ jump) i i Coneertuader's jump)76 No. 18 GRAND OLD IVY (Reprise) BIGGLEY: That’ the Groundhog sp March Tempo FINGE & BIGOLEY: ane ound -hog! round-hog! Piano\B rip! Rrtaee trip! wiw.88 > No. 18a (Cue: tst SCRUBWOMAN: Td say Vassar! In2 “a. agra Tr No. 14 Cue: HEDY: Okay, Charlie! Rr. Chip - munk VASSAR (Change of Scene) HEDY’S WALK Slow deliberate blues Repeat ad Hib. ‘Tt, Gls.Tpts. Be, : , (Dirty) Jo —s Piano ‘Trbs.(cups.) Bi. Gi. vd (ade on tights) (ade on lighte) bi 778 No. 14a ONWARD AND UPWARD (Change of Scene) MR. GATOH: Dont fool sround with small fry. Piano =— | PP (Fade om iiphtsd WW, Celli iJ. (alte — aaa No. 14b GIRLSVILLE (Change of Scene) Cac: FINCH? ... Oue of our out-of-town offices... Venezuela! Ing Brass, Saxes Brase 7 = ano Sf saree lib. -In 4 —~ 95 er & ritard. (Pade on daghes)ve) No. 15 PARIS ORIGINAL Gwe: SMITTY:... Seeret rumor that Tin a aymphomani Briskly-In 4 In2 a ROSEMARY: I slipped out this eae eli _____— 7 PR —= Piano Bsn,, Cells aft - er-noon and bought some love in - sur - aney—— A most ox clu- sive Sirge, WW, dress from gay Par - &) sleek and chic and mag-ni-fique,With sex be-yond en ~ dur - anc@—— i ‘Stree. WW. Cis. PP nf Bsn, Cell,me! Its ab so- lute - ly Dsrighty slower and deliberate (a 5 SS Tm wear-ing to. ~ nights Wea = = r CTT Tr Wear - ing = ni _Tepeeial - ly He fya1 o wy Se ( s Sa paid for and mine. ~ =~ fd must look di ~ vine f82 @ Sud-den-ly he will see me,— And sud-den- ly § blame it all on his own mas-ew-line whim... nev -er know-ing that —— so tempt-ing = ly tight, seed ~ dd (feta wearing to ~ night 2 ‘special - ly for him... eat Fr (aa id, repeat) ww ‘Te ep tee eee “a p: €. (last time) tgp 2 83 D) Pit _mosso Stree EN — oe ined |e2 For him... |ir - re ~ sist - i ~ ble iso - rig-i- nal (ot GIRL enters) (ROSEMARY taku) wear-ing to -_t er. She's wear-ing to - eases eis (pe = And I could ~~ in = re = spon-si- ble dress man-u - = 3 Pice. FAS r85 (looks ot 1st G1KL) fac-tur-@ yj just =| 2 ile Fr fee @ 7 ROSEMARY atst GIRL: (Oud @iRLentre) (epoken) px And T could... Oh, no! Stres. "and GIRL: ‘This ir - re - sist i - ble ror Card Olid enters) | Ima ROSEMARY, __4st GIRL & 2nd GIRL: (rd Gil exits) layohen) foun) ada. diel ww. ove And 1 could kill hor. | i SMITTY: This PReres.tron. F (she turns and seve others) sex - y, lest-ce i" Tmore pints enter) Sires. WW, ‘Tyla. Xylo, ) if87 m (AUSS JONES enters) ALLslorestfalten groan) > ‘On! Vine, Aylo.” =| cent (rit ‘Teds, Ben, Bs. PP D vome) ALL Thir-ty-nine bucks I hand out For some-thing to make me stand out, ‘Strgs. Bva ALL sud-den-ly Te gone MISS JONES (epaten!: Some laugh! ALL mass - pro-duced | |Saxes (Ad (1b, repeat) Strgs WW, (Pade on dialogue) aNo.16 THE COMPANY WaY 8° (A la Dance Band) Cue: HEDY: Tin feeling fine! Brass {cup mutes) Sexes Vine. j 4 bed a Piano of dim. (when FRUMP brings out SMITTY) Fade on cue: SMITTY: You must have heard the rumor! and segue to The Buvvutive Landing » jd No.16a THE EXECUTIVE LANDING (Change of Scene) Brass, Suxes ares 2 Brass Piano Ad lib. In 4 7 Bee Saxes Steg a os FO (Pade on PP entrance of (ZPRUME &s HEDY))90 No.17 ELEVATOR DANCE Cue: FRUMP: Not as cute us Finch! Slow-In 4-Till cut Piano Gis! bh (ad Ub, repeat) b; Ow cae: FRUMP: Tell him it's Important, Faster swing tempo PETE: Okay. Lu mmpalpaplivh a lo ad In Ry ru PP al mm (ad 1b. repeat) 4 FUL On eve: FRUMP:... Taking shower... Tp diet, Finger Ors |1 ‘Solo ad lib ais (ad 14d. repeat) B.OL, Bsn. Gtr, Bs. Bolo ad ib. a On cust FRUMP: Youre welcome. (ad bib, repeat) Ving. Desk 1 Duet (D] Samba-In 2 ay naeoz Segue No.17%a ETHEREAL GRANDEUR (Change of Scene) (When tights come wp.) Magstoso-In 4_ v >: Piano SF Brass,Hns.,Cis. w = ‘Segue a (On FINGHS reaction) Cantabile Strgs. Trem.(Sord) ant x Od Gall, ver = Dee p> uo bt u— As (Fade on HEDY'S hands over a Cue: (Spot hits BIGOLEYS chair.) ratatiaae | a“ Stree. Trem, (Sord.) 4 Tat T : Tip. Solo9 No. 18 ROSEMARY Cue: [On reaction to kiss] Freely HP. ad tus. Piano 7 i |o% Stop on cue: HEDY: I dou't know my own strength. (F/NCH gives downbeat) a Lyrically -In 4 OpINoH Sud-den- ly there is up. @ of your re aN a mar-y was the mel-o - dy locked in -side me, Till at OTp., Gtr, Gelli, ) mg Gls,9 ©) atitite faster mar-y, just im - ag fa What a cre - scen-do Haaser eee eee e As for the rest of my life-time program, give me more of ‘the Hp., Gtr. Z96 @ Rose - - = mar-y, there is won-der-ful mu-sic in the ver-¥ Strgs., WW Hp, Gtr, 7 ie Bx Chugh dank Ponty, heard Bud Frump talking ritard, _atempo Ue party, Where te ane? a a“ ROSEMARY: FINCH: 40 Rosemary, something What are you talking Can't you hear it? ¢ vwonterfu'has happened. about? Cart you tear it? @ Ina Sud-den - ly there is im)_ tempo Hp.,Otr. wo r97 ROSEMARY: I ean't hearw thing. of your name. inou St listen, ith all ayound me ike yee beautiful pine sky R Pat \y dane aa iat ROSEMARY: 7 ROSEMARY: Now look here, J. Pierrepont Rosemary,durling, will you Now T hear it! 1 hear it) 1 hear its Finch have you lost yourmiud? marry J, Pierrepont Pinch? Ing Sud-den -ly there is mu - sie in the sound of your name Pierre ~ pronounced "Peer | |FINOH: Rese - ee sled Wd brim SP ras PP a tittte faster S What a “ere ~ROSEMARY: missed. 99rest of my life - time pro - gram give me Strgs..WW, atenpo Jay Pierre - pont, Jay Pierre - pont.Ina Jay Pierre - pont, mar-y, there is won-der - ful Vins, WW. Low Strgs. ww. 101 | | |102 No. 19 RIP THE CHIPMUNK Cue: MR. BRAT: Your resignation is herewith accepted, ‘Tempo as before BIGGLEY and FINCH: Ript Rer- rip! Bras Piano Field! (eptional for BIGGLEY) afi: a No. 20 FINALE -ACT ONE Cue: FINCH: Wait a minute, Rosemary..,, Hello, name painter? ROSEMARY: (itimcking FINCH) Wait « minut A Rosemary. Hello, nai palates? FINCH: ‘This i Mr. Fine! name on my door. Pianogold leaf! — J. Pierre = pont Finch... J. Pierre - pont! @ Tempo as before Sud-den - ly there mu - sic in the sound yo. AIL cap - i - tals! — Yes, block tet ~ ters! Pierre ~ pout! 103104 Vice Pres ~ i - dent FRUMP: Vice Sica erp ea eee eee WW, g —~ Fis. Hi, Tybs, Celli, Bom, R E F-I-N - C- in charge of Ad-ver-tis - ing. Pres-i-dent! of There must! There must be 2 Way to stop him, there must be! [stres., WwW.” my life - time pro - gram will be — more i i105 Re-mem-ber me, The a sual spelling. Pierre - pont... J. Pierre - pont... Jay Pierre - pont... > — T cant stand it! f } Vins, Fs. Hn. Te. Celi, Bsa, 7 ‘What-ev-er hap-pened There is i Boy, when you see it on your own — door... } Stres.ouly106 @ won -der-ful mu ~ sie won-der-ful mu - sic ioe ENTR’ACTE Moderato -In 4 Trbs,, He. Piano Sf Strigs, Gtr, Tamb.ieee eae Broaden, ——— % In Strgs., Bells Saxes, Vibes Brass, Sax,Sgt y i o (ass eyri) 3 > Segue No.22 OPENING -ACT TWO = — Piano S (rade on dialogue)No. 23 CINDERELLA, DARLING mt Ove: SMITTY: I mean us... 0s girls! Recitativo-In 1 SMITTY: Ina How of-ten does it hap-pen that a seo-re-tar-y's boss wants to Stogs. WW, Ha, a > ES Sinp cola voce Piano ba a a : sees eeeneeeeeeeeee e—__—_ In4 of-ten does the dream come true with - out a sign of con- flict Ban, Celi m_ In2 Why treat a man— like he was a ty-phoid Hallie - te jah! |uz In4 a 8. car-ri~ er? How of-ten ean you fly from this omis 8. Jand of carbon pa-per to the land of flower chintz? i amis Hat-Te - Iu ~ jaht | 8. Stuten does a Cin-der-el-la get a crack at the Princo? ‘ cms i Cin-der el - la strgs.,_|_ ———_ Ep. [: a3, SMITTY: 183 not a matter of money. Hes aviee-president, That makes him automatically a prince. True? GIRLS: Trae? MISS K: So, you're automatically SMITTY: fepoken} isk a Cinderella. Don't you Briskly ELAINE: See? A _ realize foun) s. Youre a omus ‘and_the Prince! Pea i i 8. please, dar ~ ling, for qe S= =m4 A little slower and mine, And mine, Tpis, muted Inz GIRLS: (unison) Don't, dost, Cin-der - Ta, dar-ting, Vins. ‘Brass Goll, Tbs, Ben. the Prince! Stree, WWL j Bs. Ad lib. You're the leg-end, the —folk-lore, the = j00 rit. P00 work-ing girls dream of glo- ry! Celt, Tbs. Bsa. Gn Jou, darling, and weve loved you = ev = er since, =. Cin-der-el- ta, don't turn, down the Prince. i i i A=—P Rebate Oh, let us live it with you,Bach hour of each16 GIRLS foots): U. To E - tiz-a-beth Ar-den.,, 1. On trom Berg-dort Coot an F amis| 1a ¥ omnis u,v Twen = ty - One... be] — 4. ———— ROSEMARY fepoken): | faa No. New Ro-chelle! I Tar-ry-town PT. AL = | | | 1 New Ro-chelle PT. i Coo coidROS: i aie ae Ld = A WW, . New Ro-chelle P. Ty oni EOh, do not leave us mi - aus, Grrts We want to sce His mar-ried to Your Low-ness. ours i i } : i : — On you, Gin-der~el= lay sits the 0 = nus, So when you name the hap- py amis ee _—————— | 2118 In striet tempo -In & day, Please ‘phone us, “phone us! ams stres. % Trbs. bem) Lak Vistesso tempo-In 2 (dd) dort, Cin-der - 1 Ta, dar -ling, ae Dot turn the Prince jhe} Ad lib, Youre the fa~ ble, the9 Atempo poco rit p00 uu glo - ri-fied un ~ em-ploy-ment! We a {poe0 rit >| a ah gist] acempo TS bi sy | Moats, Bsn. on you, dar-ling,and weve loved you kom Sn ae [os Don't Touse up fay ~ "rite a Strgs. F Dosit, Cin-der- el - 1a, don't, don't, don’'t;_—‘Dont't,—Cin-der - YW. oaSires Tye. > > 7 ‘Ts. Cin-der-el - la,10 ‘Sweet and plaintive-In 4 ALL Don't turn pp Stre8uHP. ROSEMARY: YH give him one more chance! —— semen ALL No.24 I HAVE RETURNED Cue: FRUMP: Fool free to use it. (Walks stage left.) ‘Maestoso RUMP: £""No. 25 HAPPY TO KEEP HIS DINNER WARM 128 : (Reprise) Owe: ROSEMARY: I'm sorry, Mr. Finch. Vins, (e1ncn exits) oe Tpte, Piano —_SSSS—_—_ SEMARY: RO! — with a goal, r r F watch as 3 he climbs With a pur-pose in life and pu-ri-ty of soul. ob. be there in a minds Dar-ling, ab-sent — istres. Wearing the wife - ly 4 - ni ~ form—_ Vins.122 as Hap-py to keep his dinner warm Strgs. ferve! he comes = Wea = ri ~ ly home Tin he i ly st =e | i / Se = No. 25a KNITORAMA (Change of Scene) In& Ing —. 5 Ste Ha ay ue Fade on ARDY entrance =No.26 LOVE FROM A HEART OF GOLD 128 Cue: BIGGLEY: Of course I dot Cues BE? (Onder diatogue) a ieee es Sire Sods — "fa fi fe Piano BIOGLEY: Where = will T finda treas - ure Vins, Like the love from a See eee aaa Ev-er trust-ing and sweet, — wait - ing my pleas ~ ures Rain or shine... Hot or cold... |24 @ Wealth far be = yond-—-_all_ meas - a) SE had <—Tt: poco ten. in my hands Ah, but where will 1 2 { - cotta voce) ¢ Rf] | 71 that one reas ~ ure kz (Cue; HEDY: Godaantt Giatogue! Vin. Soto |125 froma heart, ca eee Ae ® trust-ing aand_—sweet and a - wait-ing my pleas -ures Rain or shine... Tutti Stres. ARB : Hot or cold... Wealth far be - yond May-be soon in my hands Tn hold. A J——1 Mm a | a126 fon LH poco te Ab, but where will 1 find that one treas ures, Hp. ad lib, Piano ee Gls, Bs., Gt Bp. The love heart of gold. BIGGLEY: F the heart of gold. a ia., ms, THE LUNCH DATE (Change of Scene) Brass, Saxos id muti — (On Lightw) anf (dim. on repeat) NRE =P tine. - ure of (Wade when BRATP picks up phone.) : |No.27 I BELIEVE IN YOU 127 Cue: FINCH: Wish me luck, men, MEN: Good luck! Fast 4 MEN ominously): = Got- ta Brushes on Gym, +S) a BCL, Gtr, Ba. Purim Piano mp = + @ stop that man, T got- ta stop that man big rock-et, Thinks he has the world in his pock-et. __ Ving, i1 aan aN 28 Got-ta stop, gotta stop, got ta stop that man, Via, Cello vce: ) Int that man. Now, there you are,—_—Yes_ there's. that face;— Hp, +wW. Belis — Strge,, WW —— In2 — _ That face that some - how Hip Betls = Swing -In 2 ~ bar-rass you to —_#B129 with self-asswrance [D) You have the cool, Brase, Stree, cS PP seek -er of wis- dom and — truth; cr iP Yet, there's that turned (eee, chin, And the grin of im~pet- u - ous ka SP130 & religioso ¢ molto legato Oh, I be - lieve in you, ® sound good, sol- id judg-ment when - ev - er you pone ie i Sp Yet, there's the bold,131 brave spring of the feet gi ae eae ( he Strgs. SP ay “Trb., Hn, etigioso ¢ motto legato G] On, Tbe - tieve rrr Gelli, Bs. be ~ lieveyour hand grasp-ing mine og ten. ton. ten. GJ A tempo take heart... the cool, Br, 8133 seek-er of wis-dom and truths BP Yet, with the slam, tang rem-i - nis-cent of gin and ver - mouth, ie Sires. fe Bou, religiosoe molto legat Ob, 1 be = lieve |134 Got - ta stop that Strgs. 9%%y stop that man... i | 4 Stres.and Kazoos (Quasi clectr{e razor) ee = sy vw ir or hell stop me. PIERUREL135 bea-ver, Boil-ing hot with front of - fice fe-ver. Got~ ta stop, got ta stop, —got-ta stop that_man, poco retigéoso Don't let him i iWee ‘orese. poco a poco Stop that man, stop him, MEN. ‘orese. ovo a poco Calle, Tr. Lo timp, Bs! ve Stop that man, wen |" Stop that man, MEN Segue om ‘applause | |g@ 137 Tre got ta eSNG se a a that i hell stop FINCH: retigioso e molto legato be = lieve Tr Tbs. 7 7 aes ae TE pene138No. 27a INTO BOARD ROOM (Underscore) Segue directly from I Believe In You" tage Grave Piano f (Organ) Pade as BIGGLEY enters No.28 TV. ANNOUNCEMENT Cue: BOARD MEMBERS: We like it! 4 a Ts Piano z 2 TEV, ANNOUNCER: ‘The World Wide Wicket Company, whose slogan for over on bundred years hax nm J? = Sree "World Wide Wickets For A Wider World” proseats n Wvlng color» = ae > BE E ‘= 3 ‘Segue sos in the interest of better television programming... a Brass ‘The World Wide Wicket ‘Treasure Hunt. iNo.29 THE YO-HO-HO an Cue: TY, ANNOUNCER: Danced for your pleasure by the Jolly Wiekets and Wiekettes, Lento misterioso-In & Ha. -@ ca ‘Brushes on Gym. Piano Po [pe Gobi, Bo, Timp, PP 8. (intais)_ PJ Til tlie ATA EA ine Drums simile simileSlightly faster ee (Danvers shout) Yo - ho - ho! Brass, Saxes { Saxes, Vibes (Suxes, Electric Gtr. of‘Drum Solo-ad Lib. Tatehet b= Yaa Seri 8 ey a | TET Vibes mp Loo eee Ld Brass, Saxes148 Drom Solo~ ad lib. Saxes, VibesBrasiSaxes‘Dron [Solo Sexes, Vibew Slightly faster aon Sexes.© optionat & bar entNo.30 HEDYS FANFARE “7 Cuc: ANNOUNCER: The World Wide Wicket Treasure Girl! ae a Glalaiont | T PP Piano (under dialogue) B Fade on cue - HEDY: Fifty thousand in all, o0000...! s =.No. 30a Cue: HEDY: The first eluet GIRLS: The first elue! Bow, g e Sf Piano No.30b Cue: GIRLS: The first clue! Piano Sf Tat This ahesl ‘Trbs, Cell Saxes +Strge, Trem. THE FIRST CLUE DISASTERNo. 31 I BELIEVE IN YOU aay (Rosemary) cu: MISS JONES: Somebody's Rexd hay to roll! ROSEMARY: Ponty will think of something. Warmly -In 4 wort you Ponty? (fresty) You have the cL Piano Bs. seek -er of wis-dom and 7 truth; Yet there's that up-turned Vins, Cello i Ing And the grin of im-pet-w- ous youth. Vins. Colt |150 1 be = lieve Strgs. only subito P No. 82 DOOM © FINCH: I'm sory, Rosemary. I wish none of this hud ever happened, ROSEMARY: Ponty! (PRUMP standy in her way.) Doloroso -In 4 ‘Strgs. trem. ponticello ~ad lib. = Piano P accel. poco | « poco =. = Marche funtbre militaire ‘Timp. i P Se ow (On ewe: FRUMP: If I could only be sure! ‘Timp. fa. 18,7 a (aiatogue toneat cue)No. 33 BROTHERHOOD OF MAN aan Cue: WOMPER: About what? FINCH: Humanity. Rubato-In 4 FINCH: Now, you may join the Elks, my friend, And Piano Poigs.ta. P cotta voce I may join the Shrin - ers And oth-er men may car - ry cards As mem-bers of the 8 Din-ers. Still oth-ers wear a gold~en key, Or small Greek let-ter pin. But Marked tempo-In & FINCH tage yen task) I have learned there's one great club That all of us are There ols, a152 (lin 2 (ata Hoty Rollers) ee Droth=er = hood fe fi A_ be-nev-o-lent broth-er - hood ‘man; Brass lcupmuteslg. 3 IE le 7 ‘A no-ble tie that binds All bu-man hearts and minds = Tres. : — cls. [Sts In = to one broth - er - hood of a Your life - long rir i & mem-ber - ship. Keep & - giv-ing each L nem Os. x g “+ FR @ ‘that before you consider firing Mr. Biggley. In4 that ———— can. Oh, aren't Brass cup mutes) = . > fra - ter = ni ~ ty;— The great, Tbs, you to remember Brass(iinis) BIGGLEY: Who's fp a Wally, I know what's on your mind. ‘You'd like to clear out the whole crowd from top to bottom. But stop and think... (opoken) So, Wally, 1 want 158 you f dig.154 Rubato -In 1 man may seem in ~ com - pe - tent, An - oth = er not make sense, While oth -ers look like quite a waste a a broth - er’ lead -er-ship, So please dont do them need Ye PP Stree. v4) Marked tempo-In & They're MEN: mem-ber me-di = oc-ri-ty is not a mor-tal sin, We're Reeds = ‘Tybs. EP155 OD atempo MEN broth-er - hood Reeds — F MEN Ded - i-ca-ted to giv-ing a (cup mute) g r nf FINCH: Oh, aredt You proud to that fra = ter-ni — fy Tbs, great, big broth (Paxtonine! i i i156 WOMPER: (spoken) Esagety) No kid - ding! Is— tere veal-ly a © nyt,» ceed 2 we john On— the lev-el, A broth-er - hood ‘Oh yes, oh yess ¥ —==, | tie that binds hu-man hearts and minds187 Yes, Your life - tong Keop_ a ~ giv - in’ each MEN == broth-er all — Ob, aren't you B IP Miss JONES: You... you got me, Me... I got you 00, —___ MEN Proud to be— in that fra - ter-ni - ty;__ The great, big Reeds 4 tT att158 yourso.. MEN Os on, that no-ble feel-ing, Feels like bells. are peal ~ ing, a 5 i with dou-ble deal - ing; | : ilike that bells are peal - ing, no- ble feel - ing, SA dinjanichajomhajoamchn 1f ———_——— f Oh, broth - er! | a = =e a P Mie MEN You... : Me... I got you- 00, PAROS om) anma)omome160 youroo. — Brass = a La teN ble feeling, Feels like bells are peal -ingy M3. MEN deal - ing; | |you = 00.— Your fife - long Tbs, pi member - ship is Keep a giv-ing each’ Reeds Z Tptay | brother all | : ia ete proud tobe that fra = ter-ni ~ ty; great, big Reeds ° Br. ALL ALL Segue to applause vwNo. 34 MORE DOOM net Marche funebre militaire (Play 8 times) Timp, P a muffled 8.0 mf Cue: FRUMP: And you can't make me! mf No. 34a HALLELUJAH Cue: SMITTY: Rosemary, your husband is calling you. GIRS: HP Bal Piano Chimes:164 No. 35 FINALE Cus: BIGGLEY: Take a wire to the White House. “Watch Out!” Swing -In 2 Piano v4 ALL Ex - ec - w- tive Sigs. by ‘Ts. ‘Rubato -In & ALL o + kay Though for the de - part - ed we shed a strgs. trem., x x x WW., Trbs. TF é a = ees Tempo I-In2 ALL + the com - pa-ay fi-res, We me Brass, = 7 > __Sirgs! 7 if165 MEN Tp, only E—~ eee166 No. 36 BOWS _cast: o omis ‘Oh, arentt you proud tobe MEN Oh, arent you proud to be Sa: MEN Oh, aren't youproud to be Tyte) coms broth-er -hood MEN broth- er -hood MEN brother ~ hood str that fra ter~' that fra~ ter-ni-ty; that fra- ter-ni-ty; The The The great, big, great, big great, big ;168 No. 37 EXIT MUSIC Brass, Surebe ‘axesFine as a (or short exit musie) s— * 1 > ore ee a "For continuation ——— ———_Ratato = — ia =F Hine (for ahort «uit music) may be used; or segue on to continuation {f more music tv needed.a Saxes Bs. os 4¥Ins. ‘+1la, Brass 474